Robert Englund Movies
Robert Englund began his acting training at age 12, taking drama courses at the University of Oakland, U.C.L.A., California State-Northridge, the Michigan Academy of Dramatic Arts, and the Rochester, NY, branch of R.A.D.A. Englund made his first professional appearance in a Cleveland production of Godspell. His first film role was the bumptious backwoodsman Whitey in Buster and Billie (1974), after which he paid his dues in a series of villainous bit parts: shooting down Burt Reynolds at the end of Hustle (1975); beating up Kris Kristofferson in A Star is Born (1976); and so on. In 1984, he was cast as Willie, one of the few sympathetic Earth-invading extraterrestrials in the sci-fi TV miniseries V.Impressed by this performance, director Wes Craven buried Englund under several layers of latex and collodion and cast him as malevolent, mass-murdering wraith Freddy Krueger in A Nightmare on Elm Street (1984). The actor became an instant star, appearing in five Nightmare sequels, hosting a 1988 television spin-off, and basking in the glow of a plenitude of fan clubs. Although Freddy's only redeeming quality was his morbid sense of humor, Englund became an idol to the young, who emulated the actor each Halloween donning Freddy masks and plastic claws. Far from concerned that this idolatry might lead to delinquency, Englund allowed that he enjoyed playing Freddy, and felt pride at having created so memorable a screen persona. (In all fairness, he also emphasized to his most impressionable fans that it was all play-acting, and that his homicidal tendencies were strictly confined to the screen.) Unlike such horror icons of the past as Boris Karloff and Vincent Price, however, Englund was not able to shed his famous character's image when he wanted to move on to other roles. Outside of his Nightmare appearances, Englund's most significant credits were his one-shot directorial stint on the theatrical feature 976-EVIL (1988); his characterization of the title role in a medium-budget film adaptation of Phantom of the Opera (1989); and his hosting chores on the Craven-produced TV anthology Nightmare Café (1992). ~ Hal Erickson, All Movie Guide
Ex-crime reporter turned novelist Raymond St. Ives (Charles Bronson) is drawn back into the world of his former profession by wealthy Abner Procane (John Houseman). St. Ives is hired to locate a stolen set of ledgers that, if made public, could trigger an all-out mob war. Amazingly, St. Ives fails to recognize who his real friends and enemies are in the course of his investigation, and it takes all his mental and physical resources to keep from being exterminated. One of the characters who isn't all that she seems is sexy Janet Whistler (Jacqueline Bisset). While the "main" cast is serviceable, the lineup of future stars in minor roles (Daniel J. Travanti, Jeff Goldblum, Robert Englund, Michael Lerner) is fascinating. Based on The Procane Chronicle, a novel by Oliver Bleeck. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Bronson, John Houseman, (more)
In this offbeat comedy, Jeff Bridges plays Craig Blake, a rich kid who works with a group of hard-living Southern real-estate men led by Jabo (Joe Spinell), who are buying up a business district in Birmingham, Alabama in order to clear the space and put in a new project. Craig is supposed to work out a deal to buy the Olympic Spa, a gym popular with local weight-lifters, but after spending some time at the club, Craig finds himself fascinated with the people there, especially Joe Santo (Arnold Schwarzenegger), a world-class body builder from Austria who sometimes works out in a superhero costume and likes to play bluegrass fiddle to relax. Craig also makes the acquaintance of Mary Tate Farnsworth (Sally Field), a feisty gal who hangs out with Joe. Mary Tate finds Craig attractive, but she isn't sure he's being all that sincere, and she wonders why a wealthy real estate man is hanging out with a bunch of low-rent gym rats. Stay Hungry was a critical comeback for director Bob Rafelson and kick-started the careers of both Sally Field and Arnold Schwarzenegger in their first major film roles (unless you count Arnold's misbegotten appearance as "Arnold Strong" in Hercules In New York). ~ Mark Deming, All Movie Guide
- Starring:
- Jeff Bridges, Sally Field, (more)
Director Tobe Hooper's follow-up to The Texas Chainsaw Massacre presents yet another Southern-fried psycho (this time in Louisiana) in the form of a scripture-mumbling, one-legged cracker named Judd (Neville Brand). The proprietor of a seedy bayou inn, Judd keeps a pet gator in the nearby swamp, to which he frequently tosses the remains of his unfortunate victims -- including anyone who offends his delicate sensibilities. One such casualty is Harvey Wood (Mel Ferrer), arriving at Judd's hotel in search of his missing daughter... who, unbeknownst to her old man, has already met her own doom courtesy of the scythe-wielding madman. Other patrons include one of the most annoying families on record -- with Chainsaw veteran Marilyn Burns as the strangely-bewigged mom, William Finley as the browbeaten husband and future Halloween tyke Kyle Richards as the endlessly-shrieking daughter (whose adorable puppy becomes a light gator-snack). Nightmare on Elm Street fans can spot a young, pre-Freddy Robert Englund in a small role as a lecherous cracker. Originally titled Death Trap and known by many aliases, including Starlight Slaughter, Horror Hotel Massacre and Legend of the Bayou. ~ Cavett Binion, All Movie Guide
- Starring:
- Neville Brand, Mel Ferrer, (more)
Not everything Henry Fonda did was Grapes of Wrath or Mister Roberts. In the enjoyable low-budget "road" flick The Great Smokey Roadblock, Fonda plays a worn-out trucker named Elegant John. Anxious to make one last, big haul before retiring, Fonda loses his 18-wheeler to the repo men. He steals his rig back, then further thumbs his nose at the law by hauling a group of prostitutes across the border as a favor to his old flame, bordello madam Eileen Brennan. This rollicking film ends on an unexpected--but logical within the framework--tragic note. Filmed in 1974, The Great Smokey Roadblock lay on the shelf for nearly two years. Despite a plethora of illnesses, Fonda is in fine fettle, delivering one of his sprightliest latter-day performances. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Eileen Brennan, (more)
The third remake of the 1932 drama What Price Hollywood?, this adaptation of A Star Is Born moved the story into the mid-1970's and changed the milieu from the movie business to pop music. John Norman Howard (Kris Kristofferson) is a rock star whose career has peaked; he is numbed by booze and cocaine, his music has lost its edge, and his performances have become painfully haphazard. One night, after a concert, he stumbles into a club where he sees a singing group fronted by Esther Hoffman (Barbra Streisand). John likes what he hears and loves what he sees; he tries picking her up, but soon realizes if he wants to see her, he'll have to ask her out on an actual date. He does, and before long the two become involved, although Esther has trouble with John's rock star lifestyle. One night, a typically burned-out John lets Esther sing a few songs at one of his shows; before long she's the talk of the record business. While Esther's star begins to rise, John's continues to sink, and while she desperately tries get John to clean up and focus on his music, it may be too late to save him. The song "Evergreen" earned this film an Academy Award for Best Song; the credits contain the amusing notice, "Ms. Streisand's Clothes from ... Her Closet." ~ Mark Deming, All Movie Guide
- Starring:
- Barbra Streisand, Kris Kristofferson, (more)
Director Robert Aldrich (The Longest Yard) re-unites with Burt Reynolds for this hard-edged neo-noir. Lieutenant Phil Gaines (Reynolds) is a cynical Los Angeles police detective amorously involved with an icewater-veined Parisian call girl, Nicole Britton (Catherine Deneuve). On the job, he begins to investigate the shady death of a teenage girl that appears to lead straight to Leo Sellers (Eddie Albert), an attorney with a frightening number of connections. The problem is, Nicole herself has a direct connection to the case - Leo is one of her clients. Meanwhile, Marty Hollinger (Ben Johnson), the victim's father, decides to undertake a grassroots investigation of his own - little realizing that his seemingly murdered daughter was in up to her neck with prostitution, porno movie acting, and dancing as a stripper, facts which suggest that she may have offed herself. ~ Paul Brenner, All Movie Guide
- Starring:
- Burt Reynolds, Catherine Deneuve, (more)
- 1974
- R
In this coming-of-age movie from 1974 that mines the same territory as Summer of '42 and Class of '44, Joan Goodfellow plays Billie, an obliging blonde more than willing to dispense sexual favors for a group of horny high schoolers in rural Georgia of 1948. The only member of the high school group that doesn't seek out Billie is Buster (Jan-Michael Vincent), who is faithful to his fiancee, Margie (Pamela Sue Martin). But when Margie insists on preserving her virginity until their wedding day, Buster joins the crowd and seeks out Billie himself. Buster is so taken with her that he begins to openly date her. Because of their relationship, Billie has changed but the townspeople and the high school students react with disdain when they see Buster and Billie holding hands. The disdain turns to hate, then to violence. ~ Paul Brenner, All Movie Guide
- Starring:
- Jan-Michael Vincent, Joan Goodfellow, (more)
- 1974
- R
In this violent drama, two hippies head for the wilds of California to find a good buddy and end up assaulted and raped by two terrifying woodsmen. ~ Sandra Brennan, All Movie Guide
