Brian Doyle-Murray Movies

In this zany comedy, Michael Keaton is Doug Kinney, a man with too many tasks and not enough time to complete them. When he feels too much pressure, his temper explodes with disastrous results. So when researcher Dr. Owen Leeds (Harris Yulin) offers him a somewhat unusual remedy for his problem, he gives it a try. Soon, a fully grown clone of Doug is delivered, complete with his memories up to the time of its "birth." Being in two places at once offers some advantages, but problems arise when Doug #2 can't handle the stress of overwork any better than the original. Perhaps Doug #2 could benefit from having his own helper. Versions of Doug multiply, each of them emphasizing some facet of his character, and complications multiply. For instance, having more of him around doesn't make life simpler for Doug's wife Laura (Andie MacDowell). ~ Clarke Fountain, All Movie Guide

A goofy slacker wreaks havoc after worming his way onto the jury of a high-profile court case in this broad comedy. The extremely unmotivated Tommy Collins (Pauly Shore) has found himself homeless after being kicked out by his mother, and he needs a place to stay. After hearing how the juries of important cases are sequestered in fancy hotels and provided with free meals, he decides that's the life for him and successfully volunteers for jury duty. Enjoying what he considers the high life and wishing to romance an attractive female juror (Tia Carrere), Tommy infuriates his fellow jurors by attempting to drag out the trial. Director John Fortenberry offers much obvious slapstick, along with a few attempts at topical jibes against media sensationalism, but even fans of Shore's lowbrow humor may be disappointed by the film's quality. ~ Judd Blaise, All Movie Guide

Bill Murray plays Phil, a TV weatherman working for a local station in Pennsylvania but convinced that national news stardom is in his grasp. Phil displays a charm and wit on camera that evaporates the moment the red light goes off; he is bitter, appallingly self-centered, and treats his co-workers with contempt, especially his producer Rita (Andie MacDowell) and cameraman Larry (Chris Elliot). On February 2, 1992, Phil, Rita, and Larry are sent on an assignment that Phil especially loathes: the annual Groundhog Day festivities in Punxsutawney, PA, where the citizens await the appearance of Punxsutawney Phil, the groundhog who will supposedly determine the length of winter by his ability to see his own shadow. Phil is eager to beat a hasty retreat, but when a freak snowstorm strands him in Punxsutawney, he wakes up the next morning with the strangest sense of déjà vu: he seems to be living the same day over again. The next morning it happens again, and then again. Soon, no matter what he does, he's stuck in February 2, 1992; not imprisonment nor attempted suicide nor kidnapping the groundhog gets him out of the loop. But the more Phil relives the same day, the more he's forced to look at other people's lives, and something unusual happens: he begins to care about others. He starts to respect people, he tries to save the life of a homeless man, and he discovers that he's falling in love with Rita and therefore wants to be someone that she could love in return. ~ Mark Deming, All Movie Guide

In this sequel to the much-loved "Frosty the Snowman" cartoon special, Frosty reappears to befriend a girl named Holly and help save Christmas from the invention of an evil snow-exterminating chemical. ~ Iotis Erlewine, All Movie Guide

For many years, Joe's high-school baseball pitching record has been unbroken. All this may change, however, as a talented young student named Ty Warner (a pre-Party of Five Matthew Fox) comes ever closer to surpassing the number of strikeouts toted up by Joe (Tim Daly). In anticipation of this momentous event, Joe's former coach (Brian Doyle-Murray) invites him to fly out to the school and attend the crucial game -- arguing that if he doesn't, Ty Warner will miss his big opportunity completely. ~ Hal Erickson, All Movie Guide

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

Actor Dan Aykroyd made his directorial debut with this bizarre comic fantasy. Financier Chris Thorne (Chevy Chase) hopes to impress beautiful Diane Lightson (Demi Moore), so he invites her along for a trip to Atlantic City, with a pair of wealthy Brazilians, Fausto (Taylor Negron) and Renalda (Bertila Damas) tagging along for the ride. After running a stop sign in a small town just off the New Jersey turnpike, Chris and his friends are pulled over and arrested by a motorcycle cop named Denis (John Candy). The travellers are brought before J.P. (Aykroyd), the ancient and vindictive Justice of the Peace in the very strange village of Valkevania, where minor traffic offenses are usually punished by torture or death. While Fausto and Renalda are able to escape, Chris and Diane find themselves trapped in a bizarre underground maze in which fellow tourists like themselves must fight for their lives. Keep an eye peeled for the screen debut of Tupac Shakur, who appears as a member of the rap group Digital Underground. ~ Mark Deming, All Movie Guide

Chevy Chase, star of National Lampoon's Vacation and its sequel, is back as the paterfamilias of the Griswold family (including Beverly D'Angelo as his missus) to skewer the Yuletide season. Chevy mugs, trips, falls, mashes his fingers and stubs his toes as he prepares to invite numerous dysfunctional relatives to his household to celebrate Christmas. Amidst the more outrageous sight gags (including the electrocution of a cat as the Christmas tree is lit) the film betrays a sentimental streak, with old wounds healing and long-estranged relatives reuniting in the Griswold living room. National Lampoon's Christmas Vacation was still capable of attracting an audience five years after its release: It was one of the top-rated seasonal TV specials of 1994, outrating even the first network telecast of It's a Wonderful Life. ~ Hal Erickson, All Movie Guide

SCTV alumnus Dave Thomas manned the megaphone for the direct-to-video Experts. John Travolta was between career highs when he agreed to appear in this anachronistic cold-war comedy. Travolta and Arye Gross play Travis and Wendell, a couple of vagabonds hired by Soviet spy Cameron Smith (Charles Martin Smith) to act as experts on the American lifestyle. It seems that Smith is in charge of one of those "typical American towns" constructed in the middle of the Soviet Union for espionage-training purposes (remember all those Red-baiting documentaries of the 1950s?) Under the influence of drugs, Travis and Wendell are relocated to the phony burg of Indian Springs, Nebraska (actually well within the Russian borders). They immediately begin indoctrinating their "American" neighbors in all the guilty pleasures of Yankee hedonism. Hardly a comedy classic, The Experts did produce one salutary by-product: it was on the set of this film that John Travolta met his future bride Kelly Preston, here cast as a peaches-and-cream Russian spy. ~ Hal Erickson, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

Robin Williams' comic shtick sabotages any attempt at comic development in Harold Ramis' patchy comedy farce Club Paradise. Williams plays Jack Moniker, a Chicago fireman injured in the line of duty, who uses his disability money to open up a run-down Caribbean resort. Jack eagerly awaits the planeload of tourists who will be his first patrons. This group of low-rent jackanapes include Barry Nye (Rick Moranis) and Barry Steinberg (Eugene Levy), a couple of horny geek bachelors; Phillipa Lloyd (Twiggy) and Terry Hamlin (Joanna Cassidy) as a couple of gals on the make; and Linda White (Andrea Martin), as a bossy American tourist. While the tourists shindig around Jack's ramshackle resort, a revolution is brewing on the island headed by revolutionary Ernest Reed (Jimmy Cliff). Trying to prevent the revolutionary upheaval is the dissipated British governor-general of the island, Governor Anthony Cloyden Hayes (Peter O'Toole), and the pompous Prime Minister Solomon Gundy (Adolph Caesar). ~ Paul Brenner, All Movie Guide

With a script that is too anemic for the red-blooded actors featured here, this anorexic comedy moves slowly up and down the corporate ladder with the fortunes and misfortunes of several company men. Jack Issel (Judge Reinhold) gets a VIP position at INC in the PR department (business-speak). Suddenly the corporation's shady activities come to the fore -- especially when a U.S. plant is set to close for a move south of the border where labor is almost free. Enmeshed in these tangles, Jack is hardly prepared to fall in love with the leading activist against the plant closing -- but he does. Meanwhile, a lot of other subplots quickly dispose of potentially budding villains like Stedman (Danny DeVito) the inside trader -- too bad. DeVito and Don King (appearing as himself) would have made a great team. ~ Eleanor Mannikka, All Movie Guide

In this Bill Murray-driven remake of the 1946 Tyrone Power film, Murray plays the lead, Larry Darrel, a World War I survivor who takes off on a foreign trek to discover the meaning of his life. Apparently Murray said he'd film Ghostbusters only if Columbia would let him do Razor's Edge. ~ All Movie Guide