Patrick Doyle Movies

Part of the Thames Shakespeare Collection, this production of Twelfth Night was adapted for television by renowned actor and director Kenneth Branagh in 1988. Performed by the Renaissance Theatre Company, this classic comic tale of romance and confused identities features performances by acclaimed actors Caroline Langrishe and Richard Briers. ~ Dana Rowader, All Movie Guide

Made for British television, 1989's Look Back in Anger is the third film adaptation of John Osborne's legendary "kitchen sink" stage drama. Kenneth Branagh plays working-class roisterer Jimmy Porter, the archetypal "angry young man" whose college education has led nowhere. Stuck in a go-nowhere job at a candy store, Porter rebels against the establishment through his boorish treatment of his wife (Emma Thompson) and mistress (Siobhan Redmond). Branagh's forceful performance allows us to ignore the structural shortcomings inherent in the play (Osborne writes in fluent tract). Earlier filmizations of Look Back in Anger starred Richard Burton and Malcolm McDowell. ~ Hal Erickson, All Movie Guide

Set in contemporary Los Angeles as well as the Los Angeles of the 1940s, Dead Again explores a romance between two star-crossed lovers -- and the doomed passion they shared in their last lifetime. Los Angeles detective Mike Church (Kenneth Branagh) comes to the aid of mute, amnesia-victim Grace (Emma Thompson) and falls in love with her. He sets out to discover her true identity and the source of her terrible nightmares. Mike is aided in his investigation by hypnotist/furniture dealer Franklyn Madison (Derek Jacobi) who discovers that in a past life Grace was Margaret Strauss (also played by Thompson), who may have been mudered by her husband Roman (Branagh). ~ Linda Rasmussen, All Movie Guide

Mike Newell directs Jim Sheridan's screenplay (based on a story by Tim Palmer) in this enchanting and magical modern-day fairy tale. Gabriel Byrne plays Papa Reilly, a widower who lives with his two young sons, Ossie (Ciaran Fitzgerald) and Tito (Ruaidhri Conroy), in the slums of Dublin. There seems to be no hope for their bleak existence until the children's grandfather (David Kelly) arrives. Accompanying him is a beautiful and imposing white stallion named Tir na nOg, a magical creature from ancient Irish legends. The stallion takes a shine to the boys and they love the horse in return. But a legion of corrupt police plot to impound the horse for the purpose of selling it to a rich businessman. Ossie and Tito sneak off to rescue Tir na nOg. Grabbing the stallion, they get their father and, as the police chase after them, they make their way west. ~ Paul Brenner, All Movie Guide

Satan opens an antique shop in a small town and lures the residents into evil actions in this supernatural chiller. Based on a novel by the prolific Stephen King, the film bears many of the author's trademarks, such as the New England setting and the focus on regular people tempted by the forces of supernatural evil. Here, the enticements toward bad behavior comes from the "Needful Things" shop, owned by new resident Leland Gaunt (Max von Sydow). Gaunt's shop offers an odd collection of goods, each of which happens to be the object of desire of a local resident. Instead of money, however, Gaunt demands that townspeople perform a series of simple pranks. He has a plan, and these actions escalate until the town is at violent war with itself. The residents are brought to life by a talented cast, led by von Sydow's suave devil and including Ed Harris as the local sheriff, J.T. Walsh as a corrupt politician, and Amanda Plummer as a seemingly innocent baker. ~ Judd Blaise, All Movie Guide

This documentary chronicles the 200-year history and experiences of Irish-American immigrants. The film is comprised of a blend of still photographs, drawings, and on location re-creations. It also includes the personal stories of many famous Irish-Americans including modern actors Aidan Quinn and Liam Neeson. The film also includes interviews with historians and commentators. ~ Sandra Brennan, All Movie Guide

Director Kenneth Branagh's interpretation of Mary Shelley's classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a "man" assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley's Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker's Dracula (1992). ~ Lisa Kropiewnicki, All Movie Guide

A privileged, free-spirited young girl tries to adapt to life in a strict boarding school in this charming, critically acclaimed children's fantasy. Adapting a novel by Frances Hodgson Burnett, also the author of The Secret Garden, the film shifts the story's setting to World War I. 10 year-old Sara Crewe (Liesel Matthews) has been left in a respected New York City boarding school while her British father heads overseas to fight. Filled with wild stories and a playful attitude, the unconventional Sara becomes popular amongst her classmates but quickly comes into conflict with the harsh headmistress, Miss Minchin (Eleanor Bron), who attempts to quash the child's individuality. The young girl's situation takes a serious turn for the worse when she unexpectedly receives word of her father's death, and, suddenly impoverished, is forced into life as a servant. Treated as a lesser class of person by her former companions, Sara instead befriends her fellow servants and turns to the power of imagination in order to maintain hope for the future. In addition to changing the story's setting, screenwriters Richard LaGravenese and Elizabeth Chandler add a layer of Indian mythology to the tale, allowing director Alfonso Cuaron the chance to punctuate the riches-to-rags fable with a series of lush, imaginative fantasy sequences. Though A Little Princess had difficulty attracting audiences during its initial run, its visual splendor and touching storytelling were praised by many critics, several of whom proclaimed the film one of the best family-oriented productions of its time. ~ Judd Blaise, All Movie Guide

When his professional career hits a lull, an actor attempts to revitalize his career by staging a production of Hamlet, directed by and starring himself. Director and star Kenneth Branagh would in fact release his own film version of Shakespeare's classic play a year later, but this comedy provides his fictional counterpart with far less in terms of production value. Lacking money and time, he recruits a rather motley group of drunks, incompetents, and oddballs, including a middle-aged female impersonator in the crucial role of Queen Gertrude. Given only three weeks of rehearsal, and an abandoned church in a remote town in the English countryside, this unlikely group nevertheless struggles valiantly to make theatrical magic. The film attempts to pay loving tribute to the madness that surrounds the staging of a play, with all of the backstage dramas, inevitable disasters, and unexpected triumphs, but the end result is often less amusing than it ought to be. The film was released in the United States under the title A Midwinter's Tale. ~ Judd Blaise, All Movie Guide

A poor woman is the beneficiary of a case of mistaken identity in this comedy. Luckless Connie (Ricki Lake) leaves home to move to New York, only to find herself stuck with no job, no money, and a louse of a boyfriend (Loren Dean) who gets her pregnant and abandons her. Despondently taking a train back to Boston, Connie meets Hugh and Patricia Winterbourne (Brendan Fraser and Susan Haskell), a wealthy couple also expecting a baby. Patricia notices Connie admiring her wedding ring, and lets her try it on; moments later, the train jumps the tracks, and Connie wakes up in a hospital to discover that the staff thinks she's Patricia Winterbourne, who died in the wreck along with Hugh. The Boston Winterbournes, led by sharp-tongued Grace (Shirley MacLaine), had never met Patricia, so they have no way of knowing that Connie isn't Patricia. While Connie isn't trying to cheat anyone, it doesn't take her long to realize that this isn't a bad environment for raising her baby, especially after she meets Bill Winterbourne, Hugh's twin brother (also played by Fraser). Mrs. Winterbourne was based on a short story by Cornell Woolrich, previously filmed as No Man of Her Own and J'ai Epouse Une Ombre. ~ Mark Deming, All Movie Guide

For this feature-length foray into Arthurian animation, screenwriters Kirk DeMicco (A Day in November), William Schifrin (Townies), Jacqueline Feather (Dancing in the Dark), and David Seidler (Tucker, Dancing in the Dark) adapted The King's Damosel (1976) by British novelist Vera Chapman. The 85-minute tale follows independent, strong-willed Kayley (Jessalyn Gilsig voice, with the singing of Andrea Corr), who hopes to follow the path of her late father, Sir Lionel (Gabriel Byrne), a brave Knight of the Round Table who died defending his king against the evil Ruber (Gary Oldman). Some years later, when Ruber is joined by sidekick Griffin (Bronson Pinchot), the two manage to acquire and then lose Excalibur, the legendary magic sword of King Arthur (Pierce Brosnan with Steve Perry singing). Preparatory to his invasion of Camelot, Ruber first kidnaps Kayley and her widowed mother, Lady Juliana (Jane Seymour, Celine Dion singing). Making an escape, Kayley travels through the haunted Forbidden Forest, where she meets Garrett (Cary Elwes, Bryan White singing), a bitter blind man assisted by his silver-winged, seeing-eye falcon, Ayden. Once King Arthur's stable boy, Garrett dreamed of becoming a knight, but after he was blinded by a fire, he ran away to live in the Forbidden Forest. When Garrett learns Kayley is the daughter of the knight who trained him to fight, he agrees to help Kayley search for Excalibur. Falling in love with Kayley, Garrett soon finds the courage to start anew. With the blessing of Merlin (Sir John Gielgud), the couple sets out to save Camelot. Along the way, they meet the two-headed dragon, Devon (Eric Idle) and Cornwall (Don Rickles), a dragon duo delivering dotty dialogue replete with riotous riffs and cinematic references (to such films as Dirty Harry and Taxi Driver). Yet another supporting character is Bladebeak, a cutting-edge hybrid possibly fashioned to illustrate the axiom, "Don't count your chickens before they're a hatchet." Following the live-action/animation combo of Space Jam, this is the first fully animated feature from the L.A.-based Warner Brothers Feature Animation unit, and the film began production May 26, 1995 in L.A., expanding operations February 11, 1996 with a sister studio in London: a 20,000-square-foot facility in London's Covent Garden district. The new UK unit shared production duties on Quest for Camelot, receiving storyboards from L.A., animating with both computers and traditional techniques, and digitally transmitting completed art back to L.A. for ink and paint. At the London WBFA studio, John McKenna (previously head exec of the London City Ballet and Disney's London studio manager) initially supervised a staff of 73 (including 50 artists from the British animation talent pool) that expanded to 350. The film eventually employed over 600 staffers as it ran through a variety of working titles (The Quest for the Grail, The Quest, The Quest for Camelot). Songs by Grammy-winners David Foster and Carole Bayer Sager include On My Father's Wings, (Kayley), I Stand All Alone (Garrett), The Prayer (Juliana), and If I Didn't Have You (Devon, Cornwall). The director of Quest for Camelot is Frederik Du Chau, who attended film school in his native Belgium, entered the industry via commercials and TV series, worked for Disney France, made his own animated short (The Mystery of the Land), drew Disney projects at Baer Animation, co-directed for Sony Wonder, directed The Land Before Time 3, joined Chuck Jones Productions, and was developing his own animated project for Warner Bros. when he was asked to direct Quest for Camelot. ~ Bhob Stewart, All Movie Guide

French director Regis Wargnier's fifth feature film is a romantic period drama which is also a tribute to the victims of a tragic Stalinist episode. In June 1946, Stalin launched a major propaganda campaign aimed at Russians who had settled in the West, offering them amnesty and an opportunity to be involved in the postwar restructuring of the USSR. Many people who believed Stalin and returned home were executed, interned, or subjected to repression. The protagonist of Est-Ouest, Alexei Golovin (Oleg Menshikov), takes his young French wife Marie (Sandrine Bonnaire) and son Serioja with him on the long journey back to his native land that he has missed so much. On the board of the steamship taking them to Odessa, people like them celebrate the new life that they anticipate. However, reality strikes when they reach shore. Many people are immediately executed or sent to work camps. Alexei is spared to use his skill as an accomplished doctor. He is sent to Kiev to work in a dispensary and live in a communal apartment. Alexei accepts his fate but Marie dreams of escaping to freedom. Opportunity comes her way when she meets Gabrielle Develay (Catherine Deneuve), a famous French actress on tour, passing through Kiev. Tension mounts as the relationship of Alexei and Marie is put to test. For the script of this co-production between France and Russia, Wargnier had three other collaborators: Louis Gardel, who had previously collaborated with Wargnier on Indochine; Sergei Bodrov, a well-known Russian filmmaker best-known for his award winning S.E.R. and The Prisoner of the Mountains; and Azeri scriptwriter Rustam Ibragimbekov, best remembered for his scripts of Nikita Mikhalkov films. ~ Gönül Dönmez-Colin, All Movie Guide

When the tiny burgh of Keighley lands the rights to host the annual British hairdressing championships, practically every city in the United Kingdom is represented in the competition -- except Keighley itself. It seems the event is team-oriented, and the only suitable local contestants had a huge falling out a decade ago. For Brian (Josh Hartnett), the son of two hairdressers, that falling out had personal consequences: His mother Shelley (Natasha Richardson) left his father Phil (Alan Rickman) to take up with Phil's hair model Sandra (Rachel Griffiths). Since then, former styling champ Phil has settled for training Brian to help run his lowly barber shop, while Shelley and Sandra have opened a salon of their own. But when Shelley learns that she has terminal cancer, she reaches out to her family in hopes that a reunion for the hairdressing contest might help them all find some sense of closure. To complicate matters, Phil's old arch-nemesis, Ray (Bill Nighy), is now a two-time champ looking for a three-peat, and he's brought along his beautiful American daughter Christina (Rachael Leigh Cook) to work on his team. Blow Dry also marks the screen debut of supermodel Heidi Klum. ~ Brian J. Dillard, All Movie Guide