Clint Eastwood Movies
With his rugged good looks and icon status,
Clint Eastwood was long one of the few actors whose name on a movie marquee could guarantee a hit. Less well-known for a long time (at least until he won the Academy Award as Best Director for
Unforgiven), was the fact that
Eastwood was also a producer/director, with an enviable record of successes. Born May 31, 1930, in San Francisco,
Eastwood worked as a logger and gas-station attendant, among other things, before coming to Hollywood in the mid-'50s. After his arrival, he played small roles in several Universal features (he's the pilot of the plane that napalms the giant spider at the end of
Tarantula [1955]) before achieving some limited star status on the television series
Rawhide. Thanks to the success of three Italian-made
Sergio Leone Westerns --
A Fistful of Dollars (1964),
For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966) --
Eastwood soon exchanged this limited status for bona fide international stardom.
Upon his return to the U.S.,
Eastwood set up his own production company, Malpaso, which had a hit right out of the box with the revenge Western
Hang 'Em High (1968). He expanded his relatively limited acting range in a succession of roles -- most notably with the hit
Dirty Harry (1971) -- during the late '60s and early '70s, and directed several of his most popular movies, including 1971's
Play Misty for Me (a forerunner to
Fatal Attraction),
High Plains Drifter (1973, which took as its inspiration the tragic NYC murder of Kitty Genovese), and
The Outlaw Josey Wales (1976). Though
Eastwood became known for his violent roles, the gentler side of his persona came through in pictures such as
Bronco Billy (1980), a romantic comedy that he directed and starred in.
As a filmmaker,
Eastwood learned his lessons from the best of his previous directors,
Don Siegel and
Sergio Leone, who knew just when to add some stylistic or visual flourish to an otherwise straightforward scene, and also understood the effect of small nuances on the big screen. Their approaches perfectly suited
Eastwood's restrained acting style, and he integrated them into his filmmaking technique with startling results, culminating in 1993 with his Best Director Oscar for
Unforgiven (1992). Also in 1993,
Eastwood had another hit on his hands with
In the Line of Fire. In 1995, he scored yet again with his film adaptation of the best-selling novel The Bridges of Madison County, in which he starred opposite
Meryl Streep; in addition to serving as one of the film's stars, he also acted as its director and producer.
Aside from producing the critical and financial misstep
The Stars Fell on Henrietta in 1995,
Eastwood has proven to be largely successful in his subsequent efforts. In 1997, he produced and directed the film adaptation of
John Berendt's tale of Southern murder and mayhem,
Midnight in the Garden of Good and Evil, and he followed that as the director, producer, and star of the same year's
Absolute Power, 1999's
True Crime, and 2000's
Space Cowboys. With
Eastwood's next movie,
Blood Work (2002), many fans pondered whether the longtime actor/director still had what it took to craft a compelling film. Though some saw the mystery thriller as a fair notch in
Eastwood's belt, many complained that the film was simply too routine, and the elegiac movie quickly faded at the box office.
If any had voiced doubt as to
Eastwood's abilities as a filmmaker in the wake of
Blood Work, they were in for quite a surprise when his adaptation of the popular novel Mystic River hit screens in late 2003. Featuring a stellar cast that included
Sean Penn,
Tim Robbins, and
Kevin Bacon,
Mystic River was a film that many critics and audiences cited as one of the director's finest. A downbeat meditation on violence and the nature of revenge, the film benefited not only from
Eastwood's assured eye as a director, but also from a screenplay (by
Brian Helgeland) that remained fairly faithful to
Dennis Lehane's novel and from severely affecting performances by its three stars -- two of whom (
Penn and
Robbins) took home Oscars for their efforts.
With
Eastwood's reputation as a quality director now cemented well in place thanks to
Mystic River's success, his remarkable ability to craft a compelling film was nearly beginning to eclipse his legendary status as an actor in the eyes of many. Indeed, few modern directors could exercise the efficiency and restraint that have highlighted
Eastwood's career behind the camera, as so beautifully demonstrated in his 2004 follow-up,
Million Dollar Baby. It would have been easy to layer the affecting tale of a young female boxer's rise from obscurity with the kind of pseudo-sentimental slop that seems to define such underdog-themed films, but it was precisely his refusal to do so that ultimately found the film taking home four of the six Oscars for which it was nominated at the 77th Annual Academy Awards -- including Best Director and Best Picture.
Eastwood subsequently helmed two interrelated 2006 features that told the story of the Battle of Iwo Jima from different angles. The English-language
Flags of Our Fathers relayed the incident from the American end, while the Japanese-language
Letters from Iwo Jima conveyed the event from a Japanese angle. Both films opened to strong reviews and were lauded with numerous critics and industry awards, with
Letters capturing the Golden Globe for Best Foreign Language film before being nominated for a Best Picture Academy Award. Nowhere near slowing down, Eastwood would direct and star in the critically acclaimed Gran Torino, as well as helming critical favorites like Invictus, the Changeling, Hereafter, and J. Edgar, racking up numerous awards and nominations.
A prolific jazz pianist who occasionally shows up to play piano at his Carmel, CA restaurant, The Hog's Breath Inn,
Eastwood has also contributed songs and scores to several of his films, including
The Bridges of Madison County and
Mystic River. Many saw his critically championed 1988 film
Bird, starring
Forest Whitaker (on the life of
Charlie "Bird" Parker), as the direct product of this interest.
Eastwood also served as the mayor of Carmel, CA, from 1986 until 1988. ~ Bruce Eder, Rovi

- 2000
- PG13
- Add Space Cowboys to Queue
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In this adventure drama, four men passed over by the space program get one last chance to be heroes and live out their dreams. Frank Corvin (Clint Eastwood), Hawk Hawkins (Tommy Lee Jones), Jerry O'Neill (Donald Sutherland), and Tank Sullivan (James Garner) were top pilots within an elite Air Force squadron and on the fast track to becoming the first Americans in space in the early 1950s. However, when NASA was established, the pilots were cut out of the loop; Corvin went on to become an aerospace engineer, Hawkins continued on as a freelance pilot, O'Neill became an astrophysicist with a sideline in designing roller coasters, and Sullivan took up preaching as a Baptist minister. Years later, a Russian satellite's guidance system has started to malfunction, and it is expected to crash into the Earth within a matter of weeks. The system is identical to the one Corvin designed for Skylab, so NASA head Bob Gerson (James Cromwell) asks Corvin to help him with the emergency mission to repair the satellite. Corvin agrees under one condition -- that he be sent up to do the repairs himself, with Hawkins, O'Neill, and Sullivan as his crew. Clint Eastwood directed Space Cowboys while also starring as Frank Corvin; his supporting cast includes Marcia Gay Harden, Courtney B. Vance, Loren Dean, and William Devane. ~ Mark Deming, Rovi
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- Starring:
- Clint Eastwood, Tommy Lee Jones, (more)

- 2000
-
A documentary about the iconic career of actor and filmmaker Clint Eastwood, Clint Eastwood: Out of the Shadows traces its subject's work from his earliest days in Hollywood to his award-winning (and career-salvaging) films of the 1990s. Directed by Bruce Ricker, who also made the lauded jazz films The Last of the Blue Devils and Thelonious Monk - Straight, No Chaser, the documentary combines archival footage with interviews from the likes of Sergio Leone, Curtis Hanson, Rip Torn, Meryl Streep, and, naturally, the man himself. ~ Rebecca Flint Marx, Rovi
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- Starring:
- Clint Eastwood, Martin Scorsese, (more)

- 2000
-
- Add AFI's 100 Years...100 Stars to Queue
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Following up on the debate sparked by the American Film Institute's list of the 100 greatest American films, this documentary -- originally broadcast on CBS as a three-hour special -- gives 50 stars the opportunity to introduce 50 stars. The criteria focus on lifetime achievement, hence no living stars appear in the top 50. Other deciding factors were that certain elusive something known as "star quality," plus other factors such as craft, legacy, popularity, and historical context. The 25 dazzling men and 25 dazzling women, which include such immortals as Bogart, Bacall, and Hepburn, are featured in relevant clips from the vehicle films that made those stars larger than life. ~ Leslie Birdwell, Rovi
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- 1999
- R
- Add True Crime to Queue
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Investigative reporter Steve Everett (Clint Eastwood) has just relocated to the west coast after getting fired from the New York Times. Thanks to his old friend, Alan Mann (James Woods), the editor-in-chief of The Oakland Tribune, Everett still has a job, but that's hardly the end of his problems. An alcoholic and a womanizer, he's been sober for two months and his marriage to Barbara (Diane Venora) is in as bad a shape as his car. Everett has also earned the hatred of city editor Bob Findley (Denis Leary), and not without reason -- Everett has been sleeping with his wife. One day, when another reporter dies in an automobile accident, Findley asks Everett to take over her assignment -- the final interview of condemned murderer Frank Beachum (Isaiah Washington). Everett researches the case before the interview, and finds Beachum was convicted of a robbery and homicide in an Oakland convenience store. But the reporter finds several discrepancies in the story, and a visit to death row only confirms Everett's suspicions that Beachum was not the killer. The reporter begins a hurried search for information that will stay the execution. Plagued by his inner demons, the reporter has 12 hours left to save the life of a man he knows is innocent. ~ Ron Wells, Rovi
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- Starring:
- Clint Eastwood, Isaiah Washington, (more)

- 1998
-
In June 1998, the American Film Institute announced the top 100 films of the 20th century. The list was complied from a survey of 1,500 participants, including filmmakers, historians, critics, and other entertainment industry professionals. The AFI and CBS produced this multi-packet video feature that features film clips of those top films, including Citizen Kane, The Godfather, It's a Wonderful Life, Star Wars, and Gone With the Wind. This 145-minute special is hosted by Jodie Foster, Richard Gere, and Sally Field, and is annotated with features of the filmmakers like Martin Scorcese and Sidney Lumet. ~ Forrest Spencer, Rovi
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- 1998
-
- Add Monterey Jazz Festival: Forty Legendary Years to Queue
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The world's longest running jazz celebration, The Monterey Jazz Festival has played host to some of the finest and best loved musicians in the history of the music, including Louis Armstrong, Billie Holiday, Sarah Vaughn, Count Basie, Thelonious Monk, Joe Williams, Dave Brubeck and Buddy Rich. This documentary video features rare concert footage of many of the greatest names in jazz, as well as vintage photographs and personal interviews with performers and behind-the-scenes figures who helped make Monterey a mecca for jazz players and fans. ~ Mark Deming, Rovi
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- 1997
- R
- Add Absolute Power to Queue
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In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, Rovi
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- Starring:
- Clint Eastwood, Gene Hackman, (more)

- 1997
- R
- Add Midnight in the Garden of Good and Evil to Queue
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Clint Eastwood directed this adaptation of John Berendt's non-fiction best-seller about a Savannah, Georgia, murder case. When this film was released, Berendt's book had been on best-seller lists for four years. As the film begins, New York journalist John Kelso (John Cusack), alter ego of author Berendt, arrives in Savannah to do a brief Town and Country article on the annual Christmas party given by sophisticated, urbane antique dealer Jim Williams (Kevin Spacey), who restored many mansions in Savannah, including the famed Mercer House where he lives. After the party, Williams kills his rude, violent lover Billy Hanson (Jude Law), explaining it as a necessary act of self-defense. Kelso decides to stay in Savannah to cover the trial, encountering a variety of colorful locals, eccentric and otherwise, including black transvestite nightclub performer Lady Chablis (appearing as herself), financially challenged bon vivant Joe Odom (Paul Hipp), vocalist Mandy Nichols (Alison Eastwood), voodoo priestess Minerva (Irma P. Hall), and Williams's deceptively powerful defense attorney Sonny Seiler (Australian actor Jack Thompson with a very convincing Southern accent). Kelso develops a romantic interest in Mandy while tracking the events that led up to the killing. ~ Bhob Stewart, Rovi
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- Starring:
- Kevin Spacey, John Cusack, (more)

- 1997
-
This documentary takes a look at the career of film star Clint Eastwood. Narrated by John Cusack, the film features clips from the more than 30 films in which Eastwood has starred. These include Dirty Harry, Magnum Force, and In the Line of Fire. Works which he directed as well as acted are also represented, including Play Misty for Me, The Bridges of Madison County, and Unforgiven, which received an Oscar for Best Picture of 1992. The actor provides some insight into his roles. The Eastwood fan can enjoy some informal off-the-set scenes with the film star. ~ Rose of Sharon Winter, Rovi
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- 1996
-

- 1995
- PG
This character drama follows the exploits of an aged oil seeker, known only as Mr. Cox, as he roams across Texas in search of black gold. He has a special gift for it and has helped many wildcatters strike it rich. Unfortunately, he has yet to find his own gusher. In 1935, Cox has only a suitcase and a cat to his name. During a tremendous windstorm, he is forced to seek shelter in a farmhouse, owned by Don and Cora Day. The Days have three daughters and must scramble to eke out a meager existence on their dusty farm, located near the town of Henrietta. While there, Mr. Cox begins getting that old feeling that tells him that there is a lot of oil on the Day's farm. They think he is plumb loco and ask him to leave, but Cox wants to find out if it is true. He goes to an old friend, Big Dave, who thanks to Cox, has become an oil tycoon, to help him do some test drilling, but Big Dave has a short memory and brushes Cox off as a "hopeless loser." The determined Cox then devises a scheme to force Big Dave to provide him with financial backing. ~ Sandra Brennan, Rovi
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- Starring:
- Robert Duvall, Aidan Quinn, (more)

- 1995
- PG13
- Add The Bridges of Madison County to Queue
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The brief, illicit love affair between an Iowa housewife and a post-middle-age free-lance photographer is chronicled in this powerful romance based on the best-selling novella by Robert James Waller. The story begins as globetrotting National Geographic photographer Robert Kincaid journeys to Madison County in 1965 to film its lovely covered bridges. Upon his arrival, he stops by an old farmhouse to ask directions. There he encounters housewife, Francesca Johnson, whose spouse and two children are out of town. Thus begins their four-day affair, a liaison that fundamentally changes them both. Later Francesca chronicles the affair in a diary which her flabbergasted grown children read; never would they have expected their mother to be capable of the passion she experienced with Kincaid. ~ Sandra Brennan, Rovi
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- Starring:
- Clint Eastwood, Meryl Streep, (more)

- 1995
-
- Add A Personal Journey with Martin Scorsese through American Movies to Queue
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In 1994, the British Film Institute commissioned a set of films to mark the centenary of the movies. They would trace the history of several national cinemas, and the BFI's choice for interpreting the history of American film fell to director Martin Scorsese, a longtime champion of film history and preservation. Scorsese's approach to his subject is director-centered, as he examines the tension inherent in the struggle of an artist wishing to make a personal statement against the collaborative nature of films and the commercial pressures of the Hollywood moviemaking factory. Segments of this series are devoted to the director as storyteller (examining narrative devices in the Western, gangster film, and musical), illusionist (technical tricks), smuggler (imbedding personal messages), and iconoclast (bucking the system to make films his own way). The series is replete with telling clips, not just snippets or shots, but entire scenes which illustrate Scorsese and co-director Michael Henry Wilson's points. Other filmmakers, including John Ford, Francis Ford Coppola, Billy Wilder, and Orson Welles, are seen in archival footage or interviews created for the series, offering their own take on the art of filmmaking. Scorsese doesn't discriminate between filmmakers with glossy reputations and those who always worked on the fringe of public awareness. If anything, he goes out of his way to champion mavericks like Samuel Fuller whose "visceral cinema" never enjoyed box-office success or awards. Personal Journey was first shown on British TV, released in limited fashion to theaters in the United States, and shown here on TV as well. A tie-in book was published in 1997 by Miramax Books; it contains the entire script for the series, excellent black-and-white stills, and dialogue from some of the clips. ~ Tom Wiener, Rovi
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- 1995
- PG
- Add Casper to Queue
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Based on the popular cartoon character, this family-oriented "ghost story" is about a not-so-scary spirit who bonds with a little girl (Christina Ricci). The eternally irritable Ms. Carrigan (Cathy Moriarty) discovers that the only thing she's been left in her recently departed father's will is a rickety old house in New England. Naturally, the woman is furious about this, until her "close personal friend" and assistant, Dibbs (Eric Idle of Monty Python fame), discovers a secret message that a treasure may be concealed somewhere in the house. The two take off for Maine, only to learn that the house is haunted by Casper "the friendly ghost" and his three ghostly uncles Stinky, Stretch, and Fatso. After futilely recruiting an exorcist (Don Novello, more or less reviving his Father Guido Sarducci character from Saturday Night Live) and a "professional ghost exterminator" (Dan Aykroyd), she brings in a "ghost psychiatrist" (Bill Pullman) and his daughter Kat (Ricci). Innocently attracted to the young girl, Casper befriends Kat as they try to save the ghosts' home from the evil Carrigan. Eye-popping special effects highlight this magical story that touches (albeit lightly) on the theme of what lies at the heart of human desires. Clint Eastwood, Rodney Dangerfield, Mel Gibson and The Crypt Keeper (of Tales from the Crypt) all make cameos as apparitions in the mirror Bill Pullman looks into in the house. ~ Don Kaye, Rovi
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- Starring:
- Christina Ricci, Bill Pullman, (more)

- 1994
-

- 1993
- PG13
- Add A Perfect World to Queue
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Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." ~ Paul Brenner, Rovi
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- Starring:
- Kevin Costner, Clint Eastwood, (more)

- 1993
- R
- Add In the Line of Fire to Queue
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Clint Eastwood delivers one of his finest performances, as a secret service agent haunted by his past in Wolfgang Petersen's taut thriller In the Line of Fire. Eastwood plays Frank Horrigan, a secret service agent who keeps thinking back to November 22, 1963, when, as an agent hand-picked by President Kennedy, he became one of the few agents to have lost a president to an assassin. Decades later, psychotic Mitch Leary (John Malkovich) is stalking another president (Jim Curley) running for re-election. He has spent long hours studying the psyche of Frank Horrigan, and he taunts Horrigan (feeling that there is a bond between them), telling him of his plans to kill the president. After his conversation with Leary, Horrigan makes sure he is assigned to presidential protection duty. Horrigan has no intention of failing his president this time around, and he is more than willing to take a bullet. But everything goes Leary's way -- he is smart and cagey and the president's aides refuse to alter the itinerary. As the election draws closer, Horrigan's chances to catch Leary look to be less and less a possibility, and he begins to doubt his own abilities -- both now and in the past, when Kennedy was murdered. ~ Paul Brenner, Rovi
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- Starring:
- Clint Eastwood, John Malkovich, (more)

- 1992
- R
- Add Unforgiven to Queue
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Dedicated to his mentors Sergio Leone and Don Siegel, Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name. ~ Lucia Bozzola, Rovi
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- Starring:
- Clint Eastwood, Gene Hackman, (more)

- 1991
-
Hosted by Clint Eastwood, Hollywood Remembers: Gary Cooper -- American Life, American Legend is a biographical portrait of the life and times of movie star Gary Cooper. The 47-minute tribute chronicles the actor's life from his early days as an "extra" in silent pictures to his acceptance of the 1960 Academy Award for lifetime achievement in film. Cooper's real-life role as a cowboy and his talent as a cartoonist are discussed, as are many of the Westerns, adventures, comedies, and war films in which he starred. ~ Kathleen Wildasin, Rovi
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- 1990
- PG
- Add White Hunter, Black Heart to Queue
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Something of a sleeper in its 1990 release, White Hunter, Black Heart is one of Clint Eastwood's most engaging films. It is based on Peter Vietel's novel about the location shoot of John Huston's immortal The African Queen. But the focus is never on Bogie and Hepburn. Egomaniacal director John Wilson (Eastwood) is far more interested in killing an elephant than in making a movie. His old friend and scriptwriter Pete Verrill (Jeff Fahey) and his producer, Paul Landers (George Dzundza), are on hand to try and talk him down from this pursuit. Eastwood's verbose, outlandish performance will be particularly remarkable to fans who tend to think of him as the soft-spoken tough guy. ~ John Voorhees, Rovi
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- Starring:
- Clint Eastwood, Jeff Fahey, (more)

- 1990
- R
- Add The Rookie to Queue
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In return for Warner Bros. greenlighting his pet project White Hunter, Black Heart (1990), Clint Eastwood directed and starred in this more commercial film, an action caper about a mismatched pair of auto theft cops. Eastwood is grizzled veteran detective Nick Pulovski, who's determined to bring down the chop-shop operation being run by a pair of German crooks, Strom (Raul Julia) and Liesl (Sonia Braga). Although he's been officially removed from the case and partnered with a green, recently promoted detective, David Ackerman (Charlie Sheen), the hard-drinking Nick's not about to let the car thieves get away with murder. David, in the meanwhile, is dealing with his own issues, including the death of his brother (for which he was responsible), his unhappy girlfriend Sarah (Lara Flynn Boyle) and his estrangement from his wealthy father Eugene (Tom Skerritt). ~ Karl Williams, Rovi
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- Starring:
- Clint Eastwood, Charlie Sheen, (more)

- 1989
- PG13
- Add Pink Cadillac to Queue
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For his third film as a director and his third film directing Clint Eastwood, stunt-man Buddy Van Horn helmed this action comedy involving a skip tracer, some neo-nazis, and the titular vehicle. Eastwood stars as Tommy Nowak, a bounty hunter with a knack for catching bail-skippers with an array of costumes and characters. After he captures a young woman (Bernadette Peters), he suddenly finds himself between the woman's good-for-nothing husband and his white supremacist cohorts and the wads of cash hidden in the pink Cadillac she's driving. With the skin-heads hot on their tail, a romance sparks between the skip-tracer and his captive. Written by John Eskow, Pink Cadillac costars Timothy Carhart and Michael Des Barres. ~ Matthew Tobey, Rovi
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- Starring:
- Clint Eastwood, Bernadette Peters, (more)

- 1988
- R
- Add The Dead Pool to Queue
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The Dead Pool is the fifth and (thus far) the last of Clint Eastwood's Dirty Harry movies. A sports pool is placing bets on which famous person will die next. Suddenly a serial killer who preys upon celebrities enters the scene, radically (and perhaps deliberately) changing the odds in the pool. As a celebrity of sorts, maverick cop Dirty Harry Callahan becomes a target of the killer, as does high-profile TV journalist Patricia Clarkson. Surprises are at a minimum in The Dead Pool; the film gets down to business quickly, moves logically if violently towards its climax (with a spectacular car-chase sequence thrown in for good measure), and delivers exactly what its fans expect. One major difference between this film and the earlier Dirty Harry epics is that the murders are committed in so outrageous a fashion that the picture seems at times to be a Freddie Krueger vehicle. ~ Hal Erickson, Rovi
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- Starring:
- Clint Eastwood, Patricia Clarkson, (more)

- 1988
- R
- Add Bird to Queue
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Forest Whitaker stars as the brilliant jazz saxophonist Charlie "Bird" Parker in this elegiac biopic. Director Clint Eastwood pays full homage to Parker's musical genius, but also devotes ample time to the musician's twin demons--drugs and alcohol-which accelerated his death at the age of 34. In his struggles to gain widespread acceptance for his music, "Bird" is forever stymied by his own self-destructiveness, and forever bailed out by the love of his life, Chan Richardson Parker (Diane Venora). The film bemoans the decline of the brand of jazz fathered by Parker, which came to be replaced by more conventional material -- as illustrated by the "descent" into the mainstream of Parker's mentor Buster Franklin. Also starring in Bird is Samuel E. Wright as Dizzy Gillespie. That's the real Charlie "Bird" Parker on the film's soundtrack, though most of the background music has been re-orchestrated. ~ Hal Erickson, Rovi
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- Starring:
- Forest Whitaker, Diane Venora, (more)

- 1988
- PG13
- Add Thelonious Monk: Straight, No Chaser to Queue
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This documentary of the late jazz great Thelonius Monk) (1917-1982) uses footage taken from 14 hours of European concert performances filmed in 1967-68 by Christian Blackwood. From his childhood in New York City's San Juan Hill, Monk grew up to become one of the most innovative jazz pianists of all time. Monk ushered in the bebop era of the 1940s and influenced such contemporary greats as Charlie Parker and Dizzy Gillespie. Interviews with Monk's manager Harry Colomby and Monk's son and namesake shed light on the character of the jazz giant. Executive producer Clint Eastwood got the idea for the project while researching the life of Charlie Parker for his film Bird. ~ Dan Pavlides, Rovi
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