Carl Erickson Movies

Rudy Vallee made his third feature-film starring appearance in the breezy Warner Bros. musical Sweet Music. Vallee is appropriately cast as singer-bandleader Skip Houston, who falls in love with aspiring dancer Bonnie Haydon (Ann Dvorak). Though Bonnie feels the same way about Skip, the two leads indulge in a movie-long quarrel before the long-awaiting final clinch. This is one musical comedy where there's definitely more comedy than music, what with a chucklesome supporting cast including Ned Sparks, Allen Jenkins, Alice White and veteran vaudevillians Joseph Cawthorn and Al Shean (of "Gallegher and Shean" fame). Despite such heady competition, the film is stolen by the hilarious Frank and Milt Britton Band, a zany precursor to the Spike Jones aggregation. ~ Hal Erickson, All Movie Guide

Like many 1930s Warner Bros. films, Black Fury drew its inspiration from the headlines. The story is adapted from a true-life incident from 1929, wherein a striking Pennsylvania coal miner was beaten to death by three company detectives; this served as the focus for Henry R. Irving's stage play Bohunk as well as Judge M. A. Musmanno's story Jan Volkanik, both of which were woven into Black Fury's screenplay. Using a Polish accent so thick one can cut it with scissors, Paul Muni plays an illiterate miner, happy in his job and his company-town surroundings until his girl Karen Morley deserts him for policeman William Gargan. A disconsolate, drunken Muni stumbles into a labor meeting, where his loud, unthinking outbursts win him the leadership of the new miner's union. When the company locks out the strikers and brings in scabs, the angry miners hold the thick-headed Muni responsible. Fellow miner John Qualen, Muni's best friend, is then killed by a gang of rampaging hired goons. Vowing to "feex" the situation, Muni kidnaps head goon Barton MacLaine and takes him into the bowels of the mine with several sticks of dynamite in tow. Muni threatens to blow himself, MacLaine, and the mine to smithereens unless management comes to terms with the union. Thanks to overwhelming public support, the owners capitulate, and Muni is the hero of the hour. Though it seemed uncompromising in 1935, Black Fury obviously pulls its punches when seen today; for example, it is suggested that the mine owners are guiltless regarding violence against the strikers, laying blame on the hired detectives, who are shown to be in the employ of a crook who plays both sides against the other. Even allowing for this, Black Fury is one of the most powerful of Warners' "social conscience" films. Although the Academy gave Muni a Best Supporting Actor nod for this film, the AMPAS database indicates that it wasn't an "official nomination" - he was a write-in candidate, and came in second. ~ Hal Erickson, All Movie Guide

A battling married couple come to blows and afterwards the battered wife seeks legal council. This drama chronicles the events that take place afterwards. Her lawyer immediately suggests she divorce her pugnacious husband. During the proceedings she and the attorney fall in love and afterward marry. Unfortunately, though outwardly gentle, her new husband also smacks her around a bit. Meanwhile, the long-suffering wife secretly still loves her first husband. Eventually they reconcile. ~ Sandra Brennan, All Movie Guide

The Mystery of the Wax Museum begins in London in the 1920s. Lionel Atwill plays Ivan Igor, a brilliant sculptor who manages a wax museum. Regarding his historical creations as his friends, Igor refuses the entreaties of his business partner, Joe Worth (Edwin Maxwell), to turn his labor-of-love museum into a more profitable "house of horror." Worth responds by setting fire to the museum, hoping to collect the insurance; as Igor looks on in horror, his effigies of Marie Antoinette, Queen Victoria, et al. grotesquely melt to the floor. Flash-forward to 1933: New York City is plagued by several disappearances -- not only of live people, but of recently deceased corpses from the morgue. Hard-boiled girl reporter Florence Dempsey (Glenda Farrell) browbeats her long-suffering editor Jim(Frank McHugh) into investigating these disappearances. Florence rooms with Charlotte Duncan (Fay Wray), the girlfriend of Ralph Burton (Allen Vincent), who works as a technician at a new midtown wax museum. This about-to-open attraction is run by Igor, who had survived the London fire but is now confined to a wheelchair. Igor's old enemy Worth is also in New York, his fingers in several crooked pies. It appears to Florence (and the audience) that somehow Worth is involved in the recent rash of disappearances; the guilty party could also be playboy George Winton (Gavin Gordon), Florence's boyfriend, who is deeply in debt to Worth. But once Igor decides that Charlotte is the living image of Marie Antoinette, the audience becomes uncomfortably suspicious that all those incredibly life-like statues in his museum are actually the paraffin-coated bodies of the missing people. Igor tips his hand when a terrified Charlotte, promised "eternal life" by being "transformed" into an Antoinette effigy, begins punching and clawing at his face -- revealing his countenance to be a mask, covering his hideously burned and gnarled features. Thus, the stage is set for the climactic race to prevent the strapped-down Charlotte from being permanently encased in wax. Long thought lost, The Mystery of the Wax Museum was rediscovered in Jack Warner's personal film collection in 1970. Its two-color Technicolor had faded to the point of monochrome, but fortunately its original hues were preserved by dedicated AFI technicians. The film was remade (and considerably simplified) as the 1953 3-D extravaganza House of Wax, with Vincent Price in the Atwill role. ~ Hal Erickson, All Movie Guide

The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide