Dino de Laurentiis Movies

And Suddenly It's Murder! is a regulation Dino De Laurentiis concoction: Big stars, lavish production values, muddleheaded plot. Three Italian couples go on separate vacations to Monte Carlo. When they open their suitcases, a body tumbles out of one of the grips. The rest of the film is a macabre variation of La Ronde, with the body being transferred from room to room and the innocent being implicated along with the guilty. Among the discomfited tourists are Alberto Sordi, Vittorio Gassman, and Silvana Mangano. Originally released in Italy in 1959 as Crimen, And Suddenly It's Murder! didn't make it to the States until 1964; some English-language prints bear the title Criminals. ~ Hal Erickson, All Movie Guide

In this Italian western, an outlaw enlists the aid of his pal and a robber gang to pull off a gold heist. Later, the gang argues about how the loot should be split. The robber gang then absconds with the gold leaving the other pair in the dust. The outlaw and friend set off to capture the treacherous gang. They finally find them in a Mexican town where the residents are celebrating a religious festival. A terrible shootout ensues. ~ Sandra Brennan, All Movie Guide

Silvana Mangano portrays a fickle club chanteuse who must choose between the love of two men (Raf Vallone and Vittorio Gassman). She chooses neither, entering a convent for the sake of convenience. This overwrought drama was produced by Dino de Laurentiis, and reworked by five screenwriters including such respected names as Dino Risi and Franco Brusati, but comes up as a soggy soap-opera rather than an imposing star-vehicle. Nino Rota's fine score and the always watchable Mangano are its only saving graces. ~ Robert Firsching, All Movie Guide

Lethal Weapon director Richard Donner helms this action-adventure yarn in which Robert Rath (Sylvester Stallone), a veteran, burned-out hit man for hire who's looking to leave his profession, meets a younger, crazier, more ambitious competitor, Miguel Bain (Antonio Banderas), who is out to best Rath and make him a target in the process. Rath signs on for one last hit, but complications ensue when he falls in love with the mark, a beautiful, mysterious woman named Electra (Julianne Moore). Bain sets out to murder Electra as well, and the chase leads the two assassins into a deadly game of wits that takes them from Seattle to Puerto Rico. Critics and audiences both turned away from this thriller, which was co-scripted by Bound writer/directors Larry and Andy Wachowski and L.A. Confidential screenwriter Brian Helgeland. ~ Don Kaye, All Movie Guide

This gripping crime thriller from director Carlo Lizzani was based on a true story. A daring gang of bandits pull off a series of risky heists in Milan, murdering several innocent bystanders in the film's exciting opening getaway scene. Lizzani then moves the story backwards in time, painting a portrait of Milan as a seething hotbed of vice. Gian Maria Volonte gives an increasingly flamboyant performance as the gang's egomaniacal leader, whose Nazi-like belief in his own superiority proves to be the flaw which foils his plans. Tomas Milian, in a rare nonvillainous turn, shines as the dedicated young police inspector who brings Volonte down, and gun moll Carla Gravina has an amusing (if stereotypical) scene in which Volonte teaches her to drive. The thrilling car chase is among the best in the Italian crime genre, and even Riz Ortolani's typically annoying musical score does not detract from the film's appeal. ~ Robert Firsching, All Movie Guide

Outlaw and prisoner Graziano Cassitti (Terence Hill) escapes and takes to the hill country in Sardinia. He continually eludes police and continues his raids on the nearby town, becoming a folk hero fighting against authorities. He takes comfort in the arms of Anania (Helen Ronee) as the two lovers meet under cover of darkness. Spina (Frank Wolf) is the local man who attempts to negotiate between the outlaw and the police while the arrogant criminal grants interviews to a sympathetic press. The story is taken from the real-life adventures of Graziano Mesina, who was jailed and awaiting trial for kidnapping, robbery and murder at the time of this film's release. ~ Dan Pavlides, All Movie Guide

A voluptuous outer space agent travels to another galaxy in search of a missing inventor in this science fiction send-up. Barbarella (Jane Fonda), an interstellar representative of the united Earth government in the 41st century, is dispatched to locate scientist Durand Durand, whose positronic ray, if not recovered, could signal the end of humanity. Outfitted in an array of stunning Star Trek/Bond girl outfits and cruising around in a plush, psychedelic spaceship, Barbarella travels to the Tau Seti system and promptly crash-lands. She then spends the rest of the film discovering the joys of interstellar sex with a keeper of feral children (Ugo Tognazzi), a blind, beatific angel (John Phillip Law), and an inept revolutionary named Dildano (David Hemmings). Slowly but surely, she also finds her way to Durand Durand by moving from one exotic, Wizard of Oz-style locale to another. Along the way, she meets the kindly Professor Ping (a surprisingly verbal Marcel Marceau), a Eurotrash dominatrix named the Great Tyrant (Rolling Stones gal pal Anita Pallenberg), and the Concierge (Milo O'Shea), a strangely familiar lackey of the Great Tyrant who tries to destroy Barbarella with his great big organ of love. Jean-Claude Forest, who created the character Barbarella in 1962 for V-Magazine, served as visual advisor on the adaptation. The film's missing scientist character famously inspired the band name of '80s pop stars Duran Duran (who altered the spelling slightly). Almost two decades later, the film also inspired electronic act Matmos, which was named after the aqueous personification of evil unleashed by the Concierge at the movie's climax. ~ Brian J. Dillard, All Movie Guide

Survey of the history of Italian cinema, featuring clips from such classics as "Open City," "8-1/2," and "Seven Beauties," and interviews with illustrious stars and filmmakers, including Sophia Loren, Marcello Mastroianni, Toto, Monica Vitti, Anna Magnani, Vittorio DeSica, Federico Fellini, Pier Paolo Pasolini, and Roberto Rossellini. ~ Nicole Gagne, All Movie Guide

Madonna plays Rebecca Carlson, a sex bomb who parades naked in front of the open windows of her houseboat at all hours while the lobstermen catch crabs. This entry in the Basic Instinct sweepstakes poses the question: If love hurts, does sex kill? The judge and jury certainly want to find out when Rebecca's latest conquest, a multi-millionaire, dies of a heart attack while making love to her. Eight million dollars was bequeathed to Rebecca in his will, and District Attorney Robert Garrett (Joe Mantegna) is convinced that Rebecca, knowing that her rich lover had a weak heart, killed him with wild sex so that she could get her mitts on the money. Rebecca's lawyer, Frank Dulaney (Willem Dafoe), thinks differently, suspecting the millionaire's private secretary Joanne Braslow (Anne Archer) of the crime, since she was dumped by the millionaire for Rebecca. Besides which, Frank is attracted to Rebecca himself and throws legal ethics out the window as he starts a sadomasochistic affair with her. ~ Paul Brenner, All Movie Guide

Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, All Movie Guide

Based on a character created by Robert E. Howard, this fast-paced, occasionally humorous sequel to Conan the Barbarian features the hero (Arnold Schwarzenegger) as he is commissioned by the evil queen Taramis (Sarah Douglas) to safely escort a teen princess (Olivia D'Abo) and her powerful bodyguard (Wilt Chamberlain) to a far away castle to retrieve the magic Horn of Dagon. Unknown to Conan, the queen plans to sacrifice the princess when she returns and inherit her kingdom after the bodyguard kills Conan. The queen's plans fail to take into consideration Conan's strength and cunning and the abilities of his sidekicks: the eccentric wizard Akiro (Mako), the wild woman Zula (Grace Jones), and the inept Malak (Tracey Walter). Together the hero and his allies must defeat both mortal and supernatural foes in this voyage to sword-and-sorcery land. ~ Eleanor Mannikka, All Movie Guide

Diabolik (John Phillip Law) is the criminal mastermind who has just pulled off a huge heist. He spends most of his free time with his girlfriend, Eva (Marisa Mell), in fond embrace. The police minister (Terry-Thomas) is approached by Valmont (Adolfo Celi), a master criminal who proposes to use his underworld connections to catch Diabolik for the police. In between their gratuitous lovemaking, he and the exotic Eva are chased by police and the mob in this plodding crime drama. ~ Dan Pavlides, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide