Richard Alexander Movies

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie's great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie's record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie's own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate's long-suffering flunkey Max, Keenan Wynn as Leslie's faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer's The Sweetheart Tree. The Great Race was dedicated to "Mr. Laurel and Mr. Hardy". ~ Hal Erickson, Rovi

Bob Hope plays a 19th-century insurance agent whose miserable sales record prompts his boss to send him out West, where he can (supposedly) do little harm. Hope manages to sell a $100,000 life insurance policy--to outlaw Jesse James (Wendell Corey), one of the worst "risks" in history! In his efforts to get the policy back, Hope finds himself being mistaken for Jesse, which is all part of the outlaw's plan to get Hope killed and thereby collect the policy money himself. But with the help of beauteous Rhonda Fleming (the essentially honest beneficiary to Jesse's policy), Hope gains a reputation as a lightning-fast gunslinger. In the inevitable shoot-out with the James gang, Hope is helped out by several famous Westerners, including Gary Cooper, Roy Rogers, Gene Autry, James "Maverick" Garner, and even Tonto (Jay Silverheels). ~ Hal Erickson, Rovi

One of the least-known of the American-International "B" westerns of the 1950s, Flesh and the Spur offers the spectacle of the inimitable John Agar in a dual role. When his twin brother Mathew is killed, Luke Random goes gunnin' for his brother's murderer. Along the way, he teams up with gunslinger Stacey (Touch Connors, aka Mike Connors), who is also seeking out an old enemy. Five points to anyone who guesses before the fadeout who Mathew Random's killer turns out to be. Written by A-I regular Charles B. Griffith, Flesh and the Spur was originally released on a double bill with Naked Paradise. ~ Hal Erickson, Rovi

At the height of their TV fame, Lucille Ball and Desi Arnaz were contracted by MGM to make two theatrical films. The first of these, The Long, Long Trailer, stars Lucy and Desi as an upwardly mobile couple who decide to buy a trailer so they can live together while his job takes him around the country. Thanks to their naivete in such matters, they end up with a huge, bulky RV that costs five times what they planned. Their "seeing America" trip turns out to be a slapstick disaster, topped by Lucy's foolish decision to hide a heavy rock collection in the trailer; as Desi tries to maneuver a treacherous mountain road, the weighted-down home-on-wheels nearly loses its balance and almost tumbles off a cliff. The story is told in flashback, as Desi 'splains the breakup of his marriage to a motel court manager. Happily, Lucy shows up, goes "Waaaaah" a little, and all is forgiven. Despite the fact that audiences were getting Ball and Arnaz for free each week on television, The Long, Long Trailer was a big hit at the box-office. The film was adapted by Albert Hackett and Frances Goodrich from a novel by Clinton Twiss, with uncredited assistance from the I Love Lucy writing staff. ~ Hal Erickson, Rovi

Esther Williams stars in this button-cute musical about a health-conscious family of swimmers who fall in with con man Windy Weebe (Jack Carson). The Higgins family decides to swim the English Channel in order to raise money to purchase a prize bull for their Arkansas farm. As she practices for the English Channel swim, Katie Higgins (Esther Williams) gets lost in the fog and is rescued by wealthy wine merchant Andre Lanet (Fernando Lamas), and she falls for him hard. The film is distinguished by a climactic English Channel swim and an animated underwater cartoon sequence with Williams and animated MGM contract players Tom and Jerry reprising the Arthur Schwartz and Johnny Mercer tune "In My Wildest Dreams." ~ Paul Brenner, Rovi

The much-maligned Vera Ralston turns in an acceptable performance as star of Republic's A Perilous Journey. Though seemingly inspired by MGM's Westward the Women, the film was actually based on The Golden Tide, a novel by Vingie Roe. In the year 1850, a group of 49 young women charter a full-rigger to sail for California to offer themselves as wives to the gold prospectors. As indicated by the title, the journey is indeed fraught with peril (not to mention a few geographical inaccuracies). Vera Ralston plays Francie Landreaux, who has undertaken the voyage in search of her no-good gambler husband. Instead, she finds romance in the arms of rough-and-ready Shard Benton (Scott Brady). A Perilous Journey is pepped up by several song numbers, written by Victor Young and Edward Heyman. ~ Hal Erickson, Rovi

This 1951 Gene Autry vehicle is based on a supposedly true incident. At the close of the Civil War, a band of Southern guerillas disguised themselves as Union soldiers, the better to perform acts of sabotage in Utah. Autry plays a cavalry scout who goes after guerilla leader McQuarrie (Jim Davis). Though heavily outnumbered, Gene manages to come out on top. Hardly plausible, Silver Canyon is enhanced by an excellent supporting cast, including Pat Buttram as Autry's sidekick, Bob Steele as an all-around louse, and perennial Autry leading lady Gail Davis as the spunky heroine. ~ Hal Erickson, Rovi

Bargain-budget Screen Guild Productions was in the process of metamorphosing into Lippert Studios when Rimfire was filmed in 1949. This "government vs. gold thieves" affair has all of the virtues of the eager-to-please Lippert production team and none of the shortcomings of the pinchpenny Screen Guild operation. James Millican heads the cast as a special agent tracking down a lost shipment of Army gold. This leads him to a superstition-laden village where the townsfolk are convinced that the ghost of a hanged gambler is wreaking all sorts of havoc. It doesn't take Millican long to get to the bottom of the occult activity-and to locate the gold robbers in the process. With bigger star names, Rimfire might have secured better bookings; still, it did respectable business under the circumstances. ~ Hal Erickson, Rovi

Producer/director S. Sylvan Simon, a man usually associated with comedies and musicals, turned out a rip-roaring western melodrama when he aimed his sights at Lust for Gold. Most of the film is told in flashback, relating the exploits of Jacob Walz (Glenn Ford), the greedy, homicidal owner of the legendary Lost Dutchman Mine. After conniving and killing his way to success, Walz is destroyed when he falls in love with equally mercenary Julia Thomas (Ida Lupino at her nasty best). The film returns to the Present, as a descendant of Walz tries to locate the mine--and endangers his own life in the process. Most of the action highlights in Lust for Gold would turn up as stock footage in future Columbia productions, including an episode of TV's Captain Midnight. ~ Hal Erickson, Rovi

Love leads a man to his most evil deeds and forces him to change his ways in this Western. After being handed a dishonorable discharge during the Civil War, Mike McComb (Errol Flynn) becomes a professional gambler and follows a path of ruthless action to get what he wants. After moving out West and making a killing prospecting silver, McComb becomes a wealthy and powerful man, and he finds himself infatuated with beautiful Georgia Moore (Ann Sheridan). However, Georgia is married to Stanley Moore (Bruce Bennett), who works for McComb, so he arranges for Stanley to be given a dangerous assignment; Stanley is killed, and McComb sweeps the widowed Georgia off her feet. Georgia weds McComb, but in time she finds out the ugly truth about her second husband, leaving him behind. Devastated, McComb sets out to mend his ways and win Georgia back by serving more noble purposes. Silver River was the seventh Flynn vehicle directed by Raoul Walsh; it would also mark the last time they worked together. ~ Mark Deming, Rovi

The Last Chance Inn, the main locality in this latter-day Hopalong Cassidy Western, certainly lives up to its name. A prospector has mysteriously disappeared after spending a night there and now Lucky Jenkins' (Rand Brooks) prospective "uncle-in-law," another guest, has vanished as well. Hopalong Cassidy (William Boyd) locates the missing man's body in a mine but when he returns with the sheriff, the dead man has performed yet another disappearing act. Just before retiring, in the same room previously occupied by the victims, Sheriff Thompson (Forbes Murray) reveals the name of his prime suspect: Larry Potter (Bob Gabriel), the outlaw brother of the inn's wheelchair-bound proprietor (John Parrish). But will the sheriff survive the night or disappear just like the previous occupants? Like so many of the Hopalong Cassidy Westerns, the oddly titled Dead Men Don't Dream was filmed on location at Lone Pine, CA. Leading lady Mary Tucker had previously acted under the moniker of Mary Ware. ~ Hans J. Wollstein, Rovi

Returning to the scenic splendor of Lone Pine's Alabama Hills, Hopalong Cassidy (William Boyd) tries to help retired entomology professor Alonzo Larson (Joel Friedkin) and his daughter Anne (Elaine Riley), who have purchased a seemingly worthless piece of land, The Paradise Ranch. Larson has paid crooked land agent Bentley (Kenneth MacDonald) $5000 for the arid range but when Hoppy discovers the possible presence of silver on the property, Bentley and his cohort Gerald Waite (Cliff Clark), the town banker, try to null and void the sale in a rather violent manner. False Paradise was the 11th of 12 Hopalong Cassidy Westerns produced by William Boyd for United Artists release. ~ Hans J. Wollstein, Rovi

Bearing little resemblance to reality, this musical biography of 19th century Russian composer Nikolai Rimsky-Korsakov takes liberal poetic license with the truth. Jeanne-Pierre Aumont stars as Nicky, a Naval Academy cadet assigned to a vessel undergoing a world cruise. On shore leave in Morocco, Nicky goes in search of a piano intending to pursue his true passion, music. Accompanied by the ship's singing doctor, Klin (Charles Kullmann), Nicky makes the acquaintance of a cabaret dancer named Cara de Talavera (Yvonne De Carlo). The daughter of a Spanish colonial family that was once prominent but has fallen upon difficult times, Cara now dances in secret as Scheherazade in a revue at the nightclub. Inspired by her, Nicky sets about composing his most famous song for inclusion in a ballet. Although fate conspires to keep Cara and Nicky apart for a time, his piece is a success and is scheduled for a performance at the St. Petersburg Opera House, where none other than Cara turns up as the lead dancer. ~ Karl Williams, Rovi