Richard Donner

Just one year before directing his breakthrough film, 1976's The Omen, filmmaker Richard Donner helmed this made-for-television drama about an ex-con, played by Tony Lo Bianco. After his release from prison, parolee Pete Mackey (Lo Bianco) is faced with a number of obstacles in his attempts to go straight and readjust to the outside world. But when a new reabilitation program lands him in a job as a parole agent himself, things become more complicated than he expected. Also starring Ed Lauter and Tim Thomerson, Shadow in the Streets first aired on NBC on January 28, 1975. ~ Matthew Tobey, All Movie Guide

Lethal Weapon director Richard Donner helms this action-adventure yarn in which Robert Rath (Sylvester Stallone), a veteran, burned-out hit man for hire who's looking to leave his profession, meets a younger, crazier, more ambitious competitor, Miguel Bain (Antonio Banderas), who is out to best Rath and make him a target in the process. Rath signs on for one last hit, but complications ensue when he falls in love with the mark, a beautiful, mysterious woman named Electra (Julianne Moore). Bain sets out to murder Electra as well, and the chase leads the two assassins into a deadly game of wits that takes them from Seattle to Puerto Rico. Critics and audiences both turned away from this thriller, which was co-scripted by Bound writer/directors Larry and Andy Wachowski and L.A. Confidential screenwriter Brian Helgeland. ~ Don Kaye, All Movie Guide

Child Bride was the original release title for the British Charles Bronson vehicle Lola (which in some areas bore a third title, Twinky). Bronson plays a middle-aged author who falls in love with 16-year-old Susan George. Their subsequent marriage causes such friction with George's family that she and Bronson are compelled to move from London to New York. Here the marriage is roundly condemned by Bronson's family. Before this can be ironed out, Bronson and George realize that their marriage was a mistake from the get-go, and they gradually drift apart. Filmed in 1969, Lola didn't receive a widespread release until 1971. ~ Hal Erickson, All Movie Guide

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as "suppressed news" that's surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone's secret life as a government agent discrediting conspiracy theorists? Jerry's heard 'em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he's been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real -- but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are "real" (or at least appeared before this film was made) and which were the invention of the screenwriters. ~ Mark Deming, All Movie Guide

This first theatrical feature spun off from the television series Tales from the Crypt (which was in turn inspired by the infamous EC horror comics of the 1950s) concerns a mysterious man named Brayker (Bill Sadler), who arrives at a church-turned-rooming house in a small town in New Mexico. Hot on his trail is an equally mysterious and very menacing figure known as the Collector (Billy Zane), who arrives with policemen in tow; he claims that Brayker stole some keys from him, and he wants the cops to help him reclaim them. It turns out, however, that the "keys" are actually several amulets that contain drops of the blood of Christ; they can be used to ward off evil in the right hands, but they can lead the world to doom if used improperly. The Collector and his forces lay siege to the house with the other residents caught in the middle between Brayker and the Collector, including alcoholic Uncle Willy (Dick Miller), prostitute Cordelia (Brenda Bakke), sleazy Southerner Roach (Thomas Haden Church), postal employee Wally (Charles Fleischer), sensible Jeryline (Jada Pinkett), and landlady Irene (CCH Pounder). Bordello of Blood, the second Tales from the Crypt feature, hit theaters the following year. ~ Mark Deming, All Movie Guide

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats. Free Willy, which featured a star performance by a killer whale named Keiko (who is doubled in some scenes by animatronic models) included the theme song "Will You Be There," a top-ten hit for Michael Jackson, and spawned two sequels. ~ Mark Deming, All Movie Guide

In the third installment in the Free Willy series, Jesse (Jason James Richter), the once-troubled youth whose life was changed by his friendship with the killer whale Willy, is spending the summer on board a ship assisting a group a whale researchers, including his old friend Randolph (August Schellenberg), and Drew (Annie Corley), an oceanographer. Jesse once used a harmonica to communicate with Willy, and when he plays his mouth harp through the ship's underwater sound system, he is able to find his old friend, who is now raising a family of his own. As Jesse, Randolph, and Drew are out to study and assist the whales, a ten-year-old boy named Max (Vincent Berry) is accompanying his father John Wesley (Patrick Kilpatrick) on the fishing boat that John helps to run. Max soon discovers that John and the crew are not fishing for salmon, as he believed, but killer whales, which is illegal, but very profitable, as whale meat fetches $200 a pound on the black market. Jesse meets Max on shore, and when Jesse learns what John and his crew are up to, he tries to teach Max that while his father may not be a bad man, he's doing a very bad thing in killing the whales, who are intelligent, compassionate, and deserve the right to live; Jesse also acts to save Willy and his family from John and his fellow poachers. As in Free Willy 2: The Adventure Home, Free Willy 3: The Rescue used mechanical and animated whales rather than flesh-and-blood aquatic mammals. ~ Mark Deming, All Movie Guide

The island needs a well, but no one has the authority to order any sort of digging. Thus, the castaways decide to hold an election to appoint a "president" of the island. As the front-running candidates, the Skipper (Alan Hale Jr.) and Mr. Howell (Jim Backus) resort to every underhanded trick in the book to win the election. As a result of this skullduggery, the race is won by a surprise write-in candidate--namely, Gilligan (Bob Denver)! This episode was originally telecast four days before the 1964 Presidential Election, which of course went to Lyndon Johnson by a landslide. ~ Hal Erickson, All Movie Guide

Risking his life to save Caleb Musgrove (Stanley Adams) from being poisoned, Paladin (Richard Boone) finds out that his efforts are all for naught. The "poisoning" is just the latest in a long series of practical jokes perpetrated by Caleb on friends and strangers alike. Now Paladin must end Caleb's "reign of humor" before one of his so-called jokes backfires in a fatal fashion! ~ Hal Erickson, All Movie Guide

Richard Donner directed this compassionate tale concerning the daily struggles of handicapped citizens. The film deals with the volatile relationship between Roary (John Savage), who has unsuccessfully tried to kill himself, and the hair-trigger Jerry (David Morse), a basketball player who has no money to pay for an operation to repair his knee. Roary, who has been permanently crippled after jumping off a building, travels an emotional route from being deeply disturbed and embittered to slowly regaining confidence in himself. Helping him along the road to emotional recovery is Louise (Diana Scarwid), a young woman dealing with the handicapped who, in the process, comes to terms with her own limitations. ~ Paul Brenner, All Movie Guide

After a "hit" on mob boss Mike Tomasso (Art Metrano) fails, Kojak (Telly Savalas) begins receiving anonymous tips that Tomasso's chief rival Serafin (Anthony Charnota) ordered the killing. But as the case progresses, Kojak can't help suspecting that those tips are leading him down the proverbial garden path. Roger Robinson makes his first series appearance as versatile undercover cop Gil Weaver. ~ Hal Erickson, All Movie Guide

In a daring daylight robbery, two criminals steal $20,000,000 in Wall Street securities, killing a man as they escape. Lt. Kojak (Telly Savalas) determines that the best way to bring the thieve out in the open is to dangle an attractively baited hook. The highlight of this episode is Kojak's bravura impersonation of a billionaire Greek tycoon (not named Onassis, but the hints are there). ~ Hal Erickson, All Movie Guide