Stanley Brock Movies

Roommates arrived at the tail end of the 1960s Youth Trip. A group of teens are so disgusted with the adult establishment that they decide to shack up together. For the next 97 minutes, the kids expound at wheezy length about the evils of the older generation. Naturally, they intend to create a better world (which of course, they did....not). The only recognizable member of the cast is the decidedly over-30 Allen Garfield. The incidental music by Earth Opera is one of the few redeeming features of Roommates. ~ Hal Erickson, All Movie Guide

Jim (James Garner) is pressed into service as best man when the redoubtable Angel (Stuart Margolin) gets married to Regin Boyajian (Elayne Heilveil). It is not love but fear that has motivated Angel to walk down the aisle: he figures that by wedding Regina, he will avoid being killed by her thuggish relatives, who have been victimized by Angel's latest scam. Somehow, all this matrimonial intrigue is linked to a 14-year-old unsolved murder, and to a high-profile car salesman (James Wainwright) who will go to any lengths to keep his past life as a street-gang member from becoming public knowledge. Future Simon&Simon star Gerald McRaney shows up in a small role--and listen for the voice of frequent Rockford Files director Jackie Cooper). ~ Hal Erickson, All Movie Guide

Filmed on location, Escape from Angola stars Stan Brock as a courageous game farmer. Armed with little more than good intentions, Brock endeavors to rescue African wildlife from predatory humans. He also has his hands full rescuing himself from political terrorists. Anne Cowlings costars, while veteran movie producer Ivan Tors makes his acting debut as "Lars" (in fact, the whole Tors family shows up on screen!) Escape from Angola was also released as Return to Africa. ~ Hal Erickson, All Movie Guide

Audrey Rose is a "thinking man's" horror film, which in a way is unfortunate, since it tended to be ignored amidst the many spell-it-all-out scarefests of the late '70s. Marsha Mason and John Beck play Janice and Bill Templeton, a happily married couple, the parents of well-adjusted preteen Ivy (Susan Swift). Their family security is disrupted by the arrival of a mysterious stranger, Elliot Hoover (Anthony Hopkins). At first mistaken for a potential child molester, Hoover explains that his obsessive interest in young Ivy is actually paternal. It is Hoover's contention that their daughter is the reincarnation of his own child, who died in a horrible accident. This information is dismissed out of hand-and then strange things begin happening. Directed by Robert Wise (who had previously helmed the psychological thriller The Haunting), Audrey Rose was adapted by co-producer Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide

After writing, directing, and starring in The Adventure of Sherlock Holmes' Smarter Brother, Gene Wilder added the producer's hat to his three-headed beast in The World's Greatest Lover. Wilder plays Rudy Valentine, a Milwaukee baker who enters a talent search in the Hollywood of the 1920s, initiated by movie studio mogul Zitz (Dom DeLuise), to find a new Rudolph Valentino. He travels to Hollywood with his wife Annie (Carol Kane) in hopes of taking a screen test, but Annie falls in love with the real Valentino. Jealous of the Latin Lover, Rudy disguises himself as a sheik in an attempt to look like Valentino. Rudy then invites Annie to a rendezvous at the studio, where he tries to seduce his own wife. ~ Paul Brenner, All Movie Guide

While the PLO holds his daughter, the president of an oil company attempts to locate someone to rescue her. ~ All Movie Guide

In the first episode of a two-part story, Jim (James Garner) is hired by his ex-con pal Eddie Lopresti (George Loros) to locate Brian Charles, the missing business manager of rock star Tim Richie (Kristoffer Tabori). Ostensibly, Eddie is doing this on behalf of Richie, who needs backup during a messy palimony trial; but in fact, Eddie is less interested in impressing the singer than in declaring his love for gorgeous music journalist Whitney Cox (Marcia Strassman). Whatever the case, Jim soon finds himself entangled in a web of intrigue involving crooked business dealings, drugs, and the Mob--and worse, there's someone out there who is willing to kill both Jim and Eddie to get them off his (or her?) back. ~ Hal Erickson, All Movie Guide

George Hamilton confounded his detractors by turning in a first-rate comic performance in Love at First Bite. Hamilton plays Count Dracula, who is evicted from his Transylvanian domicile when the Communist government decides to nationalize his castle. With faithful toady Renfield (Arte Johnson) at his side, Dracula heads for the Big Apple, where he finds the vampire pickings radically different from those on his home turf: for example, ol' Drac suffers the mother of all hangovers when his sinks his fangs into the neck of a wino. Klutzy Cindy Sondheim (Susan Saint James) falls in love with Dracula, not fully aware of his colorful background. But Cindy's stuffy fiance Dr. Jeff Rosenberg (Richard Benjamin), a descendant of Dracula's perennial foe Professor Van Helsing, knows what Dracula's up to and does his best to thwart the vampire's plan. This proves very difficult, since such time-honored remedies as the stake through the heart are frowned upon by the New York City authorities. So successful was Love at First Bite that Hamilton was encouraged to have a satiric go at another literary icon in 1982's Zorro, the Gay Blade. ~ Hal Erickson, All Movie Guide

Director Robert Aldrich's last film, All the Marbles stars Peter Falk as a "win-at-all-costs" type manager of a ladies tag-team wrestling combo. These girls are good and Falk wants them great. And he doesn't really care what they've got to do to get there. (This film's "R" rating is not for Raunchy, but it could be for "Revealing.") Following sort of a Rocky theme, this film finds our ladies tag team climbing its way to the top of the women's wrestling world where they face off against the world's best. ~ All Movie Guide

The 1981 TV version of Madame X was the seventh filmization of the old war-horse play by Alexandre Bisson. This time around, Tuesday Weld (replacing Susan Blakely) plays the poor woman (an airline stewardess in this version) who marries "outside her class" (hubby is a Presidential candidate). She is disgraced, gives up her baby to her wealthy in-laws, and sinks into a life of degradation. 25 years later the woman is accused of murder, and is defended in court by her own grown-up offspring. Adaptor Edward Anhalt makes a few feeble stabs at updating the story, adding drug abuse to the woman's descent into prostitution. Also, her child is now a girl instead of a boy, rabbeting a tentative feminist angle in the proceedings. Other than that, the 1981 Madame X has even less to offer than the lavish but empty 1966 Lana Turner version--except for an offbeat appearance by comedian Jerry Stiller as a slimy blackmailer. ~ Hal Erickson, All Movie Guide

Richard Benjamin's directorial debut is an engaging slice of nostalgia, purportedly based on an incident in life of Mel Brooks. Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home in the Bronx, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. Though it fluctuates between wistful realism and the manic exaggeration of a TV comedy sketch, My Favorite Year holds together quite well, delivering a plentitude of solid laughs. Jessica Harper, usually the star of bizarro films like Inserts and Suspiria, is quite appealing as Benjy Stone's girlfriend; that lady dancing with O'Toole at the Stork Club is 1930s film star Gloria Stuart, later an Oscar nominee for Titanic; the King Kaiser Show wardrobe mistress is played by Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, All Movie Guide

This violent follow-up to the sadistic actioner The Exterminator (1980) again features Johnny Eastland (Robert Ginty), a Vietnam vet who is triggered into vengeful killing when his dancer girlfriend (Deborah Geffner) is first badly beaten and permanently crippled and later murdered by a gang of street thugs led by "X" (Mario Van Peebles). Johnny dresses up in a special uniform and helmet, grabs a flamethrower, and aided by Be Gee (Frankie R. Faison), a former vet turned garbageman, the two incinerate their way through the rest of the film. Like other Death Wish clones, this film is derivative, violent, and mindless. ~ Eleanor Mannikka, All Movie Guide