Buddy G. DeSylva Movies
Buddy DeSylva, also sometimes known as B.G. DeSylvia, was best known to the public in the entertainment business as a songwriter, responsible for such standards as "California, Here I Come," "Button Up Your Overcoat," and "Look for the Silver Lining," and such hit musicals as the collegiate-perennial Good News. He was also a movie producer, however, and served as the production chief for Paramount Pictures in the '40s.DeSylva was unusual among songwriters and studio executives for actually having been raised in California, and also for having -- however briefly -- attended college. He was born in New York City in 1895, but was brought to California as a child and raised there, and he also was enrolled at USC for a short time. He was bitten by the showbiz bug, however, and moved to New York with the help of Al Jolson, who also established DeSylva as a successful songwriter in his early '20s by using some of his songs in his 1918 show Sinbad. DeSylva was one of the most successful songwriters in the country during the '20s, principally in partnership with composer Ray Henderson and lyricist Lew Brown; a number of their shows were also transferred to the screen, including Good News in 1930, though the latter has been supplanted by the 1947 color remake. At the start of the '30s, DeSylva decided to try his hand at producing, and while he had a few successes on Broadway, it was on the other coast that the money began really rolling in, through his success with Shirley Temple vehicles such as The Littlest Rebel and Poor Little Rich Girl. He always had a special entrée at Paramount and became the studio's chief of production at the start of the 1940s. In that position, he helped to oversee the studio's rise to prominence through the fostering of high-quality work from established directors such as Mark Sandrich and Leo McCarey (and later, writer-turned-filmmaker Billy Wilder, who went on to become a mainstay of the studio for more than a decade). If DeSylvahad a blind spot, it was his antipathy during this period to director, Preston Sturges, who was forced out of Paramount by the mid-'40s, even as the studio continued its rise . Overall, however, his time at Paramount is considered a success, with the studio winning its first Best Picture Oscar (for Going My Way) during his tenure. DeSylva also co-founded Capitol Records and, had he not been cut down suddenly by a heart attack at age 55, would surely have been a major player in the entertainment world well into the '60s and beyond. ~ Bruce Eder, All Movie Guide
Stranded in Shanghai, orphaned Ching-Ching (Shirley Temple), the ward of Chinese missionaries, is rescued from harm by playboy Tommy Randall (Robert Young). Through a series of unbelievable but entertaining circumstances, Ching-Ching inadvertently stows away on a boat bound for San Francisco, which happens to include Tommy on the passenger list. During the long voyage, our heroine plays little-miss-fixit for the shipboard romance between Tommy and Susan Parker (Alice Faye). The two marry to give Ching-Ching a proper home, but their clashing personalities lead inexorably to the divorce court. Once again, however, Ching-Ching saves the day, this time with the assistance of twinkly-eyed Judge Booth (J. Edward Bromberg). Stowaway is the one in which Shirley dispenses oriental aphorisms a la Charlie Chan, speaks Chinese, and offers imitations of Eddie Cantor, Al Jolson and Fred Astaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Robert Young, (more)
Shirley Temple's first costume picture -- and one of her best pictures of any kind -- was 1935's The Little Colonel. The story begins in 1870, when unreconstructed Southerner Colonel Lloyd (Lionel Barrymore) disowns his daughter Elizabeth (Evelyn Venable) when she stubbornly marries damn-Yankee Jack Sherman (John Lodge). Several years pass, during which time the Shermans' daughter, Lloyd (Temple), dubbed "the little colonel," is born. When Jack and Elizabeth suffer a series of financial reverses, they are compelled to move into a small cottage owned by Elizabeth, near her father's estate. As tenacious and opinionated as her grandpa, little Lloyd befriends the crusty old codger and tries to effect a reunion between the colonel and Elizabeth. Her efforts at first meet with failure, but when the ailing Jack is imperiled by all-around villain Swazey (Sidney Blackmer) does the colonel race to the rescue, with the "little colonel" leading the way. The film's brief Technicolor finale, long missing from TV prints, was restored in the mid-'80s. Why Fox felt that Technicolor was needed is a mystery; Shirley Temple's name in and of itself was the principal drawing card of The Little Colonel, while Temple's famous stair-dance duet with Bill "Bojangles" Robinson was worth the admission price in itself. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Lionel Barrymore, (more)
- 1935
- NR
The old Edward Peble play The Littlest Rebel was gussied up in 1935 as a Shirley Temple vehicle. The curly-topped child star plays Virgie Cary, who lives in Southern-Plantation splendor with her dad Herbert (John Boles) and mom (Karen Morley). The family's idyllic existence is shattered when the Civil War breaks out. A captain in the Confederacy, Herbert Cary marches off to the battlefield, leaving his faithful family retainers -- including philosophical old Uncle Billy (Bill "Bojangles" Robinson) -- to watch over Virgie and Mrs. Cary. No one, however, is prepared for the ravages of war, thus Virgie is forced to endure the destruction of her family home and the death of mom after lingering illness. Desperately trying to make his way home for one last reunion with his wife, Herbert is arrested as a Southern spy. Fortunately, Yankee colonel Morrison (Jack Holt) takes a liking to the tenacious Virgie and tries to escort the girl and her father to safety. As a result, Morrison is arrested for desertion, and both he and Herbert are sentenced to be shot. Making her way to Washington in the company of faithful Uncle Billy, Virgie secures a pardon for both her father and Col. Morrison from an avuncular Abraham Lincoln (Frank McGlynn Sr.) The stereotypical treatment of black characters in The Littlest Rebel is more offensive than usual, with "happy darkies" nervously pondering the prospect of being freed from slavery and shivering in their boots when the Yankees arrive. But Bill Robinson manges to cut through the color line with his astonishing terpsichorean talents, especially in his closing "challenge dance" with Shirley Temple. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, John Boles, (more)
- 1935
Doubting Thomas is the 1935 film version of George Kelly's satirical comedy The Torch Bearers, tailored for the talents of Will Rogers. Billie Burke, Will's wife, becomes so involved in a local amateur theatre group that she has no time for her husband. In retaliation, Will pretends to "go Hollywood," proving that he is stage-struck by doing an extended imitation of Bing Crosby. The film's highlight is the "opening night" scene, a cornucopia of missed cues, inappropriate costumes and collapsing scenery. An earlier, silent version of The Torch Bearers has unfortunately been lost to the ages. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Billie Burke, (more)
- 1935
In this western-style musical, a rakish gaucho rides off across the Argentine pampas to Buenos Aires in search of his stolen horse. Once there, he soon engages in hot pursuit of a lovely singing señorita. Soon he discovers that her manager just may be the thief he has been looking for. Keep a sharp eye out for a young Rita Cansino (later known as Rita Hayworth) in an early performance as a dance hall girl. Songs include: "Zamba" (Arthur Wynter-Smith), The Gaucho" (Buddy De Sylva, Walter Samuels), "Querida Mia" (Paul Francis Webster, Lew Pollack), "Love Song of the Pampas," "Veredita," and "Je t'Adore" (Miguel de Zarraga, Cyril J. Mockridge). ~ Sandra Brennan, All Movie Guide
- Starring:
- Warner Baxter, Ketti Gallian, (more)
- 1935
In this comedy, a con artist gets elected to the chamber of commerce in his home town. He then goes there with three fellow grifters who are not welcome until they pay off the bad bonds they sold the town. Fortunately, the protagonist wins a fortune at the track and pays the debt. Despite this, the three persist with their con games and mayhem ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- James Dunn, Arline Judge, (more)
- 1934
In his only musical-comedy appearance, Spencer Tracy stars as fast-buck promoter Smoothie King. Our hero's latest scam is to pass off Hollywood extra Wanda Gale (Pat Patterson) and forger Limey Brook (Herbert Mundin) as British nobility, getting both of them prestigious jobs at a movie studio. Eventually Wanda becomes a big star, falling out of love with Smoothie along the way in favor of her leading man Hal Reed (John Boles). But Smoothie takes it all in stride; after all, there's still a world full of chumps and suckers, ripe for fleecing. Future film producer Harold Hecht handled the choreography, while the songs were provided by such noteworthies as Harold Adamson, Burton Lane, Richard Whiting and Gus Kahn. The slaphappy screenplay for Bottoms Up was a joint effort by producer B. G. DeSylva, director David Butler and Tracy's comedy-relief co-star Sid Silvers. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, John Boles, (more)
- 1934
The career of dance instructor Sally (Jean Parker) comes to an abrupt end when she is crippled in an accident on the eve of her wedding. Sally's far-from-supportive fiancé (Paul Page) walks out on her, but good old Jimmie (James Dunn), who has loved her all along, offers to marry her and help shoulder the burden of her handicap. This in itself would make a good story, but MGM got nervous an added a gangster subplot. Interspersing their usual never-fail comedy relief are Una Merkel and Stu Erwin, who might have starred in this picture had it been made by any other studio. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Parker, James Dunn, (more)
- 1933
Take a Chance was based on the hit Broadway musical of the same name, though only one of the original songs, Eadie Was a Lady, has been retained. The thinnish plot involves the misadventures of a pair of pickpockets, played on Broadway by Jack Haley and Sid Silvers and on film by James Dunn and Cliff "Ukelele Ike" Edwards. Tired of fleecing the suckers in a travelling carnival, our heroes head to Broadway, where they get mixed up with gangsters. The soubrette role originally played on stage by Ethel Merman is herein essayed by Lillian Roth, hardly a fair trade. Billed last in the huge cast is Marjorie Main, 15 years before stepping into her trademark role as Ma Kettle. ~ Hal Erickson, All Movie Guide
- Starring:
- James Dunn, Cliff Edwards, (more)
- 1933
The charming and effervescent continental film star Lillian Harvey made her Hollywood debut in My Weakness. Borrowing a page or two from Pygmalion, the plot is hinged on a wager made between playboy Ronnie Gregory (Lew Ayres) and his crusty uncle Ellery (Henry Travers). Ronny bets that he can transform kitchen slavey Looloo Blake (our girl Harvey) into a fashionable society belle, which he does -- but he hadn't counted upon falling in love with the girl along the way. Supervising the proceedings is baby-faced comedian Harry Langdon in one of his best talkie roles as a whimsical Cupid. Clearly inspired by the Lubitsch and Clair musical semi-fantasies then in vogue, My Weakness is replete with rhyming dialogue, talking animals, and even a singing statue of Auguste Rodin's The Thinker. The Buddy G. DeSylva-Leo Robin-Richard Whiting score is largely unmemorable save for Gather Lip Rouge While You May, which deserves a gold star for the title alone. My Weakness was the first of three Lillian Harvey vehicles for Fox Studios, filmed back-to-back to accommodate her busy European movie schedule. ~ Hal Erickson, All Movie Guide
- Starring:
- Lilian Harvey, Lew Ayres, (more)
- 1931
Flying High was a nonsensical Broadway musical hit of 1930 starring Bert Lahr. The film version, made one year later by MGM, made a few efforts to "cinematize" the stage original, but the focus was on Lahr, re-creating his Broadway performance virtually verbatim -- except for his famous (and notorious) gag sequence involving a urinalysis! Lahr plays the goofy inventor of an "aerocopter" flying machine, who is compelled to prove the efficiency of his invention in a slapstick cross-country airmail delivery race. While Lahr's original Broadway co-star Kate Smith does not appear in the film, he was more than amply matched comedically by Charlotte Greenwood. The musical numbers for Flying High were choreographed by Busby Berkeley; one of his more engaging routines was later excerpted for the 1934 Ted Healy/Three Stooges two-reeler Plane Nuts. ~ Hal Erickson, All Movie Guide
- Starring:
- Bert Lahr, Charlotte Greenwood, (more)
Divesting herself of her own production company, silent-screen queen Gloria Swanson entered into a two-picture deal with producer Joseph M. Schenck, which paid her a straight (and very hefty) salary for both productions. The first film completed under this arrangement was the trivial romantic comedy- musical Indiscreet, scripted and scored by songwriters Buddy G. DeSylva, Ray Henderson, and Lew Brown and directed by the matchless Leo McCarey. Swanson plays Geraldine "Gerry" Trent, a worldly socialite who endeavors to protect her sister Joan (Barbara Kent) from the lecherous machinations of Jim Woodward (Monroe Owsley). But when Joan discovers that Jerry and Woodward were once lovers themselves, she mistakenly believes that Jerry's attempts to break up her romance is motivated by jealousy. In fact, Jerry is completely committed to Joan's brother Tony Blake (Ben Lyon). One of the more successful of Gloria Swanson's talkies, Indiscreet posted a much-needed profit for financially strapped United Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Gloria Swanson, Ben Lyon, (more)
- 1930
Le Grande Mare is the French-language version of Paramount's The Big Pond (1930), with Maurice Chevalier and Claudette Colbert in their original roles as Pierre Mirande and Barbara Billings. Pierre is a Venetian tour guide, who falls in love with wealthy American tourist Barbara. Her male relatives think that Pierre is merely a fortune-hunter, but Barbara's mom persuades her husband to give Pierre a job in his chewing-gum factory. The menfolk finally approve of Barbara's choice when Pierre comes up with the brilliant, money-making idea of coating the gum with liquor! Both La Grande Mare and The Big Pond were filmed simultaneously at Paramount's Long Island studios, but if the stars were tired out by this procedure, one would never know it from their enthusiastic performances. ~ Hal Erickson, All Movie Guide
- Starring:
- Andree Corday, Claudette Colbert, (more)
- 1930
This musical, based on a Broadway show, was filmed in two-color technicolor. Set upon a golf course, it chronicles the attempts of a handsome golfer to teach a young woman how to play the game. This causes her gossipy rival to start a string of vicious rumors about the two. It seems that her rival is jealous of the golfer's attentions. Songs include: "A Peach of A Pair", "It Must Be You", "You Wouldn't Fool Me, Would You?", "Button Up Your Overcoat", "I Want to Be Bad" and "I'm Hard To Please". ~ Sandra Brennan, All Movie Guide
- Starring:
- Nancy Carroll, Zelma O'Neal, (more)
- 1930
Lensed at Paramount's Astoria studios, Follow the Leader is the film version of the 1927 Broadway musical Midnight Mary, with Ed Wynn making his talkie debut in his original stage role. The story has something to do with bombastic Broadway singer Helen King (Ethel Merman in her first feature-film appearance) and her understudy, winsome Mary Brennan (Ginger Rogers). To make certain that Rogers will be able to go on in Helen's place, comedy-relief character Crickets (who else but Wynn?) is hired to kidnap the latter. He makes precious little effort to hide his larcenous intentions, noisily stumbling into the lobby of Helen's hotel with the tools of his trade -- rope, sledgehammers, et. al. -- in full view of the assembled guests. Amazingly, he manages to bind Helen to a chair, only to wind up knocking himself out with a bottle of chloroform. Needless to say, Mary becomes a star, but the audience never sees Crickets or Helen again; for all anyone knows, they may still be locked up in that hotel room. Incredibly silly, Follow the Leader did little to advance the careers of any of its stars, though Ed Wynn and Ethel Merman continued packing 'em in on Broadway. If nothing else, the film offers modern audiences a chance to see several vaudeville headliners in action, including Lou Holtz, James C. Morton and Bobby Watson (here cast as Broadway impresario George White instead of his usual guise as Adolph Hitler). ~ Hal Erickson, All Movie Guide
- Starring:
- Ed Wynn, Ginger Rogers, (more)
- 1930
The opening attraction at New York's Hollywood Theatre, Hold Everything was adapted from the DeSylva-Brown-Henderson musical of the same name that had served as a vehicle for Bert Lahr. For the film, both Lahr and most of the score were jettisoned, replaced by Joe E. Brown and songs by Al Dubin and Joe Burke. Brown plays Gink Schiner, a third-rate fighter who is at the same training camp as Georges LaVerne (played by Georges Carpentier), a contender for the heavyweight championship. Although he needs to be concentrating all of his energies on the upcoming bout, Georges keeps getting distracted: Norine Lloyd, a society dame, has a distinct interest in him, but the interest is strictly one-sided. Georges prefers Sue, an old buddy and confidante. Gink has woman trouble of his own, as his flirtations do not sit at all well with Toots, his erstwhile girl friend. More trouble arrives when Larkin, manager of current heavyweight champ Bob Morgan, appears at the camp with the goal of fixing the fight. He is sent packing, after which he attempts to slip a Mickey Finn to the challenger -- a plan which goes awry when Gink switches the drinks. Meanwhile, Gink, who is fighting in a preliminary in advance of the big fight, actually wins. Things don't look so bright for Georges, who initially gets the worst of it in his encounter with Morgan, but who eventually comes out on top. ~ Craig Butler, All Movie Guide
- Starring:
- Joe E. Brown, Winnie Lightner, (more)
- 1930
In this musical comedy, two partners in the garter business fight for control and decide to play a round of poker to settle their differences. The winner will get to run the company for a year while the loser will serve as his butler. Meanwhile a pretty girl falls in love with one of their sons. Songs include: "Everything Will Happen for the Best" (B.G. DeSylva, Lewis E. Gensler), "Brother, Just Laugh It Off" (Arthur Schwartz, Ralph Rainger), "It Seems to Me", "I'm Afraid of You" (Dick Howard, Rainger), "I Love the Girls in My Own Peculiar Way" (E.Y. Harburg, Henry Souvain). ~ Sandra Brennan, All Movie Guide
- Starring:
- Stanley Smith, Ginger Rogers, (more)
- 1930
The DeSylva-Brown-Henderson Broadway musical Good News was first brought to the screen by MGM in 1930. The scene is Tait College, where everyone is in a blue funk over the dilemma of gridiron star Tom (Stanley Smith). Since the only thing he's ever passed is a football, Tom is in danger of flunking out before the Big Game. Plain-looking Connie (Mary Lawlor) is enlisted to tutor Tom through his final exams, and in the process the two students fall in love -- much to the dismay of campus vamp Patricia (Lola Lane). Managing to finagle a marriage proposal out of Tom, it looks as though Patricia will emerge triumphant, but all is set aright during the lavish Technicolor finale. Good News is an instructive example of how Hollywood perceived the movie musical during this period: While much of the film is shot in the static, nailed-down-camera technique so common to early talkies, several isolated sequences -- most of them featuring comedy-relief characters Bessie Love and Gus Shy -- are cleverly and inventively photographed (as Love shoots dice with the football team, the camera records her reactions from the dice's point of view!) Many of the original play's songs are retained in the film, including the title number, "The Best Things in Life are Free" and the lively "Varsity Drag," performed con brio by soubrette Dorothy McNulty (later known as Penny Singleton) and including such esoterica as animated wall paintings and a superimposed thermometer which boils over as the dancing gets "hotter. Future writer-director Delmer Daves has a good supporting role as surly campus jock "Beef." Existing prints of Good News are minus the final Technicolor reel, but Turner Films has provided a videotaped synopsis, complete with production stills, for television showings. Good News was remade -- and vastly improved upon -- by MGM producer Arthur Freed in 1947. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Lawlor, Stanley Smith, (more)
- 1930
Made in 1930, this well-known sci-fi musical chronicles the adventures of a lightning-struck man who awakens to find himself in futuristic New York City, circa 1980. He finds it a strange new world where fantastically attired people are ascribed numbers rather than names and all marriages must be government-approved. He also finds a bewildering array of technical gizmos and innovations that include babies grown in test tubes, videophones, and automatic doors (could the filmmakers see into the future or are our innovations the result of self-fulfilling prophecy?). The story centers on his attempts to get the government to sanction his marriage to his modern girl love. Before the feds will approve, the fellow must prove his worth. He does so by boarding a Mars-bound rocket. Upon the red planet he discovers that it is populated by replicas of the people living on Earth. The film's songs are dismal, but of course that is part of the campy fun. ~ Sandra Brennan, All Movie Guide
- Starring:
- El Brendel, Maureen O'Sullivan, (more)
- 1929
A custody battle for a little boy forms the basis of this domestic comedy, a talkie that is so early that title cards are interspersed amongst the dialog. The parents are in the midst of a bitter divorce when the boy's mother talks her sister into kidnapping him because she is terrified that her husband will take the boy out of the country after the divorce. The nervy sister takes the lad to the apartment of her sister's husband's lawyer who believes that she has gone away for a time. A merry mix-up ensues when he returns to the apartment with his parents in tow. To maintain appearances, the sister must pose as the lawyer's wife. Eventually she decides to take the boy and flee, but then she realizes that the boy has vanished. It seems he saw an interesting theater marquee, climbed down the fire escape, and went to the movies. The adults arrive just in time to hear a rousing rendition of "Sonny Boy." ~ Sandra Brennan, All Movie Guide
- 1929
The popular silent romantic team of Charles Farrell and Janet Gaynor made a successful all-talking, all-singing, all-dancing debut in Sunny Side Up. The story is old bromide about a poor girl who falls in love with a rich man, then tries to pass herself off as a woman of wealth. This being a 1929 Fox picture, the supporting cast includes the ineluctable dialect comedian El Brendel, along with squeaky-voiced soubrette Marjorie White. In his feature-film debut, 7-year-old Jackie Cooper shows up as a tenement kid, while Joe E. Brown does a guest bit as a grinning undertaker. The superb DeSylva-Brown-Henderson score includes "If I Had a Talking Picture of You," "Turn on the Heat" (a jaw-droppingly erotic number, in which the gyrations of the chorus girls causes a banana tree to blossom full out!), and the title song. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Charles Farrell, (more)
Warner Baxter, sporting a black mustache and a musical-comedy Mexican accent, stars as the Cisco Kid, the "Robin Hood of the Old West" created by O. Henry. Edmund Lowe co-stars as Cisco's "friendly enemy" Sgt. Mickey Dunne, the role that was originally to have gone to Raoul Walsh. Both men are madly in love with dusky beauty Tonia Maria (Dorothy Burgess), and in fact Cisco is so "far gone" that he composes a song in the girl's honor (actually, "My Tonia", first heard during the opening credits, was written by Fox studio tunesmiths Lew Brown, B.G. DeSylva and Ray Henderson). Alas, Tonia ends up betraying Cisco to Sgt. Burke. But the crafty, cold-blooded Cisco arranges for Tonia to be killed in the trap set for him (this plot resolution is faithful to O. Henry's original conception of the Cisco Kid, who wasn't really meant to be a "good guy"). ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Edmund Lowe, (more)
