Hadda Brooks Movies

1995  
R  
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Sean Penn wrote and directed this tale of loss, guilt, and revenge. The daughter of Freddy and Mary Gale (Jack Nicholson and Anjelica Huston) was killed by a drunk driver, John Booth (David Morse). The death of their child took a heavy toll on the Gales; their marriage broke up, and, while Mary has remarried and attempted to put her life back together, Freddy has become an embittered alcoholic, seething with directionless rage and searching for a purpose in life. Freddy intends to kill Booth as soon as he's released from prison, as he believes that jail was not a severe enough punishment for his daughter's death. But Freddy discovers that Booth is still wracked with guilt for his crime and can barely live with himself. He tells Booth that he has three days left to live; Booth tries to find solace in the arms of artist Jojo (Robin Wright), while Freddy continues to wallow in alcohol and self-pity at a strip club. The Crossing Guard also features an original song by Bruce Springsteen; Penn's previous directorial outing, The Indian Runner, was loosely based on a Springsteen song from his album Nebraska. ~ Mark Deming, All Movie Guide

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Starring:
Jack NicholsonDavid Morse, (more)
1950  
NR  
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A haunting work of stark confessionalism disguised as a taut noir thriller, In a Lonely Place -- Nicholas Ray's bleak, desperate tale of fear and self-loathing in Hollywood -- remains one of the filmmaker's greatest and most deeply resonant features. It stars Humphrey Bogart as Dixon Steele, a fading screenwriter suffering from creative burnout; hired to adapt a best-selling novel, instead of reading the book itself he asks the hat-check girl (Martha Stewart) at his favorite nightclub to simply tell him the plot. The morning after, the girl is found brutally murdered, and Steele is the police's prime suspect; however, the would-be starlet across the way, Laurel Gray (Gloria Grahame), provides him with a solid alibi, and they soon begin a romance in spite of Gray's lingering concerns that the troubled, violent Steele might just be a killer after all. During production, Ray's real-life marriage to co-star Grahame began to crumble, and his own vulnerability and disillusionment clearly inform the picture; the brooding, bitter Steele -- a role ideally suited to Bogart's wounded romanticism -- is plainly a doppelganger for Ray himself (the site of his first Hollywood apartment is even employed as the set for Steele's home), and the film's unflinching examination of the character's disintegration makes for uniquely compelling viewing. ~ Jason Ankeny, All Movie Guide

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Starring:
Humphrey BogartGloria Grahame, (more)
1947  
 
If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide

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Starring:
Turhan BeyGeorge Brent, (more)

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