Philippe Dussart Movies

Andre Delvaux directed this stylish, yet ultimately empty adaptation of a historical novel by Marguerite Yourcenar. Gian Maria Volonte leads the cast as Zenon, a Belgian doctor and alchemist in the 1500s. Zenon travels across Europe for many years hiding from the Inquisition, which eventually catches up with him when he returns to his native Brugge in disguise. The narrative is bolstered by some fine acting by Volonte and a notable supporting cast including Sami Frey, Marie-Christine Barrault, Marie-France Pisier, and Anna Karina, as well as excellent cinematography by Charlie Van Damme and Walter van den Ende. ~ Robert Firsching, All Movie Guide

This portrayal of the reunion of an estranged father and daughter is set against the backdrop of a theatrical production. The father Pierre (Michel Piccoli) is the artistic director of a theater, and when his daughter Manon (Sandrine Bonnaire) lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane (Sabine Azema) and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined. ~ Eleanor Mannikka, All Movie Guide

With Life is a Bed of Roses, filmmaker Alain Resnais wanted to create a lighthearted tribute to three important French directors, each of whom defined a particular era in his country's cinema Melies (the first French filmmaker to use narrative--his most famous film is A Trip to the Moon), the impressionist L'Herbier (most famous for his inspirational avant garde work during the '20s) and Rohmer (most famed for his sextet of "Moral Tales" during the '60s). To present his chronicle of the human quest for a utopia of personal happiness and fulfillment, Resnais created two distinct narratives representing the past and present, and then interspliced them with a third more fantastical tale to provide contrast. Representing the past, the first tale centers on a monied eccentric who creates a "temple of happiness' in his chateau. There, guests are given a special potion, laid inside enormous cribs and surrounded by pleasant sensations to help them return to the blissful state of infancy. The second story takes place in the same chateau where a symposium on the techniques and philosophies of the eccentric are hotly debated and elaborated upon. Weaving its way between the two tales is the third, which represents the medieval fantasies of children in a forest who imagine the struggle between a wicked king and a brave good-hearted warrior. ~ Sandra Brennan, All Movie Guide

Alain Resnais' Mon Oncle D'Amerique is presented in the form of a "case history," replete with a pedantic narrator, played by real-life behavioral scientist Henri Laborit. Gerald Depardieu plays a plant manager whose behavior is inspired by the films of "macho" French film star Jean Gabin. Nicole Garcia portrays an actress who has patterned her conduct after stage and film luminary Jean Marais. And Roger-Pierre is a TV executive whose main influence in life is lovely cinema actress Danielle Darrieux. Though it may sound like a Woody Allen comedy, Mon Oncle D'Amerique eschews satire for the most part, treating both its subject matter and its subjects with intense seriousness. The film scored a hit with moviegoers and critics alike, and was honored with six French Cesar Awards. ~ Hal Erickson, All Movie Guide

The first English-language film from Alain Resnais, this drama about a spiteful, alcoholic novelist contains the French director's typically playful surrealist touches and recurring use of characters shackled by memory. John Gielgud stars as Clive Langham, a drunken author in failing health who spends an increasingly intoxicated evening at his Rhode Island estate working on his new novel. Clive bases the characters in the melodramatic story on his own family, including his two sons, Claude (Dirk Bogarde) and the illegitimate Kevin (David Warner), as well as Claude's wife Sonia (Ellen Burstyn). Imagining a bitter love triangle full of spite between the three protagonists of his tale, Clive uses generous doses of imagination and symbolism, including a discordant soccer player (Denis Lawson) related to Kevin and werewolves. When his real-life family appears for a meal with Clive, however, they are not quite the embittered, devious players in the author's booze-fueled fiction. Although dividing critics between those delighted with Resnais' comic flourishes and others annoyed by his arty pretensions, Providence (1977) swept the Cesar Awards, France's Oscar equivalent, winning seven including Best Director for Resnais. ~ Karl Williams, All Movie Guide

In this drama, a famed dying surgeon has his brain transplanted into the body of a race car driver who is dying of brain trauma. The operation is a success and the surgeon is happy--until he discovers that the racer's lover is his own daughter. Now what can he do? ~ Sandra Brennan, All Movie Guide

In Alphaville, Jean-Luc Godard fuses a hardboiled detective story with science fiction. Lemmy Caution (Eddie Constantine), a hero Godard borrowed from a series of French adventure films, comes to Alphaville, the capital of a totalitarian state, in order to destroy its leader, an almost-human computer called Alpha 60. While on his mission, Lemmy meets and falls in love with Natacha (Anna Karina), the daughter of the scientist who designed Alpha 60. Their love becomes the most profound challenge to the computer's control. Void of any flashy special effects, Alphaville uses 1960s Paris to depict the city of the future. ~ Matthew Tobey, All Movie Guide

Director Jean-Luc Godard narrates this study of a married woman who begins an affair with another man. After becoming pregnant, she is unable to figure out which man is the father of her son and must choose between the two. ~ Iotis Erlewine, All Movie Guide

Director Jean-Luc Godard's deceptively blithe tribute to the musical comedy features Anna Karina as an exotic dancer who decides that it is time for her to have a child. When her lover refuses to commit to the decision, she turns her romantic attentions to his best friend. This being a Godard film, the straightforward story serves as a framework for improvisation and stylistic experimentation, allowing for odd interludes and unexpected images. Rather than the sometimes alienating, dense intellectualism of later Godard works, Une femme est une femme offers aesthetic pleasure through luxurious visuals and a charming musical score by Michel Legrand. Against this bright backdrop, Karina proves particularly fetching, capturing the film's frolicsome mood in an unforced manner. While not one of Godard's most groundbreaking or influential films, Une femme est une femme is one of his most appealing and pleasurable efforts. ~ Judd Blaise, All Movie Guide