Ross Alexander Movies

The Warner Bros. musicals began running out of gas in the late 1930s, yielding such lukewarm efforts as Ready, Willing and Able. Ruby Keeler, as charmingly ingenuous as ever, plays Jane, a college student with show-biz aspirations. In order to land a role in an upcoming Broadway spectacular, Jane impersonates famous British stage luminary Jane Clarke (and never mind that her British accent is as transparent as a plastic bag). On the strength of Jane's supposed reputation, fly-by-night producers Pinky Blair (Lee Dixon) and Barry Granville (Ross Alexander) convince a movie studio to pony up the money for their Broadway show. The trouble begins when the real Jane Clarke shows up, threatening lawsuits left and right. Somehow, Pinky and Barry are able to make both of their leading ladies happy, and the show goes on. The film's solitary musical highlight is "Too Marvelous For Words," performed by a battalion of leggy chorines on a huge typewriter; curiously, this very famous sequence was barely mentioned at all in the original reviews for Ready, Willing and Able. Sadly, co-star Ross Alexander died before the film was released nationally. ~ Hal Erickson, Rovi

Sinclair Lewis's 1920 novel Main Street came to the screen in 1936 from Warner Bros. under this rather more mundane title. Carol Kennicott (Josephine Hutchinson) is the newly-married spouse of small-town doctor William Kennicott (Pat O'Brien). But Carol's big city upbringing hasn't prepared her for life in their rural village, where everyone seems to know everyone else, and everything about them. And the loyal, dedicated physician is so devoted to his patients, that he is oblivious to his wife's growing boredom with their lives, her feelings of emotional claustrophobia, or her seeming attraction to a potential romantic rival (Ross Alexander). Soon the whole town is whispering about the presumed illicit relationship, and the couple's marriage is put to the test. ~ Bruce Eder, Rovi

In this romantic crime drama a young Detroit criminal flees into the West after killing his boss. It was accidental, but he fears retaliation. He finds work in Colorado building the great dam, proves to be a hard-working honest young man and is promoted to foreman. When not working, he woos a beautiful singer. Eventually he can no longer hide from his past. Fortunately, his good work has won him friends in high places. ~ Sandra Brennan, Rovi

In this comedy a sneaky salesman tries to sell an inventor's newest product, a water-based fuel. Before the inventor can finish testing the product he needs cash, so the salesman desperately endeavors to come up with some by creating a phony stock promotion. When he announces that the great invention has finally been perfected, investors begin handing him money hand-over-fist. The salesman then uses the cash to create a phone corporation complete with a fake board of directors. Just as their success seems assured, the inventor is abducted. The salesman must then find him or end up in prison. ~ Sandra Brennan, Rovi

Max Reinhardt's legendary Hollywood Bowl production of Shakespeare's A Midsummer Night's Dream was transferred to the screen by Warner Bros. in 1935. Like most of Shakespeare's comedies, the story contains several seemingly unrelated plotlines, all tied together by a single unifying event, in this instance the impending wedding of Theseus and Hippolyta. One story thread concerns the mistaken-identity romances of four young Athenians; another involves a group of "rude mechanicals" who plan to stage a production of "Pyramus and Thisbe" in honor of the wedding; and third plot strand is motivated by the mischievous misbehavior of invisible fairies Oberon, Titania, and Puck. While one of the members of Reinhardt's original stage cast, Olivia De Havilland (Hermia) was retained for the film version, the remainder of the roles went to Warners' ever-reliable stock company. Some of the casting is inspired: James Cagney is brilliant as vainglorious amateur thespian Bottom, while Joe E. Brown is ideal as the reluctant female impersonator Flute. As the four lovers, De Havilland and Jean Muir far outshine the smirking and simpering Dick Powell and Ross Alexander. In the dominion of the fairies, Mickey Rooney is a bit too precious as Puck, but Anita Louise is a lovely Titania and Victor Jory a suitably menacing Oberon (his opening line "Ill met by moonlight, proud Titania!" still sends shivers down our spines). Cagney and Brown's fellow "mechanicals" are an odd mixture of the sublime (Frank McHugh) and the just plain silly (Hugh Herbert). While the performances and direction (by Reinhardt and William Dieterle) are uneven, the art direction and special effects (especially the nocturnal dance of the fairies) are breathtakingly beautiful. Mendelssohn's "Midsummer Night's Dream" incidental music is masterfully orchestrated by Erich Wolfgang Korngold, while the cinematography by Hal Mohr earned the first write-in Academy Award in Hollywood history (Mohr had not been nominated due to hostilities arising from a recent industry strike). Considered a brave failure at the time of its first release, on a purely visual level A Midsummer Night's Dream is one of the more satisfying Shakespearean cinemadaptations of Hollywood's golden age. ~ Hal Erickson, Rovi

This musical drama stars Dick Powell as the son of an admiral (Lewis Stone), who'd rather sing than go to sea. Through the genteel pressures of Powell's girlfriend and nightclub partner Ruby Keeler, Powell dons Navy garb and becomes a hero. Busby Berkeley had nothing to do with this one; the direction was in the capable hands of sentimentalist supreme Frank Borzage. The Borzage touch was particularly noticeable in a heartrending--but non-maudlin--scene in which Ross Alexander is "washed out" as an Annapolis cadet. Shipmates Forever proved to be a treasure trove of background music for the Warner Bros. cartoon department. ~ Hal Erickson, Rovi

When British actor Robert Donat dropped out of Warner Bros. Captain Blood, the studio took a chance on its new contractee, Tasmania-born Errol Flynn. Adapted from the novel by Rafael Sabatini, the film is set during the oppressive reign of King James II. Irish physician Peter Blood (Errol Flynn), arrested for treating a wounded anti-crown rebel, is condemned to slavery in Jamaica. Here he earns several privileges after treating the governor (George Hassell) for gout; this does not rest well with Lionel Atwill, the wicked owner of the plantation on which Blood is forced to work. Nor is Atwill pleased with the growing relationship between his niece Arabella (Olivia DeHavilland) and the imprisoned doctor. An attack on Jamaica by Spanish pirates gives Blood and his fellow slaves the opportunity to become buccaneers themselves. After several months of fighting and plunder, Blood's men capture a merchant ship bearing Arabella. Blood fights a duel with a French pirate (Basil Rathbone) over the girl; having "won" her, Blood intends to have his way with her, but his more decent instincts prevail. When King James is overthrown by William of Orange, Blood is given a commission and lauded as a hero as a reward for his bravery against the Spanish galleons. He is appointed governor of Jamaica, wins the hand of the lovely Arabella, and genially forces Atwill to eat crow. This seemingly outsized swashbuckler was actually a very economical production, using stock footage from several silent films. Captain Blood transformed the 26-year-old Errol Flynn into a star; he's a little clumsy in the dialogue department at times, but cuts a dashing figure in the action scenes. The film also represented the cinematic debut of composer Erich Wolfgang Korngold, who wasn't completely happy with his hastily written score and asked that his on-screen credit be diminished to "musical director". Long available only in its 99 minute re-issue version, Captain Blood has been restored to its full, glorious 119 minute length. ~ Hal Erickson, Rovi

Dick Powell and Ruby Keeler reunite once again for this musical salute to the West Point Military Academy, including many scenes shot at West Point with "the full cooperation of the United States Army." Powell is Canary Dorcey, a private at a Hawaiian army post where he meets the perky Kitt Fits (Ruby Keeler), and she proceeds to flirt with him. Unable to handle the love games, Canary escapes Hawaii by getting an appointment at West Point, where he diligently pursues his studies and tries to forget about dames. But four years later, Kit shows up at West Point with her father, General Jack Fitts (Henry O'Neill), who has accepted the position of the new West Point commander. After some sparring and hedging, a visit to the Kissing Rock along the Flirtation Walk turns the two little lovebirds around, and soon enough they are appearing in the annual West Point musical revue, all forgiven. ~ Paul Brenner, Rovi

Margaret Hughes (Claudette Colbert) returns from a trip abroad to discover that her sweetheart, crusading attorney David Rolfe (Melvyn Douglas), has been framed for murder. To save Rolfe from the chair, Margaret poses as a trollop and insinuates herself into the confidence of the criminal underworld. Her efforts to get her hands on the evidence that will free Rolfe are stymied by gang boss Harry Evans (William "Stage" Boyd), but Evans is himself destroyed by his castoff mistress Claire Foster (Lilyan Tashman). The Wiser Sex was inspired by the recent crime-busting activities of New York's Seabury committee, though one assumes that the real-life participants were not as glamorous as Colbert and Douglas. Featured in the cast is a talented young actor named Ross Alexander, who would go on to a tragically brief starring career at Warner Bros. ~ Hal Erickson, Rovi