Robert Elswit Movies

A reporter (Ewan McGregor) delves into the world of experimental psychic U.S. military units during the Iraq War in this adaptation of the Jon Ronson book The Men Who Stare at Goats. George Clooney, Kevin Spacey, and Jeff Bridges star in the Smoke House/BBC Films production. ~ Jeremy Wheeler, All Movie Guide

Tim Allen and Chiwetel Ejiofor co-star in writer/director David Mamet's martial arts drama Redbelt. Ejiofor plays Mike Terry, a jujitsu master who co-runs a very modest martial arts studio in Los Angeles with his bossy wife, Sondra (Alice Braga). Mike demonstrates an unwavering commitment to his craft and draws a cadre of defiantly loyal pupils including Joe (Max Martini), an LAPD cop. All told, it appears that he has chosen a peaceful and conflict-free path in life. The dedicated martial artist's fate takes an unanticipated turn, however, one evening when a young woman named Laura (Emily Mortimer) bursts into the academy in a state of near hysteria, and reaches for a policeman's gun when he tries to restrain her. One thing leads to another, and before long, Laura is regularly receiving martial arts lessons from Mike. As master begins to teach pupil and his martial arts philosophies emerge, his path also crisscrosses with that of a Hollywood movie star, Chet Frank (Tim Allen), when he saves the fellow from a beating at a local club and gets invited (along with Sondra) to Chet's house for dinner. Chet extends gestures of friendship, and Mike's guard breaks down; he speaks openly and candidly of a special martial arts method he employs that requires one of the participants to "assume a handicap." In time, the association with Chet leads to involvement in the motion-picture industry, and relations with a bevy of characters who aren't exactly what they seem -- including a pay-per-view fight mogul (Ricky Jay) and Chet's slimy and manipulative manager (Joe Mantegna). ~ Jason Buchanan, All Movie Guide

Writer-director Paul Thomas Anderson steps outside his contemporary world of dysfunctional Angelenos to explore a very different dysfunctional man -- an oil pioneer whose trailblazing spirit is equaled only by his murderous ambition. There Will Be Blood is Anderson's loose adaptation of the novel Oil! by Upton Sinclair, and it focuses its attentions on Daniel Plainview (Daniel Day-Lewis), a miner who happens upon black gold during a disastrous excavation that ends in a broken leg. Pulling himself up from the bowels of the earth, both literally and metaphorically, Plainview embarks on a systematic and steadfast approach to mastering the oil business. Using plain-spoken and straightforward language, Plainview launches a campaign to convince small-town property owners they should let him drill their land. Without him, they won't have the equipment to access the profit beneath their feet. He builds an empire this way -- and gradually becomes obsessed with the intrinsic value of power, growing increasingly irascible and paranoid in the process. Plainview meets his match in Eli Sunday (Paul Dano), a teenage preacher in the small California town of Little Boston, whose brother tipped Plainview off to the town's plentiful supply of untapped oil. To fully reap the benefits of the land, Plainview must suffer the opposing whims of this "prophet," whose legitimacy is questionable at best. And it's unclear if either man is prepared to pay the humiliating price the other wants to exact. There Will Be Blood features an anachronistic soundtrack by Radiohead's Jonny Greenwood, and it was shot in the same town where the James Dean epic Giant was filmed. ~ Derek Armstrong, All Movie Guide

The President of the United States (Dennis Quaid) seems to be having a nervous breakdown after picking up a newspaper for the first time in four years, and when his Chief of Staff (Willem Dafoe) determines to get the Commander in Chief out of his pajamas and back into the spotlight, the stage is set for a talent contest that the nation will never forget. To President Staton, the world is a fairly black-and-white place, but a glance at the daily headlines on the eve of his reelection leaves the most powerful man in the free world shaken to the very core. Now determined to read as much as possible in order to best assess the opinions of the general public, President Staton locks himself away and obsessively begins taking in as much information as humanly possible. With concern about the President's mental health soon taking precedence over all other issues in the White House, his nervous Chief of Staff attempts to get the Commander in Chief back in the public eye by booking him as a guest judge on television's top-rated talent show, "American Dreamz." A weekly ratings juggernaut hosted by self-loathing celebrity Martin Tweed (Hugh Grant), "American Dreamz" cashes in on the dominant culture of celebrity by affording everyday Americans the opportunity to be catapulted into stardom. As "American Dreamz" hopefuls Sally (Mandy Moore) and Omer (Sam Golzari) progress to the final round and the President takes his seat on the panel, an unexpected revelation about one of the finalists promises to make this season finale the biggest ratings grabber in television history. ~ Jason Buchanan, All Movie Guide

Oil drives greed in Oscar-winning Traffic screenwriter Stephen Gaghan's labyrinthine sophomore directorial effort that traces the corruption of the global oil industry from the backrooms of Washington, D.C., to the petroleum-rich fields of the Middle East. Based in part on the writings of former CIA case officer Robert Baer, Syriana combines multiple storylines to explore the complexities that befall a proposed merger between two U.S. oil giants. Reform-minded Gulf country prince Nasir (Alexander Siddig) is in favor of making his nation more self-sufficient rather than U.S.-reliant, and his money-minded Western connections couldn't be less pleased. Before settling into a cushy desk job for the remainder of his career, CIA agent Bob Barnes (George Clooney) is sent on one last assignment -- to assassinate Prince Nasir and reinstate U.S. ties in the oil-rich region. Though his loyalty dictates that Barnes carry out his current mission despite lingering doubts of a previous blunder, his mission goes horribly awry when his field contact goes turncoat and Barnes becomes a CIA scapegoat. Meanwhile, up-and-coming Washington attorney Bennett Holiday (Jeffrey Wright) attempts to walk a fine line in overseeing a tenuous merger between two oil giants that's plagued with shady business dealings. Hotshot energy analyst Bryan Woodman (Matt Damon) is in talks to form a lucrative partnership with Prince Nasir, though the death of his son during a party at the prince's estate makes him question his loyalty to business over family. Back in Washington, D.C., Bennet's boss Dean Whiting attempts to undermine Prince Nasir's attempts to make his country less reliant on the U.S. dollar by planting the seeds of dissonance between the progressive prince and his money-minded younger brother Prince Meshal (Akbar Kurtha). ~ Jason Buchanan, All Movie Guide

Three people attempt to bend justice for their own purposes in this drama based on the best-selling novel by John Grisham. After a man dies in a shooting incident, his wife files a lawsuit against the company that manufactured the gun, with her lawyer, Wendell Rohr (Dustin Hoffman), arguing that the firm in question knew the shop which sold the weapon was not following federal regulations pertaining to the sale of firearms. As the case goes to trial, the firearm manufacturer is taking no chances on the outcome of a potentially devastating case, and they hire as part of their legal team Rankin Fitch (Gene Hackman), a "jury consultant" who makes it his business to see that he knows enough about the jurors to be able to guarantee the result of the trial. Fitch and his team have learned incriminating secrets about nearly everyone hearing the evidence, but Fitch discovers two factors he wasn't counting upon -- Nick Easter (John Cusack), the jury member who appears to have an agenda all his own, and Marlee (Rachel Weisz), a mysterious woman who has her own plans regarding bending the jury to her will. Bruce Davison, Jeremy Piven, and Bruce McGill round out the supporting cast. Incidentally, in John Grisham's original book, the case was filed against a cigarette manufacturer, but the producers opted to adjust the story after several real-life trials against tobacco companies. ~ Mark Deming, All Movie Guide

Adam Sandler and Emily Watson star in Punch-Drunk Love, an odd romantic comedy from gifted young director Paul Thomas Anderson. Sandler plays Barry Egan, a shy sad-sack with a great deal of repressed anger that occasionally bursts forth in sudden violent outrages, who falls in love with Lena Leonard (Emily Watson), a co-worker of one of Barry's seven sisters. After calling a phone-sex line, Barry is extorted by bad-guy Dean Trumbell (Anderson regular Philip Seymour Hoffman), who eventually sends four goons to assault Barry and get the money. This film was screened in competition at the 2002 Cannes Film Festival, where Paul Thomas Anderson was named Best Director. ~ Perry Seibert, All Movie Guide

This long-delayed science fiction thriller from director Gary Fleder was actually filmed prior to his box-office hit Don't Say a Word (2001), which preceded it in theaters by several months. Based on a 1953 short story by Philip K. Dick, the film shares that schizophrenic author's long-running obsessions with concealed identity and humanity's potential inferiority to alternative life forms. Gary Sinise stars as Spencer John Olham, a respected government scientist in the year 2079 trying to devise a secret weapon that will help his fellow humans win a decade-long war with invading aliens that are cloning human subjects and using the replicas as walking time bombs. Suddenly, Olham is accused of being an alien spy and a nationwide manhunt to capture him ensues. With even his doctor wife (Madeleine Stowe) unsure that she can trust him, Olham must uncover the truth on his own, even as he's relentlessly pursued by Hathaway (Vincent D'Onofrio), a federal agent charged with destroying the clones. Imposter has a complicated history, originally produced in early 2000 as a 30-minute short to be included in an anthology entitled "The Light Years Trilogy," a project that never got off the ground. So impressed was Dimension Films with the completed piece, however, that the footage was incorporated into a new feature version. That film was then shuffled around the release schedule for more than a year as effects were completed, reshoots were ordered, and the film was recut for a PG-13 rating instead of its original R. The R-rated "director's cut" was later released on DVD. ~ Karl Williams, All Movie Guide

Tom Welles (Nicolas Cage) is a surveillance expert on the rise. He's living the American dream with a wife, Amy (Catherine Keener), infant daughter, and a house in the suburbs of Harrisburg, Pennsylvania. After the completion of an assignment for a U.S. Senator, Welles is summoned to the house of a recently deceased captain of industry. His widow, in settling his estate, has discovered an 8MM film in her late husband's private safe. The silent short depicts the apparent murder of a young woman by a large, masked figure, what is known as a "snuff" film. Greatly disturbed by the film's contents, the widow hires Welles to find the identity of the woman and determine if she is still alive. Welles finds the girl's identity and follows her trail from the time she ran away from home to Hollywood. Once there, Welles meets adult bookstore clerk Max California (Joaquin Phoenix) to act as Virgil to Welles' Dante. As the two begin their descent into the world of underground pornography, the detective grows more and more distant from his family, as if he cannot shake the taint of the world in which he now walks. Tom and Max eventually meet pornographers Dino Velvet (Peter Stormare) and Eddie Poole (James Gandolfini). By this time the detective finds he can no longer walk out of the inferno. ~ Ron Wells, All Movie Guide

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, All Movie Guide

Boys is a coming-of-age tale about an addled prep school student who nurses a woman back to health after an accident and becomes involved in her cryptic past. John Baker Jr. (Lukas Haas) is a tormented high school senior outcast who's weary of his upper-crust boarding school life and dreads his future as a supermarket chain manager. When he finds Patty Vare (Winona Ryder) unconscious in a field after being thrown from a horse, Baker sees this as an opportunity to break out of his humdrum existence, and he smuggles her into the school to take care of her. The relationship blooms into a somewhat bizarre love affair, as John discovers that Patty is concealing a mysterious secret involving a missing baseball player and a stolen car. Although the film takes a little time to get started, what originates as an analysis of guarded youths making foolish judgments evolves into a celebration of adolescent insurrection. ~ Don Kaye, All Movie Guide

This dark comedy is a clever homage to classic generation gap comedies such as The Graduate (1967), The Last Picture Show (1971) and The Big Chill (1983), filtered through an ironic Generation X lens. Tom Thompson (David Schwimmer) is unemployed and aimless, hovering between childhood and adult responsibilities. A year out of college, Tom can't land a decent job -- he still lives with his mother in Brooklyn. He receives a call from Ruth Abernathy (Barbara Hershey), who informs Tom that her son Bill, Tom's best friend in high school, has killed himself. She wants Tom to deliver the eulogy and serve as a pallbearer, and flustered, Tom agrees, though he has no recollection of Bill. After delivering a lackluster eulogy, Tom meets the grieving Ruth and begins an impulsive affair with her. He also encounters Julie DeMarco (Gwyneth Paltrow), a beautiful classmate for whom he's long carried a torch. Although Julie at first mistakes Tom for someone else, they begin dating, while he keeps his relationship with Ruth a secret. First-time writer-director Matt Reeves work-shopped the script for The Pallbearer with writing partner Jason Katims at the Sundance Institute. Reeves went on to create the TV series Felicity. ~ Karl Williams, All Movie Guide