Harry Brogan Movies

Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide

Rita Tushingham was propelled into stardom with The Girl with Green Eyes. She plays a gawky young rural Irish girl who takes a room with a wise-cracking Dublin lass (Lynn Redgrave). Enter a middle-aged writer (Peter Finch), who makes a beeline for the shy, lonely Tushingham--completely ignoring her more worldly roommate. Girl with Green Eyes was liberally based upon Edna O'Brien's novella The Lonely Girl. With this one film, Rita Tushingham not only became bankable, but also what is known as a "critic's darling", meaning that she could do no wrong in the eyes of certain male reviewers. The bloom was off the rose fairly quickly, and soon Ms. Tushingham found herself contractually committed to one second-string project after another, including an ill-advised reteaming with actress Lynn Redgrave and director Desmond Davis in the resistible Smashing Time (67). ~ Hal Erickson, All Movie Guide

Brendan Behan, the quixotic, eternally sloshed Irish poet/playwright, peppered his play The Quare Fellow with plenty of "gallows humor." The film version dispenses with most the play's morbid jests, leaving us with a grim, straightforward account of a Dublin death-row prison guard (Patrick McGoohan) and his growing empathy with two condemned prisoners. One could understand the removal of the play's comic elements had the film been made in timorous Hollywood. But since Quare Fellow was financed and produced in Ireland, it seems a inappropriately glum tribute to one of the country's boldest and most brilliant talents. Quare Fellow was directed by American "B" specialist Arthur Dreifuss, who also adapted Behan's play for the screen. ~ Hal Erickson, All Movie Guide

A real-life incident became the basis for this highly fictionalized drama about a January 1911 confrontation between political anarchists and London police in that city's Whitechapel district that resulted in an infamous, blazing gun battle. Sara (Nicole Berger) is an orphaned Russian girl who works as a singer in a nightclub. There she meets Peter (Peter Wyngarde), anarchist leader of expatriate Latvians agitating for the independence of their home country following the failed revolt of 1905. At first, Sara is sympathetic to Peter and his cause, but she soon discovers that the rebels are using whatever means necessary, including robbery and murder, to raise money for their crusade, and that Peter himself has an overly pragmatic, callous attitude toward the taking of innocent life. The group's nefarious activities have attracted the attention of London police, and an inspector, Mannering (Donald Sinden) goes undercover with the anarchists in order to help bring them to justice. Mannering feels sympathy for Sara and befriends her, coming to understand her lonely attraction to Peter. The gang's violent onslaught continues unabated and results in a raid that pits gang members against hundreds of armed police. ~ Karl Williams, All Movie Guide

In this touching drama, a precursor for Ted Allan's later story about Jewish life in Montreal, a young Dublin lad idolizes his grandfather, a humble seller of rags and bones. His parents are not pleased by the adoration and attempt to keep the pair apart. ~ Sandra Brennan, All Movie Guide

This well-acted drama about an Irishman just released from jail is filled with rich characterization. The story is adapted from a stage play by Walter Macken who also plays the role of the ex-convict Paddo in this screen version. Direction is by J. Fielder Cook. Once Paddo returns home after being sentenced to five years for killing a man, his old friends try to put him back in their niche of local hero but Paddo will have none of it. He is disillusioned and changed. His son Willie (Arthur Kennedy) walks with a limp that keeps him too self-conscious to assert himself as he would like with the young woman of his dreams. While other people come in and out of Paddo's life, from his taciturn friend the trapper to the local tinker, it is Paddo's son Willie suffering from his own disability who makes the difference in his father's life. ~ Eleanor Mannikka, All Movie Guide

This British comedy is set in 1945 Ireland and tells the story of a small town that plans to erect a monument to honor an IRA rebel during the 1920s. The son of the British colonel responsible for the killing strongly objects. After the statue has been unveiled, the rebel's mischievous son destroys the tribute and tries to frame the colonel's son. Just as the enraged townsfolk are preparing to lynch the young Englishman, the rebel's son confesses his crime. ~ Sandra Brennan, All Movie Guide

During the Irish "troubles", an IRA gunman (John Mills) wearies of the constant violence. He begins to preach a philosophy of peaceful persuasion, and refuses direct orders to blow up a London railway station. The gunman's impatient brother (Dirk Bogarde) find his sibling's new approach to be counterproductive to the movement. The rest of the IRA agrees, and soon the gentle gunman is branded a traitor and a price is placed on his head. Based on the stage play by Roger MacDougall, Gentle Gunman was seldom seen once the Troubles were resparked in the Ireland of the 1960s. ~ Hal Erickson, All Movie Guide