Carole Eastman Movies

This episode is dominated by the presence of a pre-stardom Robert Duvall, here ironically cast as an unsuccessful actor named Bart Conway. When he finds out that fellow actor Jerry Lane (Charles Robinson) is his main competition for an upcoming role, he invites Jerry to his apartment to prepare for the audition -- hoping of course, to scare off the younger actor with his "method" histrionics. In the course of the evening, Bart gets carried away and ends up killing Jerry, leaving him with the problem of disposing of the body. The method hit upon by the methodical Mr. Conway is gruesome but efficient -- or it would have been had he not forgotten about a certain ice bucket in his living room. "Bad Actor" was remade for the 1985 revival of Alfred Hitchcock Presents, with Martin Sheen taking over for Robert Duvall. ~ Hal Erickson, All Movie Guide

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide

In this teen sex comedy, a group of four male friends are determined to do something about their moribund sex life, and so they portray themselves as up-and-coming porn filmmakers out looking for good female stars. This introduces them to the women they want to meet, but one of these women has a father with some dubious connections to organized crime -- and he is more than a little peeved when he finds out what these young teens have been doing to his daughter's honor. The ensuing confrontation involves a fleet of luxury cars descending on the hapless, would-be filmmakers -- soon to be grateful that their cameras were never loaded since the guns of their aggressors clearly are. ~ Eleanor Mannikka, All Movie Guide