Albert Duffy Movies

Disneyland began its fourth season on the air with a gala, all-star "special", essentially designed to promote all three of Disney's network TV series. Pressured by his cartoon creations and the latest crop of Mouseketeers to tell them what's in store for the 1957-58 season, host Walt Disney offers tantalizing glimpses of the new weekly adventure show Zorro, the Disneyland miniseries The Saga of Andy Burnett (with Jerome Courtland in the title role) and the newest installments of such Mickey Mouse Club serials as "Spin and Marty." The remainder of the Fourth Anniversary Show is an uncut presentation of the "Peter and the Wolf" segement from the 1946 animated feature Make Mine Music. ~ Hal Erickson, Rovi

Make Believe Ballroom is a feature-length derivation of the popular LA-based radio series of the same name. Hosted by Martin Block and then by Al Jarvis, the original Ballroom was a combination disc-jockey program and quiz show. Jarvis plays himself in the film version, introducing such musical artists as Frankie Laine, the King Cole Trio,Jack Smith, Kay Starr, Charlie Barnet, Jimmy Dorsey, Jan Garber, Gene Krupa and Pee Wee Hunt. The barely relevant plot concerns two carhops, Gene Thomas (Jerome Courtland) and Josie Marlow (Virginia Welles), who participate in the question-and-answer portion of the radio series. Though competitors on the air, Gene and Josie eventually fall in love. The supporting cast is filled with such stock Columbia players as Sid Tomack, Adele Jergens, and Vernon Dent. ~ Hal Erickson, Rovi

Beverly Ross (nn Miller) is a would-be radio personality, but the closest she gets to being on the air is running the switchboard at a local station. Worse yet, the blustery station owner Mr. Kennedy (Tim Ryan) wants no part of programming "jive" (i.e., swing music) that she loves, preferring the classics. But she manages to con Vernon Lewis (Franlin Pangborn), the host of the station's early morning classical show, into believing that he needs a vacation and slips into his time-slot at 5 am, where she starts running records by Bob Crosby's band, Duke Ellington, Count Basie, and Frank Sinatra in place of Beethoven and Mendelssohn. The soldiers at the local army base pick up on the new show, and two of them, wealthy candy company magnate Barry Lang (William Wright) and his former chauffeur Andy Adams (Dick Purcell, decide they want to meet this new disc jockey, and as luck would have it her brother (Larry Parks) is in their platoon and invites them to his home. But the two men decide to switch identities, Barry denying his wealth and pretending to be Andy, and Andy presenting himself as the candy heir Barry -- and as if matters aren't complicated enough for Beverly, coping with their antics, she has to fight to keep her radio show. But when the soldiers listening to her start writing in by the thousands, and Barry suggests she call her 5am show "Reveille," she takes it one step further and "Reveille With Beverly," and becomes a smash. But can she sort out the intertwining romantic overtures of the two men in her life? ~ Bruce Eder, Rovi

Columbia Pictures evidently felt that ex-boxer "Slapsy" Maxie Rosenbloom was the funniest man on earth, despite the fact that he consistently proved otherwise in vehicles like Harvard, Here I Come. This little masterpiece finds Rosenbloom, playing himself, receiving an award from the satirical Harvard Lampoon for his well-known stupidity. Instead of being enrage, Slapsie Maxie is delighted by the "honor", and promptly tries to enroll at the ivy-league university. Upon arriving on campus, our punchy hero is pounced upon by a group of eccentric scientists led by Professor Alvin (Byron Foulger), who is convinced that Rosenbloom is the "missing link" that science has long been searching for. The professors subsidize Maxie's education, which seems to consist exclusively of fraternity hazings and product endorsements! Though a zaftig Yvonne de Carlo shows up in several publicity stills for Harvard, Here I Come, she is nowhere to be seen in the film itself; instead, the leading-lady duties were handled by Marie Wilson, whose character comes across as even dumber than Maxie Rosenbloom, if such a thing is possible. ~ Hal Erickson, Rovi

Like 1940's Melody Ranch, the 1941 Gene Autry vehicle Down Mexico Way was designed as a "special", to be promoted separately from Autry's regular B-western series as an A-picture attraction. The story gets under way when a pair of con artists, Gibson (Sidney Blackmer) and Allen (Joe Sawyer), breeze into the town of Sage City claiming to be movie producers. The two scoundrels promise to film a movie in the little burg on the condition that the townsfolk pony up the necessary production fees. When Gene Autry and his sidekick Frog (Smiley Burnette) catch up with Gibson and Allen, the two huckster head across the border into Mexico-a big mistake, since reformed bandit Pancho Grande (Harold Huber) and his amigos don't cotton to being swindled. In addition to the expected musical interludes from Gene Autry, Down Mexico Way includes several Latino numbers, courtesy of the Herrera Sisters. ~ Hal Erickson, Rovi

Ace police reporter Wally Williams (Wallace Ford) is so devoted to his job that he even neglects his new bride Alice (Jean Parker) on their honeymoon. Right now, Wally is covering a suicide which he suspects is actually a murder-a suspicion apparently corroborated by a cryptic note and a second mysterious death. Deciding that if you can't beat 'em, join 'em, Alice decides to help Wally solve the case. For a while it looks as though hero and heroine will become murder victims themselves, but they're rescued in the nick of time by Wally's Runyonesque gangster pals. The supporting cast of Roar of the Press includes three talented actresses who deserved better: Betty Compson, Evelyn Knapp, and Dorothy Lee. ~ Hal Erickson, Rovi

Few of Columbia's "Blondie" films went as far off the beaten path as the bizarre Blondie Has Servant Trouble. Things get under way when Blondie Bumstead (Penny Singleton) demands that her husband Dagwood (Arthur Lake) request a raise from his boss Mr. Dithers (Jonathan Hale), so that Blondie can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion, which is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain. Unfortunately, the mansion's butler is waylaid and replaced by homicidal maniac Vaughn (Arthur Hohl), who spends the rest of the picture stalking Dagwood, Blondie and Baby Dumpling (Larry Simms) with a huge, gleaming knife at the ready! Placing the lovable Bumsteads in dire jeopardy worked rather well in Blondie Has Servant Trouble, but it's just as well that this formula was not repeated too often, as it was in Columbia's Three Stooges and Hugh Herbert 2-reel comedies. ~ Hal Erickson, Rovi

In this entry in the long-running series, the reformed master jewel thief rushes to help a lovely heiress whose pearl necklace has been stolen by other thieves. Using his consummate skill, the Wolf pulls a deft switcheroo and substitutes the real ones for fakes. He then brings the real necklace back to the socialite. The crooks are soon arrested by the cops. ~ Sandra Brennan, Rovi

In this action film two Coast Guard pilots fall in love with the same woman. She chooses the more macho of the two, but soon tires of his hyper-masculine behavior. She leaves him. He tries to win her back by showing off in a Navy plane, but ends up crashing and losing his pilot's wings. When his buddy is lost in the Arctic, the wingless pilot begs for the chance to redeem himself and find him. He gets his chance and no one is let down by his heroic efforts. Even his estranged wife returns to him. ~ Sandra Brennan, Rovi

In this lively comedy, a cop bungles a simple arrest and ends up suspended. He redeems himself by capturing some notorious crooks in a funhouse during a visit to Coney Island. ~ Sandra Brennan, All Movie Guide