Philippe de Broca Movies

This period swashbuckler, set during the years 1699 to 1716, is the seventh screen adaptation of Paul Feval's 1857 serialized novel. Trained in circus stunts and fencing, Lagardere (Daniel Auteuil) becomes the bodyguard of the Duke of Nevers (Vincent Perez), whose cousin is the greedy Gonzague (Luchini). Nevers learns he is a father and plans to marry Blanche de Caylus (Claire Nebout) in order to raise an heir. Gonzague dispatches assassins to kill Nevers, Blanche, and their baby. Dying, Nevers turns the child over to Lagardere, asking him to gain revenge on his killers. The infant is a girl, and Lagardere and the child hide amidst an Italian troupe of actors. Years pass, and the young Aurore (Marie Gillain) grows up believing Lagardere is her father. When the actors arrive in Paris 16 years after Nevers death, Lagardere at last sets the stage for revenge. Swordfight choreography by Michel Carliez, son of the fight expert who trained Jean Marais for the 1959 film of Le Bossu. Shown at the 1997 Acapulco French Film Festival and the 1997 Bastia Festival of Mediterranean Cinema. ~ Bhob Stewart, Rovi

Gaspard lives in Paris and has an ex-wife and a career as a well-respected novelist. However, he is thoroughly bored with his life and is also short of funds for paying alimony. He decides to go to Brittany to visit his goofy brother and renew his ongoing affair with his brother's wife. Paul is equally at loggerheads with his life as a schoolteacher and is tired of forever adoring his wife and getting a cool response from her in return. On a whim, the two men decide to change places. Gaspard will stay with Paul's wife and will take over his teaching duties, Paul will go to Paris, take over Gaspard's apartment, make the acquaintance of his current girlfriend, and will attempt to make a go of it as a novelist. In this comedy, the switch is a great success, but that is only the beginning of the brothers' adventures. ~ Clarke Fountain, Rovi

Celine (Sophie Marceau) must choose between Tarquin (Lambert Wilson) and Aurele (Stephane Fries) in this historical drama set during the French Civil War of 1793. The Republican Army decimated Western France when an insurgence of peasants, clergy, and aristocrats loyal to the Royalists staged a counterrevolution. ~ Dan Pavlides, Rovi

This epic story about a Louisiana plantation owner trying to hold on to her estate before, during, and after the American Civil War, a place ironically called "Bagatelle," rides on the illustrious fame of Tara and its more famous mistress in another Southern state. Virginia Tregan (Margot Kidder) comes back to Louisiana after finishing her schooling in France and is soon left without financial support when her father dies. Motivated by dire economic straits, she marries the owner of Bagatelle, but her real love turns out to be the steward (Ian Charleson). Husbands come and go while the steward remains in the background, and clichéd characters abound: a chamber-maid whose husband is tragically murdered for supporting the Abolitionists, an evil aristocrat who rapes and kills Tregan's daughter, and the matriarch herself. The original six hours of TV miniseries time was cut to a three-hour cinema format, but the downsizing in this Danielle Steele-type story also extends to the acting, cinematography, dialogue, and dramatic interest -- making it a bagatelle rather than a real gem. ~ Eleanor Mannikka, Rovi

The cartoonist Gerard Lauzier wrote this satire of psychologists, their practice, and the whole idea of group therapy, around Marc (Patrick Dewaere), a psychologist who may need more help than he gives. Right now, Marc is living in the countryside with Colette (Anny Duperey), but not without difficulties. He plans to conduct a group therapy session at his home one week-end, something that soon unravels because of the sudden arrival of Marc's former girlfriend and her lover. Several years ago, the lover was Marc's trusted friend, until he not only stole Marc's girlfriend, but also his car, and his money. The former girlfriend and former buddy, and their partner in crime are hiding out from the police, and intent on using Marc's property until they are safe. Group therapy, Marc, and Colette will never be the same by the time the week-end is concluded. ~ Eleanor Mannikka, Rovi

A discontented concert pianist causes all sorts of heartbreak with his egotistical and womanizing antics, and all the people in his life attempt to force him to grow up in this French comedy/drama (with English subtitles). ~ Kristie Hassen, Rovi

Dear Inspector and Dear Detective were the English-language titles of Philippe De Broca's Tendre Poulet. Annie Girardot plays the old flame of Greek professor Philippe Noiret. The prof tries to rekindle the flames of passion, but Girardot seems curiously preoccupied. It turns out that she's a detective on the trail of a murderer. The film served as the basis for the 1979 American made-for-TV movie Dear Detective, starring Brenda Vaccaro and Arlen Dean Snyder. A DeBroca-directed sequel, Jupiter's Thigh, was filmed in 1979, again with Annie Girardot and Philippe Noiret. ~ Hal Erickson, Rovi

In this parody of James Bond movies, a dullard of a spy novelist finds himself the subject of an English sociology student's term papers. She travels to his Paris apartment to do her research and their relationship is interspliced with episodes from the writer's newest book that features his popular hero Bob St. Clair, master spy and anithesis to the writer, and his lovely assistant Tatiana, (who is of course, the lookalike of the lovely student). The spy's nemesis is in reality, his pushy publisher. ~ Sandra Brennan, Rovi

Before the Allied invasion of North Africa in World War II, there was still plenty of confusion, and wartime national alliances often conflicted with personal friendships. Valentin (Michel Piccoli), a French black marketer, rescues Basil (Michael York), an English fighter pilot, off the coast of Italian-occupied Libya. The pilot is discovered by the police when Valentin leaves him with friends in order to visit with his Italian girlfriend. As a result, both Valentin and Basil are held in custody. They escape together and flee to the (neutral) Swiss Embassy, where they get help in the form of a car driven by the ambassador's wife. This French-language wartime comedy recounts their adventures on the journey out of Libya. ~ Clarke Fountain, Rovi

An eccentric family in need of money turns their crumbling chateau into a hotel in order to renovate the old place. Repairs are made to the aging structure, but they only have one guest and too many empty rooms. The young granddaughter, with the help of her mechanic boyfriend, manages to make sure all the cars that stop at his garage are in need of overnight repairs. The hotel business soon improves as tourists are stranded and forced to seek lodging at the chateau. Cesar (Yves Montand) leads a trio of bank robbers to the hotel. Posing as aristocratic nobles, the crooks hide out in the splendor of the old house, charming the ladies and winning at poker games to pass the time. The mother of the family offers herself as a lure to draw more guests, who often take advantage of her adulterous yearnings. The hotel business does very well as the family saves their ancestral home after a dubious start in this romantic comedy. ~ Dan Pavlides, Rovi

In this anthology, six French filmmakers each contributed a vignette, offering their take on the history of prostitution. ~ Sandra Brennan, Rovi

The French/Italian/British King of Hearts (Le Roi de Coeur) takes place during World War I, but it might as well have been the Vietnamese conflict so far as its youthful "core" audience was concerned. Overacting outrageously, Adolfo Celi plays British colonel Alexander MacBibenbrook, who orders mild-mannered Scotsman Pvt. Charles Plumpick (Alan Bates) to undertake a life-or-death mission in a tiny French village. While evacuating the town, the Germans have left behind a time bomb that will explode at midnight; Plumpick must defuse that bomb. Upon his arrival in town, Plumpick discovers that it is far from deserted. A group of inmates from the local insane asylum, left behind during the evacuation, have claimed the village for their own. Knocked unconscious, Plumpick awakens to learn that he has been crowned "King of Hearts" by the gentle lunatics. None of the inmates pay any heed to Plumpick's warnings about impending doom, and when he attempts to lead them out of town, they are terrified at the prospect and scurry back to the "safety" of the village. Plumpick is finally able to render the bomb useless, whereupon the grateful inmates decide to stage a three-year celebration. When Plumpick tries to leave, he is kidnapped by the loonies at the behest of beautiful inmate Coquelicot (Geneviève Bujold), who has fallen in love with him. Bound and gagged, Plumpick watches helplessly as the Germans and the British troops kill each other off in comic-opera fashion. Finally set free, Plumpick weighs the horrible insanity of war against the more benign brand of lunacy represented by the inmates. The final image -- of a nude Plumpick carrying a birdcage, knocking on the doors of the asylum, and demanding that he be "accepted" -- was reproduced for the print ads of King of Hearts, effectively giving away the ending. An essential "date" film of the 1970s, King of Hearts was often released to campus movie houses in tandem with a pair of cult-favorite short subjects, the animated Bambi Meets Godzilla and Lenny Bruce's Thank You Masked Man. ~ Hal Erickson, Rovi