James Dixon Movies

"You have the right to remain silent . . . Forever!" This sequel to Maniac Cop pits Matt Cordell (Robert Z'dar), the crazed, murderous "Maniac Cop" of the first film (now horribly disfigured after a particularly brutal stay in prison), and Turkel (Leo Rossi), a serial killer who likes to murder strippers, against a frenzied NYPD detective, Sean McKinney (Robert Davi), who is just one step ahead of a nervous breakdown. His nerves don't get much relief when officers Jack Forrest (Bruce Campbell) and Teresa Mallory (Laurene Landon) insist that Cordell is still alive -- not only alive, but unkillable. Then Jack is murdered and the silent Maniac Cop breaks Turkel out of jail. With a group of rancid prisoners, they take police department psychologist Susan Riley (Claudia Christian) hostage. When the prisoners attempt a massive prison break, McKinney musters his forces to hunt down Cordell and Turkel and save Susan. ~ Paul Brenner, All Movie Guide

This paranoid thriller begins as Eric Roberts' girlfriend (Janine Turner) is taken away in an ambulance and he can't find her. She's been taken prisoner by Eric Braeden, a crazed doctor who kidnaps people and sells their bodies for spare parts. Roberts hooks up with pretty cop Megan Gallagher to solve the mystery. A campy, action-packed thriller from cult director Larry Cohen (It's Alive), The Ambulance features a cameo by Marvel Comics prez Stan Lee and lots of tongue-in-cheek humor. It's as quirky as Cohen's other genre forays, and is entertaining enough for a rainy day rental, with clever photography by Jacques Haitkin and a tense score by Jay Chattaway. ~ Robert Firsching, All Movie Guide

Better known as It's Alive III, Island of the Alive details the further exploits of the murderous mutant infants introduced in director Larry Cohen's It's Alive! (1974). Said infants are shipped off to a desert island, where they are completely cut off from civilization. The government intends to eliminate the penned-up infants, but Michael Moriarty, the father of one of the babies, organizes a protest against this wholesale slaughter. It is clear to anyone who can read that director Cohen is drawing parallels between the quarantined children and society's treatment of AIDS victims. The strength of Cohen's direction and storytelling prowess is slightly weakened by some inadequate special effects in the closing scenes, wherein the babies reproduce and wreak havoc on the Mainland. ~ Hal Erickson, All Movie Guide

When a group of miners discovers a mysterious but delicious white substance bubbling up from the earth, a conglomerate markets the gooey, addictive fluff as a dessert in this tongue-in-cheek horror spoof from former NBC scriptwriter Larry Cohen. When a new product called "The Stuff" begins eating into the market share of traditional frozen desserts, the dairy industry hires former FBI agent Moe Rutherford (Michael Moriarty) to investigate the competition. With the assistance of deposed ice-cream magnate Chocolate Chip Charlie (Garrett Morris), Rutherford discovers that the substance is actually a sentient entity that takes over its victims' minds while eating away at their bodies from the inside. Meanwhile, young Jason (Scott Bloom) realizes that his family's strange behavior has something to do with the dessert product in their refrigerator that refuses to stay in its carton, and he launches a campaign to destroy the threatening confection. Soon Rutherford and Jason must team up with Nicole Kendall (Andrea Marcovicci), The Stuff's unwitting advertising mastermind, and Vietnam vet-turned-militia leader Colonel Spears (Paul Sorvino) to save America from its own sweet tooth. Sorvino and Moriarty would go on to co-star in NBC's hit police procedural, Law & Order. Icy-eyed As the World Turns hunk Brian Bloom appears alongside his brother, Scott Bloom. The Stuff's television connections also extend to cameos from Clara Peller, pitchwoman for the Wendy's "Where's the beef?" campaign, and Abe Vigoda of Barney Miller fame. Actresses Brooke Adams, Tammy Grimes, and Laurene Landon also appear in parodic commercials for the titular dessert. ~ Brian J. Dillard, All Movie Guide

This oddball werewolf outing from hit-and-miss genre auteur Larry Cohen details the comic misadventures of Tony Walker (Adam Arkin, son of Alan), a former high-school jock who is transformed into a werewolf during a family visit to Transylvania. Cursed with immortality, Tony is able to return to his old school stomping ground twenty years later and pass himself off as his own son. The outcome proves more disconcerting for Tony than for his unsuspecting friends, to whom the passing years have been less than kind. This low-key comedy provides enough grist for Cohen's wry brand of satire, but a terminal case of Teen Wolf syndrome causes many of the jokes to fall flat. ~ Cavett Binion, All Movie Guide

Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, All Movie Guide

Cult director Larry Cohen (It's Alive) directed this violent blaxploitation film. Nasty racist John McKinney cripples a black shoeshine boy, who grows up to be Tommy Gibbs (Fred Williamson), the Godfather of Harlem. The crimelord now has his tormentor McKinney (Art Lund) in his pocket, based on the cop's mob ties. Tommy's traitorous girlfriend Helen (Gloria Hendry) hands over the evidence, and McKinney moves in for the kill. But he may have underestimated the violent Tommy, who makes him shine his shoes in blackface while singing "Mammy." Rick Baker provided makeup effects, and James Brown did the music for this bloody oddity, followed the same year by Hell Up in Harlem. Cohen and Williamson got together 23 years later for an interesting (if unsuccessful) attempt at reviving the genre, Original Gangstas. ~ Robert Firsching, All Movie Guide

A top-secret Soviet spy satellite -- using stolen Western technology -- malfunctions and then goes into a descent that lands it near an isolated Arctic research encampment called Ice Station Zebra, belonging to the British, which starts sending out distress signals before falling silent. The atomic submarine Tigerfish, commanded by Cmdr. James Ferraday (Rock Hudson), is dispatched with orders to get to Ice Station Zebra carrying three passengers, a Englishman going by the name of David Jones (Patrick McGoohan), a Soviet turncoat named Boris Vaslov (Ernest Borgnine), and an American Marine officer, Captain Anders (Jim Brown), who is supposed to command the Marine unit assigned to the mission. Jones is problem enough, as he is in command of the mission and he prefers to withhold as much information as it's possible to do from Ferraday, even at the risk of the Tigerfish's safety. Add to that the fact that Anders is suspicious of Vaslov, and Vaslov seems much too inquisitive and is telling even less of what he knows about the mission, and Ferraday has his hands full trying to get these men to the polar ice -- 600 miles of dangerous travel -- in just two days. When an attempt to break through the ice -- coupled with some timely sabotage -- kills one man and nearly destroys the boat, the men surrounding these contending parties start to understand just how high the stakes are for everyone. It turns out that the Soviets want what was aboard that satellite as much as the West does; indeed, both sides are frantic to get it, and, just as much, to keep the other side from getting it -- and they're prepared to take it by brute force. Once Ferraday and his men arrive at Zebra, they find a disaster and still more mystery, with most of the men dead and the object that Mr. Jones is supposed to secure nowhere in evidence, and he and his two fellow men of mystery suddenly showing their killing instincts quite freely. And with the storm clearing from the Soviet side first, their planes and their paratroops are closing in on Ferraday, and his relative handful of men. ~ Bruce Eder, All Movie Guide