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Clive Donner Movies

British director Clive Donner was 15 when he earned his first industry job as a film editor. At 32, Donner was promoted to director with the medium-budget The Secret Place. He thereafter evinced a great deal of technical skill. During the "auteur"-happy 1960s and 1970s, Donner was interviewed by impressionable young cineastes who regarded him as the sole "author" of such films as The Caretaker (1963, script by Harold Pinter) and Nothing But the Best (1964, script by Frederick Raphael). Picking up the cudgel, Donner told his interviewers what they wanted to hear, even taking full credit for the success of 1964's What's New Pussycat -- graciously citing the "important contribution" of Woody Allen's screenplay as a near-afterthought! Donner went on to direct projects including Old Dracula (1974) The Nude Bomb (1980) and Charlie Chan and the Curse of the Dragon Queen (1981). He succumbed to complications from Alzheimer's disease at the age of 84 in 2010. ~ Hal Erickson, Rovi
1993  
 
Made for Canadian television, For Better and for Worse was released to America as Terror Stalks the Class Reunion. The general theme and tone of the film is implicit in its title. Kate Nelligan heads the cast as a retired teacher who attends a reunion in Germany. Here she is kidnapped by former student Anton (Geraint Wyn Davies), who nurses a grudge of long, long standing. The film is based on a suspense novel by Mary Higgins Clark. For Better and for Worse was first seen in the U.S. on June 12, 1992. ~ Hal Erickson, Rovi

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1990  
 
This made-for-cable feature film stars Edward Asner as a fashionable confidence trickster. Asner masterminds an investment scam which cleans out four gullible young men. The foursome pool their resources and decide to beat Asner at his own game with a con of their own. Jenny Agutter is the lovely bait used by the victims to trap the seemingly susceptible crook. Originally shown in two two-hour installments, Not a Penny More, Not a Penny Less had some surface stylishness thanks to director Clive Donner; unfortunately, there's hardly enough story to fill up even 90 of the film's 200 minutes. ~ Hal Erickson, Rovi

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1988  
R  
Based on the novel by Marion Meade, this costume drama retelling of the doomed 12th century romance of Abelard and Heloise was directed by Clive Donner. Abelard (Derek de Lint) is a philosophy professor at the cathedral school of Notre Dame. Considered the greatest teacher in Paris at a time when professors of philosophy are required to be chaste, Abelard is a champion of reason and a man of the people. Despite what it could mean to his career and standing, however, Abelard falls in love with a student, Heloise (Kim Thomson), an upper class teenage girl raised in a convent and possessing an insatiably curious intellect, along with a rebellious attitude toward the second-class status of women in her society. When word of the relationship begins to filter out, Heloise's ambitious uncle Fulbert (Denholm Elliott), who had hoped to marry her off to a wealthy gentlemen, schemes to end the romance, as does the bishop of Paris (Bernard Hepton). ~ Karl Williams, Rovi

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Starring:
Derek de LintKim Thomson, (more)
 
1986  
 
While Walt Disney's 1961 filmization of Victor Herbert's Babes in Toyland pales in comparison to the 1934 movie version starring Laurel & Hardy, the Disney film is an unqualified classic when compared to the ill-starred 1986 TV version. Adapted for television by playwright Paul Zindel, the 1986 film stars Drew Barrymore as Lisa Piper, a contemporary girl whisked off Wizard of Oz fashion to Toyland. Here her friends and family from the "real" world are reincarnated as villainous Barnaby (Richard Mulligan), Old Mother Hubbard (Eileen Brennan), Jack-Be-Nimble (Keanu Reeves) et. al. Only "March of the Toys" and "Toyland" have been retained from the original Victor Herbert score; the rest of the songs were specially written for this adaptation by Leslie Bricusse-and, suffice to say, these were hardly classics. Irreparably damaging this version was its 180-minute length-over twice as long as the Laurel & Hardy version, and not even half as good. Filmed in Munich, Babes in Toyland was first telecast December 19, 1986. ~ Hal Erickson, Rovi

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1986  
 
Peter Ustinov stars once more as Hercule Poirot, Agatha Christie's insufferably brilliant Belgian detective. Unlike many of Ustinov's earlier Poirot vehicles, which were set in the 1930s, the made-for-TV Dead Man's Folly takes place in contemporary England. Jean Stapleton costars as an American mystery novelist who organizes a "murder hunt" at a sprawling English manor. It isn't long before several of the guests are also sprawling--on the ground, stone cold dead. American-born British stage star Constance Cummings makes a rare TV appearance as a mysterious noblewoman. Dead Man's Folly was lensed on location at West Wycombe Park in Buckinhamshire. ~ Hal Erickson, Rovi

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Starring:
Peter Ustinov
 
1985  
 
Originally filmed in 1982, Arthur the King wasn't able to secure a network-TV berth until April 26, 1985. Malcolm McDowell plays good King Arthur, whose dream of Camelot is endangered by the evil Morgan Le Fay, played by Candice Bergen in her TV-movie debut. That this might have been intended as the pilot for a weekly series is evidenced by the otherwise pointless inclusion of Dyan Cannon, cast as a ditzy 20th- Century tourist who falls through a time warp while roaming around Stonehenge. You'll want to see Arthur the King if only to find out why minor-player Miro Pfeiffer's character name is "Undead Knight". ~ Hal Erickson, Rovi

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1984  
 
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Teri Garr and Robert Wagner play a cafe owner and nightclub singer who vacation in Lisbon in 1940. They discover and attempt to waylay a Nazi plot to kidnap the Duke and Duchess of Windsor. Roger O. Hirson wrote the teleplay, which he adapted from the novel by Harry Patterson (the pseudonym of Jack Higgins). ~ Kristie Hassen, Rovi

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1984  
PG  
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Charles Dickens' classic holiday tale of one man learning the true meaning of Christmas is brought to the screen once again in this made-for-TV movie. Ebenezer Scrooge (George C. Scott) is a cynical old man whose greatest concern is money, and who regards compassion as a luxury he can't afford. On Christmas Eve, Scrooge is visited by the ghost of Jacob Marley (Frank Finlay), his former business partner, who arranges for Scrooge to be visited by three spirits in an attempt to show him the error of his ways -- the Ghosts of Christmas Past (Angela Pleasence), Christmas Present (Edward Woodward), and Christmas Yet to Come (Michael Carter). The spirits force Scrooge to examine the failings of his own life, as well as the bravery and optimism of his loyal but ill-treated employee Bob Crachit (David Warner). A Christmas Carol also features Susannah York as Mrs. Crachit, Anthony Walters as Tiny Tim, and Joanne Whalley as Fan. ~ Mark Deming, Rovi

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Starring:
George C. Scott
 
1982  
 
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Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, Rovi

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Starring:
Jane SeymourAnthony Andrews, (more)
 
1982  
 
Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions. ~ Andrea LeVasseur, Rovi

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1980  
R  
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Peter Ustinov plays the talented detective in San Francisco who attempts, with help/hindrance from his clumsy grandson (Richard Hatch), to solve a murder case in this mystery/comedy. ~ Kristie Hassen, Rovi

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Starring:
Peter UstinovLee Grant, (more)
 
1980  
PG  
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Maxwell Smart, the infamous Agent 86 from the '60s television sitcom Get Smart makes his feature-film debut in this goofy espionage spoof. This time, Smart and his cohorts must stop enemy spies from detonating a bomb that would destroy all the world's clothing. On television, the film was renamed The Return of Maxwell Smart. ~ Sandra Brennan, Rovi

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Starring:
Don AdamsSylvia Kristel, (more)
 
1978  
 
This made-for-TV fantasy is a tale from the well-known Arabian Nights fable featuring a flying carpet, a prince, a pretty maiden, and a genie. Roddy McDowall, Ian Holm and Peter Ustinov appear in this Middle Eastern adventure. ~ Kristie Hassen, Rovi

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1978  
 
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An old-fashioned thriller starring Malcolm McDowell and Eileen Atkins, this British period drama traces the battle of wills between a vacationing English gentleman and a villainous mistress. The year is 1922. Richard Chandos (McDowell) is on a Pyrenees vacation when he crosses paths with the malevolent Vanity Fair (Atkins) and her motley band of crooks. From high atop the turreted Chateau Jezreel, Fair plots to inherit millions by forcing her stepdaughter to marry. Little does Fair realize that the uptight Chandos is equally determined to thwart her plans by rescuing the young girl before the wedding vows are exchanged. ~ Jason Buchanan, Rovi

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Starring:
Malcolm McDowellEileen Atkins, (more)
 
1977  
 
In this pilot for a TV series. Robert Culp stars as a top criminologist and dabbler in the occult. Gig Young is a drunken doctor who is "magically" cured of his alcoholism by Culp's housekeeper. Culp and Young decide to team up as the Holmes and Watson of the exorcist set. Their first assignment: Get the goods on a licentious, megalomaniac financier (James Villiers), who seems to have achieved success through literally diabolical means. ~ Hal Erickson, Rovi

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Starring:
Robert CulpGig Young, (more)
 
1976  
 
Based on the film Man Hunt, the BBC-produced Rogue Male stars Peter O'Toole as a British aristocrat who attempts to assassinate Hitler. After he fails, he is hunted down by the German Gestapo. ~ Stephen Thomas Erlewine, Rovi

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1975  
PG  
This horrendous horror spoof stars David Niven, who manages to keep a stiff upper lip as the title character. The Count, by now too old to dine out, must instead host tours of his castle in order to lure fresh victims. Hoping to resurrect his dead lover through the blood of a suitably beautiful woman with the correct type, he fortunately manages to rent the old homestead to a group of voluptuous Playboy bunnies for a photo shoot; he winds up draining the blood of a gorgeous black model who fits the bill. Much to his surprise, his lover returns as Teresa Graves, and he too becomes black by the end of this startlingly unfunny (and mildly racist) attempt at a sexy spoof of the standard Dracula theme. ~ Jeremy Beday, Rovi

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Starring:
David NivenTeresa Graves, (more)
 
1969  
 
While Olde England is being ransacked by roving Danes in the 9th century, Alfred (David Hemmings) is commencing to join the priesthood. But observing the rape of his motherland, he puts aside his religious vows to take up arms against the invaders, leading the English Christians to fight for their country. Alfred soundly defeats the Danes and becomes an English hero. But now, although Alfred still longs for the priesthood, he is torn between his passion for God and his lust for blood. After marrying the beautiful Aelhsweth (Prunella Ransome), he gives himself over to his dark side and aggressively rapes his wife. At this point, the Danes return and Alfred must muster the English forces once again for a decisive battle, but he also must battle his conflicting soul. ~ Paul Brenner, Rovi

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Starring:
David HemmingsMichael York, (more)
 
1968  
 
Jamie McGregor (Barry Evans) is in his last year of high school and hoping to lose his status as a virgin, in this romantic comedy romp. He holds hands with his date at a church dance, but things go no farther. He tries to make time with a gangly girl who has a face that could stop a clock. The more poor Jamie tries, the more he is convinced he will die a virgin. His luck seems to change when he spends a weekend with the prettiest girl in school, but there is more arguing than amore. The best thing about the film is the soundtrack provided by The Spencer Davis Group, Steve Winwood, Dave Mason and Traffic (which included Windwood and Mason). All the aforementioned groups had found or would soon achieve worldwide fame for their contributions in music. ~ Dan Pavlides, Rovi

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Starring:
Barry EvansJudy Geeson, (more)
 
1967  
 
Three friends play a game of musical chairs with their relationships in this quirky comedy based on the hit play by Murray Schisgal. Harry Berlin (Jack Lemmon) is a deeply depressed man who is convinced his life is going nowhere -- so much so that he has decided to kill himself by jumping off a bridge. Just before he makes his big leap, Harry is interrupted by Milt Manville (Peter Falk), an old friend in high school who has struck it rich as a combination stock broker and salvage dealer. Milt is not-very-happily married to wildly neurotic Ellen (Elaine May), and is having an affair on the side with Linda (Nina Wayne), a buxom gym teacher. Milt fixes Harry up with Ellen, hoping they'll hit it off and Ellen will leave him so he can marry Linda. The ruse works, in part -- Harry and Ellen decide to tie the knot, but in the divorce settlement Ellen gets all the money, and Milt decides marriage to Linda is not all he imagined. Harry and Ellen's happiness proves to be short lived, and she begins to wonder if its too late to give Milt another chance. Jazz great Gerry Mulligan composed the film's musical score; keep an eye peeled for a bit part by a young Harrison Ford. ~ Mark Deming, Rovi

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Starring:
Jack LemmonPeter Falk, (more)
 
1965  
 
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A notorious womanizer, fashion editor Michael James (Peter O'Toole) decides to seek the help of a psychiatrist when he begins to feel that his inability to commit to a relationship is adversely affecting his personal life. Desperate to remain faithful to his fiancée Carole (Romy Schneider), Michael enlists the help of Dr. Fassbinder (Peter Sellers), blissfully unaware that as Dr. Fassbinder is making the moves on a patient who secretly longs for the seemingly irresistible Michael. As Michael and Carole check into the Chateau Chantelle in hopes of patching up their relationship, Dr. Fassbinder has also arrived at the Chateau in hopes of finally cementing his relationship with the comely patient. As the two couples check into the hotel, disaster looms just beyond the bend in a series of hilarious mishaps that will test both Michael's faithfulness and Dr. Fassbinder's sanity. ~ Jason Buchanan, Rovi

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Starring:
Peter SellersPeter O'Toole, (more)
 
1964  
 
In the tradition of Kind Hearts and Coronets (49), Nothing But the Best is a sparkling British "comedy of murders." Alan Bates stars as a lowly real estate clerk who wants to crash the British upper class. To that end, Bates hires down-and-out gentleman Denholm Elliott to "train" him for the noblesse. The clerk is a fast learner, and is soon wooing the daughter (Millicent Martin) of his blueblood boss. Just as he's on the brink of becoming one of the "better people," his mentor Elliot disdainfully threatens to reveal the truth about Bates. With nary a moment's hesitation, Bates strangles Elliot with his own school tie, and hides the body in Elliot's own school trunk. From this point forward, Bates moves onward and upward, and since the high-class folks in this film are shown to be shallow phonies, the audience is half rooting for Bates to get away with his little murder. The film ends just as Bates' old lodgings are about to be demolished--leaving Our Hero waiting in wry, bemused anticipation for that incriminating trunk to be uncovered. Frederick Raphael based his screenplay for Nothing But the Best on Stanley Elkins' black-humor masterpiece The Best of Everything. ~ Hal Erickson, Rovi

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Starring:
Alan BatesDenholm Elliott, (more)
 
1963  
 
The Guest is a filmed adaptation of the Harold Pinter play of the same name. Donald Pleasence plays a laconic tramp, who is invited to stay in the home of Robert Shaw, on the implied promise that he, Pleasence, will be hired as caretaker. Shaw's off-in-the-coop brother Alan Bates is delighted to have Pleasence around...to "play" with. In the manner of Who's Afraid of Virginia Woolf, Shaw and Bates uses Pleasence as a punching bag for their own hang-ups. Photographed with the proper degree of claustrophobia by Nicolas Roeg, The Caretaker was independently produced by a celebrity consortium including Richard Burton, Elizabeth Taylor, Peter Sellers, and Noel Coward. ~ Hal Erickson, Rovi

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Starring:
Alan BatesDonald Pleasence, (more)