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Robert Duvall Movies

One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born January 5, 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).

With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.

The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola), which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.

Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking. In 2006 he scored a hit in another western. The made for television Broken Trail, co-starring Thomas Haden Church, garnered strong ratings when it debuted on the American Movie Classics channel. That same year he appeared opposite Drew Barrymore and Eric Bana in Curtis Hanson's Lucky You.

In 2010, Duvall took on the role of recluse Felix "Bush" Breazeale for filmmaker Aaron Schneider's Get Low. The film, based on the true story of a hermit who famously planned his own funeral, would earn Duvall a nomination for Best Actor at the SAG Awards, and win Best First Feature for Schneider at the Independent Spirit awards. ~ Sandra Brennan, Rovi
1974  
R  
Add The Godfather Part II to Queue Add The Godfather Part II to top of Queue  
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, Rovi

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Starring:
Al PacinoRobert Duvall, (more)
 
1974  
PG  
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Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, Rovi

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Starring:
Gene HackmanJohn Cazale, (more)
 
1973  
PG  
A two-bit criminal takes on the Mafia to avenge his brother's death in this drama based on a novel by Donald E. Westlake. Earl Macklin (Robert Duvall) is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother. As it turns out, the bank that Earl and his brother hit was controlled by gangster Mailer (Robert Ryan). Macklin learns that he's on the mob's hit list as well, so he teams up with his old partner Cody (Joe Don Baker) to take on Mailer and his second in command, Jake Menner (Timothy Carey). The Outfit also features a top-notch supporting cast, including Karen Black, Sheree North, Joanna Cassidy, Richard Jaeckel, and Anita O'Day; Marie Windsor and Elisha Cook, Jr. also appear, 18 years after their memorable turn together in The Killing. ~ Mark Deming, Rovi

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Starring:
Robert DuvallKaren Black, (more)
 
1973  
R  
Robert Duvall is cast as a suspended New York cop who sets out on a one-man crusade to avenge his cop-partner's murder. ~ Rovi

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1973  
PG  
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In this stylish caper drama, Andy Hammond (Donald Sutherland) is a detective working with an insurance company who is investigating the theft of $3 million in diamonds. While Andy is initially eager to crack the case and bring the burglars to justice, his attitudes begin to shift when he meets Paula Booth (Jennifer O'Neill), a wealthy and beautiful woman who whose father Paul (Patrick Magee) is well-known as a "fence" for stolen goods -- and is the prime suspect in the robbery. Robert Duvall appears in a key supporting role as Ford Pierce, a straight-arrow police detective working with Andy to find the missing gems. ~ Mark Deming, Rovi

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Starring:
Donald SutherlandJennifer O'Neill, (more)
 
1972  
R  
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Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi

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Starring:
Marlon BrandoAl Pacino, (more)
 
1972  
PG  
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In John Sturges'sAmericanized version of Sergio Leone's Man-With-No-Name films, Clint Eastwood is Joe Kidd, a cryptic stranger who arrives in the New Mexican town of Sinola, where Mexican bandito/revolutionary Luis Chama (John Saxon) has organized a peasant revolt against the local landowners, who are throwing the poor off land that rightfully belongs to them. When a posse -- financed by wealthy landowner Frank Harlan (Robert Duvall) -- is formed to capture Luis, Kidd is invited to join but prefers to remain neutral. Harlan keeps badgering Kidd to join up, and Kidd finally relents when he finds that Luis's band has raided his own ranch and one of his ranch hands has been injured. The bloodthirsty posse rounds up five Mexicans hostages and threaten to kill them unless Luis surrenders to them. One of the hostages is the attractive Stella Garcia (Helen Sanchez), and Kidd falls in love with her. Harlan notices this and throws Kidd in jail to prevent him from helping Stella and the Mexicans. Kidd decides the position himself as the voice of reason in this nest of disorder. He escapes and saves the Mexican hostages, determined to capture Luis himself and see that he gets a fair trial. But when Kidd captures Luis and delivers him to Sheriff Mitchell (Gregory Walcott), Harlan is in town waiting for him. ~ Paul Brenner, Rovi

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Starring:
Clint EastwoodRobert Duvall, (more)
 
1972  
PG  
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Horton Foote was the adapting hand behind this superlative black and white filmization of the 1939 William Faulkner story Tomorrow. Framed in flashback, the film explores the personal reasons that semi-literate farmer Robert Duvall is the lone jury holdout in the guilty verdict for a young killer on trial. We learn in a gradually unfolding fashion that the boy is the son of Olga Bellin, a woman with whom Duvall had had an intense personal involvement some twenty years earlier. Foote's script had previously been utilized on a Playhouse 90 TV version of Tomorrow, which starred Sterling Hayden. Universally regarded as the best-ever film adaptation of a Faulkner work, Tomorrow was in danger of vanishing without truly finding its audience, when it was given a well received TV premiere on PBS on December 17, 1984--twelve years after the film was made. ~ Hal Erickson, Rovi

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1972  
PG  
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The oft-told story of the rise and fall of the James Younger gang is given the Dragnet treatment in The Great Northfield, Minnesota Raid. With meticulous attention to detail, the film recreates the outlaw gang's most infamous escapade: the September 7, 1876, robbery of "the biggest bank west of the Mississippi" in Northfield, MN. Cliff Robertson plays Cole Younger, and Robert Duvall appears as Jesse James, herein depicted as a pair of vengeance-driven sociopaths, but no worse than the greedy railroad magnates who've driven them into a life of crime. Younger is also quite the manipulator, convincing the immigrant farmers of Northfield that the bank is completely impervious to robbery, thereby increasing the deposits that he intends to steal. Duvall's Jesse James is a cold-blooded murderer, but, like Younger, not without his own personal charm. The climactic raid is filmed cinéma vérité style, looking more like a haphazard CNN news event than a well-oiled machine (this film is not, thankfully, the standard "slick" Hollywood product). Though it drags in spots, The Great Northfield, Minnesota Raid is a superb, iconoclastic reproduction of an era long past. ~ Hal Erickson, Rovi

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Starring:
Cliff RobertsonRobert Duvall, (more)
 
1971  
PG  
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Based on his award-winning student short, George Lucas's debut feature cerebrally celebrates the possibility for individual freedom against all odds. In a 1984-esque white-washed future underground dystopia where sexuality is banned, all humans sport shaved heads and the same shapeless outfits as they go about their work in a mandated state of sedation, listening to exhortations to "Buy and Be Happy." Black-clad robot cops chant a mantra to their victims that "everything will be all right" and automated confessional booths emit soothing therapeutic bromides. But unbeknownst to THX 1138 (Robert Duvall), his roommate LUH 3417 (Maggie McOmie) has been reducing their meds, resulting in their mutual discovery of love and THX's subsequent imprisonment for drug evasion and sexual misconduct. Determined to find the pregnant LUH, THX breaks out of prison with the help of his cellmate SEN 5241 (Donald Pleasence) and an escaped TV hologram (Don Pedro Colley). With fugitive pursuits strictly budgeted, THX only has to evade the robocops until the funds run out, but surveillance is omnipresent and THX's vehicle keeps overheating. Making the only film produced through the first incarnation of Francis Ford Coppola's independent studio American Zoetrope, Lucas and his small crew, including co-writer and sound editor Walter Murch, shot THX 1138 in northern California with no interference from distributor Warner Bros. When Warners saw the austere result, however, they recut the film before its release. Neither the studio's nor Lucas's cut was a popular success, but THX 1138's coolly minimalist style and story-telling gained fans on the college screening circuit, just as Stanley Kubrick's poetic 2001: A Space Odyssey had attracted a large youth audience in 1968. When Lucas returned to sci-fi after American Graffiti, he traded restraint for nostalgic fun in the film that guaranteed his creative freedom in Hollywood: Star Wars. ~ Lucia Bozzola, Rovi

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Starring:
Robert DuvallDonald Pleasence, (more)
 
1971  
 
Add Lawman to Queue Add Lawman to top of Queue  
In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, Rovi

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Starring:
Burt LancasterRobert Ryan, (more)
 
1970  
R  
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Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, Rovi

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Starring:
Elliott GouldDonald Sutherland, (more)
 
1970  
R  
In this symbolic drama of social and political turmoil, Jon Voight plays an aspiring revolutionary (who is only known as "A") working in a print shop. He lives with his bohemian girlfriend (Collin Wilcox-Horne) and studies philosophy at the local university. Despard (Robert Duvall) is his alleged communist boss who spurns him on to political activity. When a strike turns violent, "A" the print-shop worker is pegged as the one who passed out the leaflets that encouraged the strike. He returns home where he receives his draft notice. His first Army assignment is to forcibly break up the striking workers and he goes AWOL. When Despard denies involvement in the unrest, the disillusioned "A" aligns himself with the radical bomb-maker Leonard II (Seymour Cassel), who is constructing two bombs for a judge who sentenced the striking workers to jail time. ~ Dan Pavlides, Rovi

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Starring:
Jon VoightJennifer Salt, (more)
 
1969  
 
Having killed Federal officer Doug Mercer, criminal Gerald Wilson (Robert Duvall) manages to escape an FBI dragnet. Hoping to make it to Mexico, Wilson forces a thief named Jack Collins (Burr De Benning) to act as his accomplice. To make certain that Collins cooperates, Wilson holds the man fiancee Carolyn (Davey Davison) at gunpoint throughout their tortuous southward ordyssey. While Efrem Zimbalist Jr. is still nominally the star of The F.B.I., the series' producers devoted more magazine ad space to this episode's "special attraction": namely, the new 1970 Lincoln-Mercurys (guess who sponsored the show?) ~ Hal Erickson, Rovi

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1969  
R  
Despite an effort by the Warner Bros. publicity mills to turn The Rain People into an instant cult film upon its first release (the ad campaign stressed the intimacy and humanity of the story), this early Francis Ford Coppola effort would have to wait several years to find its audience. Shirley Knight stars as Natalie, a housewife who, unable to cope with being "trapped" by impending pregnancy, deserts her husband and takes to the road. Eager to start life over, Natalie attaches herself to hitchhiker Kilgannon (James Caan). She is fully aware that Kilgannon, a former football pro, has incurred so much brain damage that he's practically a child but insists upon sticking with him. Along the way, she has a variety of offbeat experiences with such eccentrics as a snake-farmer (Tom Aldredge) and a widowed traffic-cop (Robert Duvall). An unexpectedly violent turn of events, triggered by the traffic cop's troubled daughter (Marya Zimmet), leaves Natalie virtually back where she started. Director Coppola was still laboring under the influence of the French New Wave in The Rain People; there are so many flashbacks and flashforwards that soon even the actors don't know where they stand. Yes, it's an example of youthful cinematic excess, but there's a streak of genius in The Rain People that is impossible to miss. Coppola based his screenplay on his own short story "Echoes." ~ Hal Erickson, Rovi

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Starring:
James CaanShirley Knight, (more)
 
1969  
G  
Add True Grit to Queue Add True Grit to top of Queue  
In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, Rovi

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Starring:
John WayneGlen Campbell, (more)
 
1968  
 
Star-in-the-making Robert Duvall appears in this episode as Joseph Troy, one of two fugitives who are hiding from the Feds in California's wine country. Biding their time until the heat is off, Troy and his partner George Wilson (Burt Brinckerhoff) make plans to pull off a bank heist during a local harvest celebration. But things take an unexpected turn when one of the two outlaws falls in love with Lisa Cintron (Diane Baker). ~ Hal Erickson, Rovi

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1968  
NR  
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Frank Sinatra gives a gritty performance in the crime thriller The Detective. When Teddy Leikman, the homosexual son of a politically connected department-store magnate, is murdered, detective Joe Leland (Frank Sinatra) is sent in to investigate. Leland drags in Teddy's psychotic former roommate Felix Tesla (Tony Musante) and forces a confession out of him; for his work on the case Leland gets a promotion, which troubles him. Afterwards, Norma MacIver (Jacqueline Bisset), the widow of a well-heeled accountant, comes to see Leland. Her husband was killed after falling off the grandstand at a racetrack -- but Norma thinks he was pushed. She asks Leland to investigate her husband's death. Reopening the case, Leland discovers that the police are opposed to him scratching around any further, and after an attempt on his life, he uncovers some startling evidence that may connect the two deaths. ~ Paul Brenner, Rovi

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Starring:
Frank SinatraLee Remick, (more)
 
1968  
NR  
Improvisational director Robert Altman hadn't yet found his cinematic "voice" when he helmed the conformist, stick-to-the-script Countdown. James Caan is top-billed as a scientist who is chosen over astronaut Robert Duvall for the upcoming NASA moon shot. In their haste to beat the Russians to the moon, the NASA folks have tried to sidestep several safety measures, but doctor Charles Aidman sees to it that every possible precaution is taken. When Caan makes it to the lunar surface, he stumbles upon gruesome evidence that the Russians had sent up a secret expedition themselves--and had fatally ignored all those extra security precautions which he's been subject to. Ted Knight, who received some of his best pre-Mary Tyler Moore roles in Altman's TV work, co-stars in Countdown. ~ Hal Erickson, Rovi

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Starring:
James CaanJoanna Moore, (more)
 
1968  
PG  
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Robert L. Pike's crime novel Mute Witness makes the transition to the big screen in this film from director Peter Yates. In one of his most famous roles, Steve McQueen stars as tough-guy police detective Frank Bullitt. The story begins with Bullitt assigned to a seemingly routine detail, protecting mafia informant Johnny Ross (Pat Renella), who is scheduled to testify against his Mob cronies before a Senate subcommittee in San Francisco. But when a pair of hitmen ambush their secret location, fatally wounding Ross, things don't add up for Bullitt, so he decides to investigate the case on his own. Unfortunately for him, ambitious senator Walter Chalmers (Robert Vaughn), the head of the aforementioned subcommittee, wants to shut his investigation down, hindering Bullitt's plan to not only bring the killers to justice but discover who leaked the location of the hideout. ~ Matthew Tobey, Rovi

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Starring:
Steve McQueenRobert Vaughn, (more)
 
1967  
 
In the final episode of Combat, frequent series guest star Robert Duvall makes a return appearance, this time as a French resistance fighter named Michel. Saunders takes Michel along on a vital reconnaissance mission--little suspecting that the "Frenchman" is actually an American deserter in disguise. The truth is revealed at the worst possible time, as Saunders and the squad prepare brace themselves against a relentless German assault. Also in the cast is singer Claudine Longet,then the wife of entertainer Andy Williams. ~ Hal Erickson, Rovi

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1967  
 
In the conclusion of a two-part story, the FBI continues to exert pressure on La Cosa Nostra, even while a bitter turf war between two mob families threatens to destroy the organization from within. Things come to head when gangland boss Leo Roland (Walter Pidgeon) orders the murder of potential federal witness Ed Clementi (Telly Savalas)--and picks Ed's own nephew to pull the trigger. Fans of The Godfather will appreciate the presence of Robert Duvall in a supporting role. Originally telecast March 12 and 19, 1967, the two parts of "The Executioners" were later combined and released theatrically overseas as Cosa Nostra, Arch Enemy of the FBI. ~ Hal Erickson, Rovi

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1967  
 
In the first episode of a two-part story, the FBI squares off against La Cosa Nostra (evidently J. Edgar Hoover had finally acknowledged the fact that Organized Crime really did exist!) Inspector Erskine (Efrem Zimbalist Jr.) is hoping that dissension within the ranks of the Mob will cause the hierarchy to collapse under its own weight. He may be right: A power struggle involving Mafia chieftan Ed Clementi (Telly Savalas) currently threatens to spark a full-scale turf war. Originally telecast March 12 and 19, 1967, the two parts of "The Executioners" were later combined and released theatrically overseas as Cosa Nostra, Arch Enemy of the FBI. ~ Hal Erickson, Rovi

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1967  
 
Not technically a feature film, Aliens from Another Planet consists of two 60-minute episodes from the vintage Irwin Allen sci-fi TV series The Time Tunnel. James Darren and Robert Colbert star as Tony Newman and Doug Phillips, two research scientists working on a huge, high-tech time machine. Sucked into the mechanism in Episode One, Doug and Tony are compelled to pay danger-laden visits to the past and future, courtesy of the 20th Century-Fox stock-footage department. The first episode included herein is Chase Through Time, originally telecast February 24, 1967, in which the Time Travellers are projected into the far distant future by an unhinged nuclear technician (played by no less than Robert Duvall). In the second installment, Visitors From Beyond the Stars (original air date: January 13, 1967), a group of extraterrestrials land on Earth in the year 1885. ~ Hal Erickson, Rovi

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