Richard Dreyfuss

This documentary from the American Film Institute salutes Hollywood's premiere director Steven Spielberg by awarding him a lifetime achievement award. The most prolific filmmaker of all time, this video displays his three-minute childhood films through to his three-hour epic masterpiece Schindlers List. Hosted by Oscar winning actor Tom Hanks, Philadelphia and Forrest Gump, this tribute recognizes the genius of Spielbergs work. Highlights include everything from the bite he took out of audiences with Jaws to the horrific realism of the D-Day landing in Saving Private Ryan. With a slew of clips from his films and featuring most of Hollywood's A-list actors, this tribute is mandatory viewing for all fans of movies. ~ C. Dwayne Smith, All Movie Guide

For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, All Movie Guide

A young Richard Dreyfuss guest stars as Rodney, a warlock who wants to marry Samantha. Hoping to disrupt the relationship between Sam and her husband, Darrin, Rodney transforms himself into a dog and invades the Stephens household. Using his own special brand of witchcraft, the "shaggy" Rodney plants the seeds of suspicion in Darrin's mind. Written by Bernard Slade, "Man's Best Friend" originally aired on May 12, 1966. ~ Hal Erickson, All Movie Guide

Take a walk on the fine line between box-office blockbusters and instantly forgettable bombs as Oscar and Emmy-winning producer/director Bill Couturie sets out to explore just what separates such high-profile hits as Jaws from such room-clearing disasters as Howard the Duck. Executive produced by Variety editor Peter Bart, this documentary includes interviews with such movie industry heavies as Steven Spielberg, Danny DeVito, Peter Bogdanovich, Robert Evans, Pierce Brosnan, and Sydney Pollack, exploring precisely how the road to the Razzies is paved with good intentions. ~ Jason Buchanan, All Movie Guide

Paul Mazursky's Coast to Coast features a couple whose marriage is on the rocks. Barnaby (Richard Dreyfuss) and Maxine (Judy Davis) are attempting to salvage what might be left of their broken marriage by taking a road trip together. As they stop at various places and interact with a variety of people, they begin to bridge the wide gap that had taken its toll on their relationship. ~ Perry Seibert, All Movie Guide

Down and Out in Beverly Hills is an updated remake of the 1932 Jean Renoir film Boudu Saved By Drowning. Philandering businessman Dave Whiteman (Richard Dreyfuss) rescues scraggly tramp Jerry Baskin (Nick Nolte) from drowning himself in Dave's swimming pool. Much against his will, Jerry is invited to enjoy the hospitality of Dave, his social-climbing wife Barbara Bette Midler, and their sexually ambivalent son Max (Evan Richards). The hapless hobo bonds only with the family dog Matisse, which fascinates Barbara to the point that she's willing to share her bed (and a few other things) with him. Dave is twice cuckolded when Jerry makes out with the maid (Elizabeth Pena), with whom he has been carrying on a torrid--and noisy--affair. He plans to wreak revenge on the tramp, but several plot twists result in Dave and Jerry becoming bosom companions. Little Richard appears as the family's easily irritated next door neighbor. Down and Out in Beverly Hills was the R-rated film which compelled the Disney Company to create its adult-oriented Touchstone Films division. The property was later cleaned up for TV consumption and converted into a short-lived Fox Network sitcom. ~ Hal Erickson, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

Yes, that's 19-year-old Richard Dreyfuss guesting in this episode as neurotic teenager Durf the Drag. Hoping to bolster Durf's confidence, kindhearted Gidget (Sally Field) agrees to go out on a date with him. The plot thickens when Gidge is afforded the opportunity to date handsome UCLA student Ed Batson (Ed Griffith)--and she can't work up the gumption to tell poor Durf. This episode was originally scheduled to air on December 1, 1965. ~ Hal Erickson, All Movie Guide

The difficult birth of the nation of Israel is the subject of this documentary feature, the first in a projected three-part series that explores how the nation came to be formed in the wake of World War II, and the frequent skirmishes between Arab and Israeli forces, leading up to the Six-Day War of 1967. Combining rare newsreel footage with interviews from a number of participants in Israel's struggle for peace, In Search of Peace Part One: 1948-1967 also features narration from actor Michael Douglas. Edward Asner, Richard Dreyfuss, Anne Bancroft, and Michael York also contribute readings of historical documents to the soundtrack. ~ Mark Deming, All Movie Guide

Mike Binder wrote and directed this reunion story in The Big Chill vein about of group of ex-campers, now in their twenties, who return to their old summer camp to get together again. Alan Arkin plays Uncle Lou, the old camp counselor and resident sage at Canadian summer camp Tamakwa. Leading a group of contemporary youngsters wearing Walkmans on their heads to glory in the beauty of a majestic moose in the Canadian Northwoods, he realizes that the children of today are not the way children were in ancient times before 1993, so he decides to close up shop and shut down Camp Tamkwa for good. But before he does he invites a group of campers from the camp's golden age -- men and women now in their twenties -- an assortment of veteran campers who return to reflect on the past and sort out their troubles. The campers include Beth (Diane Lane), a woman who is adjusting to her husband's accidental death; Jennifer (Elizabeth Perkins), a single woman looking forward to renewing her relationship with fellow camper Matthew (Vincent Spano); Kelly (Julie Warner), Matthew's wife, feeling insecure because she knows Matthew is unhappy in the marriage; and Jamie (Matt Craven), a swinging bachelor with an eye for younger women. Rounding out the pack is Jack (Bill Paxton), who as a boy was kicked out of the camp for a mysterious reason. When he shows up at the camp, the rest of the campers are stunned. ~ Paul Brenner, All Movie Guide

This is the made-for-TV version of the romantic drama that chronicles the exploits of a group of glamorous women caught up in the entertainment industry. This version contains material author Jacqueline Susann omitted from her original novel. ~ Sandra Brennan, All Movie Guide

Todd Holland directed this Charlie Peters adaptation of Frank Parkin's novel. Respected anthropologist James Krippendorf (Richard Dreyfuss) and his wife, Jennifer (Barbara Williams), bring their three children along during their failed search in New Guinea for a lost tribe. After Jennifer's death, James reaches a zero point back in the U.S., having spent all his foundation grant money raising the kids as a single parent. Scheduled to lecture at a college and fearful he could be charged with misuse of grant funds, James concocts an imaginary tribe, the Shelmikedmu, and fakes a 16 mm "documentary" film, casting his children as tribe members and editing in footage of a legit New Guinea tribe. Anthropologist Veronica Micelli (Jenna Elfman) contacts cable-TV producer Henry Spivey (David Ogden Stiers), forcing James to continue creating fraudulent footage as the rival Ruth Allen (Lily Tomlin) gets suspicious. It seems a shame this racially insensitive film was made, while the once-announced plans to film anthropologist Kenneth Good's nonfiction Into the Heart (Simon & Schuster, 1991) never led to a production. ~ Bhob Stewart, All Movie Guide