Stanley Donen Movies
After starting out as a Broadway hoofer in the 1940s, director/choreographer Stanley Donen decided to try movies and went on to work with the greatest dancers and helm several of the most highly regarded musicals to emerge from classical Hollywood. Even after he left the musical genre, Donen's smooth touch earned him several 1960s hits, but his career slowed down in the 1970s and 1980s after several decades in the business.Born in South Carolina, Donen an dancing as a child. Making his Broadway debut at 16 in the chorus of Pal Joey, Donen soon began a fruitful collaboration with the show's star, Gene Kelly, assisting with the choreography for the show Best Foot Forward in 1941. Following Kelly's lead, Donen then headed to Hollywood, repeating his jobs as assistant choreographer and chorus dancer in the film version of Best Foot Forward (1943). Donen worked steadily as a choreographer for the rest of the decade, including on Kelly's Cover Girl (1944) for Columbia.
After moving to MGM in 1945, Donen continued to collaborate with Kelly, choreographing such films as Anchorbegs Aweigh (1945) (featuring Kelly's dance with cartoon mouse Jerry) and Living in a Big Way (1947). Donen's career kicked into high gear when he began working with storied MGM producer Arthur Freed, co-choreographing and co-writing Busby Berkeley's Kelly and Frank Sinatra musical Take Me Out to the Ballgame (1949). His subsequent trio of Freed-unit musicals became landmarks of the genre. Sharing duties with Kelly, Donen's first film as director, On the Town (1949), reprised the Donen/Kelly/Sinatra magic and opened up the sparkling Broadway hit with dance numbers shot on location in New York, breathing exuberant life into the often studio-bound genre. Serving as sole director on his next film, Royal Wedding (1951), Donen worked with Fred Astaire, producing two of the star's most famous moments as he defies gravity to dance on the ceiling and creates a pas de deux with a hat rack. Returning to the shared director's chair with Kelly, Donen and Kelly made their most renowned film, the classic Singin' in the Rain (1952). Filled with memorable musical and comic moments, including Jean Hagen's inability to act into the mike, Donald O'Connor's slapstick dance "Make 'Em Laugh," Cyd Charisse's sultry Broadway Ballet cameo and (of course) Kelly's solo precipitation revel, Singin' in the Rain's humorous ode to Hollywood's Golden Age showcased Donen and Kelly's visual inventiveness and buoyant touch, becoming the rare reflexive film that worked.
Suffering a creative lag with a cluster of non-Freed musicals in 1952 and 1953, Donen's films nonetheless featured such notable dance moments as the onscreen pairing of top choreographer/dancers Gower Champion and Bob Fosse in Give a Girl a Break (1953). Back on track by 1954, Donen scored another success with the rousing Seven Brides for Seven Brothers (1954), showcasing Michael Kidd's choreography in CinemaScope. Joining forces with Kelly and the Freed unit one last time, Donen and company crafted the sardonic It's Always Fair Weather (1955). A sequel of sorts to On the Town, It's Always Fair Weather cast a critical eye on the musical's optimism and the encroaching phenomenon of television, and underlined Donen's talent for handling CinemaScope in Kelly, Kidd and Dan Dailey's energetic trash can dance. A flop, It's Always Fair Weather marked the end of Donen's tenure at MGM.
A free agent, Donen confirmed that he was still one of the top directors of the musical with The Pajama Game and Funny Face in 1957. A collaboration with co-director George Abbott and choreographer Fosse, The Pajama Game successfully transferred the show's Broadway luster to the screen, with the location-shot "Once a Year Day" taking full advantage of the medium's capability for staging expansive dance spectacles. Working again with Astaire, Donen made Funny Face a gloriously colorful, chic vehicle for the debonair dancer and his co-star Audrey Hepburn; Kay Thompson's "Think Pink" number threatens to steal the movie. Donen then re-teamed with Abbott and Fosse on another bright Broadway transplant, Damn Yankees (1958), featuring a rare screen turn by Gwen Verdon as the diabolically seductive Lola.
Before the musical swooned in the 1960s, Donen shifted his attention to light comedy in the late '50s, including the smooth Cary Grant vehicles Indiscreet (1958) and The Grass is Greener (1961). Working less often and mostly in Europe as the 1960s went on, Donen expanded his creative horizons beyond his 1950s studio films. Donen blended comedy, romance, and suspense in the Cary Grant/Audrey Hepburn starrer Charade (1963), a successful neo-Alfred Hitchcock mystery. Trying his hand at New Wave techniques, Donen notched a hit with nonlinear marital comedy Two for the Road (1967), assisted by stars Audrey Hepburn and Albert Finney's onscreen chemistry. Donen, Dudley Moore and Peter Cook's blasphemous [\comedy Bedazzled (1968) became a cult favorite; Staircase (1969) was only notable for centering on a gay relationship between Richard Burton and Rex Harrison.
His brand of stylish classicism increasingly out of synch with the New Hollywood, despite Two for the Road's success, Donen made movies sporadically during the 1970s and early '80s. The subpar screen musical of Antoine de St. Exupery's The Little Prince in 1974 was momentarily enlivened by Fosse's cameo as the Snake. The clever 1930s send-up Movie Movie (1978), featuring a boxing drama and Busby Berkeley-esque musical, was a far better use of Donen's talents. He attempted science fiction with the ill-conceived Saturn 3 (1980) and after the leering comedy Blame It on Rio (1984), Donen left movies, resurfacing occasionally in documentaries and to direct the TV version of A.R. Gurney's Love Letters (1999).
Donen married several times, including to actress Yvette Mimieux. ~ Lucia Bozzola, Rovi
Stanley Donen directed this made-for-television adaptation of A.R. Gurney's international stage success, which follows the long-gestating romance between two people through their correspondence. Andy (Steven Weber) first fell for Melissa (Laura Linney) when they were in second grade, and while he's remained infatuated with her -- and she cares deeply for him -- life takes them in very different paths as he becomes a serious-minded lawyer and she pursues the life of an artist. But the two of them write one another frequently, and through the letters, notes, and messages passed between them, the audience is allowed to see how a childhood crush grows with time into a mature and abiding affection between two people. Expanded from the original stage (which featured only two actors on a bare stage), Love Letters also features Kirsten Storms, Tim Redwine, and Jackie Richards. ~ Mark Deming, Rovi
- Starring:
- Steven Weber, Laura Linney, (more)
This attempt to remake the clever 1977 French farce Un Moment d'Egarement stars Michael Caine as an executive named Matthew Hollis, who, together with friend Victor Lyons (Joseph Bologna), travels to Rio de Janeiro on business. Victor sets out on the town in search of a lambada partner, leaving Matthew to fend for himself against his friend's over-sexed teenage daughter (Michelle Johnson), who's come along for the ride. Soon, Matthew succumbs to her advances, despite his efforts to break off the affair, and finds himself a repeated statutory rapist, at least by American legal standards. The script plays out like an extended version of Three's Company, with lots of near-misses and dumb-dumb humor; critics aptly noticed Caine's apparent discomfort throughout the film. ~ Jeremy Beday, Rovi
- Starring:
- Michael Caine, Joseph Bologna, (more)
- 1980
- R
In a futuristic setting, two research scientists (a guy and a gal) are set up in an orbiting space station. The guy is Kirk Douglas, and the gal is Farah Fawcett. They are doing just fine until a run-away scientist comes to visit, lusts for Fawcett, and builds a robot that also lusts for her. Mr. Douglas has his work cut out for him, keeping the menacing robot away from his ladyfriend. ~ Rovi
- Starring:
- Farrah Fawcett, Kirk Douglas, (more)
- 1978
- PG
This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi
- Starring:
- George C. Scott, Barbara Harris, (more)
During the Prohibition era, Walker (Burt Reynolds) and Kibby (Gene Hackman) run a liquor smuggling operation in Mexico; they team up with Claire (Liza Minnelli), a cabaret entertainer who has an "in" with several big-time nightclub owners. Complications ensue when both men fall in love with Claire, and she can't make up her mind between them. Escaping both the law and a murderous gang of rival crooks, the threesome set sail on a small boat called the "Lucky Lady." ~ Hal Erickson, Rovi
- Starring:
- Gene Hackman, Liza Minnelli, (more)
Stanley Donen directed this lugubrious musical fantasy based on the classic Antoine de Saint-Exupery children's parable, featuring a musical score by Alan Jay Lerner and Frederick Loewe -- their first film score since Gigi. The simple story concerns a French aviator (Richard Kiley) who crashes his airplane in the middle of the Sahara desert and comes upon a young blonde prince (Steven Warner) from another planet. The Little Prince tells the pilot that he is inspecting the universe and stays in the desert long enough to convey to the pilot his impressions of the earth and stories of other planets he has visited. In a supporting role as a serpent that the Little Prince met amongst his travels in the universe, Bob Fosse stops the show with a slithery dance routine. ~ Paul Brenner, Rovi
- Starring:
- Richard Kiley, Steven Warner, (more)
- 1969
- R
Homosexuality is only incidentally important in this drama of dependence and intimacy between two aging hair stylists, and nothing shocking to staid and heterosexual sensibilities takes place in this movie, a star turn for Richard Burton and Rex Harrison. Whether the original play was as patently offensive to actual homosexuals as this movie is, is open to question. What is certain is that it grossly exaggerates every unpleasant "fag" stereotype in the books, However, the lead actors skillfully make art out of these very same offensive tics, demonstrating the mysterious power of great performers to make a silk purse out of a sow's ear. In the story, Charlie (Harrison) and Harry (Burton) have been roommates, business partners and intimates for many long years, and their convoluted mutual dependency is every bit as complicated as that between any aged but incompatible couple who have grown used to one another over the years. Charlie thinks he can do without Harry, but Harry knows better and patiently bears the barbs and arrows that come his way. One of the nicer aspects of the stereotypical portrayal is that both men get to demonstrate some beautifully sharp, barbed wit. ~ Clarke Fountain, Rovi
- Starring:
- Richard Burton, Rex Harrison, (more)
Falling somewhere between the Beyond the Fringe school and the Monty Python league, Bedazzled is an irreverent Faust take-off, written by and starring Peter Cook and Dudley Moore (Moore also composed the music). Moore plays a short-order cook at a London Wimpyburger restaurant, who falls hopelessly in love with waitress Eleanor Bron. About to commit suicide, the broken-hearted Moore is approached by Satan (Peter Cook). The Fallen Angel offers to purchase Moore's soul in exchange for seven wishes--the first of which is squandered when Satan buys Moore an ice cream bar (something over which the two stars quarrel throughout the film). Enticed by living personifications of the Deadly Sins--Raquel Welch, wearing next to nothing, is "Lillian Lust"--Moore allows Satan to grant him his heart's desire, utilizing the magic words, "Julie Andrews!" But with each wish, Satan, being Satan, can't help but gum up the works with a double-cross. The desperate Moore ultimately wishes to be allowed to spend the rest of his life with Eleanor in an environment with no other men--whereupon Satan transforms both Eleanor and Moore into nuns! Finally Satan has a change of heart, allowing Moore and Eleanor to fall in love in more orthodox surroundings and permitting Moore to regain his soul. Satan hopes that God will appreciate this good deed and allow him to re-enter Heaven. But God doesn't buy this; He's satisfied with Satan remaining mankind's "necessary evil". ~ Hal Erickson, Rovi
- Starring:
- Peter Cook, Dudley Moore, (more)
In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, Rovi
- Starring:
- Audrey Hepburn, Albert Finney, (more)
An expert in ancient hieroglyphics unexpectedly finds himself involved in a web of international intrigue in this chic, enjoyably tongue-in-cheek espionage adventure. Gregory Peck stars as David Pollock, an American professor whose predictable academic routine is overturned when he is hired to help translate a mysterious message written in an obscure ancient text. The real trouble begins, however, when everyone from a wealthy oil magnate to a foreign government to brutal criminals starts to chase Pollock, desperate to discover the nature of the deciphered message. Along for the ride is Yasmin Azir (Sophia Loren), the gorgeous lover of Pollock's employers, whose loyalties are questionable, to say the least. The tangled narrative proves less important than the film's stylish surface, from the colorful London locations to the Henry Mancini score. Certain touches date the film, like a brief foray into psychedelia, but the modish visuals are generally an appropriate match to the insouciant tone. Not taking itself seriously enough to be truly thrilling, Arabesque nevertheless stands as a witty, well-made example of a particular breed of airy, intentionally superficial comic adventure. ~ Judd Blaise, Rovi
- Starring:
- Gregory Peck, Sophia Loren, (more)
Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award. ~ Paul Brenner, Rovi
- Starring:
- Cary Grant, Audrey Hepburn, (more)
A rousing chorus of Noël Coward's "Stately Homes of England" is heard as the opening titles of The Grass Is Greener fade into several stock shots of those stately homes. One of these mansions is owned by British earl Victor Rhyall (Cary Grant), who opens his home to American tourists in order to make ends meet. One such tourist is wealthy Texan Charles Delacro (Robert Mitchum), who sets his sights upon Victor's lovely wife, Hilary (Deborah Kerr). In his efforts to win back his wife, Victor presses his former girlfriend Hattie Durant (Jean Simmons) into service. The Grass Is Greener was adapted by Hugh and Margaret Williams from their own stage play. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Deborah Kerr, (more)
- 1960
Yul Brynner and Kay Kendall star as Victor and Dolly Fabian in this successful cinematic version of the stage comedy by Harry Kurnitz. Victor is a larger-than-life symphony conductor who loves music but has all the social skills of a wounded rhinoceros. After his wife Dolly gets fed up with smoothing over his relationships with his musicians and everyone else, she dumps him and takes up an offer of marriage from a physicist. Alas! Documentation -- or the lack of it -- soon reveals that the Fabians were never really married in the first place. Unfortunately, they still have to get divorced in order to save face and this, of course, leads to an increasingly unexpected series of complications. Elegant and witty actress Kay Kendall died of leukemia three months after this film was completed. ~ Eleanor Mannikka, Rovi
- Starring:
- Yul Brynner, Kay Kendall, (more)
- 1960
This is an unimpressive spy-comedy from director Stanley Donen who inserts his specialty, a small song-and-dance number, into the odd proceedings. Gangster Nico March (Yul Brynner) has been ordered out of the United States because of his unsavory activities and back to the Greek island from whence he came (actually Rhodes). Once on the island, various characters enter the picture, including a local, corrupt police chief. Nico decides to send for a bundle of money left in the States but his double-crossing "friends" send him a bundle of feminine wiles instead, Gabby Rogers (Mitzi Gaynor). Obviously, Nico is none too pleased with the lousy substitution for hard cash, though he does not yet realize he is sure to fall in love with her. ~ Eleanor Mannikka, Rovi
- Starring:
- Yul Brynner, Bill Nagy, (more)
Adapted by Norman Krasna from his play Kind Sir, Indiscreet stars Ingrid Bergman as a wealthy actress and Cary Grant as an international financial wizard. While Grant is visiting London, Bergman's sister Phyllis Calvert and brother-in-law Cecil Parker introduce Grant to Bergman. Because he feels he has no time for marriage, Grant pretends to be married to avoid romantic tangles. Bergman, however, finds the prospect of an affair with a married man to be quite exhilarating. When she discovers the truth, Bergman gets even with the now-smitten Grant by faking a romance with an ex-boy friend--ordering luckless chauffeur David Kossoff to pose as her beau. A comedy by grownups, about grownups and for grownups (at least by 1958 standards), Indiscreet proved to be far more successful as a film than as a stage play. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Ingrid Bergman, (more)
- 1958
Damn Yankees is a frothy, faithful adaptation of the 1956 Broadway hit. In an amusing slant on the "Faust" legend, aging baseball fan Joe Boyd (Robert Schafer) is given an opportunity to lead his beloved Washington Senators to victory by a devilish gent named Applegate (Ray Walston). Boyd is transformed into handsome young "Shoeless" Joe Hardy from Hannibal, Mo. (and in the process, the part is taken over by Tab Hunter, who's better than everyone said he was back in 1958). Joe becomes the Senators' star player, but at the price of his immortal soul; he isn't terribly worried, however, since he's built an escape clause into his contract with Applegate. To see that Joe doesn't get a chance to exercise that clause, Applegate sends his luscious assistant Lola (Gwen Verdon) to seduce the ballplayer. This effort doesn't work, but Applegate still manages to cause Joe to lose his chance at salvation. But there is still a ray of hope--if Hardy can win the deciding pennant game, he'll be able to foil Applegate's master plan of causing the Senators to lose. With Lola's aid, Joe gives the devil more than his due. The principal selling angle of Damn Yankees, beyond the presence of Gwen Verdon and Ray Walston delightfully recreating their stage roles, are the wonderful Richard Adler/Jerry Ross songs, including "You've Gotta Have Heart" and "What Lola Wants, Lola Gets." Based on the novel The Year the Yankees Lost the Pennant, the film (like the play before it) unfortunately throws away Wallop's wryly ironic climax; as a result, the last scenes appear rushed and haphazard. But why quibble? Damn Yankees is and always was a rock-solid piece of entertainment, as proven by its recent S.R.O. Broadway revival. ~ Hal Erickson, Rovi
- Starring:
- Tab Hunter, Gwen Verdon, (more)
The Broadway musical Pajama Game was based on Seven and a Half Cents. a comic novel about labor relations written by Richard Bissell. Doris Day stars as an employee at a pajama factory who becomes the spokesperson for her fellow workers when management refuses to give them a 7 1/2 cent raise. Complicating matters is the fact that Management is represented by handsome John Raitt, who happens to be in love with Day. A subplot involves Day's freewheeling co-worker Carol Haney and her insanely jealous boyfriend, factory-manager Eddie Foy Jr. Many of the cast members from the original Broadway production (Raitt, Haney, Foy, Reta Shaw, Peter Gennaro etc.) are retained for the film version, as are most of the Richard Adler/Jerry Ross songs: highlights include "Hey There", "Steam Heat", "Hernando's Hideaway", "There Once Was a Man". and the title song. The choreography is in the capable hands (and feet) of Bob Fosse. Pajama Game performed so well at the box-office that Warners immediately went to work on the filmization of the second (and last) Adler/Ross Broadway collaboration, Damn Yankees. ~ Hal Erickson, Rovi
- Starring:
- Doris Day, John Raitt, (more)
Luther Davis' racy wartime comedy Kiss Them for Me was expurgated a bit for the 1957 film version. Cary Grant, Ray Walston and Larry Blyden portray three navy war heroes who've been booked on a morale-building "vacation" in San Francisco. Eluding their ulcerated public relations officer (Werner Klemperer), the trio arranges a wild party with plenty of pretty girls. Cary Grant is paired with knockout Suzy Parker, an icy socialite who eventually thaws under his charms. Also on hand is Jayne Mansfield, playing a "good time girl" whose profession was a bit more explicit in the original play; the role was originated by Judy Holliday, who brought a wistfulness to the character that Ms. Mansfield couldn't quite manage. TV sitcom fans will get a kick out of the supporting cast of Kiss Them For Me: Ray Walston, later star of My Favorite Martian plays a libertine navy officer; Werner Klemperer, shorn of the accent he'd use as Colonel Klink in Hogan's Heroes, is hilarious as the flustered p.r. man; and Richard Deacon (Leave It to Beaver, The Dick Van Dyke Show) pops up unbilled as a dour businessman who can't understand the war-hero mystique. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Suzy Parker, (more)
This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, Rovi
- Starring:
- Audrey Hepburn, Fred Astaire, (more)
Cooked up by Betty Comden and Adolph Green, It's Always Fair Weather could well have been titled On the Town Ten Years Later. Like 1949's On the Town (also a Comden/Green collaboration), this MGM musical follows the exploits of three servicemen buddies, played by Gene Kelly, Dan Dailey and Michael Kidd. The difference here is that the threesome has just been discharged from service. The boys agree to get together again exactly ten years after their parting. Flash-forward to 1955: Kelly, who'd dreamed of being a show biz entrepreneur, is a small-time boxing promoter, heavily in debt to the Mob; Dailey has abandoned his plans of becoming an artist in favor of a stuffy, grey-flannel existence as an ad executive; and Kidd, who'd aspired to being a master chef, is running a modest diner. On behalf of TV-personality Dolores Gray, network-staffer Cyd Charisse contrives to reunite the three men on a This is Your Life style TV special, but all three are hostile to the notion. ~ Hal Erickson, Rovi
- Starring:
- Gene Kelly, Dan Dailey, (more)
Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, Rovi
- Starring:
- José Ferrer, Helen Traubel, (more)
- 1954
- G
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Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction. ~ Hal Erickson, Rovi
- Starring:
- Howard Keel, Jeff Richards, (more)
- 1953
After providing excellent support in previous MGM musicals, the singing-dancing team of Marge and Gower Champion were rewarded with their own starring vehicle, Give a Girl a Break. Marge plays one of three actresses competing for the leading role in a Broadway show directed by Gower. The other two girls are Debbie Reynolds and Helen Wood, so Marge is hardly a shoe-in. Another topnotch dancer/choreographer, Bob Fosse, co-stars as the show's leading man. Highlights include the aptly named "Challenge Dance" and the grand finale "Applause, Applause." Kurt Kasner provides a few chuckles as the show's neurotic composer. Several real composers collaborated on the score of Give a Girl a Break, among them Burton Lane, Ira Gershwin, Andre Previn and Saul Chaplin. ~ Hal Erickson, Rovi
- Starring:
- Marge Champion, Gower Champion, (more)
- 1952
- G
The unbreakable bond between a young man and his pet lion provides the action in this comedy. The trouble begins when the young man becomes a private in the army. Because he cannot bear to sell his lion Fagan to a mean-spirited circus trainer, the private asks his sergeant to help him find a good home for his pet. Naturally, the sergeant at first disbelieves his charge. He becomes a believer after the big kitty escapes from his cage and the Army must send out search parties to get him back. Thanks to Army publicity, a good home is found for the lion. Unfortunately, the loyal feline again escapes to search for his master. He causes chaos during troop maneuvers. ~ Sandra Brennan, Rovi
- Starring:
- Janet Leigh, Carleton Carpenter, (more)
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