David Diamond Movies

In 1964, as the "Boston Strangler" killings of young nurses in Boston remained unsolved, this film was rushed into release to exploit the horrifying situation. Victor Buono gives a chilling performance as Leo Kroll, a worker in a Boston hospital who has a propensity for strangling young nurses. Like Norman Bates in Psycho, Leo has an extremely unhealthy mother fixation. When Mom (Ellen Corby suffers a heart attack and Clara (Jeanne Bates), a young and attractive nurse, is assigned to care for her, Leo's hormones start to rage. On one hand Leo is attracted to Clara, but he is also jealous of her, fearing that she has replaced him in his mother's affections. Leo proceeds to go on a killing spree, targeting young and attractive nurses. But Leo's downfall is imminent; he is a collector of kewpie dolls, and mistakenly leaves one behind at the scene of one of his murders. ~ Paul Brenner, All Movie Guide

Released about five weeks before the Adolf Eichmann trial began in Jerusalem on April 11, 1961, this docudrama by director R.G. Springsteen was quickly dashed together to take advantage of the trial, and it shows. Overplaying Eichmann's venality and lacking any depth in characterization, the story unfolds in several large segments. Eichmann (played by Werner Klemperer), as head of Dept. IV, B4 or "Jewish affairs/evacuation affairs, personally ordered, or watched, or supervised the extermination of Jews in Germany and the nations under its occupying forces. These years are shown in the first part of the film; the second half deals with Eichmann's escape from an American POW camp, his four years under cover in Germany, aided by an association of Nazi SS members (ODESSA), his escape in 1950 to Argentina through Italy, and his capture on May 11, 1960. ~ Eleanor Mannikka, All Movie Guide

Revolt in the Big House stars Gene Evans as a prison "lifer" who rules the roost in his particular cell block. With the help of such loose cannons as prison psycho Timothy Carey, Evans engineers a jailbreak. As the cons and the cops sweat through a standoff, it becomes clear that Evans doesn't care how many of his fellow prisoners die so long as he busts out. Conscience-stricken inmate Robert Blake saves his cell mates from the consequences of Evans' recklessness. Revolt in the Big House is excessive violent at times, but never so much as to become "Revolting in the Big House". ~ Hal Erickson, All Movie Guide

Based on actual events, The Phenix City Story tells the tale of a wide-open "Sin City" in Alabama (across a bridge from Columbus, GA, and just a stone's throw from the Ft. Benning Army base) where gambling, prostitution, and any number of other vices were tolerated openly by the law, most of it centered on the main downtown drag, 14th Street, thanks to the 50-year influence of organized crime on the local government. Reform groups, mostly in the form of vigilantes, had tried to clean up "the wickedest city in the United States" before, even taking the law into their own hands and wrecking some of the establishments, only to be stymied by the courts (which were otherwise indifferent to activities on 14th Street). At the outset of the movie, set in 1954 -- when the actual events took place -- a new reform group is trying to organize and attempting to get the city's most prominent attorney, Albert Patterson (John McIntire) on their side; so are the club owners on 14th Street, led by Rhett Tanner (Edward Andrews), a cheerful, affable sort with a mean streak not far from the surface. But Patterson wants no part of either side's activities -- he's been a reformer, even a successful candidate, only to see his efforts come to little, and has also successfully defended Tanner and the others on 14th Street in an investigation of a murder of which they weren't guilty. Now he's old, and he wants to sit back with his wife and enjoy the return of his army office/lawyer son, John (Richard Kiley), and his family from Germany. But when the 14th Street boys, led by Clem Wilson (John Larch), go too far beating up Patterson's friends, and involve his son John, and then turn to murder and intimidation, it forces the elder Patterson and his son to join the reformers.

The Phenix City Story runs 87 minutes, but most prints also include a 13-minute preface, compiled from newsreel footage and interviews with the original participants, that provides background on the events that inspired the film (and also spoils a few plot points). Ironically, given the negative image that it portrays of Alabama, the movie was surprisingly well-received in the state at the time; residents were simply fascinated by and taken with the notion of a feature film set in their home state and even including a couple of actual local residents in its cast. Director Phil Karlson was to enjoy even greater success 18 years later with a similar story about one man fighting a city turned bad, Walking Tall, which included many similarly staged action scenes amid its somewhat wider plot-canvas. ~ Bruce Eder, All Movie Guide

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, All Movie Guide

Men may come and men may go, but silly service comedies like Swing It Sailor go on forever. James Dunn and Ray Mayer star as Pete Kelly and Husky Stone a pair of over-age but under-mature gobs. Pete and Husky's main purpose in life seems to be duking it out over the affections of peroxide blonde Myrtle Montrose (Isabel Jewell) Back on duty, our heroes conspire to drive the rest of the Navy nuts with their goofy antics. Ultimately, Husky finds himself abandoned on a derelict ship slated for target practice, forcing the suddenly sobered Pete to race to his rescue. Most of the naval maneuvers seen in the final reels of Swing It Sailor were harvested from newsreel footage, some of it seemingly older than the three leading players. ~ Hal Erickson, All Movie Guide

In this romantic comedy, two college boys get expelled because they could not pay tuition. They decide to scare up some cash by auctioning off their services in Central Park. A pretty woman makes the highest bid. She hires the boys to drive her and her car to Ohio. The adventure culminates with one of the boys stealing the woman away from her groom on her wedding day. ~ Sandra Brennan, All Movie Guide

In this comedy, a waitress at a local lunch counter inadvertently foils a bank robbery and finds herself turned into a national heroine by an eager-beaver reporter. Unfortunately, her sudden notoriety causes gangsters to abduct her. The plucky waitress not only manages to talk them into returning her, she also convinces them to go straight. ~ Sandra Brennan, All Movie Guide