Stanley Donen Movies
After starting out as a Broadway hoofer in the 1940s, director/choreographer Stanley Donen decided to try movies and went on to work with the greatest dancers and helm several of the most highly regarded musicals to emerge from classical Hollywood. Even after he left the musical genre, Donen's smooth touch earned him several 1960s hits, but his career slowed down in the 1970s and 1980s after several decades in the business.Born in South Carolina, Donen an dancing as a child. Making his Broadway debut at 16 in the chorus of Pal Joey, Donen soon began a fruitful collaboration with the show's star, Gene Kelly, assisting with the choreography for the show Best Foot Forward in 1941. Following Kelly's lead, Donen then headed to Hollywood, repeating his jobs as assistant choreographer and chorus dancer in the film version of Best Foot Forward (1943). Donen worked steadily as a choreographer for the rest of the decade, including on Kelly's Cover Girl (1944) for Columbia.
After moving to MGM in 1945, Donen continued to collaborate with Kelly, choreographing such films as Anchorbegs Aweigh (1945) (featuring Kelly's dance with cartoon mouse Jerry) and Living in a Big Way (1947). Donen's career kicked into high gear when he began working with storied MGM producer Arthur Freed, co-choreographing and co-writing Busby Berkeley's Kelly and Frank Sinatra musical Take Me Out to the Ballgame (1949). His subsequent trio of Freed-unit musicals became landmarks of the genre. Sharing duties with Kelly, Donen's first film as director, On the Town (1949), reprised the Donen/Kelly/Sinatra magic and opened up the sparkling Broadway hit with dance numbers shot on location in New York, breathing exuberant life into the often studio-bound genre. Serving as sole director on his next film, Royal Wedding (1951), Donen worked with Fred Astaire, producing two of the star's most famous moments as he defies gravity to dance on the ceiling and creates a pas de deux with a hat rack. Returning to the shared director's chair with Kelly, Donen and Kelly made their most renowned film, the classic Singin' in the Rain (1952). Filled with memorable musical and comic moments, including Jean Hagen's inability to act into the mike, Donald O'Connor's slapstick dance "Make 'Em Laugh," Cyd Charisse's sultry Broadway Ballet cameo and (of course) Kelly's solo precipitation revel, Singin' in the Rain's humorous ode to Hollywood's Golden Age showcased Donen and Kelly's visual inventiveness and buoyant touch, becoming the rare reflexive film that worked.
Suffering a creative lag with a cluster of non-Freed musicals in 1952 and 1953, Donen's films nonetheless featured such notable dance moments as the onscreen pairing of top choreographer/dancers Gower Champion and Bob Fosse in Give a Girl a Break (1953). Back on track by 1954, Donen scored another success with the rousing Seven Brides for Seven Brothers (1954), showcasing Michael Kidd's choreography in CinemaScope. Joining forces with Kelly and the Freed unit one last time, Donen and company crafted the sardonic It's Always Fair Weather (1955). A sequel of sorts to On the Town, It's Always Fair Weather cast a critical eye on the musical's optimism and the encroaching phenomenon of television, and underlined Donen's talent for handling CinemaScope in Kelly, Kidd and Dan Dailey's energetic trash can dance. A flop, It's Always Fair Weather marked the end of Donen's tenure at MGM.
A free agent, Donen confirmed that he was still one of the top directors of the musical with The Pajama Game and Funny Face in 1957. A collaboration with co-director George Abbott and choreographer Fosse, The Pajama Game successfully transferred the show's Broadway luster to the screen, with the location-shot "Once a Year Day" taking full advantage of the medium's capability for staging expansive dance spectacles. Working again with Astaire, Donen made Funny Face a gloriously colorful, chic vehicle for the debonair dancer and his co-star Audrey Hepburn; Kay Thompson's "Think Pink" number threatens to steal the movie. Donen then re-teamed with Abbott and Fosse on another bright Broadway transplant, Damn Yankees (1958), featuring a rare screen turn by Gwen Verdon as the diabolically seductive Lola.
Before the musical swooned in the 1960s, Donen shifted his attention to light comedy in the late '50s, including the smooth Cary Grant vehicles Indiscreet (1958) and The Grass is Greener (1961). Working less often and mostly in Europe as the 1960s went on, Donen expanded his creative horizons beyond his 1950s studio films. Donen blended comedy, romance, and suspense in the Cary Grant/Audrey Hepburn starrer Charade (1963), a successful neo-Alfred Hitchcock mystery. Trying his hand at New Wave techniques, Donen notched a hit with nonlinear marital comedy Two for the Road (1967), assisted by stars Audrey Hepburn and Albert Finney's onscreen chemistry. Donen, Dudley Moore and Peter Cook's blasphemous [\comedy Bedazzled (1968) became a cult favorite; Staircase (1969) was only notable for centering on a gay relationship between Richard Burton and Rex Harrison.
His brand of stylish classicism increasingly out of synch with the New Hollywood, despite Two for the Road's success, Donen made movies sporadically during the 1970s and early '80s. The subpar screen musical of Antoine de St. Exupery's The Little Prince in 1974 was momentarily enlivened by Fosse's cameo as the Snake. The clever 1930s send-up Movie Movie (1978), featuring a boxing drama and Busby Berkeley-esque musical, was a far better use of Donen's talents. He attempted science fiction with the ill-conceived Saturn 3 (1980) and after the leering comedy Blame It on Rio (1984), Donen left movies, resurfacing occasionally in documentaries and to direct the TV version of A.R. Gurney's Love Letters (1999).
Donen married several times, including to actress Yvette Mimieux. ~ Lucia Bozzola, All Movie Guide
- 1952
Though completed in 1950, Love Is Better Than Ever was held back from release until 1952, due in great part to the "political undesirability" of star Larry Parks, whose career was effectively ruined after he humbled himself before the House Un-American Activities Committee. Parks plays Broadway talent agent Jud Parker, who takes a fancy to small-town dance teacher Anastacia Macaboy (Elizabeth Taylor). Parker wines and dines Anastacia during her visit to New York for the purposes of seduction. But the girl assumes that his intentions are honorable, and sends word of her "impending" engagement to her hometown newspaper. With his reputation on the line, Parker agrees to confirm the engagement if asked, with the understanding that he doesn't really mean it. Rest assured that by fade-out time, he will mean it. Gene Kelly makes an unbilled cameo appearance in Love Is Better Than Ever, which also features such reliables as Ann Doran, Kathleen Freeman, and Dick Wessel. ~ Hal Erickson, All Movie Guide
- Starring:
- Larry Parks, Elizabeth Taylor, (more)
Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Donald O'Connor, (more)
Two real-life events were incorporated into the plot of the 1951 MGM musical Royal Wedding. One, the marriage of Fred Astaire's sister Adele to a British nobleman had occurred years earlier; the other, the wedding of England's Princess Elizabeth and Prince Philip was only four years in the past. MGM would probably have gotten Royal Wedding out closer to the Elizabeth-Philip nuptials, but the picture had leading-lady problems; every girl who was cast either became pregnant, ill, or otherwise unavailable. Finally, Jane Powell was cast as the sister and partner of American-entertainer Fred Astaire. The plot has Astaire and Powell heading to Merrie Olde England to perform at the palace. Once they've arrived, Powell breaks up the act when she falls in love with blueblooded Peter Lawford. Astaire himself finds romance in the form of Sarah Churchill (daughter of Sir Winston), and the four happy campers gleefully attend the titular Windsor Castle wedding. Also in the cast is Albert Sharpe, fresh from his Broadway triumph in Finian's Rainbow, and Keenan Wynn, hilarious as twin cousins. The plot is so light that it threatens to float away at times, but Royal Wedding sticks in the memory thanks to its first-rate musical numbers. The Astaire/Powell duets are entertaining enough; the real magic, however, occurs in Astaire's two solos: the hat-rack duet and the now-legendary tap-dance on the ceiling (even knowing how this cinematic legerdemain was accomplished does not detract from its brilliance and virtuosity). Because it has slipped into public domain, Royal Wedding is one of the most easily accessible of all the Fred Astaire musicals. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Jane Powell, (more)
Three sailors on a 24-hour pass -- Gabey (Gene Kelly), Chip (Frank Sinatra), and Ozzie (Jules Munshin) -- decide to soak up the sights and sounds of New York. Each one finds romance within those 24 hours: Gabey with aspiring dancer Ivy Smith (Vera-Ellen), Chip with lady cabbie Hildy Esterhazy (Betty Garrett), and Ozzie with paleontology student Claire Huddesten (Ann Miller). That's all, right? Wellll....Ivy passes herself off as a celebrity, but she's actually a kootch dancer in Coney Island. Claire and the boys inadvertently topple a dinosaur replica at the Museum of Anthropological History. And Hildy breaks any number of speeding laws attempting to get the lovers together and straighten out all misunderstandings. Adapted from the Broadway musical by Betty Comden, Adolph Green, and Leonard Bernstein, On the Town is one of the freshest, most exhilarating musicals turned out by the old MGM regime. The stars' verve and camaraderie are contagious, and the songs are staged by legendary musical director Stanley Donen and Kelly himself with wit and innovation. Highlights include the opening "New York, New York" number, shot on location and flat-cutting from one image to another at a dizzying pace, and Gene Kelly and Vera-Ellen's ""Miss Turnstyles Ballet."" ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Frank Sinatra, (more)
So baseball pictures never make money, eh? Try telling that to MGM, which raked in a box office gross of $4 million on their 1949 baseball musical Take Me Out to the Ball Game. Set in 1906, the film concerns the adventures and misadventures of The Wolves, a champion ball club. The team's success is contingent upon the double-play combination of "O'Brien to Ryan to Goldberg." But while Goldberg (Jules Munshin) lives to play baseball, O'Brien (Gene Kelly) and Ryan (Frank Sinatra) would rather pursue their off-season vaudeville career. Both erstwhile song-and-dance men decide to stick around on the baseball diamond when they mutually fall in love with the Wolves' new owner, the lovely K.C. Higgins (Esther Williams). Though O'Brien wins K.C. for himself, Ryan is compensated with the aggressively affectionate Shirley Delwyn (Betty Garrett). Gambler Joe Lorgan (Edward Arnold), who has bet heavily against the Wolves in an upcoming Big Game, woos O'Brien away from the team with promises of a big role in an upcoming musical comedy. Having let down K.C. and the rest of the team, O'Brien vows to redeem himself by playing in the crucial game. Lorgan gets wind of this, and orders his henchmen to do away with O'Brien. Hoping to shield his buddy from harm, Ryan beans O'Brien with a pitched ball, thereby incapacitating the prodigal player. The crooks are vanquished, and K.C. forgives O'Brien. But upon learning that Ryan had knocked him out, O'Brien charges onto the diamond, thirsting for revenge. Believe it or not, this action results in no fewer than two winning home runs! We offer you this detailed synopsis because it's likely that you'll be too entertained by the film's musical numbers to pay any attention to the story. Outside of the title number and Gene Kelly's solo "The Hat My Father Wore on St. Patrick's Day," the picture's best songs are contributed by Betty Comden, Adolf Green and Roger Edens. Take Me Out to the Ball Game is so delightful as it stands that one can only wonder what the film would have looked like had MGM's first choice Kathryn Grayson--or the studio's second choice, Judy Garland--played the Esther Williams role (In a similar vein, the Frank Sinatra character was originally to have been played by real-life Brooklyn Dodgers manager Leo Durocher!) ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Esther Williams, (more)
In this period musical, Ricardo (Frank Sinatra) is the son of a Mexican innkeeper who has come to California to take over a hotel owned by his family after the death of his father. Ricardo makes the startling discovery that his father was best known as a "kissing bandit," a dashing thief who aptitude for crime was matched by his gift for romancing the ladies. When tax collectors from Spain begin to overrun his homeland, Ricardo decides to follow in his father's footsteps, liberating the taxmen's ill-gotten gains and winning the heart of Teresa (Kathryn Grayson), the governor's daughter. Also starring J. Carrol Naish, Billy Gilbert and Mildred Natwick, The Kissing Bandit also features the fancy footwork of Ann Miller, Ricardo Montalban, and Cyd Charisse, who appear as specialty dancers in the production numbers. ~ Mark Deming, All Movie Guide
- Starring:
- Frank Sinatra, Kathryn Grayson, (more)
In this lightweight musical comedy, Judy Foster (Jane Powell) and Carol Pringle (Elizabeth Taylor) are teenagers and best friends who find their loyalties tested when they both fall for the same good-looking older man, Stephen Andrews (Robert Stack). This situation is particularly troublesome for Judy, who already has a boyfriend, "Oogie" Pringle (Scotty Beckett), Carol's brother. Meanwhile, the girls join forces for a little sleuthing when Judy discovers that her father, Melvin Foster (Wallace Beery), has been spending time with Brazilian bombshell Rosita Conchellas (Carmen Miranda). Judy and Carol suspect hanky-panky, but actually Melvin is taking dancing lessons from Rosita as a surprise for his wife. A Date With Judy certainly offers your only opportunity to see Wallace Berry dance the mambo, and it also features a guest appearance by Xavier Cugat and his band. ~ Mark Deming, All Movie Guide
- Starring:
- Leon Ames, Wallace Beery, (more)
- 1948
MGM's all-purpose title The Big City was deployed once more for this treacly 1948 drama. To prevent orphaned Midge (Margaret O'Brien) from being sent to an institution, Protestant minister Andrews (Robert Preston), Jewish cantor Feldman (Danny Thomas) and Catholic cop Patrick O'Donnell (George Murphy) jointly "adopt" the girl. Midge grows up in Feldman's home, and all is rosy until O'Donnell, on the verge of marrying funloving "Shoe-Shoe" Bailey (Betty Garrett in her film debut), announces that he wants to take full custody of the child. It's up to Midge herself, with the help of kindly Judge Abercrombie (Edward Arnold), to sort things out. Meanwhile, the Reverend Andrews finds romance in the shapely form of Florence Bartlett (Karin Booth). Though it's hard to forget that Danny Thomas was one of show business' most prominent Catholics, he delivers a convincing performance as the tune-happy Cantor Feldman, at one point foregoing his usual Kol Nidres in favor of a rousing cowboy song! ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret O'Brien, Robert Preston, (more)
- 1947
Despite MGM's insistence that star Gene Kelly, just returning from military service in 1947, appear exclusively in big-budget Technicolor musicals, maverick director Gregory La Cava showcased Kelly in the modest black and white tunefest Living in a Big Way. Kelly is cast as an ex-GI who discovers that his wealthy war bride (Marie McDonald) is an insufferable snob. Flying in the face of his in-laws, Kelly insists upon using his wife's money to open a charity home for the families of those soldiers who didn't come back. Kelly's major musical number, which takes place during the building of his dream home, is a bizarre ballet utilizing such props as ladders and two-by-fours. Living In a Big Way turned out to be the flop that MGM had predicted, but the film was impressive enough to win La Cava the coveted directorial post for Mary Pickford Productions' One Touch of Venus. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Marie McDonald, (more)
- 1947
In one of his first "adult" roles (he made his last Andy Hardy vehicle only a year earlier), Mickey Rooney plays Tommy McCoy, a dancer who performs in a going-nowhere nightclub act with his alcoholic father, Brian (James Dunn). Johnny Martin (Mickey Knox), a lightweight boxing champ who is headlining the show that Tommy and his Dad are currently working, admires Tommy's footwork and tells him that he might have a future in the ring. Tommy gives the fight game a try, and he soon proves he's got the goods as a slugger. Before long, Tommy is fighting Johnny for the lightweight title, and after a hard-fought match, Tommy wins -- and Johnny dies. Now dubbed "Killer" McCoy by the press and boxing fans, a distraught Tommy allows his career to be taken over by Jim Caighn (Brian Donlevy), an unscrupulous manager with a gambling problem. Jim drags Tommy through the dirtiest and most dishonest levels of the fight game, but Jim's daughter Sheila (Ann Blyth) sees Tommy's decent side and tries to rescue him. Killer McCoy was a remake of the 1938 Robert Taylor vehicle The Crowd Roars. ~ Mark Deming, All Movie Guide
- Starring:
- Mickey Rooney, Brian Donlevy, (more)
- 1947
In this aqueous musical comedy, an opera singer brings his son to Michigan's Mackinac Island where the son falls in love with the star of the "aquacaper." It is difficult to woo her as she is constantly surrounded by her piano-playing bodyguard and her ever-present grandmother. It's musical and comedic chaos as the son attempts to overcome these and other obstacles while trying to win her heart. Highlights include Jimmy Durante singing his trademark tune "Inka Dinka Do." Other songs include: "M'Appari" from "Martha," "La Donna E Mobile" from "Rigoletto," Cole Porter's "You Are So Easy to Love," "A Little Bit of This and a Little Bit of That," "Chiquita Banana," and "When It's Lilac Time on Mackinac Island." ~ Sandra Brennan, All Movie Guide
- Starring:
- Esther Williams, Lauritz Melchior, (more)
- 1946
Too long by at least two reels, Holiday in Mexico is nevertheless one of the more enjoyable MGM Technicolor musicals of the 1940s. Walter Pigeon is top billed as Jeffrey Evans, American ambassador to Mexico. Captivated by the charms of her adopted homeland, Evans' impulsive daughter Christine falls in love with the decidedly mature piano virtuoso Jose Iturbi (cast as himself). Amused by Christine's ardor, Iturbi agrees with Evans that the girl would be far better off with someone closer to her own age-namely, British ambassador's son Stanley Owen (Roddy McDowell). Meanwhile, Christine plays matchmaker between her widowed father and glamorous Hungarian Toni Karpathy (Ilona Massey). Holiday in Mexico was Jane Powell's first MGM effort, and it is clear that producer Joe Pasternak intended to transform the teenaged soprano into the "new Deanna Durbin", though of course Powell eventually developed her own distinctive style. In addition to the musical contributions of stars Powell and Iturbi, the film costars the inimitable Xavier Cugat, doing his Xavier Cugat thing. ~ Hal Erickson, All Movie Guide
- Starring:
- Linda Christian, Ann Codee, (more)
- 1946
In this WWII musical, a young hero and his buddy decide to celebrate his receiving the Medal of Honor by partying. He is terribly excited about seeing his fiancée again. Unfortunately, she has fallen for another in his absence. He is later consoled by a lovely radio singer. Songs include "All the Time" (Ralph Freed, Sammy Fain, sung by Pat Kirkwood), "Isn't It Wonderful" (Kay Thompson, sung by Kirkwood), "Love on a Greyhound Bus" (Thompson, Ralph Blane, George Stoll), "It'll Be Great to Be Back Home" (Charles Martin), "Old Sad Eyes" (Irving Kahal, Fain), "When It's Love" (Edgar De Lange, Nicholas Kharito), "Oye Negra" (performed by Xavier Cugat and His Orchestra). ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, Keenan Wynn, (more)
This mammoth musical is at base the story of two sailors on leave in Hollywood. Brash Joseph Brady (Gene Kelly) has promised his shy pal Clarence Doolittle (Frank Sinatra) that he will introduce Clarence to all the glamorous movie starlets whom he allegedly knows so well. Actually, the only actress whom Joseph meets is bit player Susan Abbott (Kathryn Grayson). He arranges for the golden-throated Susan to be auditioned by musician José Iturbi, but when she seems to want to return the favor romantically, Brady tries to foist the girl off on Clarence. But Clarence only has eyes for a fellow Brooklynite (Pamela Britton). Also involved in the plot machinations is runaway orphan Donald Martin (Dean Stockwell). Featuring Kelly dancing with such partners as a cartoon mouse (courtesy of MGM's house animators Bill Hanna and Joseph Barbera), Anchors Aweigh was a huge hit in 1945, assuring audiences future Gene Kelly/Frank Sinatra teamings. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Kathryn Grayson, (more)
- 1944
Musical star Ann Miller plays a Broadway leading lady coaxed into reteaming with Larry Parks, her former producer. Parks is now a lowly Army G.I., anxious to produce a show for the troops--with a 200 dollar budget! This being a wartime musical, Ann Miller succumbs to Patriotism and stars in Parks' threadbare production. This being a Hollywood film, the "inexpensive" revue cost several times as much as any real-life show of this nature. Hey Rookie proved a boon to the Columbia publicity department when Ann Miller set a tap-dance record of 550 taps per minute in her climactic musical number. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Miller, Larry Parks, (more)
Thanks to its Jerome Kern/Ira Gershwin/Yip Harburg score and the luminescence of stars Rita Hayworth and Gene Kelly, Cover Girl has taken on a legendary status in recent years. In truth, the film has a banal and predictable premise: a chorus girl (Hayworth) is given a chance for stardom by a wealthy magazine editor (Otto Kruger), who years earlier had been in love with the girl's mother. Offered an opportunity to be a highly-paid cover girl, our heroine would faithfully remain with her tacky nightclub act if only the club manager (Kelly), whom she pines for, would ask her. He loves her too, but doesn't want to stand in her way, so he fakes an argument to send her packing. You don't need a crystal ball to known that the girl and her guy will be reunited for the finale. Phil Silvers, everybody's best friend, and Eve Arden, Kruger's acid-tongued assistant, provide comic relief. The story sags badly at times, but the fans went home happy thanks to the powerhouse musical numbers, including Long Ago and Far Away and Kelly's famous "alter-ego" dance. The film skyrocketed both Hayworth and Kelly to superstardom, and didn't do Silvers any harm, either. Cover Girl is an extraordinarily lavish Technicolor production from the usually parsimonious Columbia Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Rita Hayworth, Gene Kelly, (more)
