Dino de Laurentiis Movies
Having studied to be a cinematographer, Italian filmmaker Dino De Laurentiis was unable to secure a job in this line and had to settle for a series of menial jobs. When he finally made his full-fledged entry into the movie business at age 20, it was as a producer. World War II prevented De Laurentiis from attaining "boy wonder" status, but after the war he earned international recognition as producer of the neorealist classic Bitter Rice (1946). In partnership with director Federico Fellini in the early 1950s, De Laurentiis produced such films as La Strada (1954) and Nights of Cabiria (1956). When Fellini broke up the partnership, De Laurentiis decided to turn his back on Art and concentrate on Commerce. He produced several popular "spectaculars" of the era, with gladiators, slave girls and outsized battle sequences in abundance. He also set up his own motion picture production center, Dinocitta, as a rival to the long-established Cinecitta studio complex in Rome. A late-'60s slump in the Italian film industry compelled De Laurentiis to move to Hollywood, where he set about to produce self-styled "blockbusters"--often remakes of earlier films or rip-offs of popular genres. Hollywood reporters of the era enjoyed making fun of De Laurentiis' variable epics (and of his "cute" Italian accent), though with such hits as Barberella (1968), Death Wish (1973) and Three Days of the Condor (1975), the producer always had the last laugh. But the law of diminishing returns inevitably exercised itself upon De Laurentiis, and after a string of expensive disasters in the mid-'80s (notably 1984's Dune), his DeLaurentiis Entertainment Group filed for bankruptcy. The producer lost his Wilmington, North Carolina studios, which have since been purchased by the Carolco Company. Though written off by some industry pundits as a has-been, Dino DeLaurentiis always seems to land on his feet; as late as 1993 he was able to sign Madonna for a Basic Instinct clone titled Body of Evidence (1993). ~ Hal Erickson, All Movie Guide- 1982
- R
An Italian deli owner (Tom Skerritt) gets fed up with the petty hoodlums in his south Philadelphia neighborhood who have been terrorizing his friends. He decides to form a neighborhood watch group to fight off the crooks. While his intentions are the very best, the group of vigilantes he forms resorts to beating up offenders before bothering to call the police, the police themselves are irritated that the citizens are interfering, and the deli owner starts to like the publicity he is getting for his vigilante work. As things unravel, a television news crew is there to present all sides of the story. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Tom Skerritt, Patti LuPone, (more)
- 1982
- R
John Milius's jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. Complementing Mulius's heavy metal production is Arnold Schwarzenegger's leaden acting, which in any other context would be deadly, but here (as in The Terminator) corresponds nicely with the whole sonorous project. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. The Wheel of Pain seems to have as its only purpose the building up of Conan's muscles, so it's no surprise that one day Conan grows up to become Arnold Schwarzenegger. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subota (Gerry Lopez). The trio comes upon a weird snake cult, linked to Doom, and Conan wants to trek off to Doom's mountain retreat to kill him. But he is prevented from doing that by King Osrik (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills. ~ Paul Brenner, All Movie Guide
- Starring:
- Arnold Schwarzenegger, James Earl Jones, (more)
While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide
- Starring:
- Jamie Lee Curtis, Donald Pleasence, (more)
E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Brad Dourif, (more)
Heroic earthling Flash Gordon saves the world from the nefarious Ming the Merciless in this lavish, intentionally campy adaptation of the famous sci-fi comic strip. The story is as basic as space operas get: Ming (Max von Sydow) has developed a plan to destroy the Earth, and Flash (Sam J. Jones) and his attractive companion, Dale Arden (Melody Anderson), are called upon to stop him. Along the way, Flash must battle Ming's goons and the temptations of a luscious space princess. Previously the basis for a more straight-faced 1930s adventure serial, Flash's story is mined here for exaggerated, cartoon humor by screenwriter Lorenzo Semple Jr., a central figure in the similarly campy '60s Batman television series. The simplistic plot mainly serves as an excuse for spectacular sets and cartoonish action sequences, all set to an appropriately over-the-top rock score by Queen. Certainly not a film to turn to for serious excitement, fine performances, or character development, Flash Gordon has nevertheless developed an appreciative cult of fans who admire the film's humorous approach and the detailed, colorful production design. ~ Judd Blaise, All Movie Guide
- Starring:
- Sam Jones, Melody Anderson, (more)
Not a remake of the landmark 1903 Edwin S. Porter film, The Great Train Robbery is a dramatization of the famous first hold-up of a moving train in 1855 England. The conspirators in this undertaking are Edward Pierce (Sean Connery), Agar (Donald Sutherland) and Clean Willy (Wayne Sleep). Pierce is the brains, Clean Willy the brawn, and safecracker Agar provides the finesse. The scheme involves stealing a shipment of gold bars intended to be used in the payroll for the Army in the Crimean War. Lesley Anne Down co-stars as Miriam, the woman on the outside who arranges Connery's getaway. When released in England, this film was titled The First Great Train Robbery, so as not to be confused with Britain's embarrassing 1963 railroad heist. Director Michael Crichton adapted the story from his own, more-clinical novel on the same subject. Filmed in Ireland, The Great Train Robbery was dedicated to the memory of its director of photography, Geoffrey Unsworth, who died shortly after the production wrapped. ~ Hal Erickson, All Movie Guide
- Starring:
- Sean Connery, Donald Sutherland, (more)
This film showed up on TV as Forbidden Paradise, but you can't fool us. It's really The Hurricane, producer Dino De Laurentiis' ill-advised remake of the 1938 Sam Goldwyn production of the same name. The story of the casual cruelties imposed by the white ruling class on the natives of the isle of Manakoora had the advantage of timeliness in 1938; forty-one years later, the story plays like a Gilligan's Island amateur production of Uncle Tom's Cabin. Playing the old Jon Hall role of the native lad whose rambunctiousness incurs the wrath of the provincial governor, the uniquely ungifted Daton Kane makes Hall look like Sir John Gielgud. Even the expensive hurricane finale (which ate up most of the film's $22 million budget) isn't one-tenth as exciting as the corresponding sequence in the earlier film. The saddest aspect of the 1979 The Hurricane is that it was directed by Jan Troell, who showed flashes of brilliance in his earlier The Emigrants and Zandy's Bride; perhaps significantly, Troell hightailed it back to Sweden after wrapping up his obligation to Dino De Laurentiis. ~ Hal Erickson, All Movie Guide
- Starring:
- Jason Robards, Jr., Mia Farrow, (more)
Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Shelley Winters, (more)
The Serpent's Egg, or Das Schlangenei is director Ingmar Bergman's second English language production (The Touch was his first). It is, however, his first completely non-Swedish production, made after his voluntary self-exile from Sweden over taxation issues. Set in Berlin in the early 1920s, it explores the fear and despair the city evokes in Manuela and Abel Rosenberg (Liv Ullmann and David Carradine), two Jewish trapeze artists. The suicide of Manuela's husband (Abel's brother), has stranded them in Berlin. Berlin is shown to already possess the sinister elements of cruelty and anti-Semitism which laid the groundwork for the later Nazi takeover. A series of misadventures gets them sent to a medical clinic for treatment. However, the clinic is actually a site for Nazi-type "racial" experiments on humans, which generally either madden or kill the subjects. Das Schlangenei was savaged by the critics for its improbable-seeming story and more particularly, for casting David Carradine (best known for his earlier appearances in the Kung Fu U.S. television series) in a crucial role. ~ Clarke Fountain, All Movie Guide
- Starring:
- Liv Ullmann, David Carradine, (more)
Another big-budget monster movie from producer Dino de Laurentiis, Orca concerns the mutual revenge pact between an obsessive whaler (Richard Harris) and an angry killer whale, whose pregnant mate Harris killed. The whale strikes back by biting off Bo Derek's leg, so Harris and concerned biologist Charlotte Rampling follow it to frozen northern waters for the climactic showdown. Just in case you like Jaws better than Moby Dick, there's a killer shark thrown in for good measure. Ponderous, pretentious, and dull, this opportunistic disaster fittingly sank at the box office. ~ Robert Firsching, All Movie Guide
- Starring:
- Richard Harris, Charlotte Rampling, (more)
About ten minutes into The Shootist, Doctor Hostetler (James Stewart) tells aging Western gunfighter John Bernard Books (John Wayne), "You have a cancer." Knowing that his death will be painful and lingering, Books is determined to be shot in the line of "duty." In his remaining two months, Books settles scores with old enemies, including gambler Pulford (Hugh O'Brian) and Marshall Thibido (Harry Morgan) and reaches out to new friends, including a feisty widow (Lauren Bacall) and her hero-worshipping son (Ron Howard). Throughout the film, Books' imminent demise is compared with the decline of the West, as represented by the automobiles and streetcars that have begun to blight the main street of Books' hometown. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Lauren Bacall, (more)
- 1976
- R
It is hard to get more deliriously fever-pitched than the ending of Mandingo -- in which a plantation master is shot and his main slave gets boiled in oil -- but Drum (Mandingo's mangy sequel) certainly tries. Hammond Maxwell (Warren Oates), the late slave-owner's son (from Mandingo), is trying to follow in his father's footsteps and purchases Drum (Ken Norton) and Blaise (Yaphet Kotto) from bordello hostess Marianna (Isela Vega). Marianna is actually Drum's mother, although her lesbian lover Rachel (Paula Kelly) in fact brought up the boy. Thrown into the package to Hammond is Drum's girlfriend Regine (Pam Grier), who was purchased to satisfy the carnal urges of Mr. Hammond. However, Augusta Chauvet (Fiona Lewis), setting her sites on Hammond, has other plans. Drum is such a perfect specimen of slave that neither men nor women can keep their hands off of him. Drum looks stoic until a climactic slave revolt breaks out, guaranteeing more blood and carnage than Mandingo could ever hope to provide. ~ Paul Brenner, All Movie Guide
- Starring:
- Warren Oates, Isela Vega, (more)
Lipstick is a cheap exploitation film pretending to make a social statement about rape and revenge. Chris (Margaux Hemingway), a fashion model is raped by Gordon Stuart (Chris Sarandon) her sister's music teacher. When he tries to rape her sister Kathy (Mariel Hemingway), Chris kills him. She is tried for the crime and defended by Carla Bondi (Anne Bancroft). Margaux Hemingway, in her film debut, is dreadful, giving a wooden performance which is only matched by that of the usually interesting Chris Sarandon. Despite some discussion of this film by feminist film critics, its only saving grace is the performance of Mariel Hemingway, who is also making her debut and gives the mature and nuanced performance she would again give in Manhattan. Lipstick, trite, bloody and dishonest, pretends to condemn rape but instead sensationalizes and exploits it. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Margaux Hemingway, Chris Sarandon, (more)
Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: "When Jaws dies, nobody cries. When Kong dies, they all cry.") Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson's ship, who warns that they are headed for "Skull Island," where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, "You male chauvinist ape!" But Prescott comes to her aid and rescues her from the gorilla's big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeff Bridges, Charles Grodin, (more)
Richard Fleischer directed this lurid historical drama based on the novel by Kyle Onstott. The story begins on a run-down plantation lorded over by Warren Maxwell (James Mason) and his son Hammond (Perry King). Hammond travels to New Orleans where he buys a top-of-the-line slave, Mede (Ken Norton), at an auction. Hammond is proud of his purchase, hoping to bring in money by training Mede to fight his other slaves. Hammond returns with Mede to the plantation, where he has to contend with his sex-crazed wife Blanche (Susan George). Hammond looks upon Blanche as damaged goods since he discovered her to not be a virgin on their wedding night. Instead, Hammond prefers erotic pursuits with his slave Ellen (Brenda Sykes). Blanche licks her lips at the sight of Mede, and seduces him to get revenge on her husband. Blanche soon becomes pregnant and gives birth to a half-black baby. Enraged, Hammond comes after Blanche, poisons her, and then the child bleed to death before going after Mede. ~ Paul Brenner, All Movie Guide
- Starring:
- James Mason, Susan George, (more)
- 1974
- PG
This Italian film was made for the blaxploitation action niche, but sloppy dubbing and unintentionally funny dialogue kept it from packing the kind of action punch needed for box-office success. Father Charlie (Lino Venturi) is an ex-con who has been granted an exemption from canon law to become a priest. When a friend of his gets into trouble which looks suspiciously like a frame-up, Father Charlie decides to investigate, with or without the blessing of his bishop. His friend Lee Stevens (Isaac Hayes) is looking for the real culprit as well, and Father Charlie and Lee soon join forces. ~ Clarke Fountain, All Movie Guide
- Starring:
- Lino Ventura, Isaac Hayes, (more)
- 1974
- R
This graphically violent crime drama follows the relatively brief career of the notorious racketeer Crazy Joe Gallo, who formed an alliance with all of New York City's African-American gangs while serving time in Attica. Once he got out, he used that alliance to try and take over the Mafia, an act that resulted in his brutal murder in a restaurant in Little Italy, 1972. ~ Sandra Brennan, All Movie Guide
- 1974
Among the spice plantations of Columbia are to be found any number of abused peasant farmers. Normally, the great landlords expect the church to support them and at the same time keep the natives quiet. In this Italian family comedy, the ruthless spice masters are instead saddled with two of the most radical revolutionary priests imaginable, Padre G. (Terence Hill) and Padre Pedro (Bud Spencer), who straighten things out using little more than fisticuffs, righteousness, and more than a little slapstick. ~ Clarke Fountain, All Movie Guide
- 1973
- R
This 1973 Italian production (remade by Simon Nuchtern for an American release two years later) is a buddy film with a small-time thug (Tony Lo Bianco) meeting a high-profile gangster (Lee Van Cleef) while in prison. The pair team up to attempt a prison breakout. ~ John Bush, All Movie Guide
- Starring:
- Lee Van Cleef, Jean Rochefort, (more)
- 1972
This film marks the final performance of the notable French film star Pierre Brasseur, who died not long after the film was shot. One of his better-known films is Children of Paradise. In this film, an Italian industrialist (Alberto Sordi) who has made his fortune using some shady tactics, unwittingly becomes the victim and entertainment for four retired jurists. These four men (Pierre Brasseur, Michel Simon, Charles Vanel and Claude Dauphin), though retired, make it a practice to keep their legal skills sharp. Whenever a suitable villain stumbles across their path, they conduct a trial with all the trimmings. It is a form of play, but these virtuoso lawyers are quite serious about it. ~ Clarke Fountain, All Movie Guide
This crime action movie is based on Peter Maas' best-selling book The Valachi Papers. That book, in turn, is based on prison conversations and the actual U.S. Senate testimony of Joseph Valachi, a high-ranking figure in the Mafia. The book, which tells precisely who did what to whom, when and why, electrified the nation. This film had to be made in Italy, because attempts to shoot in the U.S. were stymied by mob-arranged "accidents" and protests. The story is told in flashback as Valachi (Charles Bronson) tells a Federal agent about his activities from 1929 to 1961, when he worked for the Capo of Capos, Vito Genovese (Lino Ventura). Though his tale necessarily takes place in a number of episodes, it never fails to have lots of drama and action. ~ Clarke Fountain, All Movie Guide
- Starring:
- Charles Bronson, Lino Ventura, (more)
- 1971
- PG
A captain convicted of deserting his cavalry (Bekim Fehmiu) is released to lead a band of deputized renegades. Together, the force must defeat a band of Apache braves. The film was released to video as Ride to Glory. ~ John Bush, All Movie Guide
In this Italian western, an outlaw enlists the aid of his pal and a robber gang to pull off a gold heist. Later, the gang argues about how the loot should be split. The robber gang then absconds with the gold leaving the other pair in the dust. The outlaw and friend set off to capture the treacherous gang. They finally find them in a Mexican town where the residents are celebrating a religious festival. A terrible shootout ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- James Garner, Dennis Weaver, (more)
- 1970
This lavishly costumed historical epic had an estimated $100 million price tag. Spectacularly photographed battle action contrasts with often plodding individual scenes that bog down the plot. Fearing his growing power, European monarchs force Napoleon Bonaparte (Rod Steiger) to abdicate as Emperor and retire to Elba, and the French are concerned they will be outnumbered by a force of combined armies from many countries in Europe. Napoleon no sooner says goodbye to his loyalist troops than he begins to rally his men and prepare for another takeover. King Louis XVIII (Orson Welles) sends Marshal Michel Ney (Dan O'Herlihy) and his men to counter Bonaparte, but upon seeing his old commander (and ally), Ney thrusts his sword to the ground and takes up arms with the deposed emperor. They all return to Paris by popular demand, defying the orders of Louis (who flees from the palace) and running the monarchy tout seul. Soon England, Austria, Prussia and Russia unite to try and stop the dictator. Wellington (Christopher Plummer) readies his troops near Waterloo, refuses to retreat anymore, and waits for Prussian Marshall Blucher (Sergei Zakhariadze) and his army to join up with the British as the only hope to stop the French juggernaut. Jack Hawkins and Michael Wilding portray key military commanders Picton and Ponosby, respectively. Napoleon and his troops cut into the Prussian and British forces dramatically, weakening their power, but three problems arise. First, Ney refuses to lead his segment of the troops onward; and second, Bonaparte's men are plagued by the wet weather, which causes
the cannon brigade to become immobilized in mud (when Wellington strategically gives Bonaparte's troops the lower ground) rendering it ineffective until late in the day. And even more calamitously, Bonaparte - growing increasingly ill -- insists on leading his men from the rear, which causes the information to become outdated as soon as it gets to him. The Russian version of this film was nearly four hours long, while western audiences saw an edited version slightly over two hours long. Unfortunately, Waterloo bombed at the box office. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rod Steiger, Christopher Plummer, (more)
- 1970
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This symbolic satire of modern morality finds a young bride-to-be (Tina Aumont) leaving her perfect square fiance (Nino Segurini) to run away with a stranger (Luigi Proietti). The two take a strange journey through a myriad of bizarre themes such as cannibalism, gang rape, necrophphilia and auto erotic activities. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tina Aumont, Luigi Proietti, (more)
