Mort Engelberg Movies

A pair of naive documentarians find themselves in over their heads when they agree to finish an "art film" for the head of a local public television station in exchange for a chance to direct a documentary on Indian farming techniques. Comical situations ensue when they discover that "Halloween in the Bunker," is really a porno film detailing the sexual practices of the Nazis. ~ Sandra Brennan, Rovi

This horror-comedy sequel finds the teen protagonist of Fright Night being terrorized by the undead sister of the vampire he killed in the original film. Two years after the death of bloodsucker Jerry Dandridge, young Charley Brewster (William Ragsdale) has settled into life as a college student and rejected his former belief in the existence of vampires. Although he's busy pursuing the affections of determined coed Alex (Traci Lind), Charley soon falls under the spell of the mysterious and alluring Regine (Julie Carmen). Although everything about the woman screams vampire, her feminine charms -- and her claims of being nothing but an outlandish performance artist -- lead Charley to become her unwilling servant. Torn between Regine's enchantments and his loyalty to Traci, the youth again looks for help from Peter Vincent (Roddy McDowall), the washed-up horror-show host who assisted him in the first film. Soon, Charley, Peter, and Traci are facing off against a coven of picturesque bloodsuckers led by Regine, who reveals herself to be the ancient sister of Jerry Dandridge. Directed and co-written by John Carpenter colleague Tommy Lee Wallace, Fright Night Part 2 includes a co-writing credit for Pretty Woman scribe Stephen Metcalfe and cinematography from Mark Irwin, who has worked with everyone from David Cronenberg to the Farrelly brothers. ~ Brian J. Dillard, Rovi

Penelope Spheeris, director of the infamous documentary The Decline of Western Civilization may well have given the world its first punk-rock Western in the form of Dudes, a sort of Suburbia meets High Noon meets Deliverance. Three East Coast punks (Jon Cryer, Daniel Roebuck, and Flea of the Red Hot Chili Peppers) opt to leave behind the filth and gloom of New York City to become modern-day pioneers on the trail to California; that is, until a gang of redneck road warrior-types led by Lee Ving (of the punk band Fear) waylay the trio and kill Flea in a fashion brutal enough to justify the inevitable retribution. After their pleas to the local sheriff fall on deaf ears, Cryer and Roebuck decide instead to follow the law of the West and serve their own brand of justice as what appear to be a bondage-oriented cowboy and a squirrel on steroids. While the plot seems contrived and asinine, the violence often gratuitous, and the characters paper-thin, Spheeris nonetheless manages to create a likeable and highly watchable -- if often silly -- film. Cryer and Roebuck do the best they can with the material, Ving plays an adequately loathsome villain, and Flea lends a glimpse of his acting ability by offering a convincing portrayal of a dead body. Nowhere near being the time capsule that is The Decline of Western Civilization, Dudes still offers some insight into the punk subculture of the '80s. Spheeris later directed the hugely successful Wayne's World as well as The Decline of Western Civilization II: The Metal Years. ~ Jeremy Beday, Rovi

A U.S. senator who is planning an upcoming election instructs his aid to escort his troublesome daughter to a reform school so he will not be embarrassed during the campaign. The aid (Martin Sheen), with the company of his friend (Alan Ruck), set off on a road trip with the headstrong daughter (Kerri Green) and find their hands full in this light comedy. ~ Kristie Hassen, Rovi

Sportswriter Frank Deford wrote the screenplay to this romantic melodrama about a washed-up baseball pitcher and a second-rate lounge singer. Vinnie (Raul Julia) is the veteran hurler who has just been cut in spring training by the Boston Red Sox. He stops off at a hotel where Donna (Beverly D'Angelo) is singing in the lounge. Donna's baseball-loving daughter Yvonne (Jenny Lewis) recognizes Vinnie from her baseball card collection and is convinced he should be her new daddy. After an initial misunderstanding, Donna and Vinnie resolve their differences, but Yvonne's wealthy grandfather Robert (Parris Buckner) threatens to gain custody of the little girl. Vinnie and Donna leave with Yvonne, who forges a $10,000 check of her grandfather's so the trio can escape. Vinnie again makes the rounds in Florida in hopes of making one last comeback in the majors. ~ Dan Pavlides, Rovi

Ever since the "Topper" movies made ghosts likeable and helpful, films like The Heavenly Kid have taken up the theme with varying degrees of success. In this version of life after death, Bobby (Lewis Smith) is a teen who dies in a drag race as he goes over a cliff. He then enters a curious "mass transit" system that will not take him "uptown" until he returns back to earth and gains a little more virtue. And so Bobby is assigned the thankless task of converting Lenny (Jason Gedrick) into a self-confident individual who can date women without fear (not exactly on a par with bringing peace to the world, but this is a teen movie). There are some twists and turns along the way, though nothing shakes up the status quo or ventures beyond the already imagined. ~ Eleanor Mannikka, Rovi

Steve McQueen's last film concerns a modern day bounty hunter who searches for bail jumpers. Based on real life bounty hunter Ralph "Papa" Thorson, the film details his exciting life, traveling from one city to another, trying to track down fugitives and continually risking his life in the process. Buzz Kulik directed the confusing mish-mash that, nevertheless, features stunt work that anticipates the Lethal Weapon series. ~ Paul Brenner, Rovi

In this comedy a trio of undercover government cops in Miami decide that it would be a good idea to open a bogus fencing operation so they can trap criminals. When the crooks find out, trouble ensues and the fun begins. ~ Sandra Brennan, Rovi

"Smokey," aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times. Already in danger of arrest from redneck lawmen like Buford T. Justice, Bandit furthers his chances at a stiff jail term when he offers a ride to Carrie, who hopes to escape her unwanted wedding to Justice's boy. The rest of the film is one long chase; not quite as subtle as a Road Runner/Coyote cartoon, not quite as restrained as a Three Stooges comedy. Universally panned by critics upon its first release, Smokey and the Bandit reportedly pulled in just under $126 million and led to two sequels. ~ Hal Erickson, Rovi