Michael De Luca Movies

In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, All Movie Guide

Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race hatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." ~ Bhob Stewart, All Movie Guide

In this broad fish-out-of-water comedy, Nisi (Halle Berry) and Mickey (Natalie Desselle) are African-American women with two ambitions -- marry rich men who will give them lots of money, and open the world's first combination hair salon and soul food restaurant. However, eligible bachelors and business opportunities are in short supply in Decatur, Georgia, so when Nisi hears rapper Heavy D is auditioning dancers in Los Angeles for an upcoming video and concert tour, the pair hit the road for California. They fail the audition but are approached by a man named Antonio (Luigi Amodeo) with a business proposition. Antonio is the chauffeur for Mr. Blakemore (Martin Landau), a millionaire in poor health. As a young man, Mr. Blakemore was in love with a black maid who worked in his household; Antonio and Blakemore's nephew Isaac (Jonathan Fried) think Nisi bears a resemblance to the girl Blakemore once loved, so they offer her a hefty payment plus room and board to pose as the granddaughter of Blakemore's lost love. Nisi and Mickey believe that this ruse is intended to make Blakemore feel better, but in fact Isaac wants to get his hands on his uncle's fortune, and he hopes that Nisi's presence will make him easier to manipulate. Meanwhile, Nisi and Mickey look like a hurricane that hit a cut-rate clothing store, so manservant Manley (Ian Richardson) teaches them social graces and gives them advice on how to dress. In time, Manley and Mr. Blakemore become friends with Nisi and Mickey; the men learn to be less stuffy and enjoy life, while the ladies become more respectable. B.A.P.S. stands for "Black American Princesses." ~ Mark Deming, All Movie Guide

Following the life of cocaine-trafficking pioneer George Jung in a way that recalls Martin Scorsese's Casino, Blow recounts the man's days from his 1950s childhood in Boston to his downfall in the 1980s. George (played by Johnny Depp) begins his life as the son of Fred (Ray Liotta), an earnest breadwinner, and Ermine (Rachel Griffiths), who frequently walks out on them in pursuit of a more fulfilling life. When George moves west to California in the late '60s, accompanied by best pal Tuna (Ethan Suplee), he becomes an entrepreneur in the marijuana business, which soon spreads to the East Coast as well, with girlfriend Barbara (Franka Potente) smuggling the product during her stewardess shifts. George is arrested in 1972 -- at which time Barbara dies of cancer -- but George finds a new ally in Diego (Jordi Molla), who proposes the idea that he become the American conduit for Colombian kingpin Pablo Escobar (Cliff Curtis). George flourishes in the heyday of the disco era, and falls for Mirtha (Penelope Cruz), a self-serving bombshell who eventually has a daughter with him. Trouble escalates as the FBI threatens to bring George and his crew down, while he desperately tries to be a stable parent to his young offspring. Blow also features Paul Reubens and Max Perlich in featured roles. ~ Jason Clark, All Movie Guide

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream -- good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun. ~ Mark Deming, All Movie Guide

Alex Proyas (The Crow) directed this noir-styled futuristic thriller, scripted by Proyas, Lem Dobbs (Kafka), and David S. Goyer (The Puppet Masters). Separated from his wife Emma (Jennifer Connelly), amnesiac John Murdoch (Rufus Sewell) awakens alone in a strange hotel to learn he is wanted for a series of brutal killings -- but he can't remember if he did or didn't commit these murders. Indeed, most of his memories have completely vanished, and he becomes the focus of interest for both mad genius Dr. Schreber (Kiefer Sutherland) and sympathetic detective Frank Bumstead (William Hurt). Attempting to unravel the twisted riddle of his identity, Murdoch encounters a group of ominous beings known as the Strangers, shadow-like figures who have a collective memory and possess the ability to stop time and alter physical reality through a process called The Tuning. Focusing their minds, they are able to change the size and shape of the material world. Murdoch manages to stay a step ahead of his adversaries as he slowly jigsaws together the puzzle of his past-bittersweet memories of his childhood, his love for Emma, and the key to the murders -- while following a labyrinth leading to the Strangers' Underworld, a set inspired by Fritz Lang's Metropolis. Rufus Sewell commented on the Underworld: "When Alex first sent me the sketches for that set, I was more excited than I had been when I read the script. The Underworld was truly remarkable -- a little bit scary, very thrilling, and full of hundreds of bald people." At the Fox Film Studios in Sydney, Australia, where 50 sets were built, three months were spent constructing the set for the Underworld, the largest indoor set ever built in Australia. The production design by George Liddle (Rapa Nui) and Patrick Tatopoulos (Godzilla, Space: Above and Beyond) is a composite of different styles and eras, combining the look of 1940s Manhattan with German Expressionism. The music is by Trevor Jones (G.I. Jane). The film's dedication reads: "In Memory of Dennis Potter with gratitude and admiration." ~ Bhob Stewart, All Movie Guide

Are you ready for the hottest band in the land? It's 1978 in Detroit, and pretty much any teenager who isn't a total wimp is totally stoked for the upcoming Kiss concert (as anyone who ever listened to Kiss Alive! knows, Detroit has always loved this band). But four proud members of the Kiss Army find themselves without tickets to the show, and one has to deal with a mother who is convinced that Kiss and their music are evil incarnate. Will they be able to foil scalpers, security, and paranoid parents to witness the fire-spitting, blood-puking, hard rock frenzy that is Kiss on stage? Detroit Rock City stars Edward Furlong, Sam Huntington, Natasha Lyonne, Giuseppe Andrews, and James DeBello as the representative members of the Teenage Nation; the original four members of Kiss (Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss) play themselves, and Simmons also co-produced. ~ Mark Deming, All Movie Guide

Director Alex Proyas (I, Robot) revamps the mythos surrounding Vlad the Impaler in Dracula Year Zero, a Univeral Pictures release from a script by Matt Sazama and Burk Sharpless. The horror tale is set to take place in Romania during the Turkish invasion as Vlad goes to the greatest of lengths to fight for his homeland -- even if it means selling his soul and becoming forever doomed as a creature of the night. ~ Jeremy Wheeler, All Movie Guide

The producers insisted that this sixth entry in the Nightmare on Elm Street series marked the last; no points for guessing that additional sequels followed. This time, homicidal wraith Freddy Krueger (Robert Englund) decides to extend his reign of terror past Elm Street. His agent-on-earth is his own long-lost daughter Maggie (Lisa Zane, sister of Phantom star Billy Zane). Securing a job as a dream therapist for troubled teens, Maggie is able to "open up" the minds of her patients so that Freddy can exercise his usual bloody prerogative. In a garish, 3-D climax, Freddy himself becomes the victim of the vengeful Maggie. Since what happens in this picture is laid out in the title, we can't possibly be accused of giving the ending away. Watch for cameos from Roseanne and her then-husband Tom Arnold, Alice Cooper, Elinor Donahue, and Johnny Depp, one of the stars of the very first Nightmare. ~ Hal Erickson, All Movie Guide

When a motorcycle-riding stuntman offers his soul to Mephistopheles in order to save the life of the one he loves most, he is forced to play host to a powerful supernatural entity whose flaming skull visage strikes fear into the heart of his enemies in this feature-film version of the long-running comic series. By day, Johnny Blaze (actor and comic-book devotee Nicolas Cage) is one of the world's best-known stuntmen, but when the sun goes down and he is in the presence of evil, the death-defying daredevil bursts into flames to become the indestructible, motorcycle-riding antihero known to the world as the Ghost Rider. ~ Jason Buchanan, All Movie Guide

Sean Penn stars in this drama as Sam Dawson, a developmentally disabled adult who has been working at a coffee shop and raising his daughter Lucy (Dakota Fanning) for seven years. Sam receives help in his parenting duties from a circle of trusted confidantes, including his ADD-afflicted best friend Ifty (Doug Hutchison), the paranoid Robert (Stanley DeSantis), an agoraphobic neighbor (Dianne Wiest), and his other disabled pals, Brad and Joe (played by real-life developmentally challenged actors Brad Silverman and Joseph Rosenberg). Although he provides a structured and loving environment for Lucy that includes regular visits to IHOP, video nights, and karaoke, Sam's daughter is beginning to surpass him in mental acuity. When Lucy begins intentionally stunting her own growth so as not to hurt her beloved father, social worker Margaret (Loretta Devine) takes action, removing the girl from her home and placing her in the temporary care of a foster mother, Randy (Laura Dern). As the day of his hearing looms, Sam seeks out the aid of driven, obsessive lawyer Rita Harrison (Michelle Pfeiffer), who takes the case only to prove to her colleagues that she is willing to accept pro bono work. Opposed by county lawyer Turner (Richard Schiff) in court, Rita gradually comes to care for her client and his daughter, even as they force her to consider the limitations of her own abilities as a parent. The soundtrack for I Am Sam (2001) gained considerable critical attention, consisting entirely of Beatles cover songs by such contemporary artists as The Black Crowes, Eddie Vedder, the Wallflowers, and Aimee Mann, among others. ~ Karl Williams, All Movie Guide

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter's congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn't cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital's compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital's emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed. ~ Karl Williams, All Movie Guide