Vincent J. Donahue Movies

Mary Martin originally starred in the Jules Styne/Carolyn Leigh/Comden & Green musical version of James M. Barrie's Peter Pan on Broadway in 1953. On March 7, 1955, Peter Pan was restaged for television, live and in color, on NBC's Producer's Showcase. The telecast was so popular that it was repeated, again live, the following year. Blessedly, Mary Martin returned to commit Peter Pan to videotape in 1960; this version was first telecast on December 8 of that year. Forty-seven years old at the time, Martin is utterly enchanting as Peter Pan, the little boy who won't grow up and who whisks Wendy Darling (Maureen Bailey) and her brothers Michael (Kent Fletcher) and John (Joey Trent) out of their London nursery and off to Never Never Land: "First star to the left, then straight on till morning." Song highlights include "I've Gotta Crow," "I'm Flying," "I Won't Grow Up," "Neverland," "Ugg-a-Wugg" and "Hook's Waltz." As with the Broadway version, the staging and choreography was in the more than capable hands of Jerome Robbins. Cyril Ritchard shamelessly hams it up as the wicked Captain Hook, and also doubles as the more benign Mr. Darling. Both Martin and Ritchard re-created their Broadway roles, as did Sondra Lee as the incongruously blonde Indian princess Tiger Lily. Martin's daughter Heller Halliday also appears in the minor role of Liza the maid, while the whole wonderful package is narrated by Lynn Fontanne. Repeated several times into the 1970s, this full-color version of Peter Pan was put into mothballs for several years, then retelecast (complete with the old NBC Peacock logo) in 1989. For this return engagement, the play was edited to accommodate extra commercials; happily, the complete version of the 1960 Peter Pan is now available on videocassette. ~ Hal Erickson, All Movie Guide

For his film directorial debut, producer Dore Schary selected a longtime pet property: Miss Lonelyhearts, Nathaniel West's trenchant 1933 novel. Montgomery Clift delivers a haunting performance as journalist Adam White, assigned by his cynical editor Adam Shrike (Robert Ryan) to take over a newspaper advice column. Signing himself Miss Lonelyhearts, White is appalled by the human misery pouring out of the letters sent to him (one of his correspndents was born without a nose), but Shrike insists that anyone who'd write to such a column is fake. To find out for himself, White looks up one of the correspondents, unhappily married Fay Doyle (Oscar-nominated Maureen Stapleton). His pity for the seriously disturbed Fay nearly leads to tragedy (in the novel, there's no "nearly"). Meanwhile, Shrike tries to contend with his own tottering marriage to his wife Florence (Myrna Loy). In additional to shortening the title to Lonelyhearts, Dore Schary made a number of radical changes in the original, adding an overabundance of "meaningful" dialogue and softening the character of Florence Shrike. Purists were enraged by Schary's liberties, while critics carped at his perfunctory direction; audiences, however, seemed to like the film. ~ Hal Erickson, All Movie Guide

FBI operative Mark Stevens is dispatched by his boss Lloyd Nolan to infiltrate a criminal gang. Stevens ingratiates himself with Richard Widmark, the gang's leader, then helps concoct a robbery that will deliver the criminals into the hands of the authorities. But there's an informant in the police department, who gets word back to Widmark. Aware that there's a stoolie in his gang, Widmark automatically assumes that his wife Barbara Lawrence is the guilty party, and beats her senseless. Eventually determining that Stevens is the "mole," Widmark methodically plans to kill Stevens during a holdup; by this time, however, the FBI is a step or so ahead of him. Remade in 1955 by Samuel Fuller as House of Bamboo. ~ Hal Erickson, All Movie Guide

Director Victor Fleming's final film features Ingrid Bergman as a vivid and luminous Joan of Arc, the 15th-century French peasant girl who led the French in battle against the invading English, becoming a national hero. When she was captured, tortured, and ultimately executed by the English, she was made a Catholic saint. Bergman's Joan is a strong and spiritual figure who proves her devotion to the Dauphin (Jose Ferrer), later to become the King of France. Joan is compelling as she wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon, leads her army in the Battle of Orleans, is betrayed by the Burgundians, and edicts that "our strength is in our faith." ~ Paul Brenner, All Movie Guide