Dale Dye Movies

Made for the TNT cable network, The Court Martial of Jackie Robinson concentrates on the wartime service of major league baseball's first black player. Robinson (Andre Braugher), a star athlete at UCLA, is drafted during World War II. He hopes that his academic record will assure him entry into Officers Candidate School, but the racism inherent in the military at the time puts several roadblocks in his way. After finally making OCS, Robinson's belief in himself is strengthened tenfold--to the point that he refuses to bow to the "Jim Crow" laws regarding the seating arrangements on an Army bus, and is subsequently threatened with a court martial. Stan Shaw costars as boxing great Joe Louis, likewise a victim of prejudice during the war years (the script intimates that Louis was more willing to roll with the punches than Robinson). Ruby Dee, who played the ballplayer's wife in the 1950 film The Jackie Robinson Story, is here seen as Robinson's mother. The Court Martial of Jackie Robinson premiered on October 15, 1990. ~ Hal Erickson, All Movie Guide

The Fourth War finds director John Frankenheimer delving into the same Cold-war territory he'd previously cultivated in films like The Manchurian Candidate. Col. Jack Knowles (Roy Scheider), serving at a faraway post on the German-Czech border, carries on a personal war with his Soviet counterpart, Colonel Valachev (Jurgen Prochnow). Both have been hardened by past combat experiences, and both have been embittered by the exigencies of red tape, bureaucracy, and diplomatic deal-making. Their friendly rivalry snowballs (literally so!) into a guerilla-like combat situation, culminating in a one-on-one showdown. It's essentially a shaggy dog story, but a compelling one. Based on a novel by Stephen Peters, The Fourth War was given surprisingly short shrift by Cannon Films' distribution channels. ~ Hal Erickson, All Movie Guide

Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, All Movie Guide

For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, All Movie Guide

Billionaire Boys Club is the two-part TV adaptation of a book by Sue Horton (unpublished at the time of the film's first telecast). In flashback form, the story recounts the murder of Beverly Hills con artist Ron Levin (Ron Silver). The culprit is yuppie Joe Hunt (Judd Nelson), a sharp young commodities trader who has organized an investment firm with several of his prep school buddies, known as the Billionaire Boys Club. Part one, originally telecast November 8, 1987, traces Hunt's meteoric rise to wealth and power, and the means by which Levin worms his way into Hunt's confidence. In part two, shown the next evening, Hunt has already murdered Levin and carefully disposed of the body. The next step of the scheme is take over where Levin left off by conning an Iranian millionaire out of a huge sum of money. Meanwhile, other members of the Club begin to have qualms over Hunt's finagling. Their whistle-blowing leads to Hunt's arrest and convinction for murder. ~ Hal Erickson, All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide