Dale Dye Movies

For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, All Movie Guide

Blue Sky was the last film directed by Tony Richardson (Tom Jones) before his death in 1991 and one of the last releases from once-thriving Orion Films, whose bankruptcy kept the picture on the shelf for several years. It also features two career-high performances by Tommy Lee Jones and Jessica Lange, who won the Best Actress Oscar for this role, as Hank and Carly Marshall, a military couple whose marriage unravels under the pressure of his job and her mental instability. Hank is an Army captain at odds with his superiors over the wisdom of nuclear testing. Carly is a free spirit spiralling into a dangerous depression after the family's move from Hawaii to a nowhere base in Alabama alarms the couple's older daughter (Amy Locane) and sends Carly into an affair with the base commander (Powers Boothe). ~ Don Kaye, All Movie Guide

Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, All Movie Guide

Adapted from James Dickey's popular novel, John Boorman's 1972 movie recounts the grueling psychological and physical journey taken by four city slickers down a river in the backwoods of Georgia. At the behest of Iron John-esque Lewis (Burt Reynolds), the less adventuresome Ed (Jon Voight), Bobby (Ned Beatty), and Drew (Ronny Cox) agree to canoe down an uncharted section of the river before a dam project ruins the region. After warnings from the grimy, impoverished locals, and Drew's tuneful yet ominous "Dueling Banjos" encounter with a mute inbred boy, the four men embark on their trip, exulting in the beauty of nature and the initial thrill of the rapids. The next day, however, things begin to take a turn for the worse when Bobby and Ed decide to rest on shore after becoming separated from Lewis and Drew. Two rifle-wielding mountain men (Bill McKinney and Herbert "Cowboy" Coward) emerge from the woods, tying up Ed while one of them rapes Bobby and makes him "squeal like a pig." Lewis and Drew rescue them, but the attack irrevocably changes the tenor of the journey. As the river gets rougher and rougher, the men come to nightmarish grips with what it means to survive outside the safety net of "civilization." ~ Lucia Bozzola, All Movie Guide

Nicolas Cage stars in the below-par action film Firebirds -- a dying ember from Reagan-era nationalistic jingoism. In this Top Gun retread, Cage plays Jake Preston, a hotshot Army helicopter pilot who is being trained to use the U.S. Army's Apache aircraft to destroy the drug fields of a South American drug cartel. It up to his taskmaster instructor Brad Little (Tommy Lee Jones) to teach Jake humble lessons before he can be trusted to launch into the skies against the drug dealers. While Jake is trying to tame his egoism, he engages in a torrid love affair with flying ace Billie Lee Guthrie (Sean Young). The film was originally titled Wings of the Apache for the U.S. Army Apache assault helicopters that are prominently displayed in the film. ~ Paul Brenner, All Movie Guide

With Heaven and Earth -- cobbled together from two autobiographical reminiscences (When Heaven and Earth Changed Places and Child of War, Woman of Peace by Le Ly Hayslip -- Oliver Stone completes his self-declared "Vietnam Trilogy" (the other films being Platoon and Born On the Fourth of July) of films examining the Vietnam War from different perspectives. Heaven and Earth begins in the central Vietnamese village of Ky La during the 1950s. Phung Le Ly (Hiep Thi Le) is an innocent peasant girl, helping her mother (Joan Chen) to tend the rice paddies while being lectured in the ways of life by her father (Haing Ngor). The idyllic peace of the village is disrupted when a jet bomber crosses the skies. Soon the village is decimated as the American-backed South Vietnamese government troops and the Viet Cong engage in brutal warfare in which the victims are the innocent villagers. Le Ly is both tortured and raped. She leaves Ky La for Danang for a life as a prostitute. There she meets the tall and craggy American soldier Steve Butler (Tommy Lee Jones), a kind but lonely man who isn't looking for sex but for someone to settle down with -- as he says, "I want an Oriental wife." They marry, and Steve takes her back to the United States, where her in-laws look at her not as a wife but as a pet. In the harsh glare of 1970s U.S. culture, Le Ly has trouble adjusting to the American way of life. But not as hard a time as her husband, who, after twenty years in Vietnam, discovers he cannot adapt to civilian life. ~ Paul Brenner, All Movie Guide

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

C. Thomas Howell stars as the otherwise-nameless title character, a young man whose hippie parents were murdered years ago by a gang of rednecks. Years later, the Kid has returned to the scene of the crime to avenge their deaths, only to find that one of the killers is now the town sheriff. ~ Jason Ankeny, All Movie Guide

When a top secret naval mission leads to the torpedoing of the U.S.S. Indianapolis at the end of WWII, it began one of the most scandalous court-martials in the history of the military. For five days the surviving crew members were left in the shark-infested waters, with only half of them surviving to be rescued. Their well-respected Captain accepted the responsibility to keep the scandal to a minimum but his court-martial only served to show that justice is not always found in military proceedings but rather mere expediency. ~ Tana Hobart, All Movie Guide

This made-for-television docudrama that aired on March 28, 1999 on NBC, relates the story of an actual event that occurred during World War II, but is centered around the lives of fictional characters. On July 17, 1944 at a U.S. naval base near San Francisco, a ship exploded causing the deaths of 323 men and injuring another 390. Just over 200 of the dead and another 200 of the injured were African-American Navy personnel. The story begins with the events that led up to the tragedy, with the second half of the film describing the actions of the men who refused to report back to work the next day after the explosion. Initially, 250 of the men refused to return, fearing another catastrophe. When base officers threatened to charge them with mutiny, 200 returned to work. The 50 who refused to return were given dishonorable discharges, in addition to 15 years of hard labor from the mutiny convictions. Eventually, the sentences were reduced to 4 years, but no official governmental acknowledgment of wrongdoing has ever been made. ~ All Movie Guide

In this action thriller, a group of terrorists take over an ocean liner with 3,000 passengers on board, but what the bad guys don't know is that the captain of the ship is one Halsey Long (Dale Dye). The good captain's son is Skip Long (Michael McGrady), leader of the crack anti-terrorist squad the Delta Force, and while under any other circumstances he would be determined to bring the ship and the people on board back to safety, the terrorists have just made it personal. Operation Delta Force II: Mayday also stars Todd Jensen, Simon Jones, and Robert Patteri. ~ Mark Deming, All Movie Guide

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide