Kirk Douglas Movies
Once quoted as saying "I've made a career of playing sons of bitches," Kirk Douglas is considered by many to be the epitome of the Hollywood hard man. In addition to acting in countless films over the course of his long career, Douglas has served as a director and producer, and will forever be associated with his role in helping to put an end to the infamous Hollywood black list.Douglas (born Issur Danielovitch) was the son Russian Jewish immigrant parents in Amsterdam, NY, on December 9, 1916. He waited tables to finance his education at St. Lawrence University, where he was a top-notch wrestler. While there, he also did a little work in the theater, something that soon gave way to his desire to pursue acting as a career. After some work as a professional wrestler, Douglas held various odd jobs, including a stint as a bellhop, to put himself through the American Academy of Dramatic Arts. In 1941, he debuted on Broadway, but had only two small roles before he enlisting in the Navy and serving in World War II. Following his discharge, Douglas returned to Broadway in 1945, where he began getting more substantial roles; he also did some work on radio.
After being spotted and invited to Hollywood by producer Hal Wallis, Douglas debuted onscreen in The Strange Love of Martha Ivers (1946), but he did not emerge as a full-fledged star until he portrayed an unscrupulously ambitious boxer in Champion (1949); with this role (for which he earned his first Oscar nomination), he defined one of his principle character types: a cocky, selfish, intense, and powerful man. Douglas fully established his screen persona during the '50s thanks to strong roles in such classics as Billy Wilder's Ace in the Hole (1951), William Wyler's Detective Story (1951), and John Sturges' Gunfight at the O.K. Corral (1957). He earned Oscar nominations for his work in The Bad and the Beautiful (1952) and Lust for Life (1956), both of which were directed by Vincente Minnelli. In 1955, the actor formed his own company, Bryna Productions, through which he produced both his own films and those of others, including Stanley Kubrick's Paths of Glory (1957) and Spartacus (1960); both of these movies would prove to be two of the most popular and acclaimed of Douglas' career. In 1963, he appeared on Broadway in Ken Kesey's One Flew over the Cuckoo's Nest, but was never able to interest Hollywood in a film version of the work; he passed it along to his son Michael Douglas (a popular actor/filmmaker in his own right), who eventually brought it to the screen to great success.
During the '60s, Douglas continued to star in such films as John Huston's The List of Adrian Messenger (1963) and John Frankenheimer's Seven Days in May (1964), both of which he also produced. He began directing some of his films in the early '70s, scoring his greatest success as the director, star, and producer for Posse (1975), a Western in which he played a U.S. marshal eager for political gain. Though he continued to appear in films, by the '80s Douglas began volunteering much of his time to civic duties. Since 1963, he had worked as a Goodwill Ambassador for the State Department and the USIA, and, in 1981, his many contributions earned him the highest civilian award given in the U.S., the Presidential Medal of Freedom. For his public service, Douglas was also given the Jefferson Award in 1983. Two years later, the French government dubbed him Chevalier of the Legion of Honor for his artistic contributions. Other awards included the American Cinema Award (1987), the German Golden Kamera Award (1988), and the National Board of Review's Career Achievement Award (1989). In 1995, the same year he suffered a debilitating stroke, Douglas was presented with an honorary Oscar by the Academy; four years later, he was the recipient of the American Film Institute's Lifetime Achievement Award, an honor that was accompanied by a screening of 16 of his films. In addition to his film work, Douglas has also written two novels: Dance with the Devil (1990) and The Secret (1992). He published his autobiography, The Ragman's Son, in 1988. ~ Sandra Brennan, All Movie Guide
- 2005
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The rich legacy of cinema legend Kirk Douglas is explored in Academy Award-winning actress and documentary-filmmaker Lee Grant's illuminating look at the personal side of a Hollywood royalty. With roles in such indisputable Hollywood classics as Spartacus, Kirk Douglas achieved the kind of cinematic superstardom that dreams are made of. As the torch was passed to his talented son Michael in such efforts as Romancing the Stone, Wall Street, and Basic Instinct, it became obvious to filmgoers that the Douglas dynasty would continue to thrive. Now, for the first time ever on camera, filmmaker Grant conducts exclusive interviews with both Kirk and Michael, their friends, and various family members to offer the definitive look at both the public and private lives of the father and son who made Hollywood history. ~ Jason Buchanan, All Movie Guide
Director Michael A. Goorjian's Illusion tells the tale of a dying film director who, after leading a lavish life of fame and fortune, finds out too little too late what it truly means to live and be loved. Mr. Baines (Kirk Douglas) is a Hollywood icon who has agreed to grant one final interview before drifting into that good night. As Mr. Baines drifts wearily in and out of consciousness throughout the course of the interview, his long deceased editor returns to join him in going back over the footage of his life. While Mr. Baines never married, he did father an illegitimate son named Christopher (Goorjian) whom he abandoned as a child and never returned to. Now, on the screen before him, Mr. Baines watches mournfully as the tragic life of his long lost son plays out to its devastating conclusion. Upon viewing the heartbreaking footage Mr. Baines begins to realize that it was his own cowardice that ultimately fed his son's crippling sense of worthlessness and cemented the boy's grim fate. Despite Christopher's lifelong love of his childhood sweetheart Isabelle, an endless series of fateful mishaps constantly seemed to prevent the boy from finding true happiness with the ethereal beauty. As the film of Christopher's life careens towards tragedy time and again, the dying director implores his faithful editor to allow him the final cut that will save the picture. After living a lifetime of missed opportunities, the man who thought he had it all will now attempt to summon the dying might for one last opportunity to let his son know what it truly means to love, and be loved in return. ~ Jason Buchanan, All Movie Guide
- Starring:
- Kirk Douglas, Michael A. Goorjian, (more)
- 2002
The purpose of this PBS documentary is to show that the true villains of the Hollywood Blacklist were not always "evil" politicians and fat-cat studio moguls. Filmmaker Lionel Chetwynd (ironically a lifelong staunch conservative) has chosen his mentor, screenwriter Carl Foreman, as the hero of the piece. The narrative focuses on 1952, the year that Foreman wrote the script for the classic Western High Noon. Even as his film is being lauded by the critics and the public alike as a masterpiece, the politically "dangerous" Foreman cannot find work in Hollywood, and the State Department is endeavoring to seize his passport. It is hurtful enough that old friends shun him, out of fear that they too will be "tainted"; but when even Stanley Kramer, the self-avowed liberal producer of High Noon, turns his back on Foreman, it is too much to bear. Chetwynd's teleplay is based upon an impassioned letter written by Foreman to influential film critic Bosley Crowther -- a desperate effort on the part of the screenwriter to state his case before the public, and, as it turns out, a futile gesture. At the time of its original telecast in September 2002, Darkness at High Noon: The Carl Foreman Documents incurred the wrath of Stanley Kramer's widow, Karen Sharpe Kramer, who insisted that her late husband was being unfairly maligned; thus it was that Chetwynd was forced to add a disclaimer to the document, begrudgingly stating that his thesis was merely "one version of the story." ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Gansberg, Ray Huggins, (more)
- 2000
Hollywood legend Kirk Douglas is ideally cast as Ross Berger, an 83-year-old tycoon who owns a chain of fitness gyms. There is no room for God in Berger's life: he regards all "true believers" as weaklings, and even attributes his recent miraculous recovery from a stroke to his tireless exercise regimen rather than any sort of Divine retribution. Berger is especially contemptuous of his son Alan (Dennis Boutsikaris), a devout Jew who is busily preparing his own son Aaron's Bar Mitzvah. It is up to Monica (Roma Downey) and her fellow angels to make certain that Aaron (Shawn Pyfrom) follows in the footsteps of his pious father rather than his nonbelieving grandfather--but first, the Bergers must endure a devastating tragedy, one that will convince the bullheaded Ross Berger that there are many different kinds of strength and courage. ~ Hal Erickson, All Movie Guide
Family, friends, and associates recall "The Chairman of the Board" in this compilation video that salutes the world renowned, sometimes controversial singer and celebrity Francis Albert Sinatra (1915-1998). Born in Hoboken, NJ, Sinatra became one of the world's most admired all-around entertainers. Besides making and breaking records (literally and figuratively), "Old Blue Eyes" made his mark as a radio star, an Academy Award-winning actor, and a quintessential Las Vegas act. His work in television was less celebrated, but he put in his time there as well, starring in musical variety shows for CBS and ABC, as well as numerous TV specials. Highlights of this video include archival performance footage and a clip of Sinatra being interviewed by the influential Edward R. Murrow. ~ Steve Blackburn, All Movie Guide
- Starring:
- Frank Sinatra
- 1997
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This video charts director John Frankenheim's rise from working as an assistant director in television to directing such classics as The Manchurian Candidate and Seven Days in May. ~ Jonathan Crow, All Movie Guide
Kirk Douglas has the starring role in this made-for-television drama which is based on the novel The Lies Boys Tell by Lamar Herrin. Douglas stars as Ed Reece, an elderly man who decides that he wants to spend his final days back in the town where he was born. He persuades his grown son to make the journey with him for a long goodbye. ~ Bernadette McCallion, All Movie Guide
- 1993
In Secret, a Cape Cod businessman (Kirk Douglas) plans to run for political office until his grandson's battle with dyslexia force him to acknowledge that he suffers from the same disorder. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Kirk Douglas, Bruce Boxleitner, (more)
- 1988
This courtroom drama was inspired by the notorious Scopes trial of 1925 concerning the teaching of Darwinism in public schools. ~ Sandra Brennan, All Movie Guide
- 1987
The two-part TV movie Queenie was adapted from the roman a clef by Michael Korda. This is the story of Queenie Kelly,an English girl (Mia Sara) from the slums of Calcutta who is kept from full knowledge of her Indian heritage by her protective mother (Jean Simmons). As a means of bettering herself, Queenie moves to London, where she works as an exotic dancer. Later on, Queenie, using an assumed name, becomes a famous movie star and marries a powerful producer. At the point, we should observe that "Queenie" was the nickname of Michael Korda's aunt: actress Merle Oberon, who was married to British film mogul Alexander Korda. Any resemblance to actual persons living or dead is purely...well, you know. And any resemblance between awkward newcomer Mia Sara and the ultra-sophisticated Merle Oberon is...well, accidental. Queenie originally aired May 10 and 11, 1987. ~ Hal Erickson, All Movie Guide
- Starring:
- Mia Sara, Kirk Douglas, (more)
- 1985
Stars Kirk Douglas and Elizabeth Montgomery manage to rise above the melodramatic trappings of Amos. Douglas plays the title character, a fiercely independent senior-citizen baseball coach, forced to live in a retirement home after an auto accident. During his stay, Amos conducts a battle of wills with overbearing head nurse Daisy Dawes (Montgomery). This Cuckoo's Nest-derived setup has an added wrinkle: Amos suspects, quite rightly as it turns out, that Dawes has been systematically murdering her more troublesome charges. Made for TV by Douglas' own Bryna Productions, Amos first aired September 29, 1985 ~ Hal Erickson, All Movie Guide
- 1983
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In this made-for-television drama, a widower travels to Israel for the 1981 World Gathering of Holocaust Survivors in order to search for the woman he once loved when they were interred in a Nazi concentration camp. ~ Jason Ankeny, All Movie Guide
- 1980
This 1980 episode of Saturday Night Live is hosted by Kirk Douglas and features musical guest Sam and Dave. ~ Skyler Miller, All Movie Guide
- Starring:
- Kirk Douglas, Sam & Dave, (more)
- 1980
It's nice to know that some of the greatest of the movie stars, while doing some of the most famous and best of Hollywood movies, have feet of clay like the rest of us. This set of outtakes lets us see the human side of celebrities like Bette Davis, Errol Flynn, Kirk Douglas, Humphrey Bogart and James Cagney. ~ Tana Hobart, All Movie Guide
- 1976
Within months after the spectacular July 4, 1976 rescue of hostages from Uganda's Entebbe airport, there were two competing TV movies on the subject. The longest (and least) of the two was Victory at Entebbe, hurriedly shot on videotape. The story begins when Arab terrorist capture a civilian airliner and force a landing at Entebbe. Ugandan president Idi Amin (Julius Harris, substituting for recently deceased Godfrey Cambridge), struts about at the airport, insisting that he can do nothing--but apparently siding with the terrorists, especially when the Arabs begin separating and mistreating the Jewish passengers. A surprise Israeli commando raid masterminded by defense minister Shimon Peres (Burt Lancaster, who more than compensates for his miscasting with an excellent performance) rescues most of the hostages, though at least one of the passengers (played by Helen Hayes with a Jewish accent that wouldn't convince a duck) is apparently killed out of retribution while en route to hospital. The teleplay's bad dialogue, and the producers' Airport-like decision to use only big stars in the major roles (Richard Dreyfuss, Elizabeth Taylor, Kirk Douglas et. al.) tends to trivialize one of the most auspicious acts of selfless heroism of the 1970s. A far better dramatization of the incident, Raid on Entebbe, was telecast a few months later. ~ Hal Erickson, All Movie Guide
- 1976
"An unprecedented cast brings to life the blockbuster book"--or so said the add copy for The Moneychangers, a four-part TV miniseries based on Arthur Hailey's novel, first telecast Dec 4-19, 1976. The drama's starting point is a power play between two bank officers, played by Kirk Douglas and Christopher Plummer. Social commentary is provided by an inner-city revolt against the bank's policies, while inside the bank's walls are played out brief scenarios of embezzlement, crooked deals, credit card counterfeiting and attempted murder. Ross Hunter coproduced the adaptation, imbuing each frame with the plush treatment that he'd previously lavished on his Doris Day and Rock Hudson vehicles. The Moneychangers originally ran 6 1/2 hours; it has been pared down to two-part movie length for subsequent syndicated telecasts. ~ Hal Erickson, All Movie Guide
- 1974
In Mousey a made-for-TV thriller, a disturbed and obsessed man seeks to regain his son from his overbearing, controlling wife. Kirk Douglas, nick-named "Mousey" by his high-school student, is left by his wife, Laura (Jean Seberg) who also takes her young son who "Mousey" has adopted. "Mousey" begins to stalk her, murdering strangers in the vain hope of impressing her. Kirk Douglas, well-directed by Daniel Petrie, gives a strong, chilling performance, portraying a vengeful man obsessed over his lack of power. Mousey is exceptionally well done and engrossing. It presents a portrait of obsession and gives Douglas the opportunity to explore and build on his character. While Jean Seberg, in the last role before her death, is quite good, this is Kirk Douglas' movie and he never lets it go. Mousey was also released as Cat and Mouse. ~ Linda Rasmussen, All Movie Guide
- 1973
This made-for-TV musical adaptation of the oft-filmed Robert Louis Stevenson tale is a curious novelty -- not only because it predated the Tony award-nominated Jekyll & Hyde: The Musical by nearly 25 years, but also because the musical numbers (by Lionel Bart and Irwin Kostal) are tackled by some of the least likely musical performers in movie history. Viewers will scarcely have the opportunity to recover from Kirk Douglas' opening number before having their senses assaulted by a capering, cackling Donald Pleasence belting out strains of "Smudge's Song," and the equally questionable vocal talents of Susan George. These aberrations aside, this is a noticeably threadbare, stage-bound production filmed entirely on a soundstage (whose walls are evident in several shots), giving the proceedings a dark, two-dimensional feel. The rugged-looking Douglas, though miscast as the tender, love-struck Jekyll, manages a clever turn as the doctor's leering alter ego, and there are some interesting twists added to Stevenson's story, particularly at the climax. ~ Cavett Binion, All Movie Guide
Kirk Douglas has an extreme case of mid-life crisis in Elia Kazan's turgid melodrama (adapted from his best-selling novel). Douglas plays successful advertising executive Eddie Anderson, who cracks under the strain of the morning rush hour in Los Angeles and plows his sports car into a truck. Landing in a convalescent home, Eddie remains mute to everyone except his boss Finnegan (Charles Drake). In his recovery room, Eddie dreams about co-worker Gwen (Faye Dunaway), a sexy research assistant at his agency. Meanwhile, the psychiatrist Dr. Liebman (Harold Gould) talks to Eddie's wife, Florence (Deborah Kerr), who reveals that at one time Eddie and Gwen had an affair, but they broke it off. Unfortunately, after that escapade, Eddie's interest in sex vanished completely.
Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, All Movie Guide
Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, All Movie Guide
- Starring:
- Kirk Douglas, Faye Dunaway, (more)
- 1968
Schuyler (Kirk Douglas) is a hard-boiled detective who turns in his badge when he believes the criminals are being handled with kid gloves and too much respect. He is hired by prominent attorney Fredericks (Eli Wallach) as a bodyguard for his client Rena (Sylva Koscina), who is accused of murdering her husband. Her playboy boyfriend Fleming (Kenneth Haigh) is also under suspicion. Schuylur keeps one eye on his beautiful suspect while trying to uncover more information about the murder. Fredericks displays a disarming, folksy nature which belies his shrewdness. The detective soon comes to believe that Rena is being framed for the murder. Singer Jackie Wilson delivers the song "A Lovely Way To Die" during the opening credits of this murder mystery. ~ Dan Pavlides, All Movie Guide
- Starring:
- Kirk Douglas, Sylva Koscina, (more)
In Martin Ritt's The Brotherhood, Kirk Douglas plays Frank Ginetta, an old-line Mafioso who resents the newer policies encouraged by his younger brother Vince (Alex Cord). Frank resists all attempts at modernizing his operation, whereupon Vince cajoles his father-in-law Dominick Bertolo (Luther Adler) to spearhead an inter-mob rebellion. Summing up Bertolo as a rat and a liar, Frank has the man murdered in a graphically brutal fashion. It is up to Vince to exact retribution by killing his own brother. Lewis John Carlino's screenplay includes many of the elements that would gain legendary status upon the release of The Godfather, including the dreaded "kiss of death." Star Kirk Douglas also served as producer. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Alex Cord, (more)
