Eleanor Bron

Directed by Richard Loncraine, Wimbledon follows the plight of aspiring tennis-star Peter Colt (Paul Bettany), whose bad luck seems to manifest itself just about everywhere. Professionally, Peter is near the very bottom of the world tennis ranks, and personally, he can't find love despite his best efforts to do so. In a rare turn of events, however, Peter is chosen as a wildcard to play at Wimbledon, the tennis world's most prestigious competition. While there, he meets American tennis ingénue Lizzie Bradbury (Kirsten Dunst), and his confidence on the court and off improves tenfold as he falls further in love with her. Driven by his newfound luck, Peter climbs to the top of the tournament players at record speed, until he actually has a fighting chance of winning the men's singles title -- the question is whether or not his good fortune will hold out long enough for him to get the trophy. ~ Tracie Cooper, All Movie Guide

In the style of a Merchant-Ivory production, Thaddeus O'Sullivan directs the British costume drama The Heart of Me, based on Rosamond Lehmann's 1953 novel The Echoing Grove and adapted by Lucinda Coxon. The film opens in late '30s London at the funeral of a middle-class family patriarch survived by his wife (Eleanor Bron) and two daughters: prim and proper Madeleine (Olivia Williams) and free-spirited artist Dinah (Helena Bonham Carter). Madeline's businessman husband, Rickie (Paul Bettany), soon develops an interest in Dinah, which turns into an involved romantic affair. The love triangle causes many problems involving pregnancy, repressed emotions, and various forms of melodrama. Ten years later, the two sisters meet and sort out their relationship. ~ Andrea LeVasseur, All Movie Guide

Adapted for the screen from Edith Wharton's much-loved novel of the same name, House of Mirth follows the fortunes -- or lack thereof -- of Lily Bart, an ambitious but financially imperiled young woman looking for a rich husband in early 20th century New York. The story opens as Lily (Gillian Anderson) takes tea at the apartment of Lawrence Selden (Eric Stoltz), a young bachelor lawyer to whom Lily is attracted but cannot marry because he is not wealthy enough for her liking. Lily stops at Selden's apartment en route to Bellomont, where she is planning to husband-hunt at the country home of shifty businessman Gus Trenor (Dan Aykroyd) and his wife. Gus agrees to invest some money for Lily, but his intentions toward her quickly turn carnal, and when she rebuffs his advances, she finds herself $9,000 in debt. Help arrives in the form of financier Sim Rosedale (Anthony LaPaglia), who extends to Lily a businesslike proposition of marriage; though she is tempted, Lily refuses his offer because he is nouveau riche rather than blueblood society. Soldiering on, Lily journeys to the Mediterranean, where she has been invited to the home of Bertha Dorset (Laura Linney), an alpha socialite who schemes to use Lily as an unwitting decoy for an affair under the nose of her husband George (Terry Kinney). When the trip starts to go bad, George tells Lily that he wants to divorce the slatternly Bertha, but needs some solid proof of her affairs in order to do so. Lily knows that one of Bertha's previous lovers was Selden, but her loyalty to him prevents her from speaking up to George. So, still in debt to Gus and given only a paltry inheritance by her aunt (Eleanor Bron), Lily endures a slew of unsuccessful jobs and, tragically, gradually sinks into the mire of genteel poverty. Directed by Terence Davies, House of Mirth premiered at the 2000 Locarno Film Festival. ~ Rebecca Flint Marx, All Movie Guide

A privileged, free-spirited young girl tries to adapt to life in a strict boarding school in this charming, critically acclaimed children's fantasy. Adapting a novel by Frances Hodgson Burnett, also the author of The Secret Garden, the film shifts the story's setting to World War I. 10 year-old Sara Crewe (Liesel Matthews) has been left in a respected New York City boarding school while her British father heads overseas to fight. Filled with wild stories and a playful attitude, the unconventional Sara becomes popular amongst her classmates but quickly comes into conflict with the harsh headmistress, Miss Minchin (Eleanor Bron), who attempts to quash the child's individuality. The young girl's situation takes a serious turn for the worse when she unexpectedly receives word of her father's death, and, suddenly impoverished, is forced into life as a servant. Treated as a lesser class of person by her former companions, Sara instead befriends her fellow servants and turns to the power of imagination in order to maintain hope for the future. In addition to changing the story's setting, screenwriters Richard LaGravenese and Elizabeth Chandler add a layer of Indian mythology to the tale, allowing director Alfonso Cuaron the chance to punctuate the riches-to-rags fable with a series of lush, imaginative fantasy sequences. Though A Little Princess had difficulty attracting audiences during its initial run, its visual splendor and touching storytelling were praised by many critics, several of whom proclaimed the film one of the best family-oriented productions of its time. ~ Judd Blaise, All Movie Guide

After Patsy (Joanna Lumley) manages to incinerate the Monsoons' kitchen, she and Edina (Jennifer Saunders) take to hanging out in the living room. The only problem is that Saffy (Julia Sawalha) has a rare, though clandestine, date planned for that very room. As Eddy and her monstrous friend torture Saffy by staying put, Gran (June Whitfield) accidentally locks the three women in the living room on her way to the chemist's, leaving Saffy inconsolable and Pats and Eddy bored. Talk turns to sex as Edina tortures Saffy with questions, resorting to a Cosmopolitan sex quiz to elicit information from the girl. Saffy and Patsy fight bitterly, the gaunt fashion plate jealous of the privileges her young rival has enjoyed. In flashbacks, we see the births of all three characters -- including an over-the-top sequence in which Patsy's pretentious mother compares her daughter to a tumor and gives birth to the accompaniment of bad Beat poetry. Eventually, Gran returns home, freeing the trio from the displeasure of each other's forcible company. Originally broadcast on BBC 1 on March 10, 1994, Absolutely Fabulous: Birth marked series two, episode six of this popular Brit-com. Eleanor Bron, originally seen in Absolutely Fabulous: Magazine during series one, reprises her role as Patsy's mom. ~ Brian J. Dillard, All Movie Guide

The ghost of a dead child preoccupies a woman in this British made-for-television supernatural thriller. Emma Thompson stars as Marie, a woman trapped in an unhappy marriage to philandering husband Joe (Adrian Dunbar). When the couple goes on holiday, Marie gets obsessed with the ghost of a little boy who drowned in a nearby lake. ~ Bernadette McCallion, All Movie Guide

The third series of French & Saunders, which originally aired on the BBC in 1990, produced the various clips assembled as French & Saunders: Gentlemen Prefer French & Saunders. Gone With the Wind, Whatever Happened to Baby Jane?, The Exorcist, and Dangerous Liaisons provide fodder for Hollywood parodies, but much of the material focuses on original characters. Chat show hosts and pundits, cleaning ladies with attitude, women in prison -- Dawn French and Jennifer Saunders embody them all. Elsewhere, the duo aim their satiric sights at both the publishing and PR industries. Ladies' magazines and late-in-life hangers-on of Andy Warhol also get their due. There's also an opera documentary in which dueling divas belt out Kylie Minogue's "I Should Be So Lucky" and a feminine twist on the dirty-old-men characters who have been one of the show's staples from the beginning. "Modern Mother and Daughter," the sketch that provided the basis for Absolutely Fabulous, is included, with French originating the role that would be played by Julia Sawalha in the actual series. Sharp-eared viewers will catch a snippet of Inner City's Detroit techno classic "Good Life" in "Modern Mother"; sharp-eyed audiences, meanwhile, will notice that Eleanor Bron, who would go on to play Patsy's poetess mother in Absolutely Fabulous: Birth, appears as an over-the-top academic commentator in the Warhol segment. ~ Brian J. Dillard, All Movie Guide

This made-for-TV thriller stars Robert Loggia as a onetime CIA agent who defected to the Soviet Union to join the KGB. Discovering he has just months to live, the agent wants to return home to America; Scott Glenn plays the U.S. agent assigned to retrieve him. ~ Jason Ankeny, All Movie Guide

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

Adapted by Harold Pinter from the novel by Russell Hoban, Turtle Diary stars Glenda Jackson as a famed author/illustrator of children's books. In the midst of her success, Jackson suffers from writer's block. While casting about for new ideas, she makes several visits to the turtle tank at the local aquarium, where she becomes acquainted with shy bookstore clerk Ben Kingsley. From this point on, nothing is in the least predictable. What can one say that's sensible about a plotline that climaxes with a turtle hijacking? Screenwriter Pinter has a cameo role as "Man in Bookshop." Turtle Diary was the maiden effort of United British Artists, a consortium consisting of Glenda Jackson, Harold Pinter, and producer Richard Johnson (who also appears in the film). ~ Hal Erickson, All Movie Guide

In the conclusion of the Doctor Who adventure "Revelation of the Daleks," the Doctor discovers that Tranquil Repose, a colony of cryogenics on the planet Necros, houses the supposedly dormant body of Davros (Terry Malloy), creator of the Doctor's perennial adversaries, the Daleks. It is thus up to the hero to "neutralize" Davros before he can foment a full-scale Dalek resurrection. Complicating matters are the entrepreneurial Kara (Eleanor Bron), who uses the bodies of cryogenically frozen people as fuel for her protein factory, and a mercenary bounty hunter named Orcini (William Gaunt). Written by Eric Saward, the two-part "Revelation of the Daleks" was originally telecast on March 23 and 30, 1985. This final adventure of Doctor Who's 22nd season was later re-edited as a four-chapter cliffhanger for American TV. ~ Hal Erickson, All Movie Guide

The highlights of two benefit concerts staged in support of Amnesty International are collected in this British performance film, which features ample helpings of both music and comedy. The members of the Monty Python comedy troupe serve as headliners, performing live variations on some of their most famous sketches. Additional humor is provided by such luminaries as Peter Cook, while the musical segments include performances by Pete Townshend, Eric Clapton, and Sting, amongst others. While all of the performers deliver the goods, the film's overall effectiveness is unfortunately limited by the purely functional direction and often poor image quality. ~ Judd Blaise, All Movie Guide

The first of three films built around documentary footage of two Amnesty International fundraising concerts, The Secret Policeman's Ball was, like its companion films, directed by Roger Graef. While the subsequent Secret Policeman's Other Ball and The Secret Policeman's Private Parts were widely distributed in the US, the first film in the series has long been ignored. This may be because films Two and Three were highlighted by the antics of the Monty Python crew, performing several of their all-time best bits. Though Pythonites Michael Palin, John Cleese and (unbilled) Terry Jones participate in Secret Policeman's Ball, their antics take second place to those of several other prominent British comedians, of whom only Peter Cook was truly familiar to American filmgoers in 1980. If you happen to run across Secret Policeman's Ball, please give it a chance: in addition to showcasing the talents of comedienne Eleanor Bron and musician Pete Townsend, the film offers a tantalizing early glimpse of Black Adder and Mr. Bean star Rowan Atkinson. ~ Hal Erickson, All Movie Guide