William Dozier Movies

A slick Los Angeles callboy finds love and redemption in Paul Schrader's ultra-stylish drama. High-living prostitute Julian Kay (Richard Gere, stepping in for John Travolta) has it all: the Mercedes, the clothes, access to Beverly Hills' swankiest establishments, and a stable of rich, older female clients. But it all falls apart after he does a favor for his former pimp (Bill Duke) and the trick turns up dead a short while later; Julian's actual client won't give him an alibi, and police detective Sunday (Hector Elizondo) doesn't believe the gigolo's denials. The one person who can help him is frustrated politician's wife (and sole non-paying bedmate) Michelle (Lauren Hutton), if only Julian could let down his defenses and accept her gesture of love. Mixing his admiration for European art cinema with a voyeuristic view of the seamier side of sex and affluence, Schrader renders Julian an inscrutable, emotionally disengaged purveyor of pleasure, decked out in Giorgio Armani clothes coordinated with Ferdinando Scarfiotti's meticulous production design. Amid critical doubts about its artiness and distanced eroticism, American Gigolo surprised everyone by not dying on the box office vine. With some audiences reportedly showing up for repeat viewings of Gere's seductive charms, it became a moderate hit, turning Gere into a star and Armani into the new fashion sensation. Whatever reservations one may have about the movie, it provided two indelible images of 1980s decadence to come: Gere's perusing his "artist's palette" of shirts, ties, and jackets, and Gere's cruising down the Pacific Coast Highway in his convertible to the New Wave strains of Blondie's "Call Me". ~ Lucia Bozzola, All Movie Guide

A piece of made-for-television hack work that suddenly became sort of topical 23 years later, with the attacks on the New York World Trade Center and the Pentagon on September 11, 2001, Evening in Byzantium was a two-part made-for-TV feature based very loosely on Irwin Shaw's best-seller. The book involved intrigue and romance at the Cannes Film Festival, but the television producers evidently thought that this did not justify a two-night prime time movie event, so they added a story about Middle Eastern terrorists using the Cannes Film Festival as part of a larger plot to attack the West. Glenn Ford plays Jesse Craig, a down-on-his-luck producer with a film project in mind involving terrorists, who goes to Cannes to raise money and finds himself dealing with his ex-wife (Shirley Jones) and romancing Erin Gray. But before too long, he uncovers a plot by real terrorists to replace commercial airliners in flight (blowing them out of the sky and taking over their authorized flight paths) with specially converted airliners and bomb targets in the United States. Also on hand is Vince Edwards, playing an actor with a radical political agenda, who is alarmed that Ford's proposed film parallels his own terrorist plans; Michael Cole as Ford's associate; Eddie Albert and Gloria De Haven as a couple with ties to the movie business; Harry Guardino as a skeptical American security officer; and Marcel Hillaire as the French police inspector trying to unravel the terrorists plans. It's all very silly, though played very sincerely by most of the cast, and none of the plot described is less plausible than the notion that Glenn Ford and Erin Gray could ignore the 36-year difference in their ages. Evening in Byzantium was originally shown in August of 1978 as part of the syndicated Operation Prime Time programming series, intended to compete with the three networks. ~ Bruce Eder, All Movie Guide

Jack Ryan (Ryan O'Neal) is a cucumber picker who is fired after a fight with a Mexican-American (Victor Paul) co-worker. He finds work on a ranch owned by Ray Ritchie (James Daly). Soon his private secretary Nancy (Leigh Taylor-Young) is after Jack. She spends her free time in pursuit of hedonism and reckless pleasure by fornicating on tombstones and breaking hearts as well as windows. Sam Mirakian (Van Heflin) is the motel owner whose lonely resident (Lee Grant) makes a play for Jack. She ends up killing herself and Nancy ends up killing someone else for sheer pleasure. This forgettable and pointless movie -- one critic described it as "a rancid piece of trash" -- is O'Neal's big-screen debut. Some nudity required an "R" rating. ~ Dan Pavlides, All Movie Guide

This remake of Zoe Akins' Morning Glory stars Susan Strasberg as Eva Lovelace, the role that won Katharine Hepburn her first Oscar back in 1933. Fresh from the midwest, the starry-eyed Eva arrives in New York, convinced that she has what it takes to be Broadway's greatest actress. Armed with more chutzpah than talent, Eva proves fascinating to big-time producer Lewis Easton (Henry Fonda) and playwright Joe Sheridan (Christopher Plummer, in his film debut). But the realization of her girl remains just outside of Eva's reach until she replaces temperamental star Rita Vernon (Joan Greenwood) on the opening night of Sheridan's newest play. ~ Hal Erickson, All Movie Guide

Harriet Craig is the third film version of George Kelly's Pulitzer Prize-winning play Craig's Wife. Joan Crawford stars as the title character, a thoroughly selfish woman who prizes her house and her possessions above all else. Harriet Craig is even willing to spoil the business opportunities of her husband Walter (Wendell Corey) to avoid losing her precious home. When her self-involvement causes turbulence in the romantic life of her cousin (K.T. Stevens), and when her husband's eyes are finally opened to his wife's true nature, Harriet Craig is at long last hoist on her own petard. ~ Hal Erickson, All Movie Guide

Jim Hetherton (Franchot Tone), the scion of an aristocratic rural English family, was traumatized from boyhood by a shooting accident and reaches adulthood as a sincere and dedicated pacifist -- like many of his generation in England. He makes his way through life as a schoolteacher with a promising future, and even ponders the possibility of marriage with Dora Bruckmann (Veronica Lake), the governess of his young nephew. But then the Second World War breaks out, which creates a crisis for Jim and his family and household. He decides that he can't a won't fight if it means killing another human being, and is accepted as a conscientious objector by the authorities. But in doing so, he is forced to give up his teaching position and take a job in farming, to contribute to the economic good at home. He soon finds himself being shunned by much of the village for his beliefs, and discovers that even amid a manpower shortage, securing a job to fulfill his service requirement is no easy matter. Meanwhile, his brother (John Sutton) is called up by the RAF, and his father (Henry Stephenson) joins the home guard. And Dora seems headed to an internment camp, until Jim marries her. But what neither he nor anyone else suspects is that Dora is actually an agent planted by the Germans, part of a team of fifth columnists working to undermine the British war effort. And her main concern is finding the location of a secret British airfield in the vicinity of the Hetherton estate. She manages to manipulate Jim by preying on his beliefs, and maneuvers him into potentially betraying his country. ~ Bruce Eder, All Movie Guide