Walter Brooke Movies

Beggarman, Thief is the 4-hour sequel to the ratings-busting miniseries Rich Man, Poor Man; both productions were based on the works of novelist Irwin Shaw. For the purposes of the sequel, a new member of the Jordache clan is introduced: filmmaker Gretchen Jordache Burke, played by Jean Simmons. It is Gretchen's task to keep the family together after the murder of her brother Tom (played by Nick Nolte in Rich Man, Poor Man) and the recent disappearance of her other brother Rudy (Peter Strauss, re-creating his RMPM role). Originally presented in two parts, Beggarman, Thief was first telecast November 26 and 27, 1979. ~ Hal Erickson, All Movie Guide

Bruce Dern is ideally cast as Lander, a crazed Vietnam veteran, in Black Sunday. Lander joins terrorists Dahlia (Marthe Keller) and Fasil (Bekim Fehmu) in a plot to create a bloodbath at the annual Super Bowl. Piloting the ubiquitous Goodyear blimp, Lander is to ram the aircraft into the capacity Orange Bowl crowd, then fire thousands of poisoned darts into the fleeing spectators. Israeli military officer Kabakov (Robert Shaw) struggles to thwart Lander's plan before it comes to fruition. ~ Hal Erickson, All Movie Guide

On July 28, 1968, the producers of Bonanza surprised the series' fans by interrupting their summer-rerun schedule with the first-run episode "Stage Door Johnnies." Kathleen Crowley appears as Mademoiselle Denise, the sexy new singer at the Silver Dollar Saloon. The men of the Ponderosa vie for her attentions, only to find themselves defendants in a damage suit when Denise's pampered pooch Andre disappears. Featured in the cast are Mike Mazurki as "Big Man" (what else) and Shug Fisher as the Driver. "Stage Door Johnnies" was written and directed by William F. Claxton. ~ Hal Erickson, All Movie Guide

Neville Brand guest-stars as Pepper Shannon, a stage robber whose career has been blown up to "heroic" proportions by the dime-novel brigade. Unfortunately, Ben Cartwright's adopted son Jamie idolizes Shannon, who has allowed Jamie to "capture" him to avoid being shot by his enemies. It is only after Shannon is framed for murder that the disillusioned Jamie realizes that his hero is a lily-livered coward. Also in the cast are Walter Brooke as Corey, Dan Tobin as Mills, and Arthur Peterson as Donovan. Written by John Hawkins, George Scheneck and William Marks, "The Luck of Pepper Shannon" originally aired on November 22, 1970. ~ Hal Erickson, All Movie Guide

In the tradition of such big-budget "docudramas" as House on 92nd Street and Call Northside 777, the modestly budgeted C-Man adopts a quasi-documentary approach to its subject matter. The "C" stands for Customs, and indeed the leading character, Cliff Holden (Dean Jagger), is a detective for the U.S. Customs Department. Against a backdrop of genuine New York locations (with a few rather obvious back-projected shots thrown in), Holden puts the heat on a homicidal jewelry smuggler. John Carradine steals the show as an alcoholic doctor, reduced to fronting for the smugglers. The rest of the cast is populated with such Broadway regulars as Edith Atwater and Walter Brooke. Though it obviously cost next to nothing to produce, C-Man is far more atmospheric and suspenseful than many a major-studio effort. ~ Hal Erickson, All Movie Guide

In this, one of many World War II propaganda films of the early 1940s, Errol Flynn is one of five RAF pilots to survive a crash-landing in occupied Poland. They are relentlessly pursued by Nazi officer Raymond Massey, who despite his erudition and poise comes across as one of the densest men on earth--not that his Nazi underlings are any brighter. After repeatedly humiliating Massey and laying waste to most of the Third Reich installations in Poland, Flynn and cohort Ronald Reagan steal a German bomber and head back to England. "Now for Australia and a crack at those Japs!" declares Flynn at the end, admirably maintaining a straight face. Desperate Journey gained some negative fame in the 1980s because of its brief scenes in which Ronald Reagan dons a Nazi uniform. ~ Hal Erickson, All Movie Guide

If you think that Oliver Stone invented the "political paranoia" movie, take a glance at Executive Action sometime. Based on Mark Lane's Rush to Judgment, the conspiracy theorist's bible, Executive Action perpetuates the popular urban legend that John F. Kennedy was assassinated at the behest of a right-wing cartel with military and industrial interests. The film further hypothesizes that Lee Harvey Oswald not only didn't pull the trigger, but was also set up as a disposable dupe (this notion wasn't even new in 1973). Burt Lancaster, Robert Ryan and Will Geer play the sinister conspirators. In the film's coda, still photos of 18 witnesses to the assassination are shown, while the accompanying text informs us that all of these people had died between 1963 and 1973. We are further told that the odds against this coincidence are one in a trillion. When Oliver Stone's thematically similar JFK came out in 1991, viewers with long memories were quick to notice the eerie similarities between the Stone film and Executive Action -- right down to choice of camera angles. Hmmm....a conspiracy, perhaps? ~ Hal Erickson, All Movie Guide

Director Phil Karlson harks back to the no-nonsense, no-thrills directness of his 1950s "B" pictures in Framed. Joe Don Baker, Karlson's star in Walking Tall, plays Ron, a high-rolling gambler with a streak of integrity. Framed by the film's villains--including a cartel of corrupt cops--Ron is carted off to prison. Upon his release, he embarks upon a carefully calculated campaign of revenge. The film's stylistic ties to the enormously successful Walking Tall include the screenwriting contributions of Mort Briskin. ~ Hal Erickson, All Movie Guide

Two parents worry about the feelings of their love-struck teenage son in this engaging romantic comedy. Grif (James Garner) and wife Jenny (Debbie Reynolds) are concerned about their son Davey (Donald Losby). When his girlfriend is slated for a tour of Europe, the teenage boy is heartbroken. Grif, a photographer by trade, draws the assignment as a photo journalist to cover the girl's tour. Jenny is swindled by Mr. Tilly (Terry-Thomas) who takes her money as rent payment on a Riviera villa. The house is owned by a French playboy who allows the pretty mom to stay. Comedy ensues when a jealous Grif discovers wife Jenny in a bikini given to her by the amorous Frenchman. Prolific songwriter Jimmy Webb provides the music for this feature. ~ Dan Pavlides, All Movie Guide

In This Our Life is not a "for the ages" classic of the Golden Age of Cinema, but as a highly effective and entertaining melodrama, it more than fits the bill. Howard Koch's screenplay is a trifle predictable, but it's well structured and provides the requisite juicy roles for its pair of female stars. It also provides a number of little surprises -- a sympathetic and (for the time) non-stereotypical portrayal of a black character and two characters living not only in sin but adulterously so -- that give it some distinction. The script's main drawback is its initial lack of focus; it doesn't seem to quite know exactly what its story is and where the real conflict will lie. Ultimately, this doesn't really matter, for John Huston knows where it's going, and he shepherds the story along very efficiently, throwing in a little social commentary here, heightening the atmosphere there, tossing in a hint of the unsavory elsewhere. Although he doesn't really know what to do with the male actors (save for Charles Coburn and Frank Craven, each of whom is just right in entirely different ways), he handles the women in exactly the right way, including Billie Burke as the coddling, neurotic mother. It's Bette Davis, of course, who gets the showiest role, and she sinks her teeth into it and plays it for all it's worth. It's a great Davis performance, but she's still outdone by Olivia de Havilland, whose quiet, understated work anchors the film and ultimately makes the greater impression. It's terribly fine film acting, and immensely satisfying. ~ Craig Butler, All Movie Guide

In this hit thriller, a prosecuting attorney-turned-defense lawyer falls in love with a rich, charming client who's been accused of murdering his wife and her maid with a hunting knife. When an unknown assailant gruesomely slays San Francisco newspaper heiress Paige Forrester (Maria Mayenzet), her husband and business partner, Jack Forrester (Jeff Bridges), turns to corporate attorney Teddy Barnes (Glenn Close) for counsel. Teddy, who quit her job with the district attorney's office four years earlier over an ethical dilemma, has reservations about returning to criminal work; nevertheless, she accepts the assignment, convinced of Jack's innocence and eager to face off in court against her old boss, DA Thomas Krasny (Peter Coyote), who's about run for attorney general. With the help of investigator Sam Ransom (Robert Loggia), the recently divorced Teddy builds a strong defense for her client, though the work -- and her incipient romance with Jack -- cause strain in her relationship with her children. When Jack's innocence and his romantic intentions come into question, Teddy feels her life slipping back into a moral quagmire until a series of courtroom denouements set the stage for even bigger surprises. Big-name screenwriter Joe Eszterhas' follow-up to Flashdance, Jagged Edge was directed by Richard Marquand, who had previously lensed Return of the Jedi. Parts of Jagged Edge were shot on-location in San Francisco, whose City Hall provides the film's courtroom exteriors. ~ Brian J. Dillard, All Movie Guide

Azure Dee (Denyce Liston), a former prostitute who has struck it rich, is found hanging from the chandelier in the living room of her lavish home. Curiously affected by this death, Kojak begins to investigate Azure's friends, family members and customers, hoping to determine if the woman committed suicide or was murdered--and in either case, why it happened. Series star Telly Savalas is heard singing the episode's theme song in the final scenes. ~ Hal Erickson, All Movie Guide