Basil Dearden Movies

The Persuaders were a pair of globe-trotting, sophisticated playboys who solved crimes of passion and espionage every week on television. This series of videos contains some of their most memorable exploits. ~ Sandra Brennan, All Movie Guide

The Persuaders were a pair of globe-trotting, sophisticated playboys who solved crimes of passion and espionage every week on television. This video contains the pilot episode. ~ Sandra Brennan, All Movie Guide

The Assassination Bureau is loosely based on a turn-of-the-century yarn written by Jack London. Nellie Bly-style girl reporter Sonya Winter (Diana Rigg) tries to get the goods on shady businessman Ivan Dragomiloff (Oliver Reed). Ivan is in charge of a wide-reaching organization which, for a price, assassinates those who "need killing." As a challenge, Sonya offers to pay Ivan a huge sum if he'll instruct his minions to assassinate him; Ivan agrees, hoping that it will put a little kick in his work. Despite his profession, Ivan isn't the villain of the piece; that honor goes to evil nobleman Lord Bostwick (Telly Savalas), whose perfidy leads Sonya into joining forces with the Assassination Bureau. A wild climactic chase in a zeppelin caps this tongue-in-cheek escapade. ~ Hal Erickson, All Movie Guide

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, All Movie Guide

In this British melodrama based on a French novel by Catherine Arley, Sean Connery plays Anthony Richmond, a money-hungry young man enraged that his rich, dying uncle doesn't plan to include him in his will. Instead, Charles Richmond (Ralph Richardson) plans to give his fortune to charity. Anthony recruits a young nurse, Maria (Gina Lollobrigida), for a nefarious scheme. Her job is to care for the old man and get him to marry her and change the will so she gets his fortune. Then she will give Anthony a three-million-dollar share. Maria does her job well, but she comes to actually love Charles. ~ Michael Betzold, All Movie Guide

A scientist's attempts to clear the name of a friend nearly destroy his life in this intelligent science fiction drama. Prof. Sharpley (Harold Goldblatt) is a research scientist from Oxford University working with the British government on experiments in sensory deprivation. One day, Sharpley suddenly and shockingly commits suicide by throwing himself under an oncomming train while holding a briefcase stuffed with cash. While investigating the death, the police present the theory that Sharpley was a double agent, perhaps allied with the Communists, and that the death was the final result of his shame over betraying Great Britain. However, Sharpley's friend and associate Dr. Henry Longman (Dirk Bogarde) strongly disagrees, and he speculates that Sharpley's death had something to do with his research. In hopes of clearing Sharpley's name with police investigator Maj. Hall (John Clements), Longman begins subjecting himself to sessions in a sensory deprivation tank in order to prove that use of the technique can make one unusually suceptable to brainwashing or hypnotic suggestion. Longman emerges from the chamber frightened and disoriented, and in Long's presence one of his associates is able to convince Longman that he no longer cares for his wife Oonagh (Mary Ure). The doctor returns home displaying a callous and distant attitude toward his pregnant wife, and his personality begins to display an increasing number of deeply troubling changes. James Kennaway adapted the screenplay from his own novel. ~ Mark Deming, All Movie Guide

In its time, Victim was considered as a daring a film as had ever been made in England. Taken at face value, Janet Green and John McCormick's screenplay is nothing new: Dirk Bogarde plays a lawyer who agrees to defend an old friend (John McEnery) on a theft charge, only to be enmeshed in a blackmailing scheme. What set this one apart is the fact that the lawyer had once been the male lover of his client. At a time when homosexuality was a criminal offense in England, any film that depicted the gay scene in a non-judgmental light was in for a rough time from the bluenose brigades. What really startled filmgoers of 1962 is that the homosexuals shown in Victim were seemingly normal, everyday blokes, a far cry from the stereotyped "nance" characters common to films. Denied the MPAA seal when it was released to the United States, Victim surprisingly ran into very little interference when it was released to television in the mid-1960s. ~ Hal Erickson, All Movie Guide

In this routine mystery story by director Basil Dearden, someone who favors mysteries and comedies, Stewart Granger is John Brent, a VIP in a shipping company with a prison record behind him. When a quarter of million dollars goes missing from the company's vault, he is the primary suspect of Detective Superintendent Hanbury (Bernard Lee). Complications arise when Hanbury starts looking carefully at John's estranged wife Nicole (Haya Harareet) and the men she has on a string. The suspect list has suddenly expanded. ~ Eleanor Mannikka, All Movie Guide

An engrossing suspenser with dashes of comedy, League of Gentlemen is about a daring group of highly trained army men, turned bank robbers. When Hyde (Jack Hawkins) is drummed out of the army after years of devoted service, he decides to get back at society in general. One by one, he finds seven other army officers who are now broke and who walk on the shady side of the law. All eight men go into hiding as they plan the robbery with the care and attention of a behind-the-lines reconnaissance mission. As they undertake tasks like raiding a military depot for explosives and similar stunts, suspense and incidental humor increase, leading up to bank day when the really big show has to be pulled off without a hitch. ~ Eleanor Mannikka, All Movie Guide

Violent Playground opens with a few West Side Story style shots of a Liverpool street gang, commandeered by a very nasty-looking David McCallum. We're going to be seeing a lot more of McCallum before the final fadeout: His sister (Anne Heywood) is in love with an upright police officer (Stanley Baker). The film plods along predictable grounds until the climactic rumble sequence, which is as good as anything ever seen in Hollywood "J.D." picture. Violent Playground didn't get much American play in 1957, principally because there was a glut of such films at the time. The picture received a new lease on life in the early 1960s to cash in on the Man From UNCLE popularity of David McCallum. ~ Hal Erickson, All Movie Guide

Corpulent "Goon Show" regular Harry Secombe plays the title role in the British comedy Davy. Set in the rarefied world of the British music halls, the film focuses in on the Mad Morgans, a family song-and-dance act. It is clear that Davy Morgan is the star of the act, but he loyally remains with his family, even though he seems destined to spend the rest of his life in the Small Time. At long last, Davy gets a chance to perform at the Covent Garden--but only as a solo. Will ambition win out over family solidarity, or vice versa? A stellar supporting cast enables Davy to overcome its occasional banalities and cliches. ~ Hal Erickson, All Movie Guide

The Smallest Show on Earth is a gentle, frequently uproarious takeoff of Britain's neighborhood-cinema industry. Real-life husband and wife Bill Travers and Virginia McKenna star as Matt and Jean Spencer, a middle-class couple who inherit a decrepit movie house in a tiny railroad whistle stop. They also inherit the theater's ancient, doddering employees: bibulous ticket-taker Percy Quill (Peter Sellers), former silent-movie accompanist Mrs. Fazackalee (Margaret Rutherford) and doorman/janitor old Tom (Bernard Miles). Making the best of things, the Spencers set up shop going through the usual travails of small-time cinema owners: substandard projection and sound reproduction, a dismal selection of films (all they can afford is American B-Westerns), and sundry mishaps with the audience. Just when they're about to write off the theater as a loss, crafty old Tom comes up with an underhanded but effective method to allow the Spencers to make a huge profit on their shaky enterprise. Though chock full of entertaining vignettes, the best and most poignant scene in The Smallest Show on Earth finds the three elderly employees tearfully reveling in a nostalgic screening of the 1924 silent film Comin' Thro' the Rye. ~ Hal Erickson, All Movie Guide