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Oliver Drake Movies

One of the most prolific auteurs in B-Western history, Oliver Drake began his screen career directing and acting in very low-budget fare produced in San Diego. He turned to directing in the early talkie era and established himself as a producer/writer/director at Universal in the 1940s. His entire career spent in the cheapest Hollywood productions possible, Drake was there for the B-Western genre's last gasps. In 1948-1949, his Yucca Productions released a series of Sunset Carson Westerns filmed in 16-millimeter (in the immortal words of historian Don Miller: "Yucca is right!") and in 1955 he directed the last star of independent budget oaters, John Carpenter. Drake ended his long career in the medium that killed off double-bills, television. A highly readable autobiography, Written, Produced and Directed By, was published in 1990. ~ Hans J. Wollstein, Rovi
1968  
 
In this crime adventure, a young woman carrying an important paper finds herself pursued by three crooks who chase her into the desert. She is saved by a helpful stranger. ~ Sandra Brennan, Rovi

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1967  
 
Writer/producer/director Oliver Drake made so many poverty-row pictures over a 40 year period that one suspects he wasn't a single individual at all, but a "house name" adopted by whomever happened to be handy. Drake's Mummy and Curse of the Jackal is up to the director's usual standard, which isn't saying a whole lot. This time the bandaged title character is at large in Las Vegas. The script is a bit confusing: we're not sure if Anthony Eisley is a hero and John Carradine a villain, or vice versa. Uncompleted and unreleased for many years, Mummy and Curse of the Jackal finally saw the light of day on videotape. ~ Hal Erickson, Rovi

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1957  
 
Dragoon Wells Massacre is a topnotch western from the Allied Artists factory. Barry Sullivan stars as wanted killer Link Ferris, who at the beginning of the film is arrested by marshal Bill Haney (Trevor Bardette). Dennis O'Keefe co-stars as Cavalry officer Matt Riordan, assigned to escort Ferris to prison through hostile Indian country. It comes to pass that hero and villain -- and their respective entourages -- are forced to rely upon each other to survive an Apache attack (led by western-flick veteran John War Eagle) at Dragoon Wells. Mona Freeman and Katy Jurado offer interesting performances within their stock heroine requirements, while Sebastian Cabot is sublimely cast as a shifty trader. ~ Hal Erickson, Rovi

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Starring:
Barry SullivanDennis O'Keefe, (more)
 
1957  
 
In this B-picture western,Anthony Dexter, plays Billy the Kid, the outlaw of the title and a victim of society. The parson of the title is {%Jack Slade (Sonny Tufts). Billy the Kid tries to mend his ways thanks to the intervention of Slade, but he winds up plugged and planted trying to avenge the preacher's murder. The cast features supporting actors including Marie Windsor, Jean Parker and Bob Steele. ~ Hal Erickson, Rovi

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Starring:
Anthony DexterSonny Tufts, (more)
 
1956  
 
Criminal Arnold Woodman (Herburt Vigran) and his two confederates planet 20,000 dollars in stolen money on Inspector Henderson (Robert Shayne), then threaten to accuse him of taking a bribe unless he does what they tell him. Playing for time, Henderson agrees to follow orders, which does not sit well with his reporter friend Clark Kent (George Reeves). Nor do things bode well for Kent's alter ego Superman, who has been targeted for extinction by Woodman through the deployment of a sure-fire doomsday weapon (well, it seemed like it was sure-fire on the drawing board, anyway!) ~ Hal Erickson, Rovi

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1955  
 
Self-style western star John Carpenter is the "auteur" of the low-budget hayburner Outlaw Treasure. Carpenter not only stars in the film (billed as "John Forbes"), but also produced and wrote the picture as well; surprisingly, however, he handed over the directorial reins to Oliver Drake. The story concerns an Army scout (Forbes) who is assigned to get to the bottom of a series of gold-shipment hijackings. To make a long story short, he does. The Jesse James gang figures briefly in the proceedings, but they, like the heroine (Adele Jergens), are summarily dropped after serving their plot purpose. Modern viewers may be impressed at how closely John Carpenter resembles Montgomery Clift--at least, until he opens his mouth to speak. ~ Hal Erickson, Rovi

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Starring:
Frank "Red" CarpenterAdele Jergens, (more)
 
1949  
 
In this late entry in Monogram's Jimmy Wakely series of musical Westerns, Wakely and sidekick Cannonball (Dub Taylor) come to the aid of Reno Browne, whose brother, Steven (Riley Hill), is convicted and sentenced to death for killing an enemy of their later father. Wakely and Cannonball, who has enrolled in a detective correspondence course, do a bit of investigating and are soon on the track of the real killer, Carson (Dennis Moore), the leader of a gang smuggling ore from Mexico. Although ostensibly a Jimmy Wakely vehicle, Across the Rio Grande became something of a showcase for supporting actors Riley Hill and Dub Taylor. The latter made much of his mail-order detective schtick, to the point of firing a bullet into a recently acquired "bulletproof" vest. The bullet, alas, was not deflected by the vest but by Cannonball's correspondence-manual. Across the Rio Grande marked the screen debut of radio songstress Polly Bergen, who appeared as a cantina singer under her real name Polly Burgin. ~ Hans J. Wollstein, Rovi

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Starring:
Jimmy WakelyReno Browne, (more)
 
1949  
 
A late entry in Monogram's Jimmy Wakely musical Western series, Brand of Fear features a nice performance by Gail Davis, television's Annie Oakley. Davis plays Anne Lamont, whose guardian, Marshal Black Jack Flint (Tom London), hires her as the new schoolteacher of Oreville, AZ. Black Jack, however, is really a reformed outlaw and is being blackmailed by crooked blacksmith Cal Derringer (Marshall Reed). Derringer is in league with outlaw Tom Slade (William H. Ruhl), who plans to rob a shipment of ore. On the side of law and order are trouble-shooter Jimmy Wakely and his sidekick Cannonball (Dub Taylor). They run down the villains, and with his dying breath, Derringer confesses that Black Jack was innocent of the charges leveled against him 20 years earlier and that he is actually Anne's natural father. In between battling the bad guys, Wakely finds time to sing "There's a Rainbow Over the Range" by Tim Spencer and "Cool Water" by the prolific Bob Nolan. Monogram could have done much worse than this tightly packaged piece of Western hokum, and often did. ~ Hans J. Wollstein, Rovi

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1949  
 
Film historian Leonard Maltin has labelled this final entry in Monogram's "Charlie Chan" series as "embarrassing," but it's not quite as bad as its reputation would indicate. True, star Roland Winters steadfastly refuses to take his characterization of Charlie Chan seriously, but that's part of the fun. Much of the action takes place on an airliner, where someone has drugged the passengers and crew and killed a courier who was carrying a quarter of a million dollars. The suspect list is a dream-come-true for movie buffs, populated with such reliable supporting players as Iris Adrian, Eleana Verdugo, Tim Ryan, Milburn Stone, Lyle Talbot, Paul Maxey and John Eldredge. Noel Neill, everyone's favorite Lois Lane, is also on hand as a stewardess. And of course, Charlie Chan is aided and abetted by Number One Son Lee Chan (Keye Luke) and pop-eyed chauffeur Birmingham Brown (Mantan Moreland). Though out of favor with dyed-in-the-wool Charlie Chan fans, Sky Dragon opened to good business and better-than-average reviews. ~ Hal Erickson, Rovi

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Starring:
Roland WintersKeye Luke, (more)
 
1949  
 
Ostensibly a Jimmy Wakely musical Western -- the singer's final starring vehicle -- The Lawless Code is really a showcase for Riley Hill, a young supporting actor who had played young henchmen for years under the name Roy Harris. While Wakely is barely given enough to warble "Trail to Mexico," Hill appears front and center as Curly Blake, a young rancher whose uncle (Steve Clark) is murdered for his valuable land. Uncle and nephew had been estranged since Curly rejected an offer to sell the family spread to the Red Rock Land & Development Company. Curly is accused of the killing, but the real culprit is the company president, a smooth-talking ex-judge (Tristram Coffin). With assistance from traveling troubadour Wakely and his sidekick, Cannonball (Dub Taylor), Curly rescues lovely Rita Caldwell (Ellen Hall) from Steele's blackmailing henchmen (Kenne Duncan and Terry Frost), one of whom is made to spill the beans about the killing. Wakely and the Sheriff (Bud Osborne) set a trap for Steele, who is soon apprehended. A busy supporting player well into the television era, Riley Hill later played the recurring role of Marshal Riley on Marshall of Gunsight Pass (1950). ~ Hans J. Wollstein, Rovi

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1949  
 
In his second-to-last Monogram Western, country & western singer Jimmy Wakely does hardly any singing at all as he and sidekick Cannonball (Dub Taylor) attempt to catch the villain who caused the death of 16-year-old Perry Andrews (Buddy Swan), a student at the Sheriff's Association School. Perry was shot by Marshal Jim Braden (Jack Ingram), who mistook him for a murderous claim jumper. Due to young Perry's suspected involvement in a crime, the foundation supporting his school is threatening to withdraw all funding. To save the school, Wakely and Cannonball tracks down the claim jumper (Nolan Leary) by pretending to be outlaws themselves. A clean-cut veteran of Gene Autry's radio show, Wakely became Monogram's best bid in the Singing Cowboy sweepstakes. His series ran from 1944 to 1949, almost exclusively in the hinterlands. By that late date, B-Westerns were facing stiff competition from television and Wakely left to form his own record label. ~ Hans J. Wollstein, Rovi

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1949  
 
Monogram's four-year-old Jimmy Wakely western series began to wind down with Courtin' Trouble. As was customary, Jimmy does more singin' than fightin' or shootin' in this leisurely entry. The plot concerns an ongoing feud between cattlemen and frontier merchants. Adding fuel to the fire is an outlaw gang, masterminded by saloon owner Leonard Penn (the real-life father of actors Sean and Christopher Penn). Virginia Belmont plays a lady attorney who is determined to bring things to a peaceful conclusion, while Dub "Cannonball" Taylor is the all-around comedy relief. Star Wakely manages to squeeze three musical numbers into the film's 56-minute timespan. ~ Hal Erickson, Rovi

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Starring:
Jimmy WakelyVirginia Belmont, (more)
 
1949  
 
"Suggested" by James Oliver Curwood's novel The Gold Hunters, this low-budget Monogram release was the first film in a series of seven "Northwest" adventures to team former Universal cowboy Kirby Grant and a beautiful white malamute named Chinook. Grant played Bob McDonald, a mountie shot in the leg during a confrontation with a gang of bank robbers. One of the robbers, Jim Blaine (Bill Edwards), was forced into participating by his prospector father Matt (Guy Beach) and is now being held hostage by the gang. With his dying breath, Matt besieges Bob to rescue his son but the injured mountie instead sends his faithful dog, Chinook. The clever pooch manages to free Jim and Bob is nursed back to health by Marie LaRue (Suzanne Dalbert), the daughter of the saloon owner (Dan Seymour). Admitting to holding the loot from the bank heist, Jim then explains that the money was actually owed his father and that banker Dawson (William Forrest) is after the Blaine gold mine. With Chinook's help, Bob, Jim and the Larues set a trap for the villain,, who is consequently caught red-handed attempting to free his henchmen from the local jail. Although famed pulp-writer Curwood's name appears prominently in the credits, B-movie veteran Oliver Drake later admitted that it was he, not Curwood, who conjured up the story. No different from a host of low-budget Westerns despite its potentially colorful locale, Trail of the Yukon was directed by the prolific William Beaudine under the pseudonym of "William X. Crowley." ~ Hans J. Wollstein, Rovi

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Starring:
Kirby GrantSuzanne Dalbert, (more)
 
1949  
 
Produced and directed by the veteran Oliver Drake and filmed at his ranch near Pearblossom, CA, this minor musical Western starred Spade Cooley, a bandleader known as the "King of Western Swing." In between performing such numbers as "Cowboy Serenade" and "Gower Gulch Is Home Sweet Home to Me," Cooley wins the rodeo on the feared T.N.T (he was doubled by the later so notable Richard Farnsworth), beats up a few bad guys, including stuntmen Bob Woodward and Boyd Stockman, and romances pretty girl singer Wanda Cantlon. The Kid From Gower Gulch was apparently produced in 1947 (in 16 mm, according to Drake himself) but was not released until 1949. ~ Hans J. Wollstein, Rovi

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1948  
 
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Filmed in 16 mm Kodachrome and produced by Gower Gulch company Yucca Pictures Corp., this no-budget Western featured former Republic star Sunset Carson as a rancher who comes across a wayward youngster, the Kansas Kid (Al Terry), about to drink from a poisoned spring. Unbeknownst to Sunset, the Kid is actually Bob Ward (misspelled "Wade" in the film's credits!), and he is carrying a letter implicating Carson in the death of his father. While attempting to discover the truth, Bob Ward proves himself a born prize-fighter, besting Sunset's crooked partner, Sam Webster (Bob Cason), in the ring. As it turns out, the Kid is in possession of yet another, unopened, letter that exonerates Sunset in the father's death, shifting instead the blame to Webster and his henchman, Murdock (Stephen Keyes). Produced and directed by Oliver Drake, Sunset Carson Rides Again was one of four Yucca Westerns Carson did at the tail end of his career. As film historian Don Miller so succinctly put it, "Yucca indeed!" ~ Hans J. Wollstein, Rovi

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1948  
 
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Produced in 1947 by Oliver Drake and Walt Mattox's Yucca Pictures Corp., the extremely low-budget Battling Marshal starred former Republic cowboy Sunset Carson in the twilight of his screen career. Carson, his horse, Cactus Jr. (who received co-star billing), and sidekick Lee Roberts arrive in Quarzville, a town suffering under a smallpox scare. But as Sunset and friends learn, the nonexistent epidemic is the invention of crooked lawyer John Martin (Pat Gleason) and a local mining engineer turned "doctor" (Richard Bartell). The villains have created the false scare in order to take over the Jeffers ranch, where they have discovered a gold vein. Aligning himself with old man Jeffers' adopted grandchildren (Al Terry and Pat Starling), Sunset not only brings the villains to justice but also finds time to warble "A Bird in a Gilded Cage" by Harry von Tilzer. Produced in 16 mm and away from the usual Gower Gulch circles, the four Yucca Carson oaters were released between 1948 and 1950 by Astor Pictures, a sort of graveyard for the final independent B-Westerns. For all intent and purposes, Battling Marshal brought the curtain down on Sunset Carson's screen career. Late in life, Carson co-produced and hosted a series of B-Western revivals for a South Carolina public television station. ~ Hans J. Wollstein, Rovi

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1948  
 
His Pony Express job having come to an end due to the new telegraph, rider Sunset Carson joins telegraph operator Martha Taylor (Pat Starling) and her brother, Tom (Al Terry), who are being terrorized by a competitor in this ultra low-budget effort from Walt Mattox' Yucca Pictures Corp. As it turns out, Martha's superintendent, Dawson (Stephen Keyes), is in cahoots with Spade Gilbert (Pat Gleason), a local rancher conspiring to reroute the telegraph line through his own property. When Martha's crew run out of poles, Sunset and Tom ride to protect a new shipment from Gilbert's henchmen, Trigger (Lee Roberts) and Pete (Forrest Matthews). Defeating the outlaws and returning with the shipment, Sunset warns Martha that she is harboring a traitor and that Dawson is the most obvious candidate. A search of Gilbert's ranch reveals the rancher's plans to take over the contract and that Dawson and his men are about to attack the work site. Riding hell bent for leather, Sunset and Tom arrive just in time to defeat the Dawson gang and reveal the foreman as a murderer. Filmed in 16 mm Kodachrome color at least a year prior to its April 1948 release, Deadline was the third of four low-budget Westerns that Carson would make for Yucca. ~ Hans J. Wollstein, Rovi

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1948  
 
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Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures. ~ Hans J. Wollstein, Rovi

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1948  
 
In this entry in the long-running mystery series, Chan must find out who has been killing people over rare antiques. ~ Sandra Brennan, Rovi

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1947  
 
Dog Ginger is a big part of her human family in this melodrama. ~ Rovi

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1947  
 
Produced in Kernville, California, this typical Jimmy Wakely singing Western from Monogram had the former radio troubadour settling a range feud between his uncle and boss (Budd Buster) and a homesteader (songwriter Jack Baxley) by proving that both were the victims of their crooked foremen (Zon Murray and Bob Duncan). Patricia Starling, who also appeared opposite Roy Rogers and Sunset Carson, added a bit of romance to the proceedings, which also benefitted from Wakely's warbling of the old standard Whoppi Ti Yi Yo and his own The Lonesome Trail. ~ Hans J. Wollstein, Rovi

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1946  
 
Despite his unprepossessing screen personality, singing cowboy Jimmy Wakely was starred in a series of Monogram westerns, one of which was West of the Alamo. Wakely and comedy sidekick Lee "Lasses" White play a pair of government agents who work undercover to solve a series of baffling crimes. It comes to no one's surprise that the criminal mastermind is the town's leading citizen, in this case banker Clay Bradford (Jack Ingram). As was typical in the Wakely westerns, West of the Alamo is approximately 25 percent action and 75 percent musical. Among the guest warblers this time out is the Arthur Smith Trio, headed by a gospel singer who'd later emcee a popular religious TV talk show. ~ Hal Erickson, Rovi

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Starring:
Jimmy WakelyLee "Lasses" White, (more)
 
1946  
 
In his final starring Western for PRC, Bob Steele plays Jim Brandon who is imprisoned for a bank robbery and murder he didn't commit. Returning home on parole, Jim is ostracized by all and sundry, except Sheriff Warner (Steve Clark) and Betty Morgan (Ellen Hall), both of whom believe in his innocence. Aided by ranch cook Utah McGirk (Syd Saylor), Jim begins an investigation into the killing of his ranch partner and manages to find the murderer by using a new French discovery, ballistics. In between the fightin' and shootin', Don Weston performs his own "Trying to Forget" and "End of Rainbow Trail." ~ Hans J. Wollstein, Rovi

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Starring:
Bob SteeleSid Saylor, (more)
 
1946  
 
With a catchy title song co-written by the film's star and director, this Jimmy Wakely music Western got off to a lilting start. The film, however, quickly turned out to be just another minor entry in the very derivative Monogram/Wakely series. The former radio crooner and his usual sidekick Lee "Lasses" White, get in trouble this time with an unscrupulous cattle king (Stanley Blystone) and his even more unscrupulous foreman (Terry Frost), both of whom are in league with -- you guessed it -- an unscrupulous railroad man (Jack Ingram). Jennifer Holt, daughter of legendary action star Jack Holt and one of the busiest B-Western heroines of the '40s, added feminine appeal, and rustic comedian White contributed with three songs -- I'm Casting My Lasso, If You Knew What It Meant to Be Lonesome, both co-written with Wakely, and the solo effort Out on the Western Range. Although no Gene Autry or Roy Rogers, Jimmy Wakely was popular enough in the hinterlands for his series to last through 1949. He later owned his own recording label. ~ Hans J. Wollstein, Rovi

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1946  
 
All-American singing cowboy Jimmy Wakely went below the border in this musical Western from the assembly line at Monogram, performing such ditties as Adios Mariquita Linda, Rose of the Rancho, the inevitable La Cucaracha, and his own title tune. As always, Jimmy Wakely plays himself, this time heading for Don Roberto Lopez's (Julian Rivero) ranch to track down a missing gold shipment. En route, he encounters the notorious Texas Kid (Brad Slaven), who steals his clothes along with a letter of introduction and later commits a murder in his name. Dressed in The Kid's outfit, Wakely, meanwhile, pretends to join the gang suspected of stealing the gold and is eventually able to unmask their mysterious leader (Forrest Matthews). Leading lady Dolores Castelli, as Don Roberto's niece, warbles a special rendition of Jarebe Tapatio (aka Mexican Hat Dance), and Wakely's sidekick, Lee "Lasses" White, takes a more active part in the action than usual. ~ Hans J. Wollstein, Rovi

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