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Clint Eastwood Movies

With his rugged good looks and icon status, Clint Eastwood was long one of the few actors whose name on a movie marquee could guarantee a hit. Less well-known for a long time (at least until he won the Academy Award as Best Director for Unforgiven), was the fact that Eastwood was also a producer/director, with an enviable record of successes. Born May 31, 1930, in San Francisco, Eastwood worked as a logger and gas-station attendant, among other things, before coming to Hollywood in the mid-'50s. After his arrival, he played small roles in several Universal features (he's the pilot of the plane that napalms the giant spider at the end of Tarantula [1955]) before achieving some limited star status on the television series Rawhide. Thanks to the success of three Italian-made Sergio Leone Westerns -- A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966) -- Eastwood soon exchanged this limited status for bona fide international stardom.

Upon his return to the U.S., Eastwood set up his own production company, Malpaso, which had a hit right out of the box with the revenge Western Hang 'Em High (1968). He expanded his relatively limited acting range in a succession of roles -- most notably with the hit Dirty Harry (1971) -- during the late '60s and early '70s, and directed several of his most popular movies, including 1971's Play Misty for Me (a forerunner to Fatal Attraction), High Plains Drifter (1973, which took as its inspiration the tragic NYC murder of Kitty Genovese), and The Outlaw Josey Wales (1976). Though Eastwood became known for his violent roles, the gentler side of his persona came through in pictures such as Bronco Billy (1980), a romantic comedy that he directed and starred in.

As a filmmaker, Eastwood learned his lessons from the best of his previous directors, Don Siegel and Sergio Leone, who knew just when to add some stylistic or visual flourish to an otherwise straightforward scene, and also understood the effect of small nuances on the big screen. Their approaches perfectly suited Eastwood's restrained acting style, and he integrated them into his filmmaking technique with startling results, culminating in 1993 with his Best Director Oscar for Unforgiven (1992). Also in 1993, Eastwood had another hit on his hands with In the Line of Fire. In 1995, he scored yet again with his film adaptation of the best-selling novel The Bridges of Madison County, in which he starred opposite Meryl Streep; in addition to serving as one of the film's stars, he also acted as its director and producer.

Aside from producing the critical and financial misstep The Stars Fell on Henrietta in 1995, Eastwood has proven to be largely successful in his subsequent efforts. In 1997, he produced and directed the film adaptation of John Berendt's tale of Southern murder and mayhem, Midnight in the Garden of Good and Evil, and he followed that as the director, producer, and star of the same year's Absolute Power, 1999's True Crime, and 2000's Space Cowboys. With Eastwood's next movie, Blood Work (2002), many fans pondered whether the longtime actor/director still had what it took to craft a compelling film. Though some saw the mystery thriller as a fair notch in Eastwood's belt, many complained that the film was simply too routine, and the elegiac movie quickly faded at the box office.

If any had voiced doubt as to Eastwood's abilities as a filmmaker in the wake of Blood Work, they were in for quite a surprise when his adaptation of the popular novel Mystic River hit screens in late 2003. Featuring a stellar cast that included Sean Penn, Tim Robbins, and Kevin Bacon, Mystic River was a film that many critics and audiences cited as one of the director's finest. A downbeat meditation on violence and the nature of revenge, the film benefited not only from Eastwood's assured eye as a director, but also from a screenplay (by Brian Helgeland) that remained fairly faithful to Dennis Lehane's novel and from severely affecting performances by its three stars -- two of whom (Penn and Robbins) took home Oscars for their efforts.

With Eastwood's reputation as a quality director now cemented well in place thanks to Mystic River's success, his remarkable ability to craft a compelling film was nearly beginning to eclipse his legendary status as an actor in the eyes of many. Indeed, few modern directors could exercise the efficiency and restraint that have highlighted Eastwood's career behind the camera, as so beautifully demonstrated in his 2004 follow-up, Million Dollar Baby. It would have been easy to layer the affecting tale of a young female boxer's rise from obscurity with the kind of pseudo-sentimental slop that seems to define such underdog-themed films, but it was precisely his refusal to do so that ultimately found the film taking home four of the six Oscars for which it was nominated at the 77th Annual Academy Awards -- including Best Director and Best Picture.

Eastwood subsequently helmed two interrelated 2006 features that told the story of the Battle of Iwo Jima from different angles. The English-language Flags of Our Fathers relayed the incident from the American end, while the Japanese-language Letters from Iwo Jima conveyed the event from a Japanese angle. Both films opened to strong reviews and were lauded with numerous critics and industry awards, with Letters capturing the Golden Globe for Best Foreign Language film before being nominated for a Best Picture Academy Award. Nowhere near slowing down, Eastwood would direct and star in the critically acclaimed Gran Torino, as well as helming critical favorites like Invictus, the Changeling, Hereafter, and J. Edgar, racking up numerous awards and nominations.

A prolific jazz pianist who occasionally shows up to play piano at his Carmel, CA restaurant, The Hog's Breath Inn, Eastwood has also contributed songs and scores to several of his films, including The Bridges of Madison County and Mystic River. Many saw his critically championed 1988 film Bird, starring Forest Whitaker (on the life of Charlie "Bird" Parker), as the direct product of this interest. Eastwood also served as the mayor of Carmel, CA, from 1986 until 1988. ~ Bruce Eder, Rovi
1986  
R  
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Having spent much of his directorial career emulating Don Siegel and John Ford, Clint Eastwood borrows a page from the catalogue of Sam Fuller in Heartbreak Ridge. Eastwood casts himself as an old-fashioned Marine Corps sergeant who is out of step with the new-fashioned military. He returns to his old outfit as a gunnery sergeant, where he runs afoul of 1980s-style superior officers to whom the words "Gung Ho" are foolish anachronisms. But through his tough tutelage, Eastwood's lackadaisical platoon is whipped into a first-rate fighting machine, favoring teamwork over such New Age gobbledygook as "self-fulfillment." Eastwood's men prove their mettle during the invasion of Grenada. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodMarsha Mason, (more)
 
1985  
R  
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A mysterious and possibly otherworldly stranger comes to the rescue of a frontier town in this Western, which was strongly influenced by the George Stevens classic, Shane. The peace of a small mining community is shattered when Coy LaHood (Richard Dysart), the ruthless proprietor of a powerful strip-mining company, arrives in town with his son Josh (Christopher Penn) and a posse of hired guns to drive out the townspeople and take control of the territory. Megan (Sydney Penny), a young girl whose pet was killed in the melee, prays to God for someone to defend the village from the marauders; soon, the Preacher (Clint Eastwood) arrives on a pale horse, and joins forces with Hull Barrett (Michael Moriarty), the unofficial leader of the miners and one of the few who attempts to defend himself, to take a stand against LaHood and his men. As the Preacher and Barrett try to organize the miners to fight the invaders, both Megan and her mother Sarah (Carrie Snodgrass) find they're drawn to the Preacher, who keeps to himself and seems to have more than his share of secrets. Pale Rider was also directed by leading man Clint Eastwood; it was his first Western as both director and star since the acclaimed The Outlaw Josey Wales. ~ Mark Deming, Rovi

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Starring:
Clint EastwoodMichael Moriarty, (more)
 
1984  
R  
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Clint Eastwood plays a New Orleans detective determined to track down a serial killer of prostitutes. Complicating matters is the fact that the unknown culprit is very likely an S&M fetishist....and so is Eastwood. The detective is profoundly disturbed at the likelihood that he and the killer have the same taste in women; this element of the case is equally troublesome for psychologist Genevieve Bujold, who finds herself attracted to Eastwood. The climax involves the killer's attempting to throw Eastwood off the track by kidnapping one of the detective's two daughters (played quite well by Clint's real-life daughter Alison). ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodGeneviève Bujold, (more)
 
1984  
PG  
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This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi

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Starring:
Clint EastwoodBurt Reynolds, (more)
 
1983  
R  
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In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, Rovi

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Starring:
Clint EastwoodSondra Locke, (more)
 
1982  
PG  
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Producer/director/star Clint Eastwood takes his sweet time getting Firefox started. Eastwood plays Mitchell Gant, a past-his-prime U.S. pilot, smuggled into the Soviet Union to steal a new Russian supersonic fighting plane. Fortunately the KGB men are as burnt out as Gant, enabling him to abscond with the plane with the greatest of ease. The rest of the film is a protracted chase, pitting Gant against scores of impersonal MIG pilots. Based on a novel by Craig Thomas. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodFreddie Jones, (more)
 
1982  
PG  
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Clint Eastwood put his tough-guy image on hold for this personal project, which follows a musician taking one final chance at the big time. Red Stovall (Eastwood) is a would-be country singer who has been bouncing around the margins of the music business for years. With nowhere in particular to go, Red arrives at the failing Oklahoma farm of his sister for an extended visit, where her son Whit (Kyle Eastwood) quickly bonds with his uncle. However, it's obvious that Red is in very poor health, drinking heavily and breathing with difficulty, and when Red is invited to audition for the Grand Old Opry in Nashville, Whit tags along for the road trip to keep an eye on his ailing uncle. En route, Red and Whit are joined by Whit's grandfather (John McIntire) and another hopeful vocalist, Marlene (Alexa Kenin), who like Red is chasing her own dreams of stardom on the Opry. Clint Eastwood performed his own vocals and guitar work for Honkytonk Man, and a number of Nashville legends appear in cameo roles, including Marty Robbins, Porter Wagoner, Ray Price, Merle Travis, and Johnny Gimble. ~ Mark Deming, Rovi

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Starring:
Clint EastwoodKyle Eastwood, (more)
 
1980  
PG  
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This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, Rovi

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Starring:
Clint EastwoodSondra Locke, (more)
 
1980  
PG  
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Bronco Billy stars Clint Eastwood (who also directed) as the impresario of a seedy wild west show. Going along for the ride is spoiled socialite Sondra Locke, who is "initiated" by being pressed into service as the wrong end of a knife-throwing act. The rest of the troupe, like Eastwood himself, are losers in life who yearn for the freedom and opportunity of the long-gone Old West. Despite its raucous ad campaign, Bronco Billy is at base a wistful character study, avoiding the usual trappings of car chases and redneck villains and offering quiet chuckles instead of belly laughs. Unfortunately it failed to click with the public, compelling Eastwood to temporarily return to his old crash-bang-pow formula in his next few films. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodSondra Locke, (more)
 
1979  
PG  
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No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodPatrick McGoohan, (more)
 
1978  
PG  
Add Every Which Way But Loose to Queue Add Every Which Way But Loose to top of Queue  
Clint Eastwood's first comedy feature proved to be one of his most profitable vehicles. Eastwood plays Philo Beddoe, a bare-knuckle boxer who travels from fight to fight in a beat-up truck, accompanied by his "pal" Clyde, a orangutan with a mean right hook, and his human buddy Orville (Geoffrey Lewis). During a stopover, Philo meets and falls in love with would-be country & western singer Lynn Halsey-Taylor (Sondra Locke). After a while, she wants to break off the relationship, but he doesn't -- a shaky plot peg upon which to hang several reels' worth of zany car chases and confrontations with such opponents as a gang of bikers and a battalion of hostile lawmen. Adding to the fun is Ruth Gordon as Eastwood's don't-mess-with-me octogenarian mother, and Beverly D'Angelo as an ace sharpshooter. The enormous box-office success of Every Which Way But Loose yielded an equally wacky -- and equally lucrative -- sequel, Any Which Way You Can. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodSondra Locke, (more)
 
1977  
R  
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Playing police stooge Ben Shockley, Clint Eastwood sends up his Dirty Harry-ness in this 1977 cop film-action movie-romantic comedy. Ben is assigned to escort tough Vegas hooker Gus Mally (Sondra Locke) to Phoenix for a Mob trial because, he thinks, he always "gets the job done." But corrupt commissioner Blakelock (William Prince) chose alcoholic Ben precisely because Ben does not get much done at all, and Blakelock has no intention of letting them get to Phoenix alive. Once Gus figures this out and makes Ben see the truth, Ben resolves to prove Blakelock wrong, even if it means surviving car bombs, a house shot to pieces, a helicopter-motorcycle chase, and finally driving an armored bus through a gauntlet formed by scores of shooting cops. Amidst the mayhem, Ben falls in love with the smart-mouthed, college-educated Gus, and she insists on riding out the gauntlet with her Ben. An obedient cop who is not as clever as his female charge, Ben Shockley is the opposite of Eastwood's ultra-capable loner Harry Callahan from the Dirty Harry series, allowing Eastwood to poke fun at his image even as Shockley eventually does get the job done. While the exaggerated action set pieces also parody the Eastwood cop hero's usual invincibility, their efficient, energetic staging still makes them effective; The Gauntlet was another popular success for Eastwood as director as well as star. ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodSondra Locke, (more)
 
1976  
PG  
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Clint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (Bill McKinney), Confederate Josey Wales (Eastwood) refuses to join his captain Fletcher (John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (Chief Dan George) and the pretty Laura Lee (Sondra Locke) and her vigorous Grandma Sarah (Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles Eastwood's previous Western heroes in Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed, Josey Wales would be Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released, Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodChief Dan George, (more)
 
1976  
R  
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Number three in the Dirty Harry series, The Enforcer equips macho cop Harry Callahan (Clint Eastwood) with a female assistant, Kate Moore (Tyne Daly). Their quarry is a terrorist organization which has kidnapped the mayor of San Francisco (John Crawford). Harry goes undercover, attempting to root out the terrorists by beating up anybody who looks at him cross-eyed. When Harry and Kate discover that the mayor is being held at Alcatraz Island, it is only a matter of time before the climactic bloodbath. The Enforcer cleared enough at the box office to warrant yet another Dirty Harry opus, Sudden Impact. ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodHarry Guardino, (more)
 
1975  
R  
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Clint Eastwood both directed and starred in this thriller based on a novel by Trevanian. Dr. Jonathan Hemlock (Eastwood) is a professor of art history who formerly had a deadly secret life; he was a hired assassin working with an international intelligence organization. Normally content to collect and study art, Hemlock is forced by blackmail to perform one last hit, or, as the organization euphemistically calls it, a "sanction." The victim will be one of three men attempting a dangerous ascent of the Eiger, a beautiful but punishing mountain range in Swiss Alps. While Hemlock is an experienced mountaineer and willing to make the climb, he's troubled to discover that he does not know which of the other three men scaling the Eiger is his true target. The supporting cast includes George Kennedy and Jack Cassidy; the latter earned enthusiastic reviews for his over-the-top performance as a flamboyantly gay secret agent. ~ Mark Deming, Rovi

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Starring:
Clint EastwoodGeorge Kennedy, (more)
 
1974  
R  
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As much an eccentric character study as a road movie, Michael Cimino's directorial debut follows the adventures of a quartet of misfits in their life of crime. Retired thief Thunderbolt (Clint Eastwood) and sweet drifter Lightfoot (Jeff Bridges) meet cute when Thunderbolt jumps into Lightfoot's stolen car to escape a gunman. The pair embarks on an oddball journey to get Thunderbolt's loot from an old robbery before his former associates, the sadistic Red (George Kennedy) and cretinous Goody (Geoffrey Lewis), get to it first, but all four are too late; the one-room schoolhouse hiding place has apparently vanished. So instead, the four play house and work legit jobs while they plot to rob the same place Thunderbolt and Red hit before. Although the plan goes awry, Thunderbolt and Lightfoot discover that they may still have succeeded-or so they think. As the easy-going mediator between the two, Eastwood's Thunderbolt was a move away from his tough cop-westerner image; his audience accepted this then-atypical performance enough to turn Thunderbolt and Lightfoot into a moderate hit. Bridges received his second Best Supporting Actor Oscar nomination, but Cimino turned down a subsequent deal with Eastwood, moving instead to his artistic peak with The Deer Hunter (1978) and career nadir with Heaven's Gate (1980). ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodJeff Bridges, (more)
 
1973  
R  
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The second Dirty Harry movie, Magnum Force concerns itself with a vigilante group that has targeted notorious scofflaws for extermination. When a prominent gang boss or drug-runner is set free by the airheaded liberal courts, a covert group of "avengers" is soon on hand to blow the miscreant to bits. While detective Dirty Harry Callahan (Clint Eastwood) is no great friend of civil liberties, he is dead set against wholesale murder as a solution to legal loopholes. Discovering that all the killings have been committed by the same weapon, Callahan reaches the conclusion that his on-the-edge partner, Charlie McCoy (Mitchell Ryan), is responsible. But the answer is less transparent than that, as Harry learns almost at the cost of his own life. Co-scripted by John Milius and Michael Cimino, Magnum Force was followed by three additional Dirty Harry installments: The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988). ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodHal Holbrook, (more)
 
1973  
R  
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In this Counterculture vs. Establishment romance, Frank Harmon (William Holden) is a middle-aged businessman, recently divorced and a bit bitter about the state of his life and the world in general. One morning, he discovers a pretty, hippie-esque girl who calls herself Breezy (Kay Lenz) asleep on his front porch. Frank asks her to leave and she politely follows suit; she forgets her guitar, however, and returns the next day to retrieve it. Breezy also asks Frank if he would be so kind as to let her take a bath; he agrees, and even lets her sleep at his house that night. A few days later, Breezy turns up at again at Frank's doorstep, with a cop in tow -- after being arrested for vagrancy, she told the police that she lived here with her uncle Frank. Frank plays along and, against his better judgment, agrees to let her stay with him. After spending some time together, Frank and Breezy begin opening up to each other, discussing their feelings on a variety of issues. A friendship grows between them that, in time, becomes a love affair, but Frank's friends find fault in his new romance, and he breaks it off -- a decision he comes to regret. This was the first film Clint Eastwood directed in which he did not star, something he would not do again until Bird in 1988. ~ Mark Deming, Rovi

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Starring:
William HoldenKay Lenz, (more)
 
1973  
R  
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"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodVerna Bloom, (more)
 
1972  
PG  
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In John Sturges'sAmericanized version of Sergio Leone's Man-With-No-Name films, Clint Eastwood is Joe Kidd, a cryptic stranger who arrives in the New Mexican town of Sinola, where Mexican bandito/revolutionary Luis Chama (John Saxon) has organized a peasant revolt against the local landowners, who are throwing the poor off land that rightfully belongs to them. When a posse -- financed by wealthy landowner Frank Harlan (Robert Duvall) -- is formed to capture Luis, Kidd is invited to join but prefers to remain neutral. Harlan keeps badgering Kidd to join up, and Kidd finally relents when he finds that Luis's band has raided his own ranch and one of his ranch hands has been injured. The bloodthirsty posse rounds up five Mexicans hostages and threaten to kill them unless Luis surrenders to them. One of the hostages is the attractive Stella Garcia (Helen Sanchez), and Kidd falls in love with her. Harlan notices this and throws Kidd in jail to prevent him from helping Stella and the Mexicans. Kidd decides the position himself as the voice of reason in this nest of disorder. He escapes and saves the Mexican hostages, determined to capture Luis himself and see that he gets a fair trial. But when Kidd captures Luis and delivers him to Sheriff Mitchell (Gregory Walcott), Harlan is in town waiting for him. ~ Paul Brenner, Rovi

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Starring:
Clint EastwoodRobert Duvall, (more)
 
1971  
R  
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"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodHarry Guardino, (more)
 
1971  
R  
Add Play Misty for Me to Queue Add Play Misty for Me to top of Queue  
Play Misty for Me marked Clint Eastwood's debut as a director, and it gave him the then-unusual opportunity to play a regular contemporary guy in a thriller about sex, obsession, and stalking. Eastwood's Dave Garver is a self-centered California jazz disc jockey struggling with the idea of committing to his on-again, off-again girlfriend Tobie (Donna Mills). One night he meets the mini-skirted Evelyn (Jessica Walters) in a bar, and he goes home with her for what he assumes is a one-night stand. Dave discovers, however, that Evelyn has repeatedly called his show requesting that he "play 'Misty' for me," and she is not about to go gently into the night now that she has bedded him. Even though it touches on the early-'70s flashpoints of sexual liberation, studio execs expressed doubts about why anyone would want to see a movie featuring Eastwood as a deejay. Eastwood reportedly answered that he was not sure either, but he thought it was a good suspense story, and he offered his services as director for free. Play Misty for Me wound up making five times more than it cost and is a precursor to such erotic thrillers as Fatal Attraction (1987) and Basic Instinct (1992). Eastwood mentor Don Siegel appears early on as a bartender. ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodJessica Walter, (more)
 
1970  
R  
Add The Beguiled to Queue Add The Beguiled to top of Queue  
The Beguiled is a Freudian mood piece from the team of actor Clint Eastwood and director Don Siegel. Eastwood plays Corp. John McBurney, a wounded Union soldier during the Civil War, who takes refuge in a prim-and-proper Southern girl's school run by Martha Farnsworth (Geraldine Page). Chauvinistic, insensitive and conceited, McBurney takes full advantage of the women by bedding each successively -- and then learns the true meaning of "a woman scorned." ~ Hal Erickson, Rovi

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Starring:
Clint EastwoodGeraldine Page, (more)
 
1970  
PG  
Add Kelly's Heroes to Queue Add Kelly's Heroes to top of Queue  
Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, Rovi

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Starring:
Clint EastwoodTelly Savalas, (more)
 
1970  
PG  
Add Two Mules for Sister Sara to Queue Add Two Mules for Sister Sara to top of Queue  
Director Budd Boetticher wrote the story upon which this comic Western was based. Clint Eastwood stars as Hogan, a tough cowboy who rescues a woman, Sara (Shirley Maclaine) as she's about to be attacked by a trio of rapists. Surprised to learn that his new traveling companion is a nun, Hogan agrees to escort her to a camp occupied by anti-French revolutionaries. It turns out that neither of this pair is what they claim to be: Hogan is to scout out a French military garrison for a future attack, while Sara is actually a prostitute masquerading as a nun. After Hogan spies Sara smoking cigars and drinking whiskey, he begins to figure out she's not a bride of Christ, and the two team up with the Juaristas to destroy the French fortifications. ~ Karl Williams, Rovi

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Starring:
Shirley MacLaineClint Eastwood, (more)