Griffin Dunne Movies
As both an actor and producer, Griffin Dunne was among the most notable figures in contemporary independent filmmaking. Born June 8, 1955, in New York City, he is the son of novelist Dominick Dunne and the nephew of author and screenwriter John Gregory Dunne. Dominique, his younger sister, was also an actress, appearing in the hit movie Poltergeist before her violent 1982 murder. Trained by Uta Hagen at the Neighborhood Playhouse, Dunne made his film debut in 1975's The Other Side of the Mountain, which he followed with work on-stage and in television. Small roles in the 1979 feature Chilly Scenes of Winter and 1981's The Fan marked his next film appearances, but the first of his roles to garner significant notice was in 1981's cult-classic An American Werewolf in London. With John Sayles' 1982 film Baby, It's You, Dunne made his debut as a producer, a venture he furthered by establishing his own company, Double Play Productions.After 1983's Cold Feet, Dunne co-produced and starred in Martin Scorsese's 1985 comedy After Hours, perhaps his best-known performance. His leading role in 1987's Me and Him, on the other hand, was arguably the most infamous turn of his career, as he portrayed an architect whose penis begins to speak. A role opposite Madonna in the disastrous 1987 comedy Who's That Girl? further dimmed Dunne's star, and after appearing in Luc Besson's 1988 epic Le Grand Bleu he spent the next two years away from the screen, instead producing work including the acclaimed Running on Empty. Supporting turns in 1991's My Girl and Once Around proved to foreshadow Dunne's move away from leading roles throughout the decade, and apart from starring in 1995's Search and Destroy the majority of his film appearances (including the acclaimed Quiz Show and I Like It Like That) were smaller character parts. Continuing his work behind the camera, in 1997 Dunne made his directorial debut with the hit romantic comedy Addicted to Love. He would go on to direct more romantic comedies, like Practical Magic and The Accidental Husband. Over the next several years, Dunne would also appear on many successful TV shows, like Trust Me and House of Lies, ~ Jason Ankeny, Rovi
In the early 1960s, two very different New Jersey high schoolers share their first love in this bittersweet romantic drama, an early feature by writer/director John Sayles. Jill Rosen (Rosanna Arquette) is a sweet, overachieving Jewish girl heading for college to become an actor; "Sheik" Capodilupo (Vincent Spano) is a mysterious, confident Italian guy who pushes his way into Jill's already busy life. Sheik successfully woos Jill, and the story follows their ups and downs as teenage romantics. While that introduction is lighter fare than most Sayles material, the film trails off into some unexpected plot developments, providing an original take on the "different sides of the track" genre. Sayles directs the high school scenes with a combination of reminiscence and reality, balancing the excitement of cars and the prom with the heartache, anxiety, and classwork that goes along with it. The movie is injected with a mostly 1960s soundtrack, yet the videocassette lists that "some music has been changed" for home video -- the note apparently refers to four Bruce Springsteen cuts. Matthew Modine and Tracy Pollan appear in small parts, and Robert Downey Jr. also has a tiny role. This was the fiercely independent Sayles' first film to be made with a major studio (Paramount), and he claims it will be his last, as he lost final editing control. ~ Norm Schrager, Rovi
- Starring:
- Rosanna Arquette, Vincent Spano, (more)
It could be said that without the incredible success of the ABC miniseries Holocaust in 1978, CBS might have thought twice before greenlighting the ambitious, three-hour TV docudrama The Wall four years later. Adapted by Millard Lampell from his own 1960 Broadway play, which in turn was inspired by John Hersey's 1950 novel, The Wall is the heartbreaking but inspiring story of the heroic Warsaw Ghetto Uprising of 1943. When it becomes obvious that every Jew in Poland is doomed to be shipped off to the Nazi work and death camps, some 650 members of the newly formed Jewish Fighting Organization mount a last, brave stand against nearly 3000 German soldiers. The story is told through the eyes of Warsaw Jew Dolek Benson (Tom Conti, in his first American TV appearance), who is a passive observer of the atrocities all around him until he learns the truth about the Nazi's "resettlement" program. Rachel Roberts, cast as a former schoolteacher, made her final appearance in this film; she passed away shortly after production ended. Filmed on location in Sosnowiec, Poland and first telecast February 16, 1982, The Wall earned a Peabody Award the following year. ~ Hal Erickson, Rovi
Lauren Bacall more or less plays herself in The Fan. Cast as famous Broadway musical comedy star Sally Ross (with an astonishing lack of temperament!), Bacall finds herself the unwilling love object of psychotic fan Douglas Breen (Michael Biehn). As security around Ross tightens, Breen vows that if he can't have Ross, no one else can. James Garner and Maureen Stapleton are underused as, respectively, Bacall's ex-husband and mother-hen secretary. Based on a good novel by Bob Randall, The Fan comes off as a slightly more expensive "stalker of the week" TV movie. Still, the film proved grimly prescient in the light of John Lennon's assassination (which occurred after the film was completed, but before its release) and the ongoing dilemma of current Broadway stars (even the lesser lights) who are forced to hire bodyguards to protect them from worshipful wackos. ~ Hal Erickson, Rovi
- Starring:
- Lauren Bacall, James Garner, (more)
- 1981
- R
- Add An American Werewolf in London to Queue Add An American Werewolf in London to top of Queue
While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, Rovi
- Starring:
- David Naughton, Jenny Agutter, (more)
- 198z
Gallows humor abounds in this satirical compilation of skits. ~ Sandra Brennan, Rovi
- 1979
- PG
Joan Micklin Silver's writing and direction are at the heart of this wistful recollection of a romance, based on Ann Beattie's novel Chilly Scenes of Winter. The film concerns Charles (John Heard), who recalls his love affair with Laura (Mary Beth Hurt). It has been a year since Laura has left him and returned to her husband Ox (Mark Metcalf) and stepdaughter Rebecca. But Charles thinks about her all the time and even has imaginary conversations with her. Charles met Laura in the filing room at Utah's Department of Development in Salt Lake City, and it was love at first sight. Laura was married but had moved out of her house six weeks before. Charles musters up the courage to ask her out, and soon after they are living together. Living with Charles, Laura has never been happier. But she feels she doesn't deserve her happiness, since she has walked out on a family who had done nothing wrong to her. She can't understand why Charles loves her so much, "You have this exalted view of me, and I hate it. If you think I'm that great then there must be something wrong with you." So Laura decides to move back in with Ox. As Charles muses, Laura is more comfortable with "someone who loves you too little over someone who loves you too much." Charles becomes obsessed with winning her back from her family, watching her pick up her daughter from school, driving past her house, and becoming friendly with her flirtatious fellow worker Betty (Nora Heflin) in order to find out more about Laura. ~ Paul Brenner, Rovi
- Starring:
- John Heard, Mary Beth Hurt, (more)
- 1975
- PG
A woman struggles to rebuild her life after a devastating accident in this drama based on the true story of Jill Kinmont. Kinmont (played by Marilyn Hassett) was a top ranked amateur downhill skier who seemed assured of a place on the 1956 Olympic team. But while racing in Utah's Snow Cup competition, Kinmont suffered a serious fall from a mountain that left her paralyzed from the shoulders down. Kinmont became severely depressed; her career as an athlete was over, and her fiancée, who couldn't deal with the emotional toll of her accident, left her. But when she met pilot Dick Buek (Beau Bridges), she found both love and a new inspiration to make a career for herself as a teacher. But Kinmont discovered she still had more mountains to climb when Buek died in the crash of a small plane. Marilyn Hassett won a Golden Globe award for her performance as Jill Kinmont, and she reprised the role in a sequel two years later. ~ Mark Deming, Rovi
- Starring:
- Marilyn Hassett, Beau Bridges, (more)
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