Bob Dylan Movies

Bob Dylan: The Other Side of the Mirror -- Live at Newport captures different performances the legendary musician gave at the annual event, including extensive footage from his infamous appearance where he used electric guitars and a rock band backing him. This decision caused a great deal of outrage among many within the folk community. ~ Perry Seibert, All Movie Guide

Filmmaker Peter Bogdanovich turns to the documentary form for the first time with this lengthy profile of one of rock and roll's enduring talents. Tom Petty: Running Down A Dream presents an in-depth look at Petty's life and career and his work with his long-time band the Heartbreakers, ranging from Petty's earliest musical influences (which includes meeting Elvis Presley when the King came to Florida to shoot a movie when Petty was just eleven years old) to the critical and commercial success of his 2006 album Highway Companion. Along the way, the film offers glimpses of Petty's early bands (including the Sundowners and Mudcrutch), his battles with record companies over royalties, record prices and control of his music, his collaborations with other artists (among them George Harrison, Bob Dylan, Stevie Nicks and Roger McGuinn), his relationship with his fellow Heartbreakers, and of course his music, with plenty of footage of Petty and the Heartbreakers strutting their stuff on stage. Produced as a special event for The Sundance Channel, Tom Petty and the Heartbreakers: Running Down A Dream enjoyed a brief theatrical release before its debut on cable television. ~ Mark Deming, All Movie Guide

In the spring and summer of 1972, George McGovern, a Democratic senator from South Dakota, achieved the seemingly impossible. Backed by a motley collection of Prairie populists, old-school liberals, and young people disenchanted with the war in Vietnam, McGovern overwhelmed longtime party favorites such as Hubert Humphrey and Edmund Muskie to win the Democratic nomination for the presidency of the United States. However, McGovern's triumph proved to be short-lived; after his initial running mate, Thomas Eagleton, was revealed to have a history of mental illness, the McGovern campaign went into a tailspin from which it would never recover, with the incumbent Richard Nixon winning the 1972 election by a landslide. However, McGovern's campaign is still remembered by many as one of the last examples of a candidate truly triumphing through the will of the people rather than working the party political machine, and given the scandalous downfall of Nixon following his re-election, many have wondered what America would be like today if McGovern, once described by Robert F. Kennedy as "the most decent man in the Senate," had won. One Bright Shining Moment: The Forgotten Summer of George McGovern is a documentary which looks back at the McGovern campaign and explores what went right, what went wrong, and what was McGovern's true legacy. The film includes interviews with Howard Zinn, Gloria Steinem, Gary Hart, Frank Mankiewicz, Warren Beatty, Gore Vidal, Ron Kovic, and McGovern himself. ~ Mark Deming, All Movie Guide

In 1965, Bob Dylan was the reigning king of the new folk music boom, but while he had earned a large and loyal audience playing earnest and elliptical songs of social protest and romantic puzzlement accompanied by his acoustic guitar, he was eager to strike out into new territory, and he shocked fans at that year's Newport Folk Festival by showing up with an electric guitar and a thrown-together rock & roll band. Later that year, Dylan took his joyous outrage on the road, with a tight, but hard-hitting, rock & roll combo, the Hawks, joining him for a series of shows in which the singer and his band (who would later rename themselves the Band) were often confronted by puzzled and vocally angry crowds. Hawks drummer Levon Helm, unhappy with the unfriendly reception, dropped out after a few dates, and after substitute timekeepers Bobby Gregg and Sandy Konikoff both vacated the drummer's seat, Mickey Jones -- a Texan transplanted to Los Angeles who had enjoyed successful gigs with Trini Lopez and Johnny Rivers -- landed the job of joining Dylan and the Hawks for a tour of Europe. A photography buff, Jones brought his home movie camera along with him, and Bob Dylan: World Tour 1966 -- The Home Movies compiles Jones' amateur footage of life on the road and off-stage with Dylan and the Hawks. In addition, Jones shares his memories of the tour, discusses his career before and after working with Dylan, and offers his own observations on what Dylan's music meant to him and to music fans everywhere. The Home Movies includes no musical performances from Bob Dylan; accompaniment for Jones' silent footage is provided by Highway 61 Revisited, a Bob Dylan tribute band. ~ Mark Deming, All Movie Guide

For about a year after the Woodstock Music and Art Fair in 1969, it seemed as though everyone wanted to stage a rock festival. However, The Rolling Stones' disastrous Altamont free concert (documented in the film Gimme Shelter) forever tarnished the image of the rock festival in the U.S., while in Europe, the 1970 Isle of Wight Festival was fortunately less deadly than Altamont, but nearly as controversial. Staged by two men with greater ambitions than practical experience (not unlike Woodstock), the festival was held on a small island off the British coast, where some of the finest rock talent of the day -- Jimi Hendrix, The Doors, The Who, Miles Davis, Joni Mitchell, Donovan, Jethro Tull, Joan Baez, Leonard Cohen, and Kris Kristofferson, among many others -- were scheduled to play over the course of five days. But while at Woodstock no one had given much thought about keeping gatecrashers out, at the Isle of Wight those without tickets were greeted with corrugated steel fences that sealed off the festival grounds. Huge numbers of visitors simply camped on hills surrounding the grounds, while others broke down the fences by force after refusing to pay the three pounds admission. This led to heated conflicts between the promoters (who railed bitterly against the audience from the stage), the festival's security staff (who had to deal with the many gatecrashers), the concert-goers (who were upset with both the admission price and the site's facilities, one spectator calling it "a psychedelic concentration camp"), and the performers (who had to deal with unruly audiences and the prospect of not being paid). It was estimated that 600,000 people attended the festival, but less than 50,000 actually paid to get in, spelling financial ruin for the promoters. American documentary filmmaker Murray Lerner brought a crew to record the festival on film, but thanks to the festival's bad publicity and uneven reviews, he was not able to obtain completion funds for the project until 1995, hence the presence of many musicians who had since passed away, such as Jimi Hendrix, Jim Morrison and Miles Davis. Message to Love: The Isle of Wight Festival examines the concert both on-stage and behind-the-scenes, capturing performances from many of the artists who appeared. We see Joni Mitchell and Kris Kristofferson angrily confronting the rowdy crowd, and The Who at the peak of their form (their full set was released as a separate film), alongside the numerous catastrophes and conflicts that dominated the festival's five days. ~ Mark Deming, All Movie Guide

In the 1960s, the sound of rock & roll music became more amplified and electric. Part of the ten-volume series The History of Rock 'N' Roll, this installment chronicles the development of the electric sound. Highlights include interviews and archival and concert film footage of various rock icons, including Bob Dylan at Newport in 1965, the Beach Boys, the Beatles, Peter Noone and Herman's Hermits, the Mamas and the Papas, the Byrds, Pete Townsend and the Who, Janis Joplin, and Jimi Hendrix.

~ Steve Blackburn, All Movie Guide

For his 60th birthday, country legend Willie Nelson decided to throw a party and invite a few of his closest friends to help him celebrate. Among others appearing are Emmylou Harris, Bob Dylan, Ray Charles, Neil Young, B.B. King, Paul Simon, and Waylon Jennings -- most joining Nelson on stage for a series of inspired duets. ~ Rob Ferrier, All Movie Guide

Originally prepared for European release under the title Catchfire, Backtrack wasn't given a wide distribution until 1991, and then only to capitalize on the Oscar win of Silence of the Lambs star Jodie Foster. In Backtrack, Foster plays a youngish innocent who witnesses a mob hit. Professional assassin Dennis Hopper is contracted to silence Foster for keeps. Instead, he falls in love with her. Directed by star Hopper, Backtrack has some of the feel of his earlier, better Easy Rider: the cast is populated by such old Hopper chums as Dean Stockwell, Charlie Sheen, Joe Pesci, Bob Dylan, Vincent Price and Julie Adams; and, like Easy Rider, it looks as though the story was improvised during filming. ~ Hal Erickson, All Movie Guide

A yuppie and a hippie are the offbeat pairing of this character comedy in the tradition of earlier mismatched buddy films such as Midnight Run (1988). Kiefer Sutherland is uptight, 26-year-old FBI agent John Buckner, who's been assigned to escort an aging counterculture radical named Huey Walker (Dennis Hopper) to Oregon for trial on a charge that's decades old. Buckner finds Huey's lifestyle and beliefs irresponsible. Once the two are bound for their Pacific Northwest destination, Huey begins to play psychological mind games with the straight-arrow Buckner, convincing him that he's tripping on hallucinogenic drugs, getting him drunk, and setting him up with a hooker named Sparkle (Kathleen York). Huey trades places with his captor and soon a game of cat-and-mouse is afoot as the agent pursues the one-time radical, with surprising revelations abounding regarding Buckner's childhood and Huey's motivations for allowing himself to be captured. Flashback also stars Carol Kane, Cliff De Young, Richard Masur, Michael McKean, and Paul Dooley. ~ Karl Williams, All Movie Guide

A New York City police officer struggles to remove the threat presented by a gang of crazed killers who are wreaking havoc in the subway system. ~ Iotis Erlewine, All Movie Guide

Director Jean-Luc Godard pokes fun at the follies and injustices of small-time filmmaking in this drama-comedy about two apparent has-beens who are trying their best to get together the funds and the cast for a last, desperate bid for cinematic fame and fortune. The duo (Jean-Claude Mocky and Jean-Pierre Leaud) and their assistants mull over the meaning and purpose of cinema, but at the same time, the cattle-call for their proposed new production does not rise above its bovine metaphor. While eyeing beauteous new actresses with a dash of lasciviousness, the pair are also keeping track of would-be backers with more than a dash of cunning manipulation. Along the way, everything from hypocrisy to Roman Polanski gets a drubbing. ~ Eleanor Mannikka, All Movie Guide