Harry Ditson Movies

It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., All Movie Guide

British director Richard Marquand graduated from BBC documentaries to dramatized features with 1979's Birth of the Beatles. This chronicle of the Fab Four begins when the group consisted of five musicians: John Lennon (Stephen MacKenna), Paul McCartney (Rod Culbertson), George Harrison (John Altman), Stu Sutcliffe (David Wilkinson), and Pete Best (Ryan Michael). The group begins its career in the dregs of a Hamburg, Germany nightclub (most of the film was made on location). Under the tutelage of manager Brian Epstein (Brian Jameson), the group sheds its rough-hewn image in favor of choirboy haircuts and Eton collars; along the way, Sutcliffe dies and drummer Best is replaced by Richard Starkey, (aka Ringo Starr, played here by Ray Ashcroft). First aired in the U.S. on November 23, 1979, Birth of the Beatles is significant as the only Beatle biopic made while John Lennon was still alive. ~ Hal Erickson, All Movie Guide

Alan Arkin plays a hapless architect named Jeffrey Martley, separated from his sprightly writer wife Diana (Mariette Hartley) and his wise-beyond-her-years five-year-old daughter Nancy (Sarah Stevens). When Nancy is injured in Jeffrey's camper, she is taken to the hospital where a misunderstanding leads doctors to believe she is the victim of child abuse. An imperious social worker, Gloria Washburn (Monica Parker), compiles a computer dossier on Jeffrey, and Nancy is taken away from him and put in an orphanage. When Diana finds out the situation, she gets back together with Jeffrey in order to try to get their daughter out of the orphanage. ~ Paul Brenner, All Movie Guide

This lively and off-beat Canadian comedy tells the tale of a regular Joe whose life is turned topsy turvy when he teams up with a strange restaurateur who convinces the fellow to invest in his latest project: an Italian restaurant with operatic waiters. ~ Sandra Brennan, All Movie Guide

Few filmmakers other than Warren Beatty would have had the courage and vision to fashion an epic film from the life of famed American Communist John Reed (who is the only US citizen buried in the Kremlin). The film is an effort to humanize a political movement that has previously been depicted on screen in a series of unsubtle and prejudicial broad strokes. The film begins in 1915, when Reed (Beatty) makes the acquaintance of married Portland journalist Louise Bryant (Diane Keaton). So persuasive is Reed's point of view--and so charismatic is Reed himself-- that Bryant kicks over the traces and joins Reed and his fellow radicals. Among the famous personages depicted herein are Emma Goldman (Maureen Stapleton), Eugene O'Neill (Jack Nicholson) and Max Eastman (Richard Herrmann). The second half of this nearly-200-minute film skims through the years when Reed, now a Russian resident, becomes disillusioned by the harsh realities of Bolshevism. Despite the celebrity line-up of real-life "witnesses" to the events depicted in the film (ranging from novelist Henry Miller to comedian George Jessel!), historians took Reds to task for its oversimplification of events and its laundering of the notoriously promiscuous Louise Bryant. ~ Hal Erickson, All Movie Guide

A suicidal patient is placed in a mental hospital for observation. A psychiatrist realizes that the fellow contains telepathic powers with which he's capable of transferring his own fear-filled nightmares into the minds of others. When he directs his ephemeral madness into the minds of the doctors and patients around him, the hospital turns into a nightmarish melee. ~ All Movie Guide

The second of Zucker-Abraham-Zucker's theatrical-feature spoofs (Airplane was the first, discounting the patchwork Kentucky Fried Movie), Top Secret! lampoons practically every film genre. Specifically, however, this is a hybrid of an "Elvis" movie and a World War II "underground resistance" thriller. In his film debut, Val Kilmer plays Nick Rivers, a Presley-like American rock idol sent behind the Iron Curtain on a goodwill tour. Before long, he is involved in a complex espionage scheme thanks to beautiful Lucy Gutteridge, the daughter of a scientist (Michael Gough) held captive by the Communists. Also essential to the action is flamboyant resistance leader Christopher Villiers, who behaves like Victor Mature in Betrayed (1954) and talks like James Mason. Adhering to Z-A-Z's cheerful disregard for people, places and events, the East Germans are depicted as Nazis, while the Underground is comprised of Frenchmen. The plot is mainly an excuse for the Z-A-Z team's fondness for joke-a-minute lampoonery, skewering cinematic targets ranging from The Blue Lagoon (1980) to The Wizard of Oz (1939). As in Z-A-Z's other efforts, Top Secret! scores its biggest yocks when invoking cliches that we never realized were cliches-and falls on its face whenever attempting a too-obvious gag (the biggest clinker: that pigeon statue in the park). Everyone has his or her favorite bits in this film: our faves include the resistance fighter named Deja Vu ("Haven't we met somewhere before?"), Kilmer's horrible nightmare while being tortured (he arrives too late to take final exams), the army-booted cow, the sensitive Pinto, and the East German National Anthem, sung to the tune of the Shorewood (Wisconsin) High School marching song. But let's say no more: comedy of this nature is designed to be seen, not written or read about. ~ Hal Erickson, All Movie Guide

John Schlesinger directs the war romance Yanks, based on the story by Colin Welland. Set in England at the end of WWII, the story concerns three American GIs and their affairs with British women of varying social status. The central romance concerns Sgt. Matt Dyson (Richard Gere) and Jean Moreton (Lisa Eichhorn making her film debut), who is the daughter of shopkeepers (Rachel Roberts and Tony Melody). He falls in love with her but she is still infatuated with her boyfriend Ken (Derek Thompson). Higher up on the class scale, the officer John (William Devane) has a brief extramarital affair with socialite Helen (Vanessa Redgrave). The third pairing involves Sgt. Danny Ruffelo (Chick Vennera) in a fling with Mollie (Wendy Morgan). Eventually, the Americans and the Britains find themselves surrounded by racism at a New Year's Eve dance. Annie Ross from the vocal jazz group Lambert, Hendricks, & Ross appears briefly as a Red Cross nurse. Yanks won two BAFTA awards in 1980: to Shirley Russell for Best Costume Design and to Rachel Roberts for Best Supporting Actress. ~ Andrea LeVasseur, All Movie Guide