Dominick Dunne Movies

For the second half of the 20th century, Lew Wasserman was the most powerful man in show business, even if most people had no idea who he was. Born in Cleveland, OH, in 1913, Wasserman started out booking music for mob-controlled night clubs, and soon became an agent for Music Corporation of America, which became the most lucrative music agency in America. As Wasserman rose through the ranks at MCA, he established such innovative business practices as "packaging" talent (booking hot acts only in tandem with other artists who were a harder sell) and took the company into managing acting talent in Hollywood, where he changed the film business forever by negotiating a ground-breaking deal for James Stewart on the film Winchester '73, which reduced the actor's up-front salary in favor of a cut of the movie's profits, earning the actor a fortune in the process. Under Wasserman's tenure at MCA, the company took over Universal Pictures, established the studio's television branch (and made enough powerful friends to make it the most important production outlet in the business), created the wildly successful Universal City studio tours, and expanded MCA's recording branch into one of the biggest record companies in the world. Wasserman was also a man with no small degree of political influence (it didn't hurt that Ronald Reagan was one of his early clients when MCA want Hollywood), and was reputed to have some useful connections to organized crime (his personal lawyer was reputed to be the model for Robert Duvall's character in The Godfather). Wasserman was a secretive man who did not give interviews or commit anything to writing if it could be avoided, but he knew nearly everyone of consequence in show business, and The Last Mogul: The Life and Times of Lew Wasserman is a documentary that through interviews with his friends and business associates paints a detailed portrait of his remarkable career, from his childhood in Ohio to his death in 2002. ~ Mark Deming, Rovi

First telecast by the Court TV cable service, this largely affectionate documentary profiles movie producer, novelist, investigative reporter, and self-style "injustice collector" Dominick Dunne. Always in the public eye, thanks to his indefatigable coverage of such high-profile cases as the O.J. Simpson and Michael Skakel murder trials, Dunne has been accused in some circles of harboring a "prejudice" against rich-and-famous defendants who are, to his way of thinking, given far more latitude in court than the average person. Others suggest that Dunne's crusade to see that justice will prevail is motivated by the comparative wrist-slap given the man responsible for the death of Dunne's actress daughter, Dominique Dunne. Whatever the case, even such opponents of Dunne's methods as defense attorney Johnnie Cochran cannot help but admire the man's courage, determination, and meticulous research methods. Cochran is among those interviewed for this documentary; others include the author's son, actor Griffin Dunne. Guilty Pleasure: The Extraordinary World of Dominick Dunne was given a public "preview" screening before its TV debut in July 2003; ironically, this preview had to be delayed one week because Dunne was enmeshed in a libel suit brought about by the latest of his "victims," a certain prominent politician whose lady friend had met a violent and mysterious demise. ~ Hal Erickson, Rovi

In this slightly dark comedy about romantic obsession, Sam (Matthew Broderick) is an astronomer who likes his life in the small New England town he calls home and loves his fiancée, Linda (Kelly Preston). But one day, Linda tells Sam that she's moving to New York because she has found a new job -- and a new boyfriend. Sam is shocked and doesn't want to give Linda up, so when she moves to Manhattan, Sam follows her. Moving into an empty loft across the street from Linda's new apartment, Sam constructs a camera obscura that allows him to watch what she and her new beau, a French restaurateur named Anton (Tcheky Karyo), are up to. Sam's convinced that Linda is just going through a phase, and when she gets tired of Anton, he'll be there to pick up the pieces. But Sam soon has company in his obsessive watch over Linda's new flat: Anton's former girlfriend, Maggie (Meg Ryan), crashes Sam's hideout and joins him in his spy mission. While Sam just wants Linda back, Maggie is seething with rage against Anton after he dumped her and now she's out for revenge. Addicted to Love was the directorial debut of actor and producer Griffin Dunne; he cast his father, noted author Dominick Dunne, in a small role as a food writer. ~ Mark Deming, Rovi

An Inconvenient Woman, an excellent television mini-series based on the novel by Dominick Dunne, which is loosely based on the Alfred Bloomingdale scandal, tells the story of the mistress of a famous man who he has murdered when she threatens his security. Jules Mendelson (Jason Robards) and his socialite wife Pauline (Jill Eikenberry) have a marriage of convenience that is threatened by the existence of Jules cast-off mistress Flo (Rebecca De Mornay) who knows too much and can cause them all too much trouble. So, Jules plans to have her eliminated. The fine cast all give good performances in their roles, and the subject matter, while potentially lurid and tasteless, is treated with sophistication and tact in this excellent adaptation of the best-selling novel. ~ Linda Rasmussen, Rovi

Play It As It Lays offers what is probably the harshest view of Hollywood to be given a major production up to the time of its release; it depicts a world of narcissistic egotists who will do anything to inflate their own sense of importance. Based on the novel by Joan Didion, it tells of the rise and fall of one woman's acting career. Maria Wyeth (Tuesday Weld), a model, began her acting career in a Warhol-like film, and moved "up" to perform in a biker film. The director of both films, Carter Lang (Adam Roarke), discovered her, and soon afterwards, marries her. As Carter's career moves ahead, he pays less and less attention to Maria. She has a number of affairs to try to brighten her world, but nothing much works. When she gets pregnant by one of them, Lang divorces her. Then, her best friend (Anthony Perkins), who tried to bring about a reconciliation between Lang and her, commits suicide. Her world in tatters, she has a nervous breakdown. The film's story is told in flashbacks while she is in recovery. ~ Clarke Fountain, Rovi

"The Boys in the Band is not a musical" read the film's original advertisements. The film is set in the apartment of Michael (Kenneth Nelson), a homosexual who holds a birthday party for his friend Harold (Leonard Frey). As Michael and his gay buddies prepare for Harold's arrival, Michael's old college chum Alan (Peter White) makes a surprise appearance. Alan is straight, so Michael tells the revellers to watch their step. Alan's uptight reaction to gay Emory (Cliff Gorman) foments a confrontation. The embittered Michael tries to prove that Alan is a latent homosexual by staging a perverse game in which all the partygoers are required to declare their affections for the persons that they love the most. As it turns out, the person most injured by this game is Michael himself, who is incapable of loving anyone. As the first major-studio production to deal frankly with homosexuality, every member of the show's original Broadway cast appears in the film, including Laurence Luckinbill as an out-of-the-closet husband and father. ~ Hal Erickson, Rovi