Richard Donner Movies

Working briefly as an actor in the late 1950s, American director Richard Donner first wielded the megaphone for a group of TV commercials, then graduated to the weekly western Wanted: Dead or Alive. Some of Donner's best early work was concentrated on the fantasy anthology Twilight Zone, including the imperishable 1963 episode "Nightmare at 20,000 Feet." Donner also worked for Hanna-Barbera, directing several episodes of "Danger Island", a component of the 1968 kid's series The Banana Splits; there was, however, very little that was "kiddie" about "Mystery Island," a hallucinatory symphony of hand-held camerawork. A film director since 1961 Donner turned to movie work full time with 1968's Salt and Pepper. The Omen (1976), a demonic-possession opus, was Donner's first major moneymaker, leading to his directing assignment on the first Superman film in 1978. Superman was popular enough to inspire three sequels, the first of which contained so much uncredited Donner-directed footage that the director was compelled to sue. Donner has struck gold at the box office several times since 1978, notably with the three action-packed Lethal Weapon films starring Mel Gibson and Danny Glover, and more recently with another Gibson vehicle, Maverick (1994). ~ Hal Erickson, All Movie Guide
1989  
 
Robert Zemeckis' "And All Through the House" is about a psychotic Santa Claus (Larry Drake) who has just escaped from an insane asylum and comes knocking at the door of a woman (Mary Ellen Trainor), who's fresh from killing her husband for greedy reasons. The episode is a remake of one of the segments of the 1972 Tales from the Crypt feature directed by Freddie Francis and starring Joan Collins. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Larry DrakeMary Ellen Trainor, (more)
1988  
PG13  
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A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

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Starring:
Bill MurrayKaren Allen, (more)
1987  
R  
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LA cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, All Movie Guide

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Starring:
Mel GibsonDanny Glover, (more)
1987  
R  
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In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video store-owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold onto her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign; the film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling blood-suckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, All Movie Guide

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Starring:
Jason PatricCorey Haim, (more)
1985  
PG13  
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In medieval France, knight Rutger Hauer and lady fair Michelle Pfeiffer both run afoul of evil-bishop John Wood. Through the auspices of bishop's confessor Leo McKern, Hauer and Pfeiffer are placed under a curse. During the night, Hauer takes the form of a wolf, while Pfeiffer assumes the form of a hawk by day. The two lovers can only meet one another as humans at dawn and dusk. The only mortal in a position to rescue Hauer and Pfeiffer from their fate is nebbishy pickpocket Matthew Broderick, who acts as liaison between the lovers. With the help of the guilt-ridden McKern--and a convenient solar eclipse--Broderick endeavors to set things aright. ~ Hal Erickson, All Movie Guide

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Starring:
Matthew BroderickRutger Hauer, (more)
1985  
PG  
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Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide

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Starring:
Sean AstinJosh Brolin, (more)
1982  
PG  
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In The Toy, director Richard Donner and screenwriter Carol Sobieski update the 1976 Pierre Richard farce Le Jouet as a vehicle for comedian Richard Pryor. Pryor stars as out-of-work journalist Jack Brown, who's hit with the sudden realization that his idle book writing won't pay a 10,000-dollar sum necessary to keep his house from going to auction. Desperate, he is improbably hired as a cleaning lady in the offices of rich businessman and newspaper magnate U.S. Bates (Jackie Gleason). Running afoul of Bates' quick temper, Jack gets the axe, but is later spotted goofing around in a Bates-owned toy store by Bates' bratty son, Eric (Scott Schwartz), who's spending his annual week together with his estranged father. Taking his father's offer that he may have "anything in the store" quite literally, the spoiled kid asks for Jack as his personal toy for the week. Initially unwilling to be treated as a possession, Jack soon agrees after Bates offers to pay him enough to climb out of debt. When Eric's idea of fun includes dumping buckets of booby-trapped oatmeal on Jack's head and riding down the stairs of his father's mansion with Jack riding shotgun in a miniature car, it tests both Jack's patience and his resolve. But Jack discovers that Bates is ignoring Eric, which strengthens the bond between them and prompts them to seek revenge on the big jerk. ~ Derek Armstrong, All Movie Guide

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Starring:
Richard PryorJackie Gleason, (more)
1981  
R  
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The second sequel to the 1976 horror hit The Omen finds Damien Thorn assuming the full mantle of the Antichrist and preparing for a final, all-out battle with "the Nazarene." Now in his thirties, Damien (Sam Neill) has elevated the family business, Thorn Industries, into the world's biggest multinational corporation. A little bit of black magic paves the way for Damien to become ambassador to England and the head of an international youth council. He soon uses this platform to amass an army of followers to do his bidding. But when Damien notices the confluence of three stars in the sky on March 24, he gets worried about the second coming of Christ. So he orders his minions to kill all the babies born on that day, warning them: "Fail, and you will be condemned to a numbing eternity in the flaccid bosom of Christ." Damien even orders his faithful private secretary, Harvey Dean (Don Gordon), to commit infanticide on his own kid, just because the guy's wife gave birth on the wrong day; a nasty incident involving laundry-room implements soon follows. Meanwhile, Damien romances Kate Reynolds (Lisa Harrow), a beautiful television anchorwoman who feels like a moth drawn to Damien's charismatic flame -- even after he brutally sodomizes her to show her how the world looks through his eyes. Things come to a head when Brother DeCarlo (Rossano Brazzi), one of a secret cabal of monks who have assembled the seven Daggers of Meggido in hopes of assassinating Damien, reveals to Kate that the Antichrist has taken her son (Barnaby Holm) under his wing. Although The Final Conflict was the final theatrical installment of the Omen series, the made-for-TV Omen IV: The Awakening appeared a decade later. ~ Brian J. Dillard, All Movie Guide

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Starring:
Sam NeillRossano Brazzi, (more)
1980  
PG  
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Richard Donner directed this compassionate tale concerning the daily struggles of handicapped citizens. The film deals with the volatile relationship between Roary (John Savage), who has unsuccessfully tried to kill himself, and the hair-trigger Jerry (David Morse), a basketball player who has no money to pay for an operation to repair his knee. Roary, who has been permanently crippled after jumping off a building, travels an emotional route from being deeply disturbed and embittered to slowly regaining confidence in himself. Helping him along the road to emotional recovery is Louise (Diana Scarwid), a young woman dealing with the handicapped who, in the process, comes to terms with her own limitations. ~ Paul Brenner, All Movie Guide

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Starring:
John SavageDavid Morse, (more)
1978  
PG  
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Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Marlon BrandoGene Hackman, (more)
1976  
R  
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Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, All Movie Guide

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Starring:
Gregory PeckLee Remick, (more)
1975  
 
Olivia Walton's namesake Young Olivia (Deborah White) brings her city-bred husband Bob (Bruce Davison) to Walton's Mountain for their wedding. Realizing that Bob would neither understand nor appreciate the old mountain custom of the "shivaree", in which the local boys kidnap the groom on his wedding night, John-Boy calls off this traditional event. But John-Boy's prankish friends Ike (Joe Conley) and Yancy (Robert Donner) are determined to go through with the shivaree anyway--and as a result, Young Olivia's marriage is nearly over before it begins. Director Lee Philipsappears as a minister. ~ Hal Erickson, All Movie Guide

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1975  
 
Fresh from her success in The Exorcist (and several years away from her tenure as queen of the women in prison flicks), Linda Blair stars in this searing TV movie. Sarah (Blair), a normal teenaged girl, begins drinking socially at high school parties. She soon finds that she can't stop--and even worse, she can't keep her boozing a secret. After a near-tragic baby-sitting episode, Sarah decides to attend Alcoholics Anonymous, but soon she's back on the hard stuff. Only when Sarah causes the death of a horse does she strengthen her resolve to remain "clean and sober." Sarah T: Portrait of a Teenage Alcoholic tempers the more sensational aspects of the subject matter with some unforgettably poignant vignettes--including the A.A. testimony of a boy who's even younger than Sarah. ~ Hal Erickson, All Movie Guide

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1975  
 
Jack Palance portrays undercover cop Lt. Alexander Bronkov, or "Bronk" for short. Bronk has a short fuse and an oversupply of compassion, which is not the best of all combinations when dealing with his rulebound higher-ups. In this made-for-TV movie, Bronk is assigned to bust up a drug ring, an assignment that puts him on the trail of corrupt officials in the government...and the police force. Bronk was the pilot for a weekly series starring Jack Palance, which ran from September 1975 to July 1976. Many viewers agreed with Palance's own public assessment of this short-lived project: "Stupid". ~ Hal Erickson, All Movie Guide

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1975  
 
Just one year before directing his breakthrough film, 1976's The Omen, filmmaker Richard Donner helmed this made-for-television drama about an ex-con, played by Tony Lo Bianco. After his release from prison, parolee Pete Mackey (Lo Bianco) is faced with a number of obstacles in his attempts to go straight and readjust to the outside world. But when a new reabilitation program lands him in a job as a parole agent himself, things become more complicated than he expected. Also starring Ed Lauter and Tim Thomerson, Shadow in the Streets first aired on NBC on January 28, 1975. ~ Matthew Tobey, All Movie Guide

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Starring:
Tony Lo BiancoSheree North, (more)
1974  
 
David Hartman stars as Lucas Tanner in this made for TV film. A former athlete and sportswriter, Tanner decides to become a high school teacher after losing his wife and son in an auto accident. His new career is almost over before it begins when Tanner is held responsible for the death of a student. Rosemary Murphy co-stars as Tanner's rules-are-rules principal. First telecast May 8, 1974, Lucas Tanner served as the pilot for the subsequent series of the same name, which also starred Hartman and Murphy. ~ Hal Erickson, All Movie Guide

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1974  
 
A robbery gang comes to the attention of homicide detectives Stone (Karl Malden) and Keller (Michael Douglas) when the crooks murder a fellow gang member. Going undercover, Keller tries to determine if there is a link between the criminals' activities and a sultry nightclub singer. Lola Falana makes a rare dramatic appearance as the songbird in question, who happens to have been the murdered man's sweetheart. ~ Hal Erickson, All Movie Guide

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1974  
 
In a daring daylight robbery, two criminals steal $20,000,000 in Wall Street securities, killing a man as they escape. Lt. Kojak (Telly Savalas) determines that the best way to bring the thieve out in the open is to dangle an attractively baited hook. The highlight of this episode is Kojak's bravura impersonation of a billionaire Greek tycoon (not named Onassis, but the hints are there). ~ Hal Erickson, All Movie Guide

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1974  
 
In this drama a young couple suffer a terrible tragedy that forces them to begin acting like mature adults. ~ Sandra Brennan, All Movie Guide

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1974  
 
On assignment, Stone (Karl Malden) kills a suspect who turns out to be an undercover cop. Though he insists that the killing was an accident, tests in the police lab would seem to suggest that he has committed murder. As the story develops, Stone realizes that he has been made the fall guy in an elaborate frameup. This episode was directed by Richard Donner, whose later film credits included Superman: The Movie and Lethal Weapon. ~ Hal Erickson, All Movie Guide

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1974  
 
Future Barnaby Jones costar Mark Shera) is cast as Ralph Warren, a rookie cop who stumbles upon a mob hit in progress. Rescuing the would-be victim from being strangled by a trio of thugs, Warren is unaware that his good deed will soon spark an all-out gangland war. It is up to Kojak (Telly Savalas) to put a lid on the violence and mollify the disillusioned Warren. Also seen in the cast is David Doyle, aka "Bosley" on Charlie's Angels. ~ Hal Erickson, All Movie Guide

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1973  
 
After a "hit" on mob boss Mike Tomasso (Art Metrano) fails, Kojak (Telly Savalas) begins receiving anonymous tips that Tomasso's chief rival Serafin (Anthony Charnota) ordered the killing. But as the case progresses, Kojak can't help suspecting that those tips are leading him down the proverbial garden path. Roger Robinson makes his first series appearance as versatile undercover cop Gil Weaver. ~ Hal Erickson, All Movie Guide

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1972  
 
Sam Cade was the first feature-length "movie" put together from episodes of Cade's County, the early '70s series starring Glenn Ford as a modern-day sheriff in Madrid County, CA. In the first half, directed by Marvin Chomsky, Cade finds himself targeted for assassination when he's scheduled to testify in the trial of a mob kingpin -- what he doesn't know is that the assassin is one of his oldest friends (Darren McGavin), who is romancing another old friend (Loretta Swit) with a troubled past and using Cade's determination and his investigative skills to set him up for a hit. In the second half, directed by Richard Donner, Cade gets a tip that the mob has planned an assassination on a retired crime boss (Edward Asner) living in the county, who is so bull-headed and distrustful of the law that he won't accept any help or provide any information on who the killers might be, even though he's putting his own daughter (Shelley Fabares) at risk. ~ Bruce Eder, All Movie Guide

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Starring:
Glenn FordEdgar Buchanan, (more)
1972  
 
No one in the police department seems to care too much when call girl Wanda Bolen (Tisha Sterling) turns up murdered. All this changes when Chief Ironside meets and befriends the girl's elderly, grief-stricken father (Titos Vandis). Making it his personal crusade to bring Wanda's killer to justice, the Chief must forge a temporary truce with the pimps and hookers who may be able to provide him with the necessary leads. This episode features an orginal song by Marty and David Paich, "Money Girl", sung by Carol Carmichael). ~ Hal Erickson, All Movie Guide

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1969  
PG  
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A couple tries to hold their relationship together despite the twenty-three year gap in their ages in this romantic comedy/drama. Scott Wardman (Charles Bronson) is an 39-year-old American author living in England who supports himself by writing pornographic novels. Scott meets Twinky (Susan George), an attractive young woman who tells him she's almost 20. Scott quickly falls for her beauty and charm, but he discovers her definition of "almost" is looser than that of most people -- it seems Twinky is only 16 years old. In a moment of romantic impulse, Scott and Twinky travel to Scotland and get married, but Twinky's parents are less than enthusiastic when they hear the news. Scott soon brings his new bride to New York City to meet his friends, and while they're not as upset, they have a hard time believing this is true love, especially after the differences in Scott and Twinky's ages become increasingly apparent. Lola (also released as Twinky) was an early film credit for director Richard Donner, who at the time was still best known for his work in television. ~ Mark Deming, All Movie Guide

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Starring:
Charles BronsonSusan George, (more)

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