Christopher Doyle Movies
A hard-drinking Australian seems an unlikely figure to be one of the most important and influential cinematographers in Asian cinema, but that is exactly what Christopher Doyle is. His richly atmospheric, improvisational style has worked its way into the lexicon of both music videos and mainstream Hollywood fare. Moreover, his photo-collage artwork and his bizarre, often drunken public antics have made him a sort of cult celebrity in much of Asia.Born in 1952 in Sydney, Doyle fled the banality of the suburbs to spend much of his early life on the road. At various points in his life he was a well digger in India, a Norwegian merchant marine, a cow herder on an Israeli kibbutz, and a doctor of Chinese medicine in Thailand. In the late '70s, Doyle was rechristened Du Kefeng by his professor at the University of Hong Kong, and his life has not been the same since. Soon afterward, he moved to Taiwan and fell in with the Taipei art crowd, including such future members of the cultural elite as Hou Hsiao Hsien and Stan Lai. In 1978, he was one of the founding members of the Lanling Theatre Workshop, the first modern theater company in Taiwan; he also created a landmark television series, Travelling Images. Yet Doyle's first breakthrough occurred in 1981, when Edward Yang asked him to shoot his feature debut That Day on the Beach over the angry protests of the studio's 23 salaried cameramen. Fearful that Taiwan's relatively modest film industry might stunt his career, he again hit the road and got a gig shooting Claire Devers' Noir et Blanc (1986) in France, only to discover that his heart still belonged to Asia. That same year, he returned to Hong Kong and shot Shu Kei's second feature, Soul, a pastiche of John Cassavete's Gloria (1980) starring noted Taiwanese directors Hou Hsiao-Hsien and Ke Yizhong. Though the reviews for the film itself were mixed, people noticed Doyle's unique camera work and he soon found regular work in the Hong Kong film industry.
Doyle's true artistic and commercial breakthrough occurred with his first collaboration with auteur Wong Kar-Wai in Days of Being Wild (1991). Doyle's loose, ambient style seemed to match perfectly with Wong's melancholy, largely improvised script; the two quickly formed a lasting professional relationship that would prove to be extremely beneficial to both of them. Wong films such as Ashes of Time soon became synonymous with Doyle's ethereal look, while Wong's loose and woolly directorial approach allowed Doyle to experiment and perfect his trademark style. Though he worked with such noted Hong Kong directors as Sylvia Chang in Mary From Beijing (1992) and Stanley Kwan in his Red Rose White Rose (1994), he gained international attention with his groundbreaking cinematography in Wong Kar-Wai's Chungking Express (1994). Featuring a lush, saturated color palette and dazzling camera work, Doyle's atmospheric look made the film crackle with a rare vitality. After shooting Chungking Express' quasi-sequel Fallen Angel, Doyle adopted a more restrained look for fifth-generation filmmaker Chen Kaige in Temptress Moon (1996). After teaming up with Wong Kar-Wai again for Happy Together (1997), featuring sumptuous black and white cinematography that seems to swoon with melancholy, Doyle began to get gigs on the other side of the Pacific. His cinematography was one of the few bright spots in Gus Van Sant's Psycho (1998), and he also shot Barry Levinson's return to Baltimore, Liberty Heights (1999). During that same time, he made his directing debut with Away With Words (1999). Co-scripted by film critic Tony Rayns and starring Japanese indie star Tadanobu Asano, the film received divergent reviews when it was screened at Cannes. Some attacked it for being self-indulgent while others hailed it as extraordinary. Doyle kicked off the new decade in high style earning international acclaim for his work on Wong-Kar Wai's In the Mood for Love. He then changed gears by shooting the low budget Jon Favroau feature Made. He continued to act as cinematographer on a series of internationally well-received films such as Hero, Rabbit Proof Fence, Eros, The Quiet American, and Three…Extremes. He collaborated again with Won-Kar Wai on 2046, and although the film itself failed to match the acclaim of In the Mood for Love, critics universally marveled over Doyle's cinematography. In 2006 he joined forces with M. Night Shyamalan on his 2006 effort Lady in the Water. ~ Jonathan Crow, All Movie Guide
- 2009
A man makes a startling discovery that may or may not be magical in this drama from writer and director Neil Jordan. Syracuse (Colin Farrell) is a fisherman who lives in a small town on the Southern coast of Ireland. Syracuse is an alcoholic, and though he's been sober for two years, most of his neighbors still remember him as a embarrassing drunk, while his ex-wife now lives with another man. Syracuse tries to scratch out a living from the ocean and help support his young daughter Annie (Alison Barry), who suffers from a serious kidney ailment, but good luck is rarely with him until one day, when he pulls up his nets and finds what appears to be a woman caught in them. To Syracuse's surprise, the woman is alive, and he brings her to shore. The woman is a mysterious and secretive type who doesn't want to tell Syracuse anything about herself or be seen by anyone; Annie proposes that she's a selkie, a mythic creature of the sea that can take human form when it falls in love with the right person. Syracuse almost believes that Annie is right, especially after good luck and good fishing begins coming his way after discovering her, but unfortunately the woman Syracuse has named Ondine (Alicja Bachleda) has certain concerns more pressing than the good fortune of her benefactor. Ondine was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, All Movie Guide
- 2008
Prominent cinematographer Christopher Doyle continues to hone his talents as a director with this thriller set in Eastern Europe and inspired by the as-yet-unsolved murder of a Polish politician in 2001. A young prostitute (Anna Przybylska) is spending the evening with a prominent Polish official when he's suddenly assassinated in Warsaw. In the aftermath of the hit, the triggerman takes the prostitute to an apartment and subjects her to a complex personality replacement program designed to wipe out any memories she may have retained about the evening's events. ~ Jason Buchanan, All Movie Guide
- Starring:
- Anna Przybylska, Leslaw Zurek, (more)
- 2006
Named for a Metro station in Paris' 13th Arrondissement, filmmaker Christopher Doyle's surrealistic Porte de Choisy stars fellow director Barbet Schroeder as an elderly salesman hawking salon products in Paris's Asian district. The film is part of Paris, Je T'Aime, a compilation of short subjects from such auteurs as the Coen Brothers, Tom Tykwer, and Alexander Payne. ~ Matthew Tobey, All Movie Guide
- Starring:
- Barbet Schroeder, Li Xin, (more)
Acclaimed director Peter Chan takes the helm for this lavish, award winning musical concerning the love triangle between a handsome actor, his beautiful co-star, and a talented film director. Lin (Takeshi Kaneshiro) and his ex-lover Sun (Zhou Xun) are shooting a movie for celebrated director Nie Wen (Jacky Cheung) when the flames of their former passion are gradually rekindled. A charismatic director who has poured his entire heart and soul into making a movie about a passionate love triangle, Nie finds his entire production about to collapse as Lin does everything in his power to win back the ravishing Sun. ~ Jason Buchanan, All Movie Guide
- Starring:
- Jacky Cheung, Zhou Xun, (more)
The tumultuous relationship between a father returning home after years in a labor camp and the nine-year-old son who doesn't quite know what to make of this new man in his life lies at the heart of director Zhang Yang's heartfelt drama addressing the nature of change and the importance of family in Chinese culture. Chairman Mao has died and the Gang of Four have fallen, leaving former painter Gengnian (Sun Haiying) to return home to his wife, Xiuqing (Joan Chen), and the pair's nine-year-old son Xiangyang (Zhang Fan). His hands permanently damaged by the ravages of hard labor, Gengnian cannot return to painting, though his young son has shown an abundance of artistic promise. Troubled by the sudden presence of a father he has never known and rebelling against the path laid before him, Xiangyang ignites a firecracker in his hand in hopes that it may derail his artistic career. In the years that follow, Xiangyang's reputation as a talented artist grows while his relationship with his father remains forever troubled. ~ Jason Buchanan, All Movie Guide
- Starring:
- Joan Chen, Sun Haiyung, (more)
- 2005
A hit man takes a vacation and finds both danger and faulty workmanship follow him wherever he goes in this offbeat comedy from Thai filmmaker Pen-ek Ratanaruang. Kyoji (Asano Tadanobu) is a hired killer based in Macau who works for Japanese crime boss Wiwat (Toon Hiranyasup). Kyoji poses as a chef to maintain his cover, and he gets to put both skills to use when Wiwat asks him to kill his wife Seiko (Tomono Kuga) with a poisoned meal, not a difficult thing to arrange since Kyoji has been having an affair with her for several months. After dispatching Seiko, Wiwat thinks Kyoji could use a little R&R, and sends him on a cruise to Phuket. However, Kyoji discovers he's been given a cut-rate stateroom in which anything that can go wrong does on a regular basis. However, this turns out to be the least of his troubled when he discovers he's being trailed by two mysterious figures -- an attractive single mother who may or may not be flirting with him (Gang Hye Jung) and a large man in a Hawaiian shirt (Mitsuishi Ken) whose motives are difficult to ascertain. Invisible Waves received its North American premier at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Tadanobu Asano, Gang Hye-jeong, (more)
Three Asian directors, from Hong Kong, Korea, and Japan, join forces to create an omnibus horror film, Three...Extremes. In Fruit Chan's "Dumplings," shot by Christopher Doyle, Mrs. Li (Miriam Yeung), a thirtysomething former actress with a philandering husband (Tony Leung) goes to visit Aunt Mei (Bai Ling), who sells the most expensive dumplings in Hong Kong. Mrs. Li knows about their rejuvenating powers, and she also knows about their unpleasant main ingredient, but after some initial nausea, she digs right in. In Oldboy writer/director Park Chan-wook's "Cut," a successful filmmaker (Lee Byung-hun of Joint Security Area) arrives home to find that a disgruntled extra (Lim Won-hee) has taken over his home, and fastened his pianist wife (Kang Hye-jun of Oldboy) to the grand piano. The madman threatens to cut off the wife's fingers, one by one, unless the director strangles the helpless child he's tied to the couch. Takashi Miike directs the last segment, "Box," about a young author and former circus performer, Kyoko (Kyoko Hasegawa), seemingly haunted by the ghost of her twin sister, who died a mysterious and horrible death while practicing their act. Adding to Kyoko's trauma, her editor (Atsuro Watabe) is a dead ringer for her old stepfather/ringmaster, who may have perished in the same "accident" that took her sister's life. Three...Extremes was shown at Subway Cinema's New York Asian Film Festival in 2005. For the American release of Three...Extremes, the order in which the films are presented was altered from the original "Box," "Dumplings," and "Cut" to "Dumplings," "Cut," and "Box." This film was actually preceded by another omnibus film, Three, that was nevertheless retitled Three...Extremes II for the English-language market and issued after this one. ~ Josh Ralske, All Movie Guide
- Starring:
- Bai Ling, Miriam Yeung, (more)
- 2004
What first began as a short-form study in terror now expands to a full-fledged, feature-length fright fest as director Fruit Chan explores the high price that people are willing to pay for youth and beauty. Originally one third of the horror anthology Three...Extremes, Dumplings tells the tale of a traditional Chinese dish infused with a disturbing, but rejuvenating twist. Mrs. Lee is a retired television star whose once-glamorous visage is slowly succumbing to the degenerative effects of time. Her career has ended and her husband is beginning to wander astray. Upon learning that a mysterious chef known as Aunt Mei (Bai Ling) has a secret recipe for dumplings that is rumored to turn back the clock and restore one's youthful appearance, the desperate former starlet contacts the cook in order to arrange a tasting. But these aren't your typical dumplings. In order to achieve the powerful effects that her clients demand, Aunt Mei has substituted the traditional pork for the meat of aborted fetuses. Impatient that the unique form of rejuvenation isn't working as fast as she had hoped, Mrs. Lee soon begins seeking out an even more potent recipe. Though the new and improved recipe does indeed give Mrs. Lee the results she has been longing for, an unexpected complication soon leads to some decidedly unusual side effects, and it's not long before Mrs. Lee's curious husband appears in the kitchen of the alluring Aunt Mei looking for answers. ~ Jason Buchanan, All Movie Guide
- Starring:
- Miriam Yeung, Bai Ling, (more)
A story of two very different people coming together in the wake of personal tragedies, Last Life in the Universe stars Tadanobu Asano as Kenji, a quiet, bespectacled Japanese librarian living in Bangkok. Obsessed with suicide, he meticulously stages ways to kill himself, only to be interrupted every time. One night, his more raucous brother shows up for an unexpected visit, accompanied by a yakuza gangster. A gunfight breaks out, leaving both visitors dead. Kenji ventures out into the night and happens upon Noi (Sinitta Boonyasak), a feisty bargirl whose sister has just died in an accident following a fight over their shared boyfriend. Kenji accompanies Noi to her sprawling, dilapidated house in the country, where a relationship develops despite their language barrier and clashing personalities, until another twist of fate threatens to tear them apart. ~ Tom Vick, All Movie Guide
- Starring:
- Tadanobu Asano, Sinitta Boonyasak, (more)
- 2003
Jiang Wen, Zhao Wei, and Fang Lijun headline this romantic urban love story about a female professor who believes she can read her romantic future in a simple cup of tea. Wu is a successful college professor who could take her pick of handsome suitors, yet she cautiously abides by Lang Lang's advice to "Predict your love with a cup of tea." Smooth operator Chen thinks Wu's method of choosing a romantic partner is hopelessly absurd, but does her really know everything about women as he so arrogantly claims? ~ Jason Buchanan, All Movie Guide
- 2002
Three contains a trio of short suspense/horror film made by Asian directors. Memories, made by Kim Ji-Woon, is about a woman (Kim Hye-Soo) who disappears from the home she shares with her husband (Jung Bo-Seog) and children, and ends up in a futuristic city filled with many disturbing hinderences to her finding her way back home. Nonzee Nimibutr's The Wheel contains a puppeteer who is unsuccessful in warning a dance troupe about using cursed puppets. Peter Ho-Sun Chan's Coming Home stars Eric Tsang as a policeman who becomes involved with his neighbors, a married couple who are involved in with some mysterious herbal medications. Three was screened at the Vancouver Film Festival. ~ Perry Seibert, All Movie Guide
- 2000
Stand-up comedian Eric Kot directs and stars in this drama about love and artistic originality. Produced by auteur Wong Kar-wai, the film shares both a similar sumptuous look, thanks to Christopher Doyle's brilliant cinematography, and a familiar bifurcated narrative as that of the Hong Kong master. The first half concerns Kot who, after getting the green light from Wong, is trying to direct a film called First Love in which a love-smitten garbage collector (Asian heartthrob and Wong veteran Takeshi Kaneshiro) follows around cute young kleptomaniacal somnambulist (Lee Wai-wai). Realizing that he is too influenced by Wong, he quits that production and starts another film called After Love, in which a spurned girlfriend (Karen Mok) stalks her ex-boyfriend. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, All Movie Guide
- Starring:
- Takeshi Kaneshiro, Eric Kot, (more)
- 1997
Destiny brings two people together, but they aren't sure if they're meant to be friends or lovers in this romantic comedy-drama. In 1986, Xiaojun (Leon Lai) arrives in Hong Kong from mainland China, full of dreams about life in the big city and determined to make enough money to send for his fiancée and marry her. Xiaojun knows no one in Hong Kong except his aunt, but with her help, he finds a room in a cheap hotel and picks up a job peddling a delivery bicycle for a butcher. On his day off, Xiaojun decides to get lunch at a McDonalds, which he's heard about but never seen. Xiaojun is waited on by Chiao (Maggie Cheung), a pretty girl who has also moved to Hong Kong from the mainland to seek her fortune. Chiao is taken with Xiaojun, but thinks he's too much the country bumpkin, especially since he can't speak Cantonese or English. Chiao arranges for Xiaojun to get lessons in English and teaches him about life in Hong Kong and how to get rich quick; she also ropes him into helping with her latest business scheme, using his delivery bike to sell flowers. Xiaojun and Chiao become best friends -- indeed, each is the only real friend the other has in Hong Kong -- and one night, on New Year's Eve, the two find themselves alone together and end up making love. The next morning, both Xiaojun and Chiao are certain they've made a mistake; Xiaojun goes on to marry his sweetheart from home, while Chiao opens a flower shop and becomes involved with a kind man who has ties to organized crime. As the years pass, however, Xiaojun becomes convinced that his mistake wasn't sleeping with Chiao, but letting her go, and eventually he decides he must find her and win her heart. Comrades: Almost a Love Story was a runaway success in Hong Kong, where the film won nine trophies at the 1997 Hong Kong Film Awards, including Best Picture, Best Director, Best Screenplay, and Best Actress. ~ Mark Deming, All Movie Guide
- 1997
In this anthology film, Hong-Kong actress Sandra Ng portrays five different characters in four segments: a hooker who stalks her own therapist; a mute immigrant wife who must continually pacify her brutish husband; a timid invalid whose twin sister is a businesswoman and cross-dresser; and a mundane housewife who uses a TV game-show as a forum to dwell on her personal life. Shown at the 1998 Vancouver Film Festival. ~ Bhob Stewart, All Movie Guide
Hong Kong filmmaker Wong Kar-Wai directs the strange, intimate drama Cheun Gwong Tsa Sit (Happy Together). Australian cinematographer Christopher Doyle employed multiple film speeds and different color film stock during the shooting. Ho (Leslie Cheung) and Lai (Tony Leung) are lovers from Hong Kong who have run away to live in Buenas Aires, Argentina. However, Ho is immature and unwilling to settle down, which makes Lai depressed. When they break up, Lai works as a doorman in a tango bar in order to save money and go home. The restless Ho becomes a prostitute. After Ho is beaten and injured in an attack, Lai takes him to his apartment to recover. Ho tries to rekindle the romance, but Lai isn't interested. He leaves the tango bar and works in a kitchen, where he meets the young Chang (Chang Chen) from Taiwan. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Leslie Cheung, Tony Leung Chiu-Wai, (more)
Room 407 in a Seoul "love hotel" is rented by the night or by the hour. Four sequences take place inside Room 407: a young man awaits his girlfriend so they can celebrate her birthday; a college student plans to complete a video necessary for his filmmaking class, but his female lead is delayed by a TV news crew; and the young woman from the first sequence drunkenly returns to make love with a different man. In the concluding segment, a man phones a former girlfriend and invites her to room 407 -- an encounter that leads to some unpleasant memories. Shown at 1997 film festivals (Vancouver, Sundance). ~ Bhob Stewart, All Movie Guide
- Starring:
- Lee Mi-Yun, Jin Hee-Kyung, (more)
- 1996
This entry in the British Film Institute-sponsored international centenary celebration of cinema -- in which noted directors presented a film exemplifying their country or region's cinema and its origins -- represents China, or rather one aspect of the country's large body of work as seen through the eyes of Hong Kong filmmaker Stanley Kwan. Kwan uses the film as not only a means to examine the role of homosexuality and transgender issues in the films of China, Hong Kong and Taiwan, but also to look at the evolving roles of family and cultural attitudes in Chinese society. Kwan begins the film on a personal note by recounting a number of early and innocent encounters with men that led to his fascination and love of them. As a film-buff Kwan was fascinated by the almost exclusively male world of Hong Kong action cinema and by the almost homoerotic (in his opinion) bonds formed by the heroes. To further his theories, Kwan also cites the widespread use of swords, knives and other phallic symbols in the story. From there Kwan moves to films in which women portray men and men portray women (as in Farewell My Concubine), ending the film on a more personal note. ~ Sandra Brennan, All Movie Guide
- 1995
Two young women find themselves unable to deal with the realities of their contemporary existence and so retreat into the colorful world of a classical Chinese opera from the Ming Dynasty, The Peony Pavilion to find solace in this Taiwanese drama. The film chronicles each woman's story separately. The first story centers on a teen-age virgin in her senior year of high school. Du is a hard worker who is inexorably being forced into the arms of a classmate. Meanwhile her sexuality begins to blossom. Unfortunately, she is not allowed to express this and so begins to fantasize that she is the heroine in the popular opera. In the story the girl is the sheltered daughter of an official who frequently wanders a beautiful garden dreaming of making love to a handsome scholar. Soon Du is totally obsessed with the heroine. She convinces herself that if she kills herself she will finally be able to meet the scholar in the afterlife and so hurls herself from a rooftop. In the second tale, pop singer Liu attempts to cope with her disintegrating career. She also deals with her producer-lover who is quickly drawing away from her. Liu also begins to daydream about the opera. She relates to the scholar and like the girl before her, soon finds herself obsessively becoming the character. Nothing and no one can stop her. ~ Sandra Brennan, All Movie Guide
Wong Kar-wai's Fallen Angels is a sequel of sorts to the director's 1994 U.S. breakthrough Chungking Express. Expanding on the latter's style, themes, and mood, Fallen Angels is set in the surreal milieu of urban, nighttime Hong Kong. As with the filmmaker's other features, plot takes a back seat to mood. The wisp of a narrative intercuts two story lines. The first follows a hitman (Leon Lai) who finds that the assassin's life has slowly lost its allure. Complicating his life is his beautiful contact (Michele Reis, a former Miss Hong Kong winner) who pines after him with fetishistic ardor, although the two have never met in their nearly three-year partnership. In another part of the city, He (Takeshi Kaneshiro), a mute, boyish ex-convict, makes a living by sneaking into and running businesses after hours. Still living with his father who runs the Chungking Mansions hotel, the restless Ho falls for Cherry (Charlie Yeung), a woman getting over her breakup with the offscreen Johnny. The movie follows these episodic romances almost half-heartedly as with Wong's other films, and digressionary moments attract much of the camera's distracted gaze. This visually stylish and unabashedly effusive work is considered by some critics to be the quintessential Wong film. ~ Elbert Ventura, All Movie Guide
- Starring:
- Leon Lai, Michelle Reis, (more)
- 1994
In this sensitive Asian melodrama chronicles the two major loves in the life of a man who cannot change. The story is divided into two parts; each part focused upon one woman. The story begins in Shanghai during the early 1930's and follows the loves of Chen-pao. His early love life abroad is chronicled in the opening scenes. The real story begins as Chen-pao returns to Shanghai and stay at their friend Wang's apartment. Chen-pao meets Wang's moody, selfish wife Chiao-jui. The two begin a passionate affair. Chen-pao nicknames her "Red Rose." Chen-pao, who always likes to be in control, is tormented by his love affair. Red Rose rejoices in it. Soon she asks Wang for a divorce. This sends Chen-pao over the edge. He vows to start anew. Time passes. In the second half, Chen-pao is a businessman who woos and marries Yen-li, his "White Rose." She is from a peasant background and very young. She endeavors to be the perfect wife. More time passes. It is 1943 and Chen-pao is back to his old ways. This drives Yen-li to a breakdown. After she recovers, she too has an affair. Chen-pao encounters Red Rose on the street as the movie ends. ~ Sandra Brennan, All Movie Guide
- 1994
Master Hong Kong filmmaker Wong Kar-wai directed this lyrical, dream-like martial arts epic. A famously troubled shoot, the film took two years and 40 million dollars to produce (a shocking sum for a national cinema populated with low-budget quickies) and features a virtual who's-who of the Hong Kong film world. Conceived as a prequel to the popular martial arts novel The Eagle-Shooting Hero by Jin Yong, the movie is less a straightforward action thriller than a visually striking meditation on memory and love. It nominally centers on Ouyang Feng (Leslie Cheung), who ekes out a lonely existence as an itinerant hired sword. Getting on in years and tormented by memories of a lost love, he also works an agent for other mercenary assassins from his remote desert abode. Ouyang's old friend and fellow swordsman, Huang Yaoshi (Tony Leung Kar-fai, who starred in the The Lover) drowns his lovelorn misery in a magical wine that makes him forget. Later, a mysterious young man named Murong Yang (Brigitte Lin) hires Ouyang to kill his sister's unfaithful suitor, Huang Yaoshi. The following day, that spurned sister, Murong Yin (Lin again), hires Ouyang to protect her dearly beloved. Meanwhile, Hong Qi (pop star Jackie Cheung) finds some redemption for a life of killing by accepting a poor girl's offer to avenge her brother's death -- a task that Ouyang brusquely shunned. In another subplot, a master swordsman (Tony Leung Chiu Wai) is slowly going blind. He agrees to defend a village from horse thieves so that he can afford to go home and see his wife before his eyesight fails completely. This film is one of the most celebrated examples of 1990s Hong Kong cinema: it won multiple awards in its native Hong Kong, along with a Golden Osella for Best Cinematography at the 1994 Venice Film Festival. ~ Jonathan Crow, All Movie Guide
- Starring:
- Brigitte Lin, Leslie Cheung, (more)
- 1994
The ancient Asian martial art of vaulting is showcased in this Taiwanese film that intermixes elements of drama, fantasy, and romance. Ahda is training to be a vaulter. He dreams of attaining the heights and spiritual enlightenment of the mythical figures he idolizes. But Ahda must come to earth to help his father who has gotten on the wrong side of jade trading racketeers. Their leader, Miss Sung is deeply involved with the secret of the Red Lotus. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ying Zhaode, Chen Wenming, (more)
- 1992
Sylvia Chang Ai-chia directs this affable romantic comedy about anxieties over Hong Kong's impending handover to Mainland China and the cultural differences between the two countries. Ma-lei (Gong Li), who was born in Hong Kong but raised in Beijing, is having a dickens of a time trying to convince immigrations officials that her birthplace should get her a visa to live and work in Hong Kong. Meanwhile, her well-to-do workaholic boyfriend Peter (Wilson Lam Chun-yip) is worried that his stodgy father will not approve of Ma Lei. While this is unfolding, bumptious toilet paper salesman Wong Kwok-wai (Kenny Bee) is suffering through a divorce for deciding to leave England, where he's lived for quite a while, and return to Hong Kong to open a factory. When Wong and Ma-lei meet, romantic sparks soon start to fly. ~ Jonathan Crow, All Movie Guide
- 1992
It is 1949, in Singapore, and two acting troupes are rehearsing their forthcoming performances on the same stage. In this comic tour-de-force, scenes from one show are rehearsed and then scenes from another, and the two entirely different plays become intermingled in a hilarious fashion. The first play is a tragic melodrama about two star-crossed lovers. The second is based on an old Chinese classic comedy, called "The Peach Blossom Land," about a cuckolded husband who is magically transported to a beautiful otherworldly paradise, populated exclusively by men who look like his wife's lover, and women who look like his wife. Further compounding the confusion, a crazy woman wanders into the theater looking for someone no one there knows, whom she calls Liu Zi-ji, who may or may not exist and may or may not be missing. ~ Clarke Fountain, All Movie Guide
