Clint Eastwood

Actor Morgan Freeman portrays anti-apartheid activist and former South African president Nelson Mandela in this Clint Eastwood-helmed political drama adapted from author John Carlin's book The Human Factor: Nelson Mandela and the Game That Changed the World. Set just after the fall of apartheid and during Mandela's first term in office, The Human Factor explores how the political prisoner-turned-president used the 1995 Rugby World Cup -- which was hosted by South Africa -- as a means of bringing blacks and whites together after decades of violence and mistrust. Matt Damon co-stars in the Warner Bros. production as rugby player Francois Pienaar. ~ Jason Buchanan, All Movie Guide

Inspired by actual events that occurred in 1920s-era Los Angeles, Clint Eastwood's The Changeling tells the story of a woman driven to confront a corrupted LAPD after her abducted son is retrieved and she begins to suspect that the boy returned to her is not the same boy she gave birth to. The year was 1928, and the setting a working-class suburb of Los Angeles. As Christine (Angelina Jolie) said goodbye to her son, Walter, and departed for work, she never anticipated that this was the day her life would be forever changed. Upon returning home, Christine was distressed to discover that Walter was nowhere to be found. Over the course of the following months, the desperate mother would launch a search that would ultimately prove fruitless. Yet just when it seemed that all hope was lost, a nine-year-old boy claiming to be Christine's son seemed to appear out of thin air. Overcome with emotions and uncertain how to face the authorities or the press, Christine invites the child to stay in her home despite knowing without a doubt that he is not her son. As much as Christine would like to accept the fact that her son has been returned to her, she cannot accept the injustice being pushed upon her and continues to challenge the Prohibition-era Los Angeles police force at every turn. As a result, Christine is slandered by the powers that be, and painted as an unfit mother. In this town, a woman who challenges the system is putting her life on the line, and as the situation grows desperate, the only person willing to aid her in her search is benevolent local activist Reverend Briegleb (John Malkovich). ~ Jason Buchanan, All Movie Guide

The contemplative, understated tearjerker Grace Is Gone dramatizes the quiet crisis that befalls Stanley (John Cusack), a young Midwestern husband of a female marine stationed in Iraq, and a father of two girls. Suddenly and unexpectedly widowed when his wife, Grace, is killed on the battlefield, Stanley cannot bring himself to share the devastating news with his two young daughters. In lieu of speaking to them immediately about their mother's death, Stanley internalizes his devastation and takes the girls on a road trip while he attempts to sort through a myriad of conflicted and tumultuous internal feelings about the war itself and contemplates how to break the shattering news. Inevitably, the road trip will end with Grace's funeral. This film represents the brainchild of producer/star Cusack and writer/director James C. Strouse. It began with Cusack's fury about the Bush administration's policy banning footage of caskets returning from the Iraq and Afghani wars, and his desire to see those events played out onscreen, in the lives of American citizens. ~ Nathan Southern, All Movie Guide

While Los Angeles has been the capital of major studio filmmaking in America since the early ears of the 20th Century, in the northern part of California, San Francisco has become home to a different breed of filmmaker -- artists who treasure their independence and carefully guard their creative vision, even while working in the highest echelons of the commercial movie business. Francis Ford Coppola and George Lucas are just two of the best-known directors to emerge from the San Francisco film community, and Fog City Mavericks is a documentary which pays homage to a number of important filmmakers from the City by the Bay. In addition to Coppola and Lucas, Fog City Mavericks profiles directors Clint Eastwood, Carroll Ballard, Philip Kaufman and Chris Columbus, pioneering independent auteur John Korty, experimental filmmaker Bruce Conner, producer Saul Zaentz, editor and sound designer Walter Murch, cinematographer and director Caleb Deschanel, digital animation moguls Brad Bird, Pete Docter, John Lasseter and Andrew Stanton, and actor Robin Williams, and many more. While examining these individuals, the film also embraces the whole of the San Francisco film scene, and explains why these artists remain so loyal to their hometown. Fittingly, Fog City Mavericks received its world premiere at the 2007 San Francisco International Film Festival. ~ Mark Deming, All Movie Guide

After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win -- and most have been told they will not survive -- their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of "Death Before Surrender" with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another. ~ Mark Deming, All Movie Guide

The Spaghetti West documents the film genre referred to as Spaghetti Westerns. These movies were made in Italy, where production costs were very cheap and the terrain offered perfectly believable sets, during the 1950s and '60s. While Sergio Leone became the most well-known director that made his bones in the genre, a number of famous film personalities such as Clint Eastwood and Ennio Morricone established themselves in these Westerns. The film utilizes clips of some of the most famous spaghetti westerns, as well as interviews with those who made the films and those who have been inspired by these sparse, stylish movies. ~ Perry Seibert, All Movie Guide

Frankie Dunn (Clint Eastwood) is a veteran boxing trainer who has devoted his life to the ring and has precious little to show for it; his daughter never answers his letters, and a fighter he's groomed into contender status has paid him back by signing with another manager, leaving Frankie high and dry. His best friend and faithful employee Eddie Dupris is a former fighter who Frankie trained. In his last fight, Eddie suffered a severe injury, a fact that brings Frankie great guilt. One day, Maggie Fitzgerald (Hilary Swank) enters Frankie's life, as well as his gym, and announces she needs a trainer. Frankie regards her as a dubious prospect, and isn't afraid to tell her why: he doesn't think much of women boxing, she's too old at 31, she lacks experience, and has no technique. However, Maggie sees boxing as the one part of her life that gives her meaning and won't give up easily. Finally won over by her determination, Frankie takes on Maggie, and as she slowly grows into a viable fighter, an emotional bond develops between them. When a tragedy befalls one of the three characters, each comes to a decision that shows how the relationships in the film have changed them. Adapted from a short story by F.X. Toole, a former corner man with years of experience in the fight game, Million Dollar Baby also stars Morgan Freeman, Anthony Mackie, and Mike Colter. ~ Mark Deming, All Movie Guide

Part of The Blues documentary film series on PBS, Piano Blues is directed by actor, filmmaker, and pianist Clint Eastwood. This installment explores the director's fascination with piano blues and jazz, starting with Fats Waller and the early stride piano sound. The sound evolved into boogie-woogie with expressive players like Albert Ammons and Meade Lux Lewis. Includes the classic "How Long Blues" as interpreted through the generations by Jimmy Yancey, the Count Basie Orchestra, and Dr. John. Features performances by Marcia Ball, Pinetop Perkins, Dave Brubeck, and Jay McShann. Piano Blues was originally broadcast by PBS on October 4, 2003. ~ Andrea LeVasseur, All Movie Guide

Akira Kurosawa was arguably the most important Japanese filmmaker who ever lived; he was certainly among the most revered and most influential. His award-winning feature Rashomon was one of the first major international successes in Japanese filmmaking, convincing many western cineastes for the first time that Japan had a national cinema worth investigating, and his subsequent body of work -- including Ikiru, The Seven Samurai, The Hidden Fortress, Throne of Blood, Yojimbo, and Ran -- is emotionally rich and esthetically compelling in a way few filmmakers can match. Kurosawa is a documentary which explores the personal and professional lives of this giant of world cinema, including interviews with his friends, family, contemporaries, actors, fellow filmmakers, and noted cinema historians -- and in archival clips, Kurosawa himself. ~ Mark Deming, All Movie Guide

Following up on the debate sparked by the American Film Institute's list of the 100 greatest American films, this documentary -- originally broadcast on CBS as a three-hour special -- gives 50 stars the opportunity to introduce 50 stars. The criteria focus on lifetime achievement, hence no living stars appear in the top 50. Other deciding factors were that certain elusive something known as "star quality," plus other factors such as craft, legacy, popularity, and historical context. The 25 dazzling men and 25 dazzling women, which include such immortals as Bogart, Bacall, and Hepburn, are featured in relevant clips from the vehicle films that made those stars larger than life. ~ Leslie Birdwell, All Movie Guide

Investigative reporter Steve Everett (Clint Eastwood) has just relocated to the west coast after getting fired from the New York Times. Thanks to his old friend, Alan Mann (James Woods), the editor-in-chief of The Oakland Tribune, Everett still has a job, but that's hardly the end of his problems. An alcoholic and a womanizer, he's been sober for two months and his marriage to Barbara (Diane Venora) is in as bad a shape as his car. Everett has also earned the hatred of city editor Bob Findley (Denis Leary), and not without reason -- Everett has been sleeping with his wife. One day, when another reporter dies in an automobile accident, Findley asks Everett to take over her assignment -- the final interview of condemned murderer Frank Beachum (Isaiah Washington). Everett researches the case before the interview, and finds Beachum was convicted of a robbery and homicide in an Oakland convenience store. But the reporter finds several discrepancies in the story, and a visit to death row only confirms Everett's suspicions that Beachum was not the killer. The reporter begins a hurried search for information that will stay the execution. Plagued by his inner demons, the reporter has 12 hours left to save the life of a man he knows is innocent. ~ Ron Wells, All Movie Guide

In June 1998, the American Film Institute announced the top 100 films of the 20th century. The list was complied from a survey of 1,500 participants, including filmmakers, historians, critics, and other entertainment industry professionals. The AFI and CBS produced this multi-packet video feature that features film clips of those top films, including Citizen Kane, The Godfather, It's a Wonderful Life, Star Wars, and Gone With the Wind. This 145-minute special is hosted by Jodie Foster, Richard Gere, and Sally Field, and is annotated with features of the filmmakers like Martin Scorcese and Sidney Lumet. ~ Forrest Spencer, All Movie Guide