Bob Dylan Movies

Country music and bluegrass legend Earl Scruggs offers a memorable concert that finds him performing alongside such music superstars as Bob Dylan, Joan Baez, The Byrds, and the Morris Brothers in this release of a stage show featuring such hits as "Nine Pound Hammer", "The Last Thing on my Mind", "The Streamlined Cannonball", and "Salty Dog Blues". An additional compact disc allows fans to take the music with them anywhere they please. ~ Jason Buchanan, All Movie Guide

Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."

Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, All Movie Guide

Little Fauss (Michael J. Pollard) and Halsy Knox (Robert Redford) are competing motorcycle racers who form an unusual partnership. The pompous and arrogant Halsy agrees to race under Fauss' name while Fauss serves as his mechanic. Rita (Lauren Hutton) is the rich girl recovering from drugs who catches the eyes of both men. She chooses Halsy and eventually has a child by him after he halts his sexual pit stops with the racetrack floozies. Later, Rita bails out and returns to the sheltered environment of her wealthy parents in elite Palm Springs. Little Fauss and Big Halsy pair off in a race for a big prize. All events are witnessed by the lecherous photographer (Ray Ballard). An excellent musical soundtrack has Johnny Cash singing his own songs, one written by Bob Dylan, and another by Carl Perkins, who also sings one of his self-penned tunes. ~ Dan Pavlides, All Movie Guide

Organized by George Harrison after close friend Ravi Shankar alerted him to the plight of refugees seeking independence from Pakistan, this 1971 concert offers performances by both Harrison and Shankar in addition to featuring such legendary recording artists as Bob Dylan, Eric Clapton, and Ringo Starr. Songs performed in this Madison Square Garden mega-concert include "Blowin' in the Wind", &Here Comes the Sun" and "While My Guitar Gently Weeps". ~ Jason Buchanan, All Movie Guide

Narrated by Tom DeWitt, this theatrical video explores the reality that is created in illusion in several short scenes. ~ All Movie Guide

Bob Dylan made this concert film that chronicles a 1975/1976 performance of his Rolling Thunder Revue. In between songs he, his wife Sara Dylan, along with Joan Baez, Allen Ginsberg, and other counterculture figures perform philosophically based improvisational pieces. During the skits, Dylan plays the ambiguous Renaldo, while Ronnie Hawkins and Ronee Blakely play Dylan and his wife. Songs include "Isis, I Want You," "It Ain't Me Babe," "Knockin' on Heaven's Door," "Hurricane," "Romance in Durango," "One Too Many Mornings," "One More Cup of Coffee," "Sara," "Patty's Gone to Laredo," "Just Like a Woman," "A Hard Rain's Gonna Fall," "Sad-Eyed Lady of the Lowland," "When I Paint My Masterpiece," (Bob Dylan), "Chestnut Mare" (Roger McGuinn), "Diamonds and Rust" (Joan Baez), "Suzanne" (Leonard Cohen), "Need a New Sun Rising" (Ronee Blakely), "Salt Pork West Virginia" (Jack Elliott), "Kaddish" (Allen Ginsberg), "Cucurrucucu Paloma" (Tomas Mendez), and "Time of the Preacher" (Willie Nelson). ~ Sandra Brennan, All Movie Guide

The made-for-TV Parole stars the music of Bob Dylan and Sting. Actually, it stars James Naughton, but the music is (or should have been) the selling angle. Naughton portrays street-smart Boston parole officer Andy Driscoll, who takes a personal interest in each of his charges and tries to mainstream them into decent society. The plot concentrates on one such parolee, played by Mark Sopper, who considers returning to crime after losing his girl, his job and his home. The film's studied grittiness is undercut by a contrived car chase and a phony happy ending. Watch for Ellen Barkin in the supporting role of "Donna." Filmed as a TV pilot in late 1980, Parole was not telecast until September of 1982. ~ Hal Erickson, All Movie Guide

Rare filmclips of folksinger Woody Guthrie at work and at play provide the highlights of this 74-minute documentary. Hard Travelin' places Guthrie's musical contributions within the context of their times, utilizing harrowing footage of the devastation wreaked by the Depression and the Dust Bowl. It goes without saying, perhaps, that Arlo Guthrie is called upon to assess his father, both as an artist and a man. Also appearing to perform and converse are Joan Baez, Hoyt Axton, Judy Collins and Pete Seeger. Woody Guthrie is the ideal "warm-up" for the 1976 Guthrie biopic Bound for Glory. ~ Hal Erickson, All Movie Guide

Former Starsky and Hutch star Paul Michael Glaser warmed the director's chair for Band of the Hand. The film zeroes in on five juvenile delinquents who are plucked from their various detention facilities and unceremoniously dumped in the wilds of the Everglades. The boys begin to panic until hardcase Vietnam veteran Stephen Lang arrives. Lang explains that they've been paroled in his custody, and that it is his task to teach them how to work as a team in order to survive. The logic of this plan is to whip the boys into an elite vigilante unit, then sic them on the various drug dealers of America. The film features early performances by Lauren Holly and Larry Fishburne and Bob Dylan can be heard singing the title song. ~ Hal Erickson, All Movie Guide

Concert footage of both Dylan and Petty directed by Gillian Armstrong. ~ All Movie Guide

Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, All Movie Guide

Screenwriter Bruce Robinson made his directorial debut with this British comedy. Withnail (Richard E. Grant) is an unsuccessful, pill-popping actor; "I," or Marwood (Paul McGann), is Withnail's roommate and another equally underemployed actor. The time is 1969: Withnail is fast becoming a burned-out relic of the '60s, while Marwood is trying to reassimilate into society. The two take a trip to the country in hopes of rejuvenating themselves, but things go from worse to even worse. Given the intimacy and insight of the screenplay and dialogue, one shouldn't be surprised that Bruce Robinson (who adapted the film from his own novel) based Withnail & I on his own experiences. The film proves that certain "Age of Aquarius" types were just as bollixed-up in Britain as they were in America. ~ Hal Erickson, All Movie Guide