Robert Alexander Movies

The question of journalistic ethics is brought into play when the wife of a prominent New Yorker is murdered. The victim's husband blames the killing on a gossip columnist working for a widely circulated checkout-stand tabloid. In pursuing the case in tandem, the detectives and the lawyers again find themselves in the position of setting a precedent that may have long-range repercussions. ~ Hal Erickson, Rovi

A socially inept young woman slowly learns to overcome her insecurities in this sleeper hit from Australia. The unconventional Muriel (Toni Collette) is deeply unsatisfied with her life, stuck in the nowhere town of Porpoise Spit and feeling rejected by her friends and family. Believing herself unattractive and worthless, she seeks meager solace in ABBA songs and fantasies of gorgeous weddings, with herself as the bride. Muriel's life takes a turn for the better, however, when she befriends the carefree Rhonda (Rachel Griffiths), who encourages her to take control of her life. Together, the two women travel to Sydney, where a series of liberating experiences help Muriel develop self-esteem and take the first steps towards maturity. ~ Judd Blaise, Rovi

Empty Beach brings Australian novelist Peter Corris' detective hero Cliff Hardy to the big screen. F/X star Bryan Brown plays Hardy, who this time around is hired to confirm or disprove the reported death of a millionaire. Hardy confers with journalist Brian Henneberry (Clifford Tate), who has some potentially explosive evidence -- and who, inevitably, is murdered before he can talk. The trail of evidence runs hot and cold, thanks to a gaggle of suspects and hangers-on who aren't revealing everything that they know. Co-starring in Empty Beach is Anna Maria Monticelli, aka Anna Jemison. ~ Hal Erickson, Rovi

A soccer player, a child and an artist find their lives entangled in a story which achieves it climax in a pivotal soccer match. ~ Sandra Brennan, Rovi

Frankie Dane (John Cassavetes) is the leader of the hornets, a local street gang that has had its share of rumbles and other trouble with the police. When one of his members is fingered to the police by a neighbor (Malcolm Atterbury) for having a gun, Frankie vows revenge, and when the same man humiliates him in public, he decides it's got to be murder. But only two members of the Hornets, mentally unstable Lou Macklin (Mark Rydell) and would-be full-fledged member "Baby" (Sal Mineo), are willing to go along, and even one of them is shaky -- the rest of the gang draws a line at killing. Social worker Ben Wagner (James Whitmore), who runs the local youth center, has been trying to reach out to the members of the Hornets and sees that something is splitting Frankie and a couple of the others off from the main gang, and is concerned enough to find out what it might be -- especially when Frankie's younger brother, a really nice kid named Richie (Peter J. Votrian), tells him that he thinks Frankie's planning to kill someone. He tries getting help from Frankie's mother (Virginia Gregg), who's too tired from her job to do much more than keep Richie from becoming like his brother, and Mr. Gioia (Will Kuluva), "Baby"'s father, who doesn't understand what went wrong between him and his son. A three-way battle of wills ensues as Frankie tries to hold his plan together and resist Wagner's efforts to intercede -- in the end, several lives are at risk, as Frankie ends up with his knife at the throat of his own brother, fully ready to use it. ~ Bruce Eder, Rovi

This documentary feature offers a rare glimpse behind the scenes of the Motherhouse of Good Shepherd Cloistered Convent in Angiers, France. By special permission of the French religious authorities, director Robert Alexander follows the progress of a 21-year-old novitiate, from her early training to her installation ceremonies. It is a five-year process, and it it's far from easy, but the young woman at last realizes her goal. Visually the film is quite striking, with the color white predominating throughout. The English narration for Cloistered was spoken by the Rev. Matthew Kelly. ~ Hal Erickson, Rovi