Jacqueline Brookes Movies

Two women of dramatically different social, economic, and ethnic circumstances find themselves locked into a bitter child custody dispute in this emotionally powerful drama. Khailia Richards (Halle Berry) is a poor and drug-addicted single mother who, while stumbling out of a crack house one night, accidentally leaves her infant son Isaiah in a cardboard box near a trash heap. The next morning, Khailia realizes to her horror that she left her baby behind, and she runs back to the crack spot to retrieve him. However, the baby is missing, and after much search, she presumes that he must be dead. As it turns out, the baby was spotted in the nick of time by sanitation workers and rushed to a hospital, where at the insistence of social worker Margaret Lewin (Jessica Lange) the baby's life was saved. Margaret's heart goes out to the baby, who, along with illnesses brought about by neglect, suffers from emotional and educational problems often associated with children whose mothers used cocaine during pregnancy. Margaret adopts Isaiah and raises the child with the help of her husband Charles (David Strathairn). Four years later, Khailia has successfully gone through drug rehabilitation and holds down a steady and responsible job as a nanny and housekeeper. She learns by chance that Isaiah is still alive, and she quickly hires an attorney, Kadar Lewis (Samuel L. Jackson), to help her reclaim custody of her son. However, Margaret loves the child and is not about to give him up without a battle in court. LaTanya Richardson plays Caroline Jones, the attorney Kadar Lewis squares off against in court; in real life, Richardson and Jackson are married. ~ Mark Deming, All Movie Guide

When the sadomasochistic sexual fantasies of a Manhattan psychiatrist's disturbed patient begin leaking into the troubled doctor's subconscious, a heated love affair leads to a series of shocking murders in this erotic thriller from Off Limits director Christopher Crowe. The confessions of a sexually obsessed patient are slowly working their way into the dreams of psychiatrist Ann Heckler (Annabella Sciorra), and though the practical advice of her university mentor, Dr. Leo Green (Alan Alda), does little to quell her erotic visions, a torrid affair with handsome pilot Doug McDowell (Jamey Sheridan) at least provides a satisfying momentary distraction. When one of Ann's patients is discovered murdered and all evidence suggests that her new lover is the culprit, Ann must make a choice to put her trust in Doug or escape with her life while she still can. ~ Jason Buchanan, All Movie Guide

Leslie Nielsen returns as the intrepid (and accident-prone) Lt. Frank Drebin in Naked Gun 2 1/2: The Smell of Fear, "un film de David Zucker." This second feature film from the "Police Squad!" series finds Drebin as a guest at a White House dinner, receiving an award for shooting his 1,000th drug dealer, although he admits to shooting only 998 -- he ran over the last two in his car. ("Luckily, they turned out to be drug dealers"). Also at the White House dinner is energy czar Dr. Albert S. Meinheimer (Richard Griffiths), whom President George Bush (John Roarke) has chosen to start a new national energy policy. Since Meinheimer believes in promoting alternative energy resources, the evil leaders of the polluting energy industries (coal, oil, and nuclear power--or the lobby groups SMOKE, SPILL and KABOOM) are horrified at Bush's choice. Joining together with arch-villain Quentin Hapsburg (Robert Goulet), they plan to kidnap the real Meinheimer and substitute a fake Meinheimer in his place who will enact energy policy according to the dictates of the energy lobby. Drebin becomes deeply involved in the conspiracy when he runs into his ex-girl friend Jane (Priscilla Presley), who is not only Meinheimer's public relations director but also Hapsburg's current paramour. ~ Paul Brenner, All Movie Guide

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, All Movie Guide

Stacking stars Megan Follows as a Montana teenager struggling to keep her family's farm together. The time is the 1950s, when rural 14-year-olds were supposed to be seen and not heard. But Follows intends to be seen and heard, and in so doing finds several strong adult allies. The film has been unfavorably compared to the strikingly similar theatrical feature Desert Bloom; while it's true that this takes forever to get started, it is saved by the powerful performances of Follows, Frederic Forrest, Christine Lahti, Peter Coyote and James Gammon. Completed in 1987, Stacking (the title refers to the bundling of crops) received its widest exposure when it aired February 15, 1989, over PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

In this sci-fi drama, a beautiful alien crash lands on earth. Now she must stay alive, avoid the enemy aliens who pursue her, and find her way home. Fortunately she is assisted by a helpful mechanic. Soon love ensues. ~ Sandra Brennan, All Movie Guide

Young divorced mother Kate Nelligan refuses to go into a panic when her six-year-old son disappears. She manages to maintain an even emotional keel even when detective Judd Hirsch unearths several clues which point to sexual molestation. After several false leads, the truth is revealed. We won't divulge the ending, but we will note that we found it pretty hard to swallow-especially when compared to the actual case upon which Beth Gutcheson's novel and screenplay were based. Despite its cop-out denouement, Without a Trace deserves to take its place among such superior missing-children dramas as the made-for-TV Adam and Just Another Missing Kid. ~ Hal Erickson, All Movie Guide

James Toback wrote and directed this typically intense and idiosyncratic satiric thriller. Byron Levin (Ray Sharkey) is an investment planner who has grown tired of his job and is bored by his relationship with his girlfriend Vicky (Susan Heldfond). When Frederick Stockheinz (Klaus Kinski), an international business magnate, approaches Byron about helping him establish a new firm in a small South American nation, he gladly accepts the offer. It isn't long before Byron discovers that he's gotten involved in something far more complicated than he ever imagined. The country has rich reserves of silver, but it is also in a state of political upheaval, and Byron is dealing with dictators and fending off revolutionaries as often as he minds the bottom line. Byron also encounters Frederick's wife Catherine (Ornella Muti), a beautiful woman with whom he begins having a very dangerous affair. Love and Money also features legendary director King Vidor in a small role as Byron's father; it was his first acting role in a film, and his last (he died nine months after the film's release). ~ Mark Deming, All Movie Guide

The drama, based on a true story, follows the struggles of a woman, just out of prison, to build her life anew. ~ Sandra Brennan, All Movie Guide

This 1981 John Irvin picture constitutes an adaptation of Peter Straub's colossal, bestselling novel. The central plot -- shared by both book and film -- revolves around the four elderly members of the Chowder Society (Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr. and John Houseman), who gather in each other's drawing rooms each winter to sip cognac and spin elaborate ghost stories. The four men also share a dark secret far more unsettling than fiction -- a secret which has literally come back to haunt them, as well as their own adult offspring. Each man is visited by a hideous specter bearing the likeness of a young woman (Alice Krige) they accidentally killed 50 years ago when spurning her mischievous sexual advances. ~ Cavett Binion, All Movie Guide

Based around footage from his 1972 film Parades, this anti-war drama from Robert J. Siegel is an account of a Vietnam War deserter who joins his fellow prison inmates in a sit-down strike at a military stockade in California. ~ Jason Ankeny, All Movie Guide

The Rodeo Girl is 26-year-old Sammy Garrett (Katherine Ross). Despite opposition from the good-ole-boy network, Sammy is determined to succeed as a bronco buster. But her plans may be thwarted when Sammy becomes pregnant. Even if she doesn't lose the baby, it's likely that she'll lose the love of the baby's father (Bo Hopkins) if she continues her rough-and-tumble lifestyle. Inspired by real-life rodeo world champion Sue Pirtle, the made for TV Rodeo Girl first aired September 17, 1980. ~ Hal Erickson, All Movie Guide

In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, All Movie Guide