Michael Edmonds Movies

The legends of Sherwood Forest get turned on their head in this collection of episodes from the British comedy series Maid Marian and Her Merry Men, in which Marian (Kate Lonergan) is a take-charge gal who leads a band of noble thieves and Robin of Kensington (Wayne Morris) is her cowardly lackey. This video release features the first three episodes of the series: "How the Band Got Together" (which explains how Marian came to meet her partners in crime), "Robert the Incredible Chicken" (in which Robin, a poor hand with a bow and arrow, is challenged to an archery competition), and "A Game Called John" (which finds King John, played by Forbes Collins, deciding to spruce up his public image). ~ Mark Deming, Rovi

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi

Michael Winner ups the ante once again in Death Wish 3. Any pretense of Paul Kersey (Charles Bronson) having a career in architecture is completely gone. Kersey's new career appears to be as a professional vigilante, blowing away muggers, rapists and thieves off the mean streets -- or as he terms it "thinning the herd." Back in New York City, Kersey, with his usual luck, arrives just in time to find an old friend dying after a vicious beating by a multi-cultural gang of thugs. The cops arrest Kersey, but it just so happens that police chief Richard S. Shriker (Ed Lauter) is like Kersey with a badge: "I'm the law, and that means I get to violate your civil rights." He makes a deal with Kersey: he can go free as long as he keeps the cops informed of his death counts. Kersey grunts in agreement and proceeds to move into a decaying tenement building in the middle of a bombed out gang war zone. The building is populated by a group of elderly tenants who are terrified by the neighborhood gang warfare. Kersey declares his own personal war on the neighborhood gang, led by a frenzied leader named Fraker (Gavan O'Herilhy), who wears a reverse Mohawk hair-style. As Kersey devises booby traps and trip-wire bombs to confound the gang, the senior citizens gleefully take pot shots at the wounded gang members from their windows. ~ Paul Brenner, Rovi

In the final episode of the Star Wars saga, Han Solo (Harrison Ford) emerges intact from the carbonite casing in which he'd been sealed in The Empire Strikes Back. The bad news is that Solo, together with Luke Skywalker (Mark Hamill) and Princess Leia (Carrie Fisher), is prisoner to the grotesque Jabba the Hutt. But with the help of the charismatic Lando Calrissian (Billy Dee Williams), our heroes and our heroine manage to escape. The next task is to rid the galaxy of Darth Vader (body by David Prowse, voice by James Earl Jones) and the Emperor (Ian McDiarmid), now in command of a new, under-construction Death Star. On the forest moon Endor, the good guys enlist the help of a feisty bunch of bear-like creatures called the Ewoks in their battle against the Empire. ~ Hal Erickson, Rovi

Heroic earthling Flash Gordon saves the world from the nefarious Ming the Merciless in this lavish, intentionally campy adaptation of the famous sci-fi comic strip. The story is as basic as space operas get: Ming (Max von Sydow) has developed a plan to destroy the Earth, and Flash (Sam J. Jones) and his attractive companion, Dale Arden (Melody Anderson), are called upon to stop him. Along the way, Flash must battle Ming's goons and the temptations of a luscious space princess. Previously the basis for a more straight-faced 1930s adventure serial, Flash's story is mined here for exaggerated, cartoon humor by screenwriter Lorenzo Semple Jr., a central figure in the similarly campy '60s Batman television series. The simplistic plot mainly serves as an excuse for spectacular sets and cartoonish action sequences, all set to an appropriately over-the-top rock score by Queen. Certainly not a film to turn to for serious excitement, fine performances, or character development, Flash Gordon has nevertheless developed an appreciative cult of fans who admire the film's humorous approach and the detailed, colorful production design. ~ Judd Blaise, Rovi