Griffin Dunne Movies

The title of this CBS medical drama referred to the average weight of the human brain. Clearly inspired by the success of Fox's House, 3 lbs, like the Fox series, was built around the exploits of a brilliant but arrogant and witheringly sarcastic medico, in this case waspish neurosurgeon Doug Hanson (Stanley Tucci), who headed his own foundation. Wasting no time suffering fools (or at least, people whom he regarded as fools) and periodically plagued by mysterious visions which suggested that he suffered from more than his share of personal demons, Dr. Hanson was both mentor and tormentor of his idealistic new partner Jonathan Seger (Mark Feuerstein), better known to the Hanson Foundation staff as "The Sorceror's Apprentice." Also in the cast were Indira Varma as Hanson's gorgeous associate surgeon Dr. Adrienne Holland and Griffin Dunne as Hanson's equally prickly rival Dr. Cole. The cases at hand were generally "illustrated" with animated sequences, in which the protagonist's description of the brain as "wires in a box" was literalized. Debuting November 14, 2006, 3 lbs was made available to certain markets in both English- and Spanish-language versions. ~ Hal Erickson, All Movie Guide

In this slightly dark comedy about romantic obsession, Sam (Matthew Broderick) is an astronomer who likes his life in the small New England town he calls home and loves his fiancée, Linda (Kelly Preston). But one day, Linda tells Sam that she's moving to New York because she has found a new job -- and a new boyfriend. Sam is shocked and doesn't want to give Linda up, so when she moves to Manhattan, Sam follows her. Moving into an empty loft across the street from Linda's new apartment, Sam constructs a camera obscura that allows him to watch what she and her new beau, a French restaurateur named Anton (Tcheky Karyo), are up to. Sam's convinced that Linda is just going through a phase, and when she gets tired of Anton, he'll be there to pick up the pieces. But Sam soon has company in his obsessive watch over Linda's new flat: Anton's former girlfriend, Maggie (Meg Ryan), crashes Sam's hideout and joins him in his spy mission. While Sam just wants Linda back, Maggie is seething with rage against Anton after he dumped her and now she's out for revenge. Addicted to Love was the directorial debut of actor and producer Griffin Dunne; he cast his father, noted author Dominick Dunne, in a small role as a food writer. ~ Mark Deming, All Movie Guide

The 1987 portmanteau comedy feature Amazon Women on the Moon lampoons several film genres in general and the 1954 sci-fi cheapie Cat Women of the Moon in particular. Other sketches in Amazon Women include an opening bit with Arsenio Hall; a vignette titled "Son of the Invisible Man" wherein a naked Ed Begley Jr. runs around in full view of the nonplussed supporting cast; the It's Alive parody "Hospital", which offers the spectacle of Michelle Pfeiffer giving birth to Mr. Potato Head; and a Siskel & Ebert takeoff, featuring Arche Hahn as a TV viewer whose entire life is given a "thumbs down." Directed by several hands, including Joe Dante, Carl Gottleib, Peter Horton, John Landis, and Robert K. Weiss, Amazon Women on the Moon also features a satire of the Kroger G. Babb school of "sex hygiene" exploitation cheapies, with syphilis victim Carrie Fisher being counseled by unctuous doctor Paul Bartel. ~ Hal Erickson, All Movie Guide

In the early 1960s, two very different New Jersey high schoolers share their first love in this bittersweet romantic drama, an early feature by writer/director John Sayles. Jill Rosen (Rosanna Arquette) is a sweet, overachieving Jewish girl heading for college to become an actor; "Sheik" Capodilupo (Vincent Spano) is a mysterious, confident Italian guy who pushes his way into Jill's already busy life. Sheik successfully woos Jill, and the story follows their ups and downs as teenage romantics. While that introduction is lighter fare than most Sayles material, the film trails off into some unexpected plot developments, providing an original take on the "different sides of the track" genre. Sayles directs the high school scenes with a combination of reminiscence and reality, balancing the excitement of cars and the prom with the heartache, anxiety, and classwork that goes along with it. The movie is injected with a mostly 1960s soundtrack, yet the videocassette lists that "some music has been changed" for home video -- the note apparently refers to four Bruce Springsteen cuts. Matthew Modine and Tracy Pollan appear in small parts, and Robert Downey Jr. also has a tiny role. This was the fiercely independent Sayles' first film to be made with a major studio (Paramount), and he claims it will be his last, as he lost final editing control. ~ Norm Schrager, All Movie Guide

The remarkable life and tragic death of Marilyn Monroe has fascinated film fans for decades, but this two-part TV miniseries, based on a novel by Joyce Carol Oates, takes an unusual approach, using dramatic license (the film announces itself as a work of fiction using the names of real people) to look inside the minds of Monroe and those around her to ponder the circumstances of her rise and fall. Young Norma Jeane Baker (Skye McCole Bartusiak) is raised by single mother Gladys (Patricia Richardson), who is unstable, uncaring, and poorly equipped to deal with the responsibilities of parenthood. As Norma Jeane grows up without a father and with little affection from her mother, she suffers from a poor self-image and craves attention; when she grows into a beautiful young woman who is unusually attractive to men, she falls into a number of romances and a short-lived marriage in search of the approval she needs so desperately. When Norma Jeane (now played by Poppy Montgomery) turns 20, she meets a photographer, Otto (Eric Bogosian), who sees star potential in her beauty. Otto's cheesecake pictures catch the eye of I.E. Shinn (Wallace Shawn), an agent who in turned introduces her to Mr. R (Richard Roxburgh), the head of a movie studio, who offers to make Norma Jeane a star -- if she would be willing to have sex with him. Norma Jeane unenthusiastically agrees, and Mr. R proves good to his word; renamed Marilyn, she becomes an major film star and an international sex symbol. But the adulation proves to be a poor substitute for the love she craves, and as she falls into relationships with any man who treats her with a modicum of respect -- including a famous baseball player (Titus Welliver) and an acclaimed author (Griffin Dunne) -- her life begins to spiral out of control. Blonde also stars Ann-Margret, Kirstie Alley, and Patrick Dempsey; the series first aired May 13 and May 16, 2001, on the CBS television network. ~ Mark Deming, All Movie Guide

Feeling a bit wistful one afternoon, Frasier (Kelsey Grammer) informs his radio listeners that he has not forged one strong male friendship since arriving in Seattle. As a result, a wheelchair-bound fellow named Bob (Griffin Dunne) comes forward, eager and willing to be Frasier's closest friend. At first delighted by this turn of events, Frasier has reason to regret his on-the-air plea for companionship when all-around nice guy Bob turns out to be a crashing bore. ~ Hal Erickson, All Movie Guide

Made for television, From Here to Maternity is an hour-long satire on 1980s self-involvement. The three ladies who are "with child" in the story have mixed feeling about their pregnant state. Part of the problem lies in their husbands and/or boyfriends, who aren't prepared for the responsibilities of fatherhood. Carrie Fisher, Arleen Sorkin and Lauren Hutton are the women in question. Among the clueless male characters are the ever-reliable Griffin Dunne and TV-star-to-be Paul Reiser. ~ Hal Erickson, All Movie Guide

First telecast by the Court TV cable service, this largely affectionate documentary profiles movie producer, novelist, investigative reporter, and self-style "injustice collector" Dominick Dunne. Always in the public eye, thanks to his indefatigable coverage of such high-profile cases as the O.J. Simpson and Michael Skakel murder trials, Dunne has been accused in some circles of harboring a "prejudice" against rich-and-famous defendants who are, to his way of thinking, given far more latitude in court than the average person. Others suggest that Dunne's crusade to see that justice will prevail is motivated by the comparative wrist-slap given the man responsible for the death of Dunne's actress daughter, Dominique Dunne. Whatever the case, even such opponents of Dunne's methods as defense attorney Johnnie Cochran cannot help but admire the man's courage, determination, and meticulous research methods. Cochran is among those interviewed for this documentary; others include the author's son, actor Griffin Dunne. Guilty Pleasure: The Extraordinary World of Dominick Dunne was given a public "preview" screening before its TV debut in July 2003; ironically, this preview had to be delayed one week because Dunne was enmeshed in a libel suit brought about by the latest of his "victims," a certain prominent politician whose lady friend had met a violent and mysterious demise. ~ Hal Erickson, All Movie Guide

Hell's Kitchen, New York City: In an era when real estate development and gentrification threaten to squeeze low-income residents out of this vibrant, multi-ethnic community, filmmaker Kamal Ahmed turns his camera on the people who walk these streets every day to offer a portrait of the neighborhood that has been immortalized in movies for decades. It's one of the Big Apple's most notorious neighborhoods, and the people who live there are the kind of folks who have to struggle just to get by. In order to pay tribute to Hell's Kitchen, Ahmed speaks with the very people who made it great. These are the laborers, the painters, barbers, tattoo artists, and other working class heroes. After paying tribute to a place many thought would never change, the filmmaker returns to highlight the redevelopment project that made it virtually unrecognizable in 2007. Appearances by such neighborhood fixtures as John Michael Bolger, Charlie Sheen, Lloyd Kaufmann, and Mira Sorvino make this an urban love letter that's sure to strike a chord deep within every nostalgic New Yorker. ~ Jason Buchanan, All Movie Guide

A Hispanic woman unexpectedly discovers a new outlook on life after taking a new job in this heartfelt, observant comedy-drama. Young Bronx mother Lisette (Lauren Velez) has enough to deal with without taking a job, as she is struggling to raise her three young children and keep her marriage to bicycle messenger Chino (Jon Seda) afloat. When Chino is jailed after committing a robbery, however, Lisette turns to the want ads to find a new source of income. Expecting a one-time modeling gig, she stumbles into a position as assistant to Stephen Price (Griffin Dunne), a white music executive handling Latino music. Lisette proves a natural at the job, finding a new sense of purpose and self-assurance. Unfortunately, Chino isn't particularly grateful for her efforts, especially after hearing a rumor that Lisette has been cheating on him with Stephen. Director Darnell Martin populates her debut film with a mosaic of colorful supporting characters, ranging from Lisette's transsexual brother (Jesse Borrego) to Chino's meddling mother (Rita Moreno). Though the film presents a relatively old-fashioned story of self-realization, the knowing presentation of a multi-racial Bronx neighborhood enhances its vital feel. ~ Judd Blaise, All Movie Guide

This spoof of the 1930s and '40s crime stories ranges from the ridiculous to the sublime as it tells the story of Johnny Dangerously (Byron Thames as the young Johnny, Michael Keaton as the older), a devoted son to his ailing mother (Maureen Stapleton), so ill that she needs money for several operations. Johnny has nowhere to turn, and because gangsters tend to flourish in his neighborhood he goes to work for Dundee, a benevolent godfather-gangster type, in order to cover his mother's medical bills. Johnny hides his association with Dundee from his younger brother Tommy (Griffin Dunne) and goes so far as to pay for Tommy's law school fees -- supporting him until Tommy joins the staff of the local (and corrupt) district attorney's office for Burr (Danny DeVito). When Johnny starts working for Dundee, he clashes with the evil Vermin (Joe Piscopo) right from the beginning, but things only get worse. After Dundee decides to retire, Johnny ascends to the helm, and it does not look like Vermin is going to take that sitting down. ~ Eleanor Mannikka, All Movie Guide