Richard Donner Movies

Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, Rovi

Directing his first film since 1998's Lethal Weapon 4, Richard Donner helmed this big-budget adaptation of Michael Crichton's novel of the same name. Featuring a script by first-time screenwriter George Nolfi, Timeline begins in France in the near future. A group of students from Yale are there studying a medieval site, when their professor, played by Billy Connolly, mysteriously goes missing. To make matters more enigmatic, the students are then taken back to the United States by a shadowy technology company called ITC, led by Robert Doniger (David Thewlis). The eccentric Doniger explains that because of a machine that his company built, their professor is trapped in 14th century France. In order to rescue him, two of the students, Chris Hughes (Paul Walker) and Kate Erickson (Frances O'Connor), along with Andre Marek (Gerard Butler), an archeological site manager, must travel to France, circa 1357, amid archaic war, deadly diseases, and other unexpected pitfalls. Meanwhile, David Stern (Ethan Embry), a third student, stays behind to keep an eye on the shady Doniger. ~ Matthew Tobey, Rovi

An unemployed New York doctor with a suspended license and few prospects for the future travels to Jamaica to care for the ailing brother of a wealthy landowner, only to make a horrifying discovery regarding the ailing man in director Avi Nesher's contemporary re-imagining of Jacques Tourneur's I Walked with a Zombie. Dr. Alice Dodgson (Jennifer Grey) is an open-minded oncologist whose experiments with an unapproved drug have just cost her patient his life and found her license to practice medicine promptly revoked. Subsequently summoned to Jamaica by affluent American Paul Claybourne (Craig Sheffer), Dr. Dodgson is assigned the duty of caring for Claybourne's cancer-stricken brother, Wesley (Daniel Lapaine). Though Dr. Dodgson at first dismisses the local tales of zombies and possession as mere superstition while she cares for the increasingly despondent Wesley, her growing feelings for her patient soon bring her to the realization that Wesley is not suffering from cancer after all, but the powerful curse of a local witch doctor. Now, in order to save the man that she has come to love, Dr. Dodgson must uncover the secret behind the potentially fatal curse while facing off against a vicious voodoo queen with the power to destroy anyone and anything in her path. ~ Jason Buchanan, Rovi

One of the most popular superhero teams in comic book history finally comes to the screen in this big-budget adaptation of the long-running Marvel Comics series. Psychic Professor Xavier (Patrick Stewart) leads a school of skilled mutants called X-Men, a peacekeeping force to safeguard the world against a race of genetically mutated humans known as Homo Sapiens Superior. However, Magneto (Ian McKellen), a mutant with a powerful magnetic charge, has also begun to organize a team to strike first against what he believes to be a threat from humanity. When he kidnaps Rogue (Anna Paquin) from the X-Men's compound, Xavier and his forces must rescue her, even as they continue to vie with Magneto for the fearsomely strong mutant battler Wolverine (Hugh Jackman). Both Xavier and Magneto also have to contend with Senator Kelly (Bruce Davison), a heartless political leader who wants a final solution against mutants on both sides. Fighting for the forces of virtue with the X-Men are Famke Janssen as Jean Grey, Halle Berry as Storm, and James Marsden as Cyclops; Rebecca Romjin-Stamos as Mystique, Ray Park as the Toad, and Tyler Mane as Sabretooth are the minions of Magneto. ~ Mark Deming, Rovi

Oliver Stone takes on professional football, a sport whose grace and delicacy are a good match for his filmmaking style. Tony D'Amato (Al Pacino), the head coach of the Miami Sharks, won back-to-back championships four years ago. But new team owner Christina Pagniacci (Cameron Diaz) has little enthusiasm for the finer points of the game and is concerned only with the bottom line. The longtime strongman of Tony's team has been "Cap" Rooney (Dennis Quaid), a 39-year-old quarterback, but Christina balks at renewing his contract. When Cap is injured during a game, third-string rookie quarterback Willie Beaman (Jamie Foxx) goes on in his place and becomes a major star. But Beaman is mostly interested in fame and money, and he has little regard for Tony and his teammates. Any Given Sunday also stars James Woods as the team's doctor, LL Cool J as a star running back, Jim Brown as a former football great turned Sharks' defensive coordinator, Ann-Margret as Christina's alcoholic mother, Bill Bellamy as a wide receiver, Elizabeth Berkley as Tony's favorite prostitute, and Charlton Heston as the football commissioner. ~ Mark Deming, Rovi

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as "suppressed news" that's surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone's secret life as a government agent discrediting conspiracy theorists? Jerry's heard 'em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he's been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real -- but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are "real" (or at least appeared before this film was made) and which were the invention of the screenwriters. ~ Mark Deming, Rovi

In the third installment in the Free Willy series, Jesse (Jason James Richter), the once-troubled youth whose life was changed by his friendship with the killer whale Willy, is spending the summer on board a ship assisting a group a whale researchers, including his old friend Randolph (August Schellenberg), and Drew (Annie Corley), an oceanographer. Jesse once used a harmonica to communicate with Willy, and when he plays his mouth harp through the ship's underwater sound system, he is able to find his old friend, who is now raising a family of his own. As Jesse, Randolph, and Drew are out to study and assist the whales, a ten-year-old boy named Max (Vincent Berry) is accompanying his father John Wesley (Patrick Kilpatrick) on the fishing boat that John helps to run. Max soon discovers that John and the crew are not fishing for salmon, as he believed, but killer whales, which is illegal, but very profitable, as whale meat fetches $200 a pound on the black market. Jesse meets Max on shore, and when Jesse learns what John and his crew are up to, he tries to teach Max that while his father may not be a bad man, he's doing a very bad thing in killing the whales, who are intelligent, compassionate, and deserve the right to live; Jesse also acts to save Willy and his family from John and his fellow poachers. As in Free Willy 2: The Adventure Home, Free Willy 3: The Rescue used mechanical and animated whales rather than flesh-and-blood aquatic mammals. ~ Mark Deming, Rovi

Everyone has to start somewhere, even if they are Martin Scorsese or John Carpenter. This documentary takes a look at their beginning works and film school clips along with those of Richard Donner Lethal Weapon 4, Ron Howard Cocoon, John Milius, director and writer, and Susan Seidelman Desperately Seeking Susan. Also includes clips from their most popular films and interviews featuring the directors talk about opportunities and frustrations and the industry in general. ~ Leslie Birdwell, Rovi

Two unlikely friends -- a boy and a killer whale -- are reunited under potentially dangerous circumstances in this sequel to the successful family adventure Free Willy. Jesse (Jason James Richter) has finally found stability and contentment with his foster parents Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), but he is confronted with a new emotional challenge when his birth mother (a drug addict who abandoned him when he was young) dies, and his troubled half brother Elvis (Francis Capra) comes to live with the Greenwoods. Jesse also deals with new feelings when he develops a serious crush on Nadine (Mary Kate Schellhardt), the goddaughter of Randolph (August Schellenberg), an animal trainer at the theme park where Jesse helps out. But a much bigger problem is on the horizon when the safety of Willy, the killer whale he befriended and helped return to the wild, is threatened. An oil spill spoils the ocean environment where Willy and his family now live, and an unscrupulous owner of an oceanarium, Wilcox (M. Emmet Walsh), attempts to capture Willie and put him back into captivity as a performing attraction. While Free Willy featured Keiko, a trained whale who (ironically) was living in captivity when the film was shot, Free Willy 2: The Adventure Home instead utilized mechanical models and digital animation to bring "Willy" to life. ~ Mark Deming, Rovi

This first theatrical feature spun off from the television series Tales from the Crypt (which was in turn inspired by the infamous EC horror comics of the 1950s) concerns a mysterious man named Brayker (Bill Sadler), who arrives at a church-turned-rooming house in a small town in New Mexico. Hot on his trail is an equally mysterious and very menacing figure known as the Collector (Billy Zane), who arrives with policemen in tow; he claims that Brayker stole some keys from him, and he wants the cops to help him reclaim them. It turns out, however, that the "keys" are actually several amulets that contain drops of the blood of Christ; they can be used to ward off evil in the right hands, but they can lead the world to doom if used improperly. The Collector and his forces lay siege to the house with the other residents caught in the middle between Brayker and the Collector, including alcoholic Uncle Willy (Dick Miller), prostitute Cordelia (Brenda Bakke), sleazy Southerner Roach (Thomas Haden Church), postal employee Wally (Charles Fleischer), sensible Jeryline (Jada Pinkett), and landlady Irene (CCH Pounder). Bordello of Blood, the second Tales from the Crypt feature, hit theaters the following year. ~ Mark Deming, Rovi

Superstars Mel Gibson and Danny Glover return with director Richard Donner for Lethal Weapon 3, the third in the phenomenally successful action series. In this film, Roger Murtaugh (Danny Glover) is only eight days away from retirement and his partner, Martin Riggs (Mel Gibson), once again manages to get them both into hot water with both the LAPD and the bad guys, who this time are Jack Travis (Stuart Wilson) and a gang of hoodlums selling armor-piercing bullets. Joe Pesci returns as the fast-talking schmuck Leo Getz. A new addition to the cast is Rene Russo as Lorna Cole, a sergeant from internal affairs sent to investigate Riggs and Murtaugh, but who ultimately ends up falling in love with the caffeinated Riggs. ~ Paul Brenner, Rovi

John Candy plays Jack Gable, a soap-opera writer who finds himself trapped inside his own television program with a magic typewriter in this toothless comedy. Jack finds himself embroiled in protecting his beloved Laura (Emma Samms), an actress who plays Rachel Hedison in Jack's show -- "Beyond Our Dreams" -- from having her character being killed off by the program's producers, the Sherwoods (Jerry Orbach, Renee Taylor). Laura has recently broken off with her co-star and lover Dennis (David Rasche) and is heading off for a weekend with Jack. As Jack unloads Laura's luggage, he conks himself on the head and knocks himself out. He awakens in a town bearing a name similar to the town in his soap opera. Dennis is on hand, but as his character in the show -- Dr. Paul Kirkland. Jack realizes that he has found himself in an alternative world made up of his soap opera world -- particularly apparent when he is recognized as Jack Gates, "the Wolf of Wall Street." Jack then meets Laura, who, in this soap opera world, is actually Janet Dubois, the daughter of a late biochemist who invented a pill that allows anyone to eat whatever they want and not gain any weight. The unscrupulous Hedison family (Raymond Burr, Charles Rocket, Dylan Baker) want to steal the formula for the pill and make a fortune for their pharmaceutical company. Jack then discovers that he can exit and re-enter the show at will and can alter the narrative of the show however he wants by typing up new plot points on his typewriter. In order to save Laura's character from the Sherwoods, Jack re-writes the show to save Janet by having his own character come to her rescue at the last minute. ~ Paul Brenner, Rovi